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Etre ou devenir italien au Caire de 1861 à la première guerre mondiale : vecteurs et formes d'une construction communautaire entre mythe et réalités / Being or becoming italian in Cairo from 1861 until the first world wide war : parameters and characteristics of the building of a community between myths and realityBardinet, Marie-Amélie 18 November 2013 (has links)
Cette étude présente, dans le sillage des travaux sur la construction des identités des communautés italiennes à l’étranger, les modalités de rassemblement et d’unification de la colonie italienne du Caire de 1861 à la Première Guerre mondiale et ses vecteurs identitaires. Elle remet en question à cette occasion la vision littéraire du cosmopolitisme égyptien au XIXe siècle, de cet âge d’or dont on déplore la disparition, tout en mettant en évidence le mouvement véritablement cosmopolite des revendications sociales et indépendantistes du début du XXe siècle. Une étude des liens de sociabilités formels de la colonie italienne du Caire et de son discours identitaire permet en effet d’observer de manière approfondie le discours tenu par les associations de la colonie autour du cosmopolitisme et d’en observer l’inadéquation à la réalité. Le cosmopolitisme est surtout employé comme justification de la présence italienne en Egypte et comme moyen de se démarquer face aux colonies françaises, grecques et anglaises. Par ailleurs la colonie cairote à partir des années 1880 se compose d’une majorité d’ouvriers et artisans. L’étude des sociabilités informelles (liens d’amitié, de parenté, relations de voisinage et de travail) permet d’observer les rapports de la colonie au sens large avec le milieu cairote, qui sont caractérisés par des relations s’inscrivant dans une indifférence réciproque ponctuée de désordres imprévisibles plutôt que dans le cosmopolitisme tant vanté par les textes littéraires. Pourtant ce cosmopolitisme a une réalité car il est présent au cours des luttes sociales du Caire du début des années 1900 à travers l’union des ouvriers italiens, grecs et égyptiens dans les premiers mouvements de grève cairote. L’insertion des anarchistes italiens dans ce contexte permet de relier ces évènements à un mouvement plus global de luttes sociales à travers l’Europe et même l’Amérique latine, annonciateur de modernité. / In the wake of previous works on the building of identities of Italian communities abroad, this study analyses how the Italian community of Cairo took shape from 1861 until the First World Wide War, as well as its identity factors. In doing so, it questions the litterary claim of a true Egyptian cosmopolitism in the ninetieth century, this much missed golden age, but also highlights the truly cosmopolitan movement of social and independence demands of the early twentieth century. Indeed, the study of formal social ties of Cairo Italian colony and its identity discourse leads to great detail on the official speech of its societies about cosmopolitism and puts it largely into perspective. Cosmopolitanism appears to be mainly claimed as a justification of the Italian presence in Egypt and as a way to stand apart from the French, Greek and English colonies. Moreover, the Cairo colony of 1880 consisted mainly of workers and craftsmen. The study of informal social relationships (friendships, family ties, neighborhood and work bonds) shows the links of the colony as a whole with its Cairo environment were characterized by mutual indifference punctuated by unpredictable disturbances - as opposed to the much touted cosmopolitanism claimed by literary texts. Yet cosmopolitism actually did exist as it was present in Cairo social struggles in the early 1900s through the union of Italian, Greek and Egyptian workers during the first strikes ever to happen in the city. The participation of Italian anarchists in this context made these events part of a global movement of social struggles across Europe and even Latin America that were the promise of a new modern era.
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[en] LA QUINTA COLONNA: THE GENERATION OF ITALIANS DIRECTORS IN THE RENOVATION OF BRAZILIAN THEATRE / [pt] A QUINTA COLUNA: A GERAÇÃO DOS DIRETORES ITALIANOS NA RENOVAÇÃO DO TEATRO BRASILEIROALESSANDRA VANNUCCI 26 October 2004 (has links)
[pt] A presença de diretores teatrais italianos (Adolfo Celi,
Ruggero Jacobbi, Luciano
Salce, Flaminio Bollini, Gianni Ratto, Alberto d`Aversa) na
renovação do teatro
brasileiro (década de 1950) remete ao campo teórico de
representação dos
processos de modernização da cultura, entre anseio de
globalização (alcançar o
padrão internacional) e preservação do local (atingir o
Brasil autêntico). A polêmica
entre esteticismo cosmopolita e brasileirismo permea o
debate renovador desde a
sua implantação. Motivada pela missão pioneira de
instalação da cena dirigida, a
transculturação de pessoas e idéias que ocorre com a
interferência da geração dos
diretores italianos no processo de denvolvimento da cena
brasileira oferece recorte
temático privilegiado para narrar os fatos da modernização
da arte no Brasil. Suas
intuições, heranças, oportunidades e invenções perdidas,
investigadas em amplo
acervo de documentos inéditos, sugerem um quadro de
realização somente parcial
do sonho moderno. / [en] The presence of italian directors (Adolfo Celi, Ruggero
Jacobbi, Luciano Salce,
Flaminio Bollini, Gianni Ratto, Alberto d`Aversa) in the
renewal of Brazilian theatre in
the 50`s refers to studies in the field of culture
modernization processes. The
polemics between cosmopolitan estheticism and brasility
has, since the beginning,
pervaded the debate about cultural renovation. Motivaded by
the pioneering mission
of implementing the directed scene, the transit of people
and ideas wich take place
under the interference of that generation of Italian
directors in the process of
development in the Brazilian theatre, give us a special
perspective when narrating
facts about the modernization of art in Brazil. Its
intuitions, its legacy, oportunities
and lost inventions, investigated in a large collection of
undisclosed documents,
suggest only a parcial view of the modern dream.
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An Italian Voice Overseas: War and the Making of National Identity in Cleveland, Ohio, 1910-1920Semelsberger, Daniel B. 01 May 2012 (has links)
No description available.
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Une société mixte dans un cadre colonial : l'exemple de la colonie romaine de Dion (Piérie, Macédoine) du Ier siècle a.C. au IIIe siècle p.C. / A mixed society in a colonial context : the example of the Roman colony of Dion (Pieria, Macedonia) from the 1st century B.C. to the 3rd century A.D.Demaille, Julien 19 January 2013 (has links)
Fondée sur les ordres de Jules César peu de temps avant les Ides de Mars, la colonie de Dion (Piérie, Macédoine) fait partie d’un vaste programme de colonisation qui a touché tout l’empire à l’époque césaro-augustéenne. Les données épigraphiques, rassemblées en un corpus des inscriptions latines et grecques de Dion et de son territoire, permettent d’analyser, dans le temps et dans l’espace, les évolutions d’une société mixte, constituée des colons romains, de leurs descendants et des anciens habitants grecs. Dans cette société qui s’hellénise peu à peu, se met en place un panthéon original qui mêle les divinités romaines aux divinités grecques et orientales. Les éléments de romanité, dominant au début de la période, s’atténuent progressivement, alors que les institutions perdurent jusqu’à une date avancée du Bas-Empire. / Founded on Julius Cesar's orders, shortly before the Ides of March, the Dion colony (Pieria, Macedonia) was part of a large colonization program that involved the whole empire at the Caesar and Augustan time period. The epigraphic data, in the form of a corpus collecting the Latin and Greek inscriptions from Dion and its territory, make it possible to analyse, in time and space, the evolution of a mixed society constituted of Roman settlers and their descendants, as well as native Greeks. In this progressively hellenising society, a distinctive pantheon arises, mixing Roman gods to Greek and Oriental ones. The roman elements, while dominating in the early era, will progressively fade although, the institutions will remain much later during the Late Empire.
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