- About
-
The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
Search results
Showing 51 to 60 of 60 (0.026 seconds)Spelling suggestions: "subject:"carry"" "subject:"harry""
| 51 |
Une mémoire oublieuse : théorie et pratique de l'énonciation de l'acteur chez Larry Tremblay, Daniel Danis et Christian LapointeCoulombe, Émilie 05 1900 (has links)
Prenant appui sur l’occultation de la mémoire verbale par la théorie théâtrale actuelle, le présent mémoire questionne l’exercice mémoriel des acteurs contemporains à partir de la dialectique mémoire/oubli dans les théories et pratiques de l’énonciation de Larry Tremblay, de Daniel Danis et de Christian Lapointe. Le premier chapitre s’intéresse aux fondements de l’énonciation privilégiés par les praticiens dans leurs discours théoriques – Le crâne des théâtres (Tremblay), « La mémoire intime au théâtre » (Danis), « Petit guide de l’apparition à l’usage de ceux qu’on ne voit pas » (Lapointe) –, plus précisément à la valeur accordée à la mémorisation verbale. Le deuxième s’attache à montrer que les textes dramatiques des auteurs-metteurs en scène – The Dragonfly of Chicoutimi (Tremblay), Mille anonymes (Danis), Sepsis (Lapointe) – engagent aussi un rapport oblique à l’apprentissage par cœur. Enfin, le troisième cherche à définir la notion de mémoire oublieuse à la lumière de laquelle les théories et les pratiques de Tremblay, de Danis et de Lapointe peuvent être analysées ainsi qu’à en identifier certaines conséquences dans leurs mises en scène. / Based on the concealment of verbal memory by theatrical theory, this master’s dissertation questions the memorial exercise of contemporary actors from the memory/oblivion dialectic in the enunciation theories and practices of Larry Tremblay, Daniel Danis and Christian Lapointe. The first chapter focuses on the main foundations of enunciation defended in the theoretical discourses of the practioners – Le crâne des théâtres (Tremblay), « La mémoire intime au théâtre » (Danis), « Petit guide de l’apparition à l’usage de ceux qu’on ne voit pas » (Lapointe) –, more specifically in the value they place on verbal memory. The second chapter shows that their dramatic texts – The Dragonfly of Chicoutimi (Tremblay), Mille anonymes (Danis), Sepsis (Lapointe) – also undertake a slant to learning by heart. Finally, the third chapter seeks to define the concept of forgetful memory in the light of which the theories and practices of Tremblay, Danis and Lapointe can be analyzed and to identify some implications in their staging.
|
| 52 |
賴瑞．克萊默《正常心》及《我的命運》中男同志對全景式迫害的抵抗 / Gay Resistance to Panoptic Persecutions in Larry Kramer's The Normal Heart and The Destiny of Me蔡宜珊, Tsai, Yi Shan Unknown Date (has links)
男同志愛滋病患者的心理狀態一直是美國愛滋病研究的邊疆區域。大多數的國家政策多著重於此一族群的身體狀況以及疾病本身的研究。這些政策往往忽略了自我和解對於男同志愛滋病患者來說的重要性，殊不知自我和解是男同志愛滋病患者對抗全景式迫害的重要策略之一。賴瑞克萊默《正常心》及《我的命運》處處顯示對於此一策略以及國家社會對於男同志愛滋病患之迫害的關注。透過主人公奈得從愛滋鬥士到染病再到自我和解的過程，這兩齣戲劇重砲抨擊了國家社會不公，並同時點出受迫害者對抗這些不公不義的必要性。在此之下，傅科對於權力以及抗拒的討論適足為本論文的理論出發點。本論文藉助傅科的觀點來討論國家社會迫害男同志愛滋病患背後的深層因素，並進一步探討這些被迫害者中可能產生的抗拒策略。本論文分成四個部份：除了導論和結論外，第二章著重美國國家社會對於男同志愛滋病患者的歧視及壓迫，以及形成這些迫害的原因，並進一步檢視《正常心》及《我的命運》裡男同志愛滋病患者的困境。第三章討論這些被迫害者不同的反壓迫策略，以及這些策略對於男同志愛滋病患者身心的影響。 / The psychological condition of the HIV-positive is always peripheral to the governmental studies of HIV/AIDS in the United States. Compared with the governmental studies, Larry Kramer's The Normal Heart (1985) and The Destiny of Me (1992) lay more emphases on the psychological conditions and transformations of the HIV/AIDS patients. These two plays demonstrate the homophobic disciplines and regulations performed against the homosexual HIV-positives in the discourse of HIV/AIDS. In addition, through Ned Weeks's transformation and resistance, these two plays illuminate on the lesson, self-knowledge, and self-reconciliation that empower the diseased gay men to survive in the crisis of HIV/AIDS. This thesis makes resort to the studies of Michel Foucault, particularly his concepts of anatomo-politics and biopolitics as well as his exegeses of the dynamics between the persecutor and the persecuted. Foucault's theories are insightful in understanding the underlying homophobia behind the policies in a normalizing society. His studies envision the possibilities of resistance alongside these homophobic panoptic persecutions.
