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101	Fritz van Emden Müller-Kelwing, Karin 04 June 2021 (has links) No description available. info:eu-repo/classification/ddc/943 ddc:943
102	Identität und Geschichte in autobiographischen Lebenskonstruktionen jüdische und nicht-jüdische Vergangenheitsbearbeitungen in Ost- und Westdeutschland Heinze, Carsten January 1900 (has links) Zugl.: Hamburg, Univ., Diss., 2006
103	MIMO-LIDSKÉ: proměny obrazu člověka v malířství druhé poloviny čtyřicátých až šedesátých let 20. století. Teoretická a metodologická východiska. / BEYOND THE MAN: Transformations of the image of the man in painting from the mid-1940s until the 1960s. Theoretical and methodological principles. Murár, Tomáš January 2019 (has links) The dissertation thesis deals with the interpretation of the "beyond-the-man" concept, which is being interpreted, on one hand, as a part of the art-theoretical and art-historical European modernity of the end of the 19th and beginning of the 20th century, on the other hand, as a theoretical and methodological starting point for an interpretation of the transformation of the human image in the painting of the second half of the 1940s until the beginning of the 1960s. The foundation for such an interpretation is an assumption of the necessary transformation of the intellectual concepts after the World War II, as it was postulated by Theodor W. Adorno and how it was researched by Giorgio Agamben and Miroslav Petříček in the political-philosophical discourse. The thesis thus researches the "beyond-the-man" concept in the theory and history of art of the end of the 19th and beginning of the 20th century in a way of it being as re-formulated art-creative concept after 1945, evident especially in abstract painting. The interpretation of the "beyond-the-man" concept is developed on reading of Fritz Novotny's interpretation of Paul Cézanne's art from the beginning of the 1930s. Novotny in Cézanne's painting described the concept of "beyond-the-man" (Außermenschlichkeit) as a breaking point of the...
104	The provision of education at Medingen mission station since 1881 Mashale, Francinah Koena January 2010 (has links) This research report focuses on the origin and development of the Medingen Mission Station, near Ga-Kgapane in the Limpopo Province, and the provision of education at this station since its establishment in 1881. After an account of missionary endeavours in South Africa during the second half of the nineteenth century (with the emphasis on the activities of the Berlin Missionary Society), an explanation is provided of how missionaries became involved in the weal and woes of the Balobedu tribe. This is followed by an indication of how Reverend Fritz Reuter took the initiative to provide basic education to the inhabitants of Ga-Kgapane and how education provision developed at Medingen since then. Reasons are advanced for the prominence Medingen Primary School currently enjoys and the study concludes with the assertion that Medingen Mission Station can be regarded as an important, though not exclusive source of the Balobedu’s present-day identity. / Educational Foundations / M.Ed. (History of Education) Medingen Missionary education Balobedu Berlin missionary society Ga-Kgapane Fritz Reuter Historical-educational research Educational development Socio-political context Education provision 371.07096825 Medingen Mission Station Missions -- South Africa -- Ga-Kgapane
