- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 61 to 64 of 64 (0.032 seconds)Spelling suggestions: "subject:"johann georg"" "subject:"johann heorg""
| 61 |
Johann Georg de Hamilton. Život a dílo / Johann Georg de Hamilton. Life and Work.Ourodová, Ludmila January 2015 (has links)
The content of this dissertation is the life and œuvre of Johann Georg de Hamilton, a relatively obscure painter of hunts, portraits of horses, hunting still-lifes and hunting scenes. Johann Georg de Hamilton (1672-1737), a painter belonging to a famous Scottish family, was influenced in his creative work considerably by the 17th -century Flemish painters of still-lifes and hunting scenes. He was active predominantly in Vienna and in South Bohemia, in service of Adam František, Prince of Schwarzenberg, as well as Karl VI of House Habsburg. He created hunting-themed paintings and portraits of horses to members of both the secular and the ecclesiastic aristocracy of the lands of the Austrian Empire, such as the Houses of Liechtenstein, Serényi, Althan and others. This dissertation is the very first attempt at a monographic analysis of the life and œuvre of this painter. In addition to new bibliographic data, it offers an in-depth insight into the relationship between the person who commissioned his work, Adam František, Prince of Schwarzenberg, and the painter Johann Georg de Hamilton on the basis of extant correspondence, and also attempts to present the painter's œuvre in a cultural-historical and artistic context. The dissertation mentions the first exhibition of a collection of Hamilton's work,...
|
| 62 |
Dewey meets KrünitzSeifert, Hans-Ulrich 24 June 2005 (has links)
Hans-Ulrich Seifert von der UB Trier stellte mit dem von der DFG geförderten Projekt Krünitz ein in jeder Hinsicht außergewöhnliches Digitalisierungsvorhaben vor. Es geht um die 140.000 Druckseiten der in 242 Bänden vorliegenden Oekonomisch-Technologischen Encyklopädie von Johann Georg Krünitz, die zwischen 1773 und 1858 entstand. Die Digitalisierung der 140.000 Druckseiten ist inzwischen erfolgt; als problematisch erwies sich gleichwohl, daß allein der lange Erscheinungszeitraum das seinige dazu tat, daß inhaltlich zusammengehörige Sachverhalte an vielerlei Alphabetstellen auftauchen. Hier setzen die Trierer Fachleute die DDC zur Klassifizierung aller Lemmata und Bilder ein und erreichen eine sachliche Gliederung und eine Gesamtschau, die in der Papierausgabe nicht zu erreichen war. Ein Beispiel: Das Suchwort Bier ergab 2.558 Treffer. Mehr hierzu unter
www.kruenitz.uni-trier.de
|
| 63 |
Imagined Sounds: Their Role in the Strict and Free Compositional Practice of Anton BrucknerBrooks, Jonathan 05 1900 (has links)
The present study develops a dynamic model of strict and free composition that views them as relative to a specific historical context. The dynamic view espoused here regards free embellishments of an earlier compositional generation as becoming the models for a strict compositional theory in a later one. From the newly established strict compositional models, succeeding generations of composers produce new free embellishments. The first part of the study develops the dynamic conception of a continuously emerging strict composition as the context necessary for understanding Anton Bruckner's compositional methodology with respect to the harmonic instruction of his teacher, Simon Sechter. In other words, I view Sechter's harmonic theories as a strict compositional platform for Bruckner's free compositional applications. Many theoretical treatises of the seventeenth, eighteenth and nineteenth centuries such as those by Christoph Bernhard, Johann Philipp Kirnberger and Sechter acknowledged that strict composition must provide the structural framework for free composition. The above procedure becomes a manner of justifying a free embellishment since a "theorist" can demonstrate or assert the steps necessary to connect it with an accepted model from a contrapuntal or harmonic theory. The present study demonstrates that the justification relationship is a necessary component for understanding any theory as a strict/free one. By examining Sechter as a strict methodology for Bruckner, we can view the free applications that the latter develops. Bruckner's own theoretical documents-the marginalia in his personal copy of Sechter's Die Grundsätze der musikalischen Komposition and his lecture notes, Vorlesungen über Harmonie und Kontrapunkt an der Universität Wien, taken by Ernst Schwanzara-provide extensions and elaborations to Sechter's theories. In addition, theorists sympathetic to Sechter's approach and Bruckner's personal students provide further material for understanding Bruckner's free application of Sechter's strict harmonic perspective. The study uses my own observations, as well as the extensions indicated above, to generate the transformations used by Bruckner to elaborate the Sechterian harmonic structure.
|
| 64 |
Johann Friedrich von Uffenbach. Sammler – Stifter – Wissenschaftler / Johann Friedrich von Uffenbach. Collector - Donor - ScientistMeyerhöfer, Dietrich 28 January 2020 (has links)
No description available.
|
Page generated in 0.0384 seconds