Both historiographical and literary practices have undergone revision in recent years in attempting to address the inheritance of nineteenth-century realism. Since the object of realist stylistics, employed in both the writing of fiction and history, is to render authorship authoritative or even invisible, the ideological import of these narratives is often such that the constructedness of the historical record and its absences are veiled. In developments beginning in the 1980s with the advent of ‘New Historicism’ and with the emergence of postmodern literary techniques, the interface of literature and history became of seminal importance, since both were now credited as being products of narrative and discourse, and hence, to varying degrees, of the literary imagination. This movement intersects interestingly with developments in postcolonial studies, since it is the voices of the marginalized and disempowered colonized peoples that are routinely co-opted and excised from nineteenth-century realist histories. These concerns are now being fully explored in the literature of the contemporary post-transitional South African moment, since authors in this country seemingly now feel freed up to look back to histories that precede the immediate traumas of apartheid. The concern, in relation to apartheid developments but also on a broader universal scale, is this: if history is viewed as perpetual emergences of modernities, then one of the great absences in the record is the historical determinants of any given epistemology. The attempt to recreate such an epistemological genealogy is thus simultaneously postcolonial, historiographical, and literary. Russel Brownlee’s Garden of the Plagues (2005), Ingrid Winterbach’s To Hell with Cronjé (2010), and Etienne van Heerden’s The Long Silence of Mario Salviati (2002) attempt to bridge this gap in the recorded sensibilities of any historical moment by representing a ‘lived experience’ of the past, and in the process imaginatively recreating the cultural, historical and psychological locations of the proponents of an emerging modernity. This study concerns itself with the ways in which these authors address the influence of realist historiography through the use of literary innovations that allow for the departure from realist stylistics. Most commonly, all three authors draw on forms of magic realism, but multiple refigurings and recombinations of notions of temporality, narrative, and characterization likewise work to defamiliarize the once stable discourse of history.

Notre travail s'inscrit dans une perspective d'histoire de la littérature et cherche à conduire une réflexion globale sur la nature, la signification et la portée de l’utilisation de l’apocryphe chez l'écrivain espagnol Max Aub (Paris, 1903, Mexico, 1972). Le procédé sous-tend l'ambitieux projet de "El Laberinto Mágico" _Le Labyrinthe Magique ̶, qui regroupe les œuvres consacrées à la guerre civile espagnole. Max Aub rompt avec une première pratique expérimentale de la littérature pour se focaliser désormais sur le jeu d’un personnage résolument plongé dans l’Histoire, et la création du personnage apocryphe prend chez l'auteur une valeur de témoignage existentiel, qui dépasse la dimension ludique du mélange entre fiction et réalité. Dans un siècle caractérisé par les guerres et la violence, chez un auteur profondément marqué par la guerre civile espagnole et la douloureuse expérience du déracinement, le personnage apocryphe renvoie aussi à la question identitaire, autant qu’à l’expérience de l’altérité et à l’exploration d’autres possibles itinéraires existentiels. Cette exploration des limites du genre narratif contribue à la résolution de la « crise du roman » des années vingt, s'inscrit dans une double perspective européenne et nationale, et s'ancre dans l'Histoire au point de donner de celle-ci une vision nouvelle. / This doctoral thesis has benn aproached in a perspective of history of literature, and aims to consider a global thought about the nature, the meaning and the impact of the use of the apocryphal for the Spanish writer Max Aub (Paris, 1903, Mexico City, 1972). The process underpins the ambitious project of "El Laberinto Mágico" ̶The Magic Labyrinth ̶, which groups together the works dedicated to the Spanish Civil War. Max Aub breaks with a first experimental practice of literature to focus from this point onward on the game of a character firmly immersed in History. The creation of the apocryphal character takes for the author a value of existential testimony, which goes beyond the playful dimension of the fiction and reality mix. In a century characterized by wars and violence, in an author deeply marked by the Spanish Civil War and the painful uprooting experience, the apocryphal character also goes back to the question of identity, as well as the otherness experience , and the exploration of the other possible existential paths. This exploration of the limits of the narrative genre contributes to the resolution of the "crisis of the novel" in the twenties, it is also part of a double perspective, national and European, and is anchored in History, to the point where it gives of it a new vision.

