My essay aims to illustrate how an industrial memory is created based on Sandvik AB's premises. Industrial heritage and industrial memory are interrelated, but have different characteristics and conditions. I examine what conditions are required to create an industrial memory in the form of a museum. I describe the problems that exist in the various industrial concepts and contribute with an analysis of the different concepts. I am using Sandvik AB as a case study and by using the identified criteria for an industry memory my essay show the process in which an industrial memory can be created. I further investigate whether Sandvik AB can create a museum based on there industrial heritage. My research proves this fact and I finish the essay by proposing how a Sandvik museum in Sandviken can be designed. My research shows that Sandvik AB fulfills the criteria for being able to create an industrial memory from there industrial heritage. My research contribute with interpretations of the concepts of industrial heritage, industrial memory, living industrial memory and industrial history landscape. My essay shows that an industrial memory can represent a living company which shows against the usual view of an industrial memory as a representative of a discontinued production. My essay also examines two consulting firms which give proposals in creating a museum, a market that can be find outside Sweden. The research also contribute with supplementary proposals for the consulting firms different steps in the process of creating a museum. From a Swedish perspective, this study therefore contributes with a first proposal for the Swedish market in creating a museum.

Industrial heritage and urban regeneration: New perspectives for the district of Atlampa in Mexico City Abstract in English The relationship between cities and industry has been the subject of research ever since the process of industrialization began in the 18th century. The interest around it has only grown once industry started leaving urban centers in the mid 20th century, forcing cities to evolve to fulfill new functions. This posed a challenge to urban planners and heritage professionals, who had to find solutions together to preserve important industrial sites without restraining the city from evolving. The present thesis explores the different approaches commonly used to address this challenge and analyzes their feasibility for the case of Atlampa, a historical industrial district in Mexico City that has stagnated for decades despite showing great urban potential and heritage value. The core of the thesis is a comparative study of former industrial districts with similar circumstances, which were identified through a diagnosis of Atlampa. The comparison analyzes the urban planning and heritage conservation approaches in each case and determines what could be a feasible and desirable strategy for the urban regeneration of Atlampa. Key words industrial heritage - urban regeneration - urban heritage -...

The goal of this diploma thesis was area between the city parts Malomerice and Obrany. After the construction of mill drive, an artificial island was created there. Industrial site with textile factories was established in 1912, however it does not fulfil its original purpose anymore and it is fairly damaged today. My intention was to clear the island and bring back its original form - park, unique place in nature where people acknowledge proximity of the river and cultural activities as well. I designed textile museum in the former factory building. It is accompanied by pavilion of Contemporary textile and fashion and also engineering exhibition. One of the components is an artificial canal for canoeists.

The aim is to create a vision for the future development of a problematic brownfield near the city center of Trenčín. The territory of former MERINO textile factory next to the military barracks, park and railway station is for long neglected, but still valuable in terms of urbanism, industrial heritage and new urban potential. The project will focus on the realistic spatial restructuring of the area and on the search for its new functional content.

The supervising teacher of the Thesis chose two bulidings to be the subject of solution, which were used as warehouses of cocoons. These are the biggest buildings of the premises as for the volume, which stand out for their impressing construction and their area (1493,1 & 1486,6 m2). The distance between them is aprox. 125 m. The systém of construction is the same in both the buildings, it is a wooden timber reinforced brick masonry frame in modular size of 3,6 x 6,15 m. The constructive height of street floor of building A is 4,4 m, building B 3,85 m. The clearence of bulinding A is 3,85 m and for building B 3,27m. The clearance of second floor in both objects is 4,84m. The existing inner staircase has one arm and is of 54 cm in width. There is a cargo lift on its … covered by … for the connecting the floor areas. … … of both the building forms together with wooden pillars elements also … . The windows of 160 cm width are set rytmicaly in three consecutive rows, they ensure max lighting of the interior of the buildings. The roofing of the buildings is made from wooden frame structure and covered by tiles. The roof construction is not covered from bottom and therefor they make an impression of one of the most striking elements in the interior. The clean dispositions, the lenght of the halls of 104 m to the adequate width, the clean construction both the brick and the wooden ones, together with impressive lighting, the all form an enormous value resulting in a unique character as a whole.