105	Zur Entwicklung der vereinfachten Schulausgangsschrift der DDR 1968 von Elisabeth Kaestner und Renate Tost Tost, Renate 13 September 2012 (has links) (PDF) Die Veröffentlichung enthält 11 Ausstellungstafeln, die 2008 im Stadtarchiv Dresden gezeigt wurden. Schwerpunkt bildet die Dokumentation der wichtigsten Etappen der Entwicklung der vereinfachten Schulausgangsschrift von den Anfängen 1960 bis zu ihrer Einführung 1968 mit authentischem Bildmaterial. Weitere Ausführungen geben Aufschluss über die inhaltliche Ausgestaltung der Schreiberziehung in der Schule nach der Einführung des vereinfachten Alphabetes. Darüber hinaus werden einige Beispiele zur unterschiedlichen Resonanz dieser bildungspolitischen Maßnahme 1968 in Ost und West zitiert. Mit den Angaben über die Weiterführung der Schulausgangsschrift als SAS im wiedervereinten Deutschland schließt die Ausstellung von 2008 ab. 2012 wurden die 11 Tafeln mit den Lebensdaten der Autorinnen ergänzt. Schulausgangsschrift SAS Schulschrift Ausgangsschrift Schrift Schriftgestaltung Schriftvorlage Schreibvorlageheft Schreibschrift Schönschreibheft Schriftspracherwerb Grundschule Anfangsunterricht Schreibunterricht Schriftunterricht Schulschrift-Kursiv Kursiv Fritz Bärmann Alfred Fairbank Tom Gourdie Elisabeth Kaestner Albert Kapr Renate Tost Stadtarchiv Dresden Ausstellung 2008 ddc:370 rvk:GB 2982 rvk:DP 4000
106	The provision of education at Medingen mission station since 1881 Mashale, Francinah Koena January 2010 (has links) This research report focuses on the origin and development of the Medingen Mission Station, near Ga-Kgapane in the Limpopo Province, and the provision of education at this station since its establishment in 1881. After an account of missionary endeavours in South Africa during the second half of the nineteenth century (with the emphasis on the activities of the Berlin Missionary Society), an explanation is provided of how missionaries became involved in the weal and woes of the Balobedu tribe. This is followed by an indication of how Reverend Fritz Reuter took the initiative to provide basic education to the inhabitants of Ga-Kgapane and how education provision developed at Medingen since then. Reasons are advanced for the prominence Medingen Primary School currently enjoys and the study concludes with the assertion that Medingen Mission Station can be regarded as an important, though not exclusive source of the Balobedu’s present-day identity. / Educational Foundations / M.Ed. (History of Education) Medingen Missionary education Balobedu Berlin missionary society Ga-Kgapane Fritz Reuter Historical-educational research Educational development Socio-political context Education provision 371.07096825 Medingen Mission Station Missions -- South Africa -- Ga-Kgapane
107	Zur Entwicklung der vereinfachten Schulausgangsschrift der DDR 1968 von Elisabeth Kaestner und Renate Tost: 1968 – 2008 \| 40 Jahre Schulausgangsschrift Tost, Renate 13 September 2012 (has links) Die Veröffentlichung enthält 11 Ausstellungstafeln, die 2008 im Stadtarchiv Dresden gezeigt wurden. Schwerpunkt bildet die Dokumentation der wichtigsten Etappen der Entwicklung der vereinfachten Schulausgangsschrift von den Anfängen 1960 bis zu ihrer Einführung 1968 mit authentischem Bildmaterial. Weitere Ausführungen geben Aufschluss über die inhaltliche Ausgestaltung der Schreiberziehung in der Schule nach der Einführung des vereinfachten Alphabetes. Darüber hinaus werden einige Beispiele zur unterschiedlichen Resonanz dieser bildungspolitischen Maßnahme 1968 in Ost und West zitiert. Mit den Angaben über die Weiterführung der Schulausgangsschrift als SAS im wiedervereinten Deutschland schließt die Ausstellung von 2008 ab. 2012 wurden die 11 Tafeln mit den Lebensdaten der Autorinnen ergänzt. info:eu-repo/classification/ddc/370 ddc:370
108	Det filmiska ögat : En undersökning av konstbetraktandets natur i tunnelbanan genom fotomontaget ”Den dagen, den sorgen” på Karlaplans station Ljung, Bo January 2018 (has links) Uppsatsen undersöker konstbetraktandets natur i tunnelbanan genom en närstudie av fotomontaget ”Den dagen, den sorgen på Karlaplans tunnelbanestation i Stockholm. Uppsatsens huvudsakliga frågeställning är: Hur spelar ”Den dagen den sorgen” upp sin mening och hur tas denna emot av betraktaren i tunnelbanekontexten vid Karlaplan? Två underfrågor kompletterar frågeställningen: 1.Vilken är fotomontagets konstnärliga särart och hur är det organiserat narrativt? 