This thesis focuses on the theoretical conception of the Balance of Payment, its method of adjustment and stress the development of the Czech republic's Balance of Payment in period 2000 -- 2010 via analytical-descriptive approach. It defines its basic terms practical relations within framework of the horizontal and vertical outlook. Thesis's Attention is spread out between status and flow quantity. Thesis is also consist of three boxes that contain a short profile of intertemporal approach to the Common Account, sustainability of investment position and excursion to the essential theories of foreign currency exchange rate that is related to the Balance of payment tight. The end is dedicated to the "traditional" indicators of external equilibrium of the Czech republic in pre-monetary crisis era and in the present.

Aujourd'hui, nous sommes tous témoins d'une compétition des installations en pays différents pour étudier les régions inconnues de noyaux riches en neutrons. Beaucoup d'efforts sont consacrés à comprendre le rôle de l'excès de neutrons et son influence sur les noyaux dans les environs de coquilles de neutrons fermées. Un des moyens pour étudier la structure nucléaire est via la désintégration bêta. Une fois un noyau est prouvé d'exister, ses propriétés de désintégration bêta, comme T1/2 et Pn (probabilité de l'émission de neutrons de bêta-retardés), qui sont relativement faciles à mesurer, peuvent fournir les premiers indices sur la structure nucléaire. Sur le site de processus-r des «points d'attente» (noyaux sur des coquilles de neutrons fermés) ont des effets importants sur la dynamique processus-r ainsi que sur la distribution de l'abondance des éléments. Les conditions astrophysiques exactes en vertu de desquelles la synthèse nucléaire a lieu ne sont pas connus avec certitude. Parce que les noyaux participant en processus-r sont difficiles à synthétiser même aujourd'hui et à étudier expérimentalement, les paramètres nécessaires pour les calculs du processus-r sont principalement dérivés de modèles théoriques. Comme on l'a vu récemment, la plupart des théories n'ont pas réussi à reproduire des ensembles de données nouvellement mesurées près de fermetures de couche. Avec de nouvelles données expérimentales déjà (ou bientôt) disponibles les approches théoriques peuvent être ajustées. Comme émission de neutrons retardée bêta devient plus importante voie le canal dominant en désintégration des noyaux loin d'un stabilité, l'utilisation d'un détecteur de neutrons approprié afin d'étudier leurs propriétés est indispensable. C'est pour mener la recherche appropriée que dans le cadre de la thèse, en étroite collaboration avec le JINR (Dubna) un nouveau système de détection a été construit. Il se compose de 80 compteurs de ³He, un détecteur 4π de bêta et un HPGe afin de mesurer simultanément l'activité de gamma, bêta et neutrons. Le développement d'un tel système de détection, actuellement installé sur ALTO, a été le premier objectif de la thèse. Puis, au cours de deux campagnes expérimentales menées pour examiner les propriétés de désintégration bêta de noyaux riches en neutrons dans le proximité de N = 50, N = 82 la capacité de travail du système de détection produit a été prouvée. Dans le région de ⁷⁸Ni : le temps de vie et de la probabilité de l'émission de neutrons bêta retardés pour ⁸º,⁸²,⁸³,⁸⁴Ga ont été mesurés. Nous sommes les premiers à observer la structure de ⁸¹,⁸² Ge via spectroscopie gamma spectre conditionnée par bêta et par neutron. Grâce à la détection des neutrons les intensités absolues de la désintégration bêta ont été proposées pour la première fois. Dans le région de ¹³²Sn les temps de vie de ¹²³Ag, ¹²⁴Ag, ¹²⁵Ag et ¹²⁷In, ¹²⁸In ont été mesurées. Pour la première fois l'émission de neutrons retardés bêta a été observée pour le cas de ¹²⁶Cd, sa valeur Pn également mesurée. Sur la base des données obtenues, nous arrivons à la conclusion que, pour déterminer la contribution relative de désintégrations permises et interdites les efforts théoriques doivent être faites en traversant la couche N = 50. Alors que dans le région de N = 82 plus de données expérimentales sont nécessaires. / Nowadays we are all witnesses of a competition of facilities at different countries to study unknown regions of neutron rich nuclei. Much efforts are devoted to understand the role of neutron excess and its influence on nuclei in vicinity of closed neutron shells. One of the means to investigate nuclear structure is