В диссертационном исследовании рассматриваются вопросы трансформации промышленных объектов в России. Большинство городов Свердловской области берут свое начало со строительства промышленных производств. С последующим расширением границ поселений, предприятия так и оставались на своих местах – в центральной части города. В настоящее время заводы уже потеряли свою производственную актуальность, и не используемся по назначению, находятся в плачевном техническом состоянии, оказывая негативное влияние на окружающую среду и качество жизни городов. Рациональная трансформация этих индустриальных площадей является сегодня одним из первостепенных вопросов развития городской среды для всей России. Наиболее перспективным вариантом адаптации промышленных объектов является реновация. В работе проведен анализ современных проблем реновации индустриальных объектов, рассмотрен зарубежный и российский опыт реновации. Также рассматриваются экологические и экономические особенности реновации индустриальных объектов. Авторами предлагается методический подход к реновации индустриальных объектов, учитывающий их экологическое состояние. В работе дается оценка эколого-экономической эффективности реновации бывшего железоделательного завода в г. Сысерть. Научная новизна исследования заключается в совершенствовании методического подхода к реновации объектов индустриального наследия с учетом эколого-экономических аспектов. / The dissertation research examines the transformation of industrial facilities in Russia. Most of the cities of the Sverdlovsk region originate from the construction of industrial production. With the subsequent expansion of the boundaries of the settlements, the enterprises remained in their places - in the central part of the city. Currently, the factories have already lost their industrial relevance, and are not used for their intended purpose, are in a deplorable technical condition, having a negative impact on the environment and the quality of life of cities. The rational transformation of these industrial areas is today one of the primary issues in the development of the urban environment for the whole of Russia. The most promising option for adapting industrial facilities is renovation. The paper analyzes modern problems of renovation of industrial facilities, considers foreign and Russian experience in renovation. It also discusses the environmental and economic features of the renovation of industrial facilities. The authors propose a methodological approach to the renovation of industrial facilities, taking into account their ecological state. The paper provides an assessment of the environmental and economic efficiency of the renovation of the former ironworks in Sysert. The scientific novelty of the research lies in the improvement of the methodological approach to the renovation of industrial heritage sites, taking into account the environmental and economic aspects.

[ES] Esta investigación evalúa proyectos arquitectónicos de carácter industrial en Colombia, España y Portugal. Estos incluyen procesos de rehabilitación, recuperación, reutilización y puesta en valor. La evaluación se ha implementado a través de una investigación proyectual de trabajos de arquitectos, urbanistas e ingenieros, desde diferentes contextos históricos y geográficos que muestran desde el estado de uso original factores de impacto hasta su reutilización y cómo, a través del tiempo han evolucionado o no, al cambiar su uso. Los proyectos han sido analizados desde los parámetros de sostenibilidad reflejados en el libro "Versus Heritage for Tomorrow", donde se describen los diferentes puntos que se deben tener en cuenta en la arquitectura sostenible; y bajo la lente de varios documentos para la protección del patrimonio industrial, como el Plan Nacional de Patrimonio Industrial o el Docomomo. Además, a partir del listado de verbos del escultor americano Richard Serra (1939) "Acciones sobre la materia: 1967-1968" (Serra, 2011), se han identificado el tipo de acción que conlleva cada estudio del caso seleccionado. Otro aspecto importante de analizar es el de la tipología por esto es importante nombrar al arquitecto, Carlos Martí Arís, (Arís, 1993) el cual se refiere al tipo como: "El significado que posee un lenguaje no especializado, este equivale a la forma general o conjunto de propiedades que son comunes a un cierto número de individuos u objeto", Tipo es sinónimo de clase, familia, género, es decir una categoría que resulta de aplicar sobre un conjunto de objetos un procedimiento clasificatorio. Entre otros, estos documentos constituyen la base teórica y metodológica sobre la que se basa esta tesis doctoral con el objetivo principal de plantear una metodología de análisis del patrimonio industrial en Colombia, a partir del estudio de nueve estudios de casos en tres contextos geográficos diferentes, con sus respectivas características. / [CA] Aquesta investigació avalua projectes arquitectònics de caràcter industrial a Colòmbia, Espanya i Portugal. Aquests inclouen processos de rehabilitació, recuperació, reutilització i posada en valor. L'avaluació s'ha implementat a través d'una investigació projectual de treballs d'arquitectes, urbanistes i enginyers, des de diferents contextos històrics i geogràfics que mostren des de l'estat original originals factors d'impacte fins a la seva reutilització i com, a través del temps, han evolucionat o no, en canviar-ne l'ús. Els projectes han estat analitzats des dels paràmetres de sostenibilitat reflectits al llibre Versus Heritage for Tomorrow, on es descriuen els diferents punts que s'han de tenir en compte a l'arquitectura sostenible; i sota la lent de diversos documents per a la protecció del patrimoni industrial, com el Pla Nacional de Patrimoni Industrial o el Docomomo. A més, a partir del llistat de verbs de l'escultor americà Richard Serra (1939) Accions sobre la matèria: 1967-1968 (Serra, 2011), s'han identificat el tipus d'acció que comporta cada estudi del cas seleccionat. Un altre aspecte important d'analitzar és el de la tipologia per això és important nomenar l'arquitecte, Carlos Martí Arís, (Arís, 1993) el qual fa referència al tipus com: El significat que posseeix un llenguatge no especialitzat, aquest equival a la forma general o conjunt de propietats que són comunes a un cert nombre d'individus o objecte". Tipus és sinònim de classe, família, gènere, és a dir, una categoria que resulta d'aplicar sobre un conjunt dobjectes un procediment classificatori. Entre d' altres, aquests documents constitueixen la base teòrica i metodològica sobre la qual es basa aquesta tesi doctoral amb l' objectiu principal de plantejar una metodologia d' anàlisi del patrimoni industrial a Colòmbia, a partir de l' estudi de nou estudis de casos en tres contextos geogràfics diferents, amb les seves respectives característiques. / [EN] This research evaluates architectural projects of an industrial nature in Colombia, Spain and Portugal. These include rehabilitation, recovery, reuse and enhancement processes. The evaluation has been implemented through a design investigation of the works of architects, urban planners and engineers, from different historical and geographical contexts that show impact factors from the state of original use to their reuse and how, over time, they have evolved or not, by changing their use. The projects have been analyzed using the sustainability parameters reflected in the book "Versus Heritage for Tomorrow", which describes the different points that must be taken into account in sustainable architecture; and under the lens of various documents for the protection of industrial heritage, such as the National Plan for Industrial Heritage or the Docomomo. In addition, from the list of verbs by the American sculptor Richard Serra (1939-) "Actions on matter: 1967-1968" (Serra, 2011), the type of action involved in each study of the selected case has been identified. Another aspect important to analyze is that of the typology; for this reason, it is important to name the architect, Carlos Martí Arís, (Arís, 1993) who refers to the type as: "The meaning that a non-specialized language has, this is equivalent to the general or set of properties that are common to a certain number of individuals or objects". Type is synonymous with class, family, gender, that is, a category that results from applying a classifying procedure to a set of objects. Among others, these documents constitute the theoretical and methodological basis on which this doctoral thesis is based with the main objective of proposing a methodology for the analysis of industrial heritage in Colombia, based on the study of nine case studies in three different geographical contexts, with their respective characteristics. / Gonzalez Vargas, K. (2023). El patrimonio industrial como elemento de construcción de ciudad y puesta en valor sostenible [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/192879

Cette recherche, fondée sur une enquête de terrain et l’analyse d’archives, vise à comprendre l’histoire et la mise en tourisme des complexes industriels dédiés au sucre ainsi que leur intégration au patrimoine culturel taiwanais. Après une présentation des origines du sucre et de son implantation, nous traiterons de l’histoire économique de l’île de façon chronologique, afin de mieux cerner le contexte de création puis de fermeture des complexes industriels. Puis, en retraçant l’histoire de l’architecture moderne et de l’urbanisme au Japon et dans ses colonies, nous expliquerons quelle a été l’organisation spatiale et l’architecture des sites, conçus comme des modèles avancés de communautés industrielles modernes. Un tour d’horizon des vestiges présents et des éléments disparus permettra de faire un état des lieux du niveau de préservation du patrimoine industriel taiwanais et de découvrir que si certains édifices sont encore en parfait état, d’autres ont parfois subi des destructions ou de lourdes modifications architecturales après 1945. Enfin, le détail de la mise en tourisme des sites à l’heure actuelle nous renseignera d’une part sur les projets de réutilisation décidés pour faire vivre les anciens complexes industriels maintenant transformés en « parcs culturels » et la façon dont les Taiwanais souhaitent mettre en valeur ce patrimoine redécouvert progressivement à partir des années 1990. D’autre part, nous découvrirons quels discours ont été choisi (et par qui) lors de la présentation de l’histoire des sites et de la mémoire ouvrière, dans le contexte sous-jacent de conflits interethniques et politiques intenses que connaît Taiwan depuis plusieurs décennies. / This research, based on a field study and on archives analysis, aims to understand the history and the transition into touristic spots of industrial complexes dedicated to sugar as well as their integration into the Taiwanese cultural heritage. After presenting the origins of sugar and it’s implantation in Taiwan, we will address the island’s economical history in a chronological manner in order to better understand the context in which these industrial complexes were created and later closed. Then, by recounting the history of modern architecture and urbanism in Japan and Japanese colonies, we will explain the spatial and architectural organization of these sites, built as advanced models of modern industrial communities. An overview of the present remains and of the elements that are now gone will enable us to highlight the Taiwanese heritage’s current state of preservation. Furthermore, to point out that even though some buildings are still in perfect condition, others have undergone destruction or heavy architectural modifications after 1945. Finally, detailing of the current transition into touristic venues of these sites will inform us, on one hand, on the projects dedicated to bringing back to life old industrial complexes by transforming them into « cultural parks » and, on the other hand, on the way the Taiwanese want to showcase a heritage they have rediscovered starting in the early nineties. Furthermore, we will bring to light what kind of discourses have been chosen (and by whom), when the history of these sites and their working class memory are presented, in Taiwan’s underlying context of intense inter-ethnic and political conflicts of the past few decades.

