This thesis concentrates on the 1860s migration and settlement experience of the first German settlers of Gramzow on Queensland’s Logan River. It also describes the internal migration of some among them to the North Arm of the Maroochy River in the early 1880s. The latter journey was undertaken in the company of other Germans from the Logan River district and formed part of a pattern of cluster and chain migration to the North Coast. The first chapter in this thesis discusses the early German settlers’ decision to migrate from their homelands, and their economic and societal reasons for migration. The role played by Johann Christian Heussler in the Germans’ choice of Queensland as a destination, and his contributions to the economic development of Queensland through his position as Emigration Agent to the German States, are reviewed. This thesis also attempts to bring balance to the reputation of Godeffroy and Son, the Hamburg shipping line engaged by Heussler, which brought most of the German settlers to Queensland in the 1860s. The company’s visible commercial strengths such as their size and experience in the Pacific, and their private, internal weaknesses such as failure to adopt new technologies, are examined. Conditions on the Godeffroy vessels are compared with the conditions on ships sailing from Hamburg to America. This approach avoids the usual comparison of German with British sailing ships coming into Moreton Bay. Britain’s exemplary standards for passenger health were beyond the reach of emigrant fleets who operated under Hamburg’s older regulations. The research concludes that, in the early 1860s, conditions on the Godeffroy ships for Queensland were superior to Hamburg ships for New York. Furthermore, this thesis describes the 1868 German settlement of Gramzow on the Logan River and compares it to Bethania. The significance of Queensland’s 1868 lands legislation to the German settlers is explored. It is suggested that the 1868 Crown Lands Alienation Act is connected to the U.S. Homestead Act, 1862, and a comparison is drawn between the Australian, American and Canadian lands settlement legislation. This comparison enables the further suggestion that homestead selectors of the Logan were part of an international group of homesteaders whose occupational identity was tied to opening the land to agricultural smallholding at little cost through many similar or identical legislative rules that predominantly impacted their economic standing positively. How land orders enabled Logan settlers to increase their land holdings is discussed, as are the negative aspects of the lands legislation such as the upper 160 acre limit on land holding. The migration of early German settlers of the Logan district north to Maroochy occurred under Queensland’s 1876 lands legislation. This thesis examines the settlement of Germans on the Canando Run along the North Arm of the Maroochy River in the early 1880s, and describes their settlement conditions. Their motives for moving are examined, how the discovery of gold at Gympie affected them is explored, and the establishment of three German businesses at Maroochy is described. A chart comparing the settlers’ land holdings on the Logan with those at Maroochy illustrates that by moving north, some settlers were able to increase their land holdings threefold. The disappearance of Deutschtum (‘German culture’) after the turn of the century is examined in the final chapter. This thesis asks whether it is appropriate to continue to use the term ‘assimilation’ when speaking of Queensland’s German settler community before and during the First World War. The term appears to draw a veil over the political and economic subjugation of the community during this period. The thesis proposes that it was easier to survive the difficulties of war in rural rather than in urban communities. Although the historiography of the German settlers of Queensland supports an academic conversation on topics such as German emigration, land acquisition and settlement, this thesis focuses on issues outside the boundaries of the current academic thrust. These issues include the settlement of Gramzow in 1868, the homestead provisions in the 1868 Crown Lands Alienation Act and their origins in lands legislation in America, the services provided through Johann Christian Heussler by the German emigrant shipping line ‘Godeffroy and Son,’ the settlement of the North Arm of the Maroochy River by Logan Germans in the early 1880s, and a rejection of the term ‘assimilation’ to describe the eradication of German culture in Queensland after 1914. The leitmotif of this thesis is cultural identity and it explores change in German settlers through various aspects of their identity such as their psychological identity, diasporic experiences, language, and legal and political identity after taking citizenship.