in beta-decay. Once a nucleus is proven to exist, its beta-decay properties, such as T1/2 and Pn (probability of beta-delayed neutron emission), which are relatively easy to measure, can provide the first hints on the nuclear structure. On the r-process site, "waiting points"(nuclei on closed neutron shells) has significant effects on the r-process dynamics and the abundance distribution. The actual side and the astrophysical conditions under which the nuclear synthesis takes place are still not certainly known - since r-process nuclei are difficult to produce and to study experimentally, input parameters for r-process calculations are mostly derived from theoretical models. As it has been seen lately, most of the theories have failed to reproduce newly measured data sets near shell closures. With new experimental data already (or shortly) available theoretical approaches can be adjusted. Since a beta-delayed neutron emission becomes strong if not dominating decaying channel for nuclei far stability, a proper neutron detector to study their properties is indispensable. To conduct the appropriate investigations, in the frame of the present thesis, in close collaboration with JINR (Dubna) a new detection system was constructed. It consists of 80 ³He-filled counters, 4π beta detector and a HPGe in order to measure simultaneously beta, gamma, neutron activity. The development of such a detection system system, currently installed at ALTO ISOL facility, was the first objective of the thesis. Then, during two experimental campaigns conducted to investigate beta decay properties of neutron rich nuclei in the neighborhood of N=50, N=82 the workability of the newly produced detection system was proven. In the vicinity of ⁷⁸Ni: half- lives and probability of beta-delayed neutron emission for ⁸º,⁸²,⁸³,⁸⁴Ga were measured. We were the first to observe the structure of ⁸¹,⁸² Ge via beta neutron gated gamma spectra. Thanks to the neutron detection channel the absolute intensities of beta decay were proposed for the first time. In the vicinity of ¹³²Sn the half lives of ¹²³Ag, ¹²⁴Ag, ¹²⁵Ag and ¹²⁷In, ¹²⁸In was measured. For the first time the beta delayed neutron emission was observed for ¹²⁶Cd, its Pn value also measured. Based on the data obtained we come to the conclusion that to figure out the relative contribution of allowed and forbidden decays more theoretical efforts should be done crossing the N=50 shell. Whereas in the vicinity of N=82 shell more experimental challenge are required.

Information visualization is an important research field concerned with making sense and inferring knowledge from data collections. Graph visualizations are specific techniques for data representation relevant in diverse application domains among them biology, software-engineering, and business finance. These data visualizations benefit from the display space provided by novel interactive large display environments. However, these environments also cause new challenges and result in new requirements regarding the need for interaction beyond the desktop and according redesign of analysis tools. This thesis focuses on interactive magic lenses, specialized locally applied tools that temporarily manipulate the visualization. These may include magnification of focus regions but also more graph-specific functions such as pulling in neighboring nodes or locally reducing edge clutter. Up to now, these lenses have mostly been used as single-user, single-purpose tools operated by mouse and keyboard. This dissertation presents the extension of magic lenses both in terms of function as well as interaction for large vertical displays. In particular, this thesis contributes several natural interaction designs with magic lenses for the exploration of graph data in node-link visualizations using diverse interaction modalities. This development incorporates flexible switches between lens functions, adjustment of individual lens properties and function parameters, as well as the combination of lenses. It proposes interaction techniques for fluent multi-touch manipulation of lenses, controlling lenses using mobile devices in front of large displays, and a novel concept of body-controlled magic lenses. Functional extensions in addition to these interaction techniques convert the lenses to user-configurable, personal territories with use of alternative interaction styles. To create the foundation for this extension, the dissertation incorporates a comprehensive