2.Hur är tunnelbanans ”genius loci” och hur samverkar konstverket med platsen och rummet? Impetus för uppsatsen är konstverkets säregna och unika karaktär som konstverk. Det finns inget liknande verk i Stockholms tunnelbana. Det lockar, väcker frågor och involverar betraktaren på ett direkt sätt. Syftet med uppsatsen är därför att undersöka mekanismerna för denna betraktaraktiverande rörelse. En fråga som ofta saknas i den omfattande litteraturen om konsten i Stockholms tunnelbana är hur tunnelbanekonsten kommunicerar och tas emot av sina betraktarresenärer. Denna brist motiverar en undersökning av relationen mellan konstverk, betraktare och miljö. Uppsatsen är utförd med hjälp av en deduktiv och systematiskt tolkande arbetsmetod utifrån en receptionsteoretisk och semiotisk teoribildning. De valda frågeställningarna har riktat analysen och fotomontaget har studerats som konstnärligt och språkligt fenomen. Receptionsteorin utgår från Wolfgang Kemps begreppsanalys, vilken är strukturerad i interna och externa faktorer. Peter Gillgren kompletterar Kemp och visar hur betydelsefulla verkets interartiella referenser och den litterära meningen är för den receptionsteoretiska tolkningen. Roland Barthes semiotiska teckenanalys, där denoterande tecken omvandlas till konoterande i betraktarens medvetande, ligger också till grund för tolkningen Texten är uppbyggd av fem delar. De består av inledning, bakgrund, interna faktorer, externa faktorer samt avslutande diskussion med slutsatser och sammanfattning. Genom verkets många interartiella referenser framträder en samhällskritisk litterär mening. För att förmedla denna litterära mening har upphovsmannen medvetet sökt motverka en riskerad polysemi. Kompletterande performativa textremsor, det hyperrealistiska fotografiska bildmediet samt en återhållsamhet med fragment stramar åt och riktar bildens ”betydelse”. Bildens komposition och perspektiv samt en frekvent användning av vakanser och fokaliserande gestalter bjuder in betraktaren i bildens ”spel” och sätter dennes öga i rörelse. Verk, betraktare och miljö möts och förstår varandra i hastiga filmiska ögonblick. Sådan är konstbetraktandets natur på Karlaplans tunnelbanestation. bildkonst tunnelbanekonst politisk konst receptionsteori semiotik Wolfgang Kemp Roland Barthes Peter Gillgren fotomontage dada John Heartfield genius loci Metropolis Fritz Lang Apocalypse Now Mörkrets hjärta Joseph Conrad filmisk arkitektur Le Corbusier Bayeuxtapeten altarskåp Hieronymus Bosch Ebba Grön punk Karlaplan konstvetenskap visuell retorik Johan Eriksson. Larseric Vänerlöf Humanities and the Arts Humaniora och konst
109	Det omättliga ögat Ljung, Bo January 2020 (has links) This is a master thesis dealing with reception-theoretical aspects of the 96 meter long photomontage called That day and that grief, created by the Swedish photographer and artist Larseric Vänerlöf. The artwork is situated in the Karlaplan metro-station in Stockholm. The text is an extension of the master thesis that I wrote in 2017-2018, entitled The Cinematic eye. This new essay aims to deepen the understanding of how the photomontage reveals it´s meaning and how it is received by the viewer in the metro context at Karlaplan. Main questions: 1/ What is it in this big photomontage, that makes the viewing travellers, wanting to stay and watch it, even though they are in a hurry towards another place, in another matter? 2/ How does this artwork speak to me and how does it want me to watch it? 3/ What does the photomontage want to tell me? 4/ What does the work represents? Since my study focuses on the imagery and communication-act of the artwork, I find semiotics and reception-theory as the obvious theoretical tools. Part of the interpretation of the image relates to the semiotics of Roland Barthes and his statement that all images are polysemic and ambiguous and that they are culturally and historically conditioned. In my conclusion I discuss and to some extent challenge the mechanism and interaction between literal, denoting information and symbolic connotation in the viewer’s reception. The reception analysis is based on Wofgang Kemps conceptual apparatus formulated in The work of Art and its Beholder (1998), and Peter Gillgrens concept of interartial references. Hans Georg Gadamers view of art as a performative game complements the essays theoretical construction. I use a deductive and systematic interpretive working method. Based on the chosen semiotic and reception theoretical formation and through my questions, I have studied the phenomenology of the photomontage, i.e. as an artistic and linguistic phenomenon. Empathy in site/location, beholder and zeitgeist form the basis of the methodological work.The conclusions of the thesis are radically different from that of my former text from 2017-18. Imagery and symbolic ambiguities and focalics that refuse to reveal the "meaning" and content of the photomontage, activate the viewer in a performative way and creates a highly communicative work, which involves the viewer in the theatrical course. Through a deeper study of the “zeitgeist”, I have also concluded that the collective and political symbols from the 1970s in the work, have lost power and content at the time of the dismantling in 1982. The character that I previously perceived as "Art as weapon" has in this essay been transformed to "Art as visuality". The art of photography appears as the real subject matter for the photomontage at Karlaplan subwaystation. Larseric Vänerlöf Den dagen och den sorgen offentlig konst tunnelbanekonst politisk konst receptionsteori semiotik Wolfgang Kemp Roland Barthes Peter Gillgren Bengt Olvång Våga se Christer Strömholm Susan Sontag On Photography Hubert Damish The Origin of Perspective Kristina Fridh fotomontage dada genius loci Fritz Lang Metropolis Apocalypse Now Joseph Conrad Mörkrets hjärta Chatarina Dyrssen filmisk arkitektur Le Corbusier Bayeuxtapeten altarskåp Hieronymus Bosch The Garden of earthly Delights Ebba Grön Karlaplan konstvetenskap Johan Eriksson Bo Ljung Humanities and the Arts Humaniora och konst
110	Carl Friedrich Geiser and Ferdinand Rudio : the men behind the first International Congress of Mathematicians Eminger, Stefanie Ursula January 2015 (has links) The first International Congress of Mathematicians (ICM) was held in Zurich in 1897, setting the standards for all future ICMs. Whilst giving an overview of the congress itself, this thesis focuses on the Swiss organisers, who were predominantly university professors and secondary school teachers. As this thesis aims to offer some insight into their lives, it includes their biographies, highlighting their individual contributions to the congress. Furthermore, it explains why Zurich was chosen as the first host city and how the committee proceeded with the congress organisation. Two of the main organisers were the Swiss geometers Carl Friedrich Geiser (1843-1934) and Ferdinand Rudio (1856-1929). In addition to the congress, they also made valuable contributions to mathematical education, and in Rudio's case, the history of mathematics. Therefore, this thesis focuses primarily on these two mathematicians. As for Geiser, the relationship to his great-uncle Jakob Steiner is explained in more detail. Furthermore, his contributions to the administration of the Swiss Federal Institute of Technology are summarised. Due to the overarching theme of mathematical education and collaborations in this thesis, Geiser's schoolbook "Einleitung in die synthetische Geometrie" is considered in more detail and Geiser's methods are highlighted. A selection of Rudio's contributions to the history of mathematics is studied as well. His book "Archimedes, Huygens, Lambert, Legendre" is analysed and compared to E W Hobson's treatise "Squaring the Circle". Furthermore, Rudio's papers relating to the commentary of Simplicius on quadratures by Antiphon and Hippocrates are considered, focusing on Rudio's translation of the commentary and on "Die Möndchen des Hippokrates". The thesis concludes with an analysis of Rudio's popular lectures "Leonhard Euler" and "Über den Antheil der mathematischen Wissenschaften an der Kultur der Renaissance", which are prime examples of his approach to the history of mathematics. 510.92

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