This thesis concentrates on the 1860s migration and settlement experience of the first German settlers of Gramzow on Queensland’s Logan River. It also describes the internal migration of some among them to the North Arm of the Maroochy River in the early 1880s. The latter journey was undertaken in the company of other Germans from the Logan River district and formed part of a pattern of cluster and chain migration to the North Coast. The first chapter in this thesis discusses the early German settlers’ decision to migrate from their homelands, and their economic and societal reasons for migration. The role played by Johann Christian Heussler in the Germans’ choice of Queensland as a destination, and his contributions to the economic development of Queensland through his position as Emigration Agent to the German States, are reviewed. This thesis also attempts to bring balance to the reputation of Godeffroy and Son, the Hamburg shipping line engaged by Heussler, which brought most of the German settlers to Queensland in the 1860s. The company’s visible commercial strengths such as their size and experience in the Pacific, and their private, internal weaknesses such as failure to adopt new technologies, are examined. Conditions on the Godeffroy vessels are compared with the conditions on ships sailing from Hamburg to America. This approach avoids the usual comparison of German with British sailing ships coming into Moreton Bay. Britain’s exemplary standards for passenger health were beyond the reach of emigrant fleets who operated under Hamburg’s older regulations. The research concludes that, in the early 1860s, conditions on the Godeffroy ships for Queensland were superior to Hamburg ships for New York. Furthermore, this thesis describes the 1868 German settlement of Gramzow on the Logan River and compares it to Bethania. The significance of Queensland’s 1868 lands legislation to the German settlers is explored. It is suggested that the 1868 Crown Lands Alienation Act is connected to the U.S. Homestead Act, 1862, and a comparison is drawn between the Australian, American and Canadian lands settlement legislation. This comparison enables the further suggestion that homestead selectors of the Logan were part of an international group of homesteaders whose occupational identity was tied to opening the land to agricultural smallholding at little cost through many similar or identical legislative rules that predominantly impacted their economic standing positively. How land orders enabled Logan settlers to increase their land holdings is discussed, as are the negative aspects of the lands legislation such as the upper 160 acre limit on land holding. The migration of early German settlers of the Logan district north to Maroochy occurred under Queensland’s 1876 lands legislation. This thesis examines the settlement of Germans on the Canando Run along the North Arm of the Maroochy River in the early 1880s, and describes their settlement conditions. Their motives for moving are examined, how the discovery of gold at Gympie affected them is explored, and the establishment of three German businesses at Maroochy is described. A chart comparing the settlers’ land holdings on the Logan with those at Maroochy illustrates that by moving north, some settlers were able to increase their land holdings threefold. The disappearance of Deutschtum (‘German culture’) after the turn of the century is examined in the final chapter. This thesis asks whether it is appropriate to continue to use the term ‘assimilation’ when speaking of Queensland’s German settler community before and during the First World War. The term appears to draw a veil over the political and economic subjugation of the community during this period. The thesis proposes that it was easier to survive the difficulties of war in rural rather than in urban communities. Although the historiography of the German settlers of Queensland supports an academic conversation on topics such as German emigration, land acquisition and settlement, this thesis focuses on issues outside the boundaries of the current academic thrust. These issues include the settlement of Gramzow in 1868, the homestead provisions in the 1868 Crown Lands Alienation Act and their origins in lands legislation in America, the services provided through Johann Christian Heussler by the German emigrant shipping line ‘Godeffroy and Son,’ the settlement of the North Arm of the Maroochy River by Logan Germans in the early 1880s, and a rejection of the term ‘assimilation’ to describe the eradication of German culture in Queensland after 1914. The leitmotif of this thesis is cultural identity and it explores change in German settlers through various aspects of their identity such as their psychological identity, diasporic experiences, language, and legal and political identity after taking citizenship.

Inelastic price responses, demand hardening, and poor public awareness reduce the effectiveness of demand side strategies on water savings. This project quantified phycological household’s factors of attitudes, peer support, opportunities on water conservation with two social-environmental management strategies of encouragement and peer pressure. An agent-based model was populated with data for Logan, Utah using surveys, municipal billing, aerial imagery, weather monitoring stations, and flow, frequency, and durations of appliance use data. Results indicated those households with higher attitudes, peer support and opportunities saved the most water while peer pressure saved more than encouragement when using small and diverse social networks that could better regulate the behavior of outlier households within the network. Combined peer pressure and encouragement saved the most water as each strategy complimented one other. Managers can use results to identify and target large use households. Managers should recommend opportunities to conserve water through monthly bills and provide platforms for households to share their water use stories and information with each other.

Hydrogeologic investigations were conducted on the drainage systems of an area of the Pennyroyal sinkhole plain of south central Kentucky. The degree of karstification of five area streams was studied to develop an understanding of the evolution of drainage as the landscape changes from a sandstone caprock plateau to a limestone sinkhole plain. The Chester Upland, capped by the Big Clifty Sandstone, possesses predominantly surface drainage and the Pennyroyal Plain, formed on Mississippian limestones, possesses considerable subsurface drainage. As the Chester Upland Escarpment retreats and surface streams are onto the limestones, the streams evolve to become subsurface streams. The five streams observed in the study (all flowing on limestones) demonstrated less karst development close to the Chester Escarpment and more karst development with increasing distance from the escarpment. Sediments derived from the escarpment and plateau blanket the stream beds thus perching the streams and preventing chemically aggressive water from forming karst solution features in the limestones. The streams farther away from the escarpment are removed from the sediment source and are therefore able to downcut into the limestone and invade the subsurface to become cave streams. Lithologic investigation of limestones exposed in stream beds revealed that minor resistant units can act to diminish downcutting and maintain short sections of surface flow. The stream investigated was not flowing on a perching layer, but instead was held on the surface by a stratigraphic control (spillover layer) that prevented subterranean stream invasion. Dye traces conducted on groundwater flow in the sinkhole plain revealed that the area drainage pattern is changing as surface streams invade the subsurface and that integration between drainage basins is taking place. Stream piracy and stream diversion are occurring in the subsurface causing alteration of the existing topographic drainage divides that developed before the surface streams invaded the subsurface. A general model is presented which shows the evolution of surface drainage to subsurface drainage, as the Chester Escarpment continues its northwestward retreat.

In the case of Concerto for Orchestra, Béla Bartók transcribed one of his most emblematic orchestral compositions to his own solo instrument, the piano. This transcription's primary function was to suffice for ballet rehearsal accompaniment for the choreography to be introduced alongside a performance of the orchestral work. György Sándor, Bartók's pupil and pianist, prepared the original manuscript for publication. Logan Skelton, pianist-composer, used this published edition as a point of departure for his own piano arrangement of the same work. György Sándor took an editorial approach to the score and followed the manuscript as literally as possible. On the other hand, Logan Skelton treated the same musical material daringly, striving for technical simplicity and a richer orchestral sound. The purpose of this study is to examine and identify the contrasting treatments pertaining to playability, text, and texture in the Bartók-Sándor edition and Skelton arrangement of the two movements, Elegia and Finale, of the Concerto for Orchestra piano arrangement.György Sándor took an editorial approach to the score and followed the manuscript as literally as possible. On the other hand, Logan Skelton treated the same musical material daringly, striving for technical simplicity and a richer orchestral sound. The purpose of this study is to examine and identify the contrasting treatments pertaining to playability, text, and texture in the Bartók-Sándor edition and Skelton arrangement of the two movements, Elegia and Finale, of the Concerto for Orchestra piano arrangement.

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Underneath the romance, comedy and exoticism, South Pacific is a story that questioned core American values, exploring issues of race and power at a time when these topics were intensely relevant-the original opened just four years post WWII, on the heels of Roosevelt's aggressive expansionist response to domestic instabilities. Much has been written about the depiction of war and racial prejudice in South Pacific. However, examining such topics in the context of their cultural and political moment (both in 1949 and 2008) and through the lens of Terry Eagleton's unique take on morality, is not only a fascinating study, but an intensely relevant and unchartered endeavor. This work concerns the evolution of an American code of ethics as it has been reflected and constructed in both Broadway productions of Roger and Hammerstein's South Pacific (c.1949, 2008). Specifically, it examines the depiction of WWII, America's imperialistic foreign policy, and the function of American patriotism in light of Terry Eagleton's theories surrounding an evolving code of ethics in 20th/21st century America. By so doing, this thesis uncovers answers to the following questions: What were the cultural and political forces at work at the time South Pacific was created (both in 1949 and 2008), and how did these forces influence the contrasting depictions of war, imperialism and patriotism in each version of the musical? In what ways were these productions reflective of a code of ethics that evolved from what Eagleton would classify as moral realism (prescriptive of behavior) to moral nihilism (reflective of behavior)? How did the use of this increasingly reflexive moral code make this politically controversial musical more palatable, and therefore commercially viable during the contrasting political climates of WWII and the recent war on Iraq? Determining answers to questions such as these enables us as a society to look back on our history-on our mistakes and triumphs-and recognize our tendency to find pragmatic justification for our actions rather than acknowledging the possibility of the existence of objective truth, which remains unchanged through time and circumstance.

In the nineteenth century, theatre and newspapers were the dominant expressions of popular culture in the northeastern United States, and together formed a crucial discursive node in the ongoing negotiation of American national identity. Focusing on the five decades between 1820 and 1870, during which touring stars from Great Britain enjoyed their most lucrative years of popularity on United States stages, this dissertation examines three instances in which English performers entered into this nationalizing forum and became flashpoints for journalists seeking to define the nature and bounds of American citizenship and culture. In 1821, Edmund Kean’s refusal to perform in Boston caused a scandal that revealed a widespread fixation among social elites with delineating the ethnic and economic limits of citizenship in a republican nation. In 1849, an ongoing rivalry between the English tragedian William Charles Macready and his American competitor Edwin Forrest culminated in the deadly Astor Place riot. By configuring the actors as champions in a struggle between bourgeois authority and working-class populism, the New York press inserted these local events into international patterns of economic conflict and revolutionary violence. Nearly twenty years later, the arrival of the Lydia Thompson Burlesque Troupe in 1868 drew rhetoric that reflected the popular press’ growing preoccupation with gender, particularly the question of woman suffrage and the preservation of the United States’ international reputation as a powerfully masculine nation in the wake of the Civil War. Three distinct cultural currents pervade each of these case studies: the new nation’s anxieties about its former colonizer’s cultural influence, competing political and cultural ideologies within the United States, and the changing perspectives and agendas of the ascendant popular press. Exploring the points where these forces intersect, this dissertation aims to contribute to an understanding of how popular culture helped shape an emerging sense of American national identity. Ultimately, this dissertation argues that in the mid-nineteenth century northeastern United States, popular theatre, newspapers, and audiences all contributed to a single media formation in which controversial English performers became a rhetorical antipode against which “American” identity could be defined. / text

This thesis addresses critical conceptions of Scottish literary development in the twentieth-century which inscribe realism as both the authenticating tradition and necessary telos of modern Scottish writing. To this end I identify and explore a Scottish ‘counter-tradition’ of modern uncanny fiction. Drawing critical attention to techniques of modal disruption in the works of a number of post-1970s Scottish writers gives cause to reconsider that realist teleology while positing a range of other continuities and tensions across modern Scottish literary history. The thesis initially defines the critical context for the project, considering how realism has come to be regarded as a medium of national literary representation. I go on to explore techniques of modal disruption and uncanny in texts by five Scottish writers, contesting ways in which habitual recourse to the realist tradition has obscured important aspects of their work. Chapter One investigates Ali Smith’s reimagining of ‘the uncanny guest’. While this trope has been employed by earlier Scottish writers, Smith redesigns it as part of a wider interrogation of the hyperreal twenty-first-century. Chapter Two considers two texts by James Robertson, each of which, I argue, invokes uncanny techniques familiar to readers of James Hogg and Robert Louis Stevenson in a way intended specifically to suggest concepts of national continuity and literary inheritance. Chapter Three argues that James Kelman’s political stance necessitates modal disruption as a means of relating intimate individual experience. Re-envisaging Kelman as a writer of the uncanny makes his central assimilation into the teleology of Scottish realism untenable, complicating the way his work has been positioned in the Scottish canon. Chapter Four analyses A.L. Kennedy’s So I Am Glad, delineating a similarity in the processes of repetition which result in both uncanny effects and the phenomenon of tradition, leading to Kennedy’s identification of an uncanny dimension in the concept of national tradition itself. Chapter Five considers the work of Alan Warner, in which the uncanny appears as an unsettling sense of significance embedded within the banal everyday, reflecting an existentialism which reaches beyond the national. In this way, I argue that habitual recourse to an inscribed realist tradition tends to obscure the range, complexity and instability of the realist techniques employed by the writers at issue, demonstrating how national continuities can be productively accommodated within wider, pluralistic analytical approaches.