design space of magic lenses, their function, parameters, and interactions. Additionally, it provides a discussion on increased embodiment in tool and controller design, contributing insights into user position and movement in front of large vertical displays as a result of empirical investigations and evaluations. / Informationsvisualisierung ist ein wichtiges Forschungsfeld, das das Analysieren von Daten unterstützt. Graph-Visualisierungen sind dabei eine spezielle Variante der Datenrepräsentation, deren Nutzen in vielerlei Anwendungsfällen zum Einsatz kommt, u.a. in der Biologie, Softwareentwicklung und Finanzwirtschaft. Diese Datendarstellungen profitieren besonders von großen Displays in neuen Displayumgebungen. Jedoch bringen diese Umgebungen auch neue Herausforderungen mit sich und stellen Anforderungen an Nutzerschnittstellen jenseits der traditionellen Ansätze, die dadurch auch Anpassungen von Analysewerkzeugen erfordern. Diese Dissertation befasst sich mit interaktiven „Magischen Linsen“, spezielle lokal-angewandte Werkzeuge, die temporär die Visualisierung zur Analyse manipulieren. Dabei existieren zum Beispiel Vergrößerungslinsen, aber auch Graph-spezifische Manipulationen, wie das Anziehen von Nachbarknoten oder das Reduzieren von Kantenüberlappungen im lokalen Bereich. Bisher wurden diese Linsen vor allem als Werkzeug für einzelne Nutzer mit sehr spezialisiertem Effekt eingesetzt und per Maus und Tastatur bedient. Die vorliegende Doktorarbeit präsentiert die Erweiterung dieser magischen Linsen, sowohl in Bezug auf die Funktionalität als auch für die Interaktion an großen, vertikalen Displays. Insbesondere trägt diese Dissertation dazu bei, die Exploration von Graphen mit magischen Linsen durch natürliche Interaktion mit unterschiedlichen Modalitäten zu unterstützen. Dabei werden flexible Änderungen der Linsenfunktion, Anpassungen von individuellen Linseneigenschaften und Funktionsparametern, sowie die Kombination unterschiedlicher Linsen ermöglicht. Es werden Interaktionstechniken für die natürliche Manipulation der Linsen durch Multitouch-Interaktion, sowie das Kontrollieren von Linsen durch Mobilgeräte vor einer Displaywand vorgestellt. Außerdem wurde ein neuartiges Konzept körpergesteuerter magischer Linsen entwickelt. Funktionale Erweiterungen in Kombination mit diesen Interaktionskonzepten machen die Linse zu einem vom Nutzer einstellbaren, persönlichen Arbeitsbereich, der zudem alternative Interaktionsstile erlaubt. Als Grundlage für diese Erweiterungen stellt die Dissertation eine umfangreiche analytische Kategorisierung bisheriger Forschungsarbeiten zu magischen Linsen vor, in der Funktionen, Parameter und Interaktion mit Linsen eingeordnet werden. Zusätzlich macht die Arbeit Vor- und Nachteile körpernaher Interaktion für Werkzeuge bzw. ihre Steuerung zum Thema und diskutiert dabei Nutzerposition und -bewegung an großen Displaywänden belegt durch empirische Nutzerstudien.

Il s’agit, dans ce travail, de trouver le geste qui renouvelle l’identité cicatrisée que le «guerrier » en nous recherche, à travers la pratique martiale définie comme habitation holiste d’un corps-soit, ce que Varela appelle « l’inscription corporelle de l’esprit ».Un être, par l’effet d’un art et par la compréhension de « l’expérience de l’expérience » que constitue la performativité du geste en général, peut-il jamais faire Un avec les choses qui l’entourent et qui l’enveloppent ? Il y a à parier que s’il y arrivait, il lui serait donné de saisir à la fois le caractère mythique des choses en tant qu’il est immanent à leur présence et cette présence en tant qu’oeuvre existentielle. L’art martial ninja constitue une telle réussite. Cette thèse en interroge les effets … / This work consists in finding the gesture that renovates the healed identity, a “worrior” withinus is looking for, through a martial practice defined as a holistic dwelling of a body-being.This is what Varela calls “the corporeal inscription of the spirit”.Is a being able to make one with the things surrounding and covering it, through the effect ofart and the comprehension of “the experience of the experience”, that the performativity of thegesture generally constitutes? It would bet, if possible, that it would be able of creating, at thesame time, the mythic aspect of things, having been inherent to their presence, and creatingthis presence as an existential art-workNinja martial art builds such a success, the effects of which are questioned by this thesis...