L'Alsace a été profondément marquée par l'industrie textile. Depuis près de deux siècles, cet héritage se compose, se transmet puis se démantèle avec les taux de croissance structurels et conjoncturels de l'économie et les crises industrielles. Puis, il se recompose de manières arbitraire, hasardeuse, voire opportune (au-delà de la rationalité plus ou moins assurée de stratégie(s) à court terme), pour former de ce fait un paysage culturel, scientifique, technique et industriel unique à chaque instant. Il est alors tout à fait légitime de se demander comment mettre en mémoire l'évolution de ce tissu industriel ans toute sa complexité ? Trois modes de conservation sont potentiellement exploitables : matérielle (concept de la rétro-présence à la néo-présence), immatérielle (concept de mémo-rétroconstruction) et virtuelle (concept d'aréel, favorisant clairement la prise de position sur des contenus matériels e immatériels à sauvegarder). Même si toutes ces possibilités coexistent, un problème reste entier : quelle trajectoire se dessine pour la conservation du patrimoine de l'industrie textile en Alsace ? La littérature sur la conservation du patrimoine industriel existante depuis les années 1970 tend à délaisser les relations d'interdépendances existantes entre ces trois modes de conservation. Le peu de résultats disponibles ne permet pas d'apprécier ce que pourrait nous apporter une bonne gestion de ces trois modes de conservation combinés. Ce travail de recherche s'est donné comme objectif de proposer des schémas possibles pour définir un nouveau modèle de conservation, basé sur l'exemple du patrimoine industriel textile en Alsace. La première partie de cette étude explique les processus qui ont permis le passage de l'industrie textile en Alsace au statut de patrimoine. Des choix guidés par des pouvoirs discrétionnaires, des logiques de conservation opposables, une discontinuité de ligne de conduite sur des courtes et longues périodes, de réoccupations parfois plus électoralistes que scientifiques, des désengagements d'hommes de responsabilités ou encore le manque de cohérence entre les acteurs ou les institutions... ont orienté la stratégie de la politique de conservation d'une région. Quel état des lieux peut-on dresser aujourd'hui grâce aux sources historiques ? Quels enjeux se profilent à court, moyen et long terme ? La seconde partie pose les mêmes questions, mais cette fois-ci en recherchant les réponses par l'exploitation exclusive de sources médiatiques. Elle interroge la pertinence des processus actuels de conservation du patrimoine de l'industrie textile, qu'ils soient matériel, immatériel ou virtuel avec un regard complémentaire à la première partie de cette étude, celui des journalistes, de la représentation publique et politique. Les sciences de l'information et de la communication apportent-elles de nouveaux horizons à la conservation de patrimoine ? Oui, mais pas seulement. Elles ne se limitent pas au rôle d'outils, mais nous verrons comment elles ont un rôle déterminant dans la reconstruction un patrimoine : elles se mettent collectivement en mouvement avec la société pour la définir, en exploitant tous les sens accumulés dans les sèmes liés au patrimoine industriel textile. Elles reconstituent ainsi une référence collective et formulent des hypothèses de transformation, d'adaptation et de projections futures. Nous verrons alors s'il est envisageable de leur réserver un rôle dans la conservation du patrimoine.La troisième partie met en évidence des convergences et les divergences des trois modes de conservation. Elle propose des solutions concrètes pour l'Alsace, puis des concepts transposables pour ouvrir ce nouveaux processus de conservation vers d'autres régions françaises ou pourquoi pas vers d'autre thématiques. / Alsace has been profoundly marked by the textile industry. For two centuries, its textile heritage has experienced numerous fluctuations, rising and falling according to the structural and cyclical growth rate of the economy and to industrial crises. Fluctuations that, though completely random and uncontrollable (strategies, even short-term, cannot be implemented), have occurred in a timely manner, thus giving rise to constantly changing unique cultural, scientific, technical and industrial landscape.It is thus only right to wonder how the memory of the development of this industrial fabric can be preserved in all its complexity? There are three possible means of preservation: material (retro-presence to neo presence concept), immaterial (concept of memo-retroconstruction) and virtual (concept of what is "areal", clearly promoting position take-up on material and immaterial concepts to be protected). Even if all these possibilities exist side by side, one problem remains unanswered, namely what is the outlook for the preservation of the textile heritage in Alsace? The literature on preservation of industrial heritage available since the 1970s tends to overlook the existing relationships of interdependence between these three modes of preservation. The shortage of results does not allow us to appraise the potential offered by proper management of a combination of these three modes of preservation. This research work thus aims to propose some possible schemes to define a new preservation model, based on the example of the textile industrial heritage in Alsace. The first part of this study explains the processes that have allowed the textile industry in Alsace to accede to heritage status some 200 years ago. Choices guided by discretionary powers, opposable preservation logics, discontinuity in course of action over short and long periods alike, reclaiming more often oriented by lections rather than of a scientific nature, opting-out of those with responsibilities, not to mention the lack of coherence between players and institutions: these are all factors that will guide a Region's preservation policy strategy. What state of affairs can be drawn up today by historical sources? What is the outlook for the future? The second part asks the same questions, but this time seeks for the answers based only on media sources. It questions the pertinence of the current textile heritage preservation processes, material, immaterial and virtual alike, but from a viewpoint different from and complementary to the first part, namely the viewpoint of journalists and public and political contributors. Do communication sciences offer heritage reservation new horizons? Yes they do, but that is not all they offer. We shall see that, far from being mere tool, they play a decisive role in the reconstruction of a heritage, grouping themselves to move with society in order to define it by using all the meanings accumulated in the semes relating to the textile industrial heritage. Through this they form a collective reference, formulating hypotheses for future transformation, adaptation and projections. We shall then see whether it is possible for them to play a role in heritage preservation.The third part highlights the convergences and divergences of the three preservation modes. lt suggest concrete solutions for Alsace, followed by transposable concepts to extend these new preservation processes to other regions in France and, why not, to other areas.

Nowadays there are hundreds of breweries scattered throughout Bohemia, Moravia and Silesia, waiting for their new future. They are either abandoned or in private property. In the worst case they have been deteriorating with no hope of recovery. There are not many left. It is very difficult to find a new function and especially enlightened investor. Important thing is how we will treat with these structures in the future. Will we use this unique potential, or leave this place for a new function? Which way we can choose? What is the potential of these buildings and what they need? This thesis attempts to briefly describe and demonstrate the value of brewery architecture which due to dramatic changes in society became endangered. And to offer possible solutions for the preservation this unique buildings their charm and atmosphere for the next generations.