This thesis is divided into four chapters. The second chapter examines the disciplines and regulations over the diseased homosexuals in The Normal Heart and The Destiny of Me. The third chapter focuses on the transformations of Ned from a polemicist to a reconciliationist as well as his resistance to the panoptic persecutions. The concluding chapter reconfirms that the lesson and growth of a gay HIV-positive patient rests on self-reconciliation.
|
| 53 |
The impacting of Civil Society in Argentina post 1983 : Challenges for Civil Society organizations in monitoring public policies and vitalizing democracyHasangjekaj, Edvin January 2014 (has links)
The aim of this thesis is to examine and analyze different components of the Civil Society in Argentina. Predominantly, two components are at focus: the monitoring process and the vitalization of democracy through the Civil Society. The method conducted to fulfill the purpose of this thesis has been a qualitative approach. Furthermore, primary and secondary sources are used. Primary sources were established through the field study conducted in Argentina, where in-depth interviews with several of NGOs were assembled. Secondary sources were used in order to establish the theoretical approach but also to complement the primary sources in the analytical part. The conclusion in this study is that the component regarding the monitoring process conducted by Civil Society organizations are partially functional, however with several incapacities. Factors explaining the incapacities are due to lack of leverage and resources. The component regarding the vitalization process through the Civil Society has been significant throughout the history of Argentina, and distributing democratic values are essential for the Civil Society. Factors as high degree of polarization amongst citizens and institutions and the extension of governmental authority are however threatening attributes such as moderation, tolerance, compromises, and hence jeopardizing the consolidation phase of democracy.
|
| 54 |
Návrh a implementace obchodního systému v prostředí devizových trhů / Proposal and Implementation of Business System in the Foreign Exchange Market EnvironmentToth, Václav January 2017 (has links)
The master thesis deals with proposal of automated trading system and its implementation in the Foreign exchange market environment. This system will be developed as investment model based on the analyzes performed and then tested on real data to achieve maximum stability and profit.
|
| 55 |
Recklessness and LightMcCord, Kyle, 1984- 08 1900 (has links)
This dissertation contains two parts: Part I, which discusses the methods and means by which poets achieve originality within ekphrastic works; and Part II, Recklessness and Light, a collection of poems. Poets who seek to write ekphrastically are faced with a particular challenge: they must credibly and substantially build on the pieces of art they are writing about. Poems that fail to achieve invention become mere translations. A successful ekphrastic poem must in some way achieve originality by using the techniques of the artist to credibly and substantially build on the art. The preface discusses three ekphrastic poems: W.H. Auden’s “Musée des Beaux Arts,” John Ashbery’s “Self-Portrait in Convex Mirror,” and Larry Levis’ “Caravaggio: Swirl and Vortex.” In order to invent, each of these poets connects time within the paintings to time within the poem. The poets turn to techniques such as imprinting of historical context, conflation, and stranging of perspective to connect their work with the paintings. I examine these methods of generating ekphrastic poems in order to evaluate how these poets have responded to one another and to consider emerging patterns of ekphrastic poetry in the twentieth century.
|
| 56 |
BRIDGING THE GAP: DREW HAYDEN TAYLOR, NATIVE CANADIAN PLAYWRIGHT IN HIS TIMESYoung, Dale J. 04 November 2005 (has links)
No description available.
|
| 57 |
Perspective vol. 5 no. 3 (Jun 1971)Carvill, Robert Lee, Van Til, Karen 24 June 1971 (has links)
No description available.
|
| 58 |
Perspective vol. 5 no. 3 (Jun 1971) / Perspective: Newsletter of the Association for the Advancement of Christian ScholarshipCarvill, Robert Lee, Van Til, Karen 26 March 2013 (has links)
No description available.
|
| 59 |
How the City State Fares Under State Capitalism in the PRC: Local and State-Wide ReformElkins, Alex Gregory January 2012 (has links)
No description available.
|
| 60 |
The Art of Perl: How a Scripting Language (inter)Activated the World Wide WebGomez, Norberto, Jr. 17 April 2013 (has links)
In 1987, computer programmer and linguist Larry Wall authored the general-purpose, high-level, interpreted, dynamic Unix scripting language, Perl. Borrowing features from C and awk, Perl was originally intended as a scripting language for text-processing. However, with the rising popularity of the Internet and the advent of Tim Berners-Lee’s World Wide Web (Web), in the 1990s, Perl soon became the glue-language for the Internet, due in large part to its relationship to the Hypertext Transfer Protocol (HTTP) and the Common Gateway Interface (CGI). Perl was the go-to language for on the fly program writing and coding, gaining accolades from the likes of publisher Tim O’Reilly and hackers alike. Perl became a favorite language of amateur Web users, whom net artist Olia Lialina calls barbarians, or the indigenous. These users authored everything from database scripts to social spaces like chatrooms and bulletin boards. Perl, while largely ignored today, played a fundamental role in facilitating those social spaces and interactions of Web 1.0, or what I refer to as a Perl-net. Thus, Perl informed today’s more ubiquitous digital culture, referred to as Web 2.0, and the social web. This project examines Perl’s origin which is predicated on postmodern theories, such as deconstructionism and multiculturalism. Perl’s formal features are differentiated from those of others, like Java. In order to defend Perl’s status as an inherently cultural online tool, this project also analyzes many instances of cultural artifacts: script programs, chatrooms, code poetry, webpages, and net art. This cultural analysis is guided by the work of contemporary media archaeologists: Lialina and Dragan Espenschied, Erkki Huhtamo and Jussi Parikka. Lastly, the present state of digital culture is analyzed in an effort to re-consider the Perl scripting language as a relevant, critical computer language, capable of aiding in deprogramming the contemporary user.
|
Page generated in 0.0582 seconds