Je, kuna uhusiano gani kati ya Euphrase Kezilahabi wa Tanzania na Gabriel García Marquez wa Kolombia, au kati ya Kyallo Wadi Wamitila wa Kenya na Juan Rulfo wa Meksiko ama kati ya Günter Grass wa Ujerumani na Said Ahmed Mohamed wa Zanzibar? Waandishi hawa waliotengwa kitaifa na kilugha wanaunganishwa na uamuzi wao wa kuandika riwaya kwenye mtindo usiokuwa wa kawaida, mtindo wa uhalisiamazingaombwe. Kwa kulinganisha na kulinganua riwaya ya Mohamed na ile ya Grass ninakazia nadhari dayolojia ya kina iliyochipuka kati ya fasihi ya Kiswahili na fasihi ya ulimwenguni pote. Ni maoni yangu kwamba riwaya mbili hizi, zinakikabili kizungumkuti cha kuwepo kwa mwanadamu kwa kuutupilia mbali mfumo wa uwakilishi wenye uhalisia kama tunavyoujua. Badala yake riwaya hizi zimezingatia mtindo wa ujumi wa kisasabaadaye (postmodern aesthetics). Kazi hizi za sanaa zinatumia sifa bainifu za uhalisia mazingaombwe kama nyenzo za kuakisi na kuakisi kwa kubirua hali halisi ya udhaifu, kuyumbayumba na ukosefu wa uthabiti na udumifu katika maisha Afrika na Ulaya.

Denna studie utgår från transpersoners och icke-binära personers erfarenheter av lajvande i Sverige under 2000-talet. Lajv är en typ av performance, liknande improviserad teater utan publik, där deltagarna gestaltar och förkroppsligar olika karaktärer, en roll eller alternativ identitet. Även om lajvs potential att förändra har tidigare studerats har ingen forskning gjorts om transpersoners erfarenheter av hur lajv och karaktärer har förändrat dem. Denna studie undersöker därför hur lajv och erfarenheter av att förkroppsliga karaktärer har påverkat hur de ser på sin könsidentitet och använder sig av könsuttryck i vardagen. I fokus står deltagarnas aha-upplevelser om sitt kön före, under, kring och efter lajv. Med intervjuer och queer fenomenologi visar studien att lajvande och karaktärer har hjälpt dem att hitta, utforska, testa och orientera sig mot nya könslinjer, könsidentiteter och könsuttryck samt gett dem verktyg att börja följa dessa könslinjer i vardagen. Studien visar även hur de har hindrats och hjälpts av andra lajvare, samt hur gränsen mellan lajv och vardag läcker och transformerar. Studiens resultat bidrar till en ökad kunskap om hur lajvande kan ha en förmåga att förändra och hur svenska lajvkulturen har utvecklats under 2000-talet. / This thesis concerns trans and non-binary persons’ experiences of live action role-playing (larp) in Sweden during the last 20 years. Larp is a form of performance, similar to improvised theater without any external audience, where the participants (larpers) play and embody characters. The characters are similar to theater characters, but are also a form of persona or alternative identity for the larpers. Although earlier research has shown that larp has a potential to transform and change larpers, little research has been done on transpersons’ experiences of how larping and characters have changed them. The purpose of this thesis is to analyse how larping and experiences of embodying characters have affected how they understand their own gendersex and use gendered expressions, clothes, and behaviors in everyday life. A central part of the analysis is the participants' feeling of wonder over their gendersex before, during, around, and after larping. By using interviews, queer phenomenology, and the concept of bleed, the study shows how larping and characters have helped them to find, explore, try, and orient themselves toward new gender lines, gendersexes and gendered expressions and also given them tools to help them following these new gender lines and embody their gendersex in everyday life. Furthermore, the study shows how they have been hindered and helped by other larpers, and how the borders between the larp worlds and the world of everyday life are porous and transformative. The findings of the study gives new insights of transpersons’ experiences of larping. Furthermore, the results deepen our knowledge of larping’s transformative potential, how role-playing can be used in identity processes, and how the Swedish larping community has evolved during the 21th century.

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[pt] Os jogos de tabuleiro, também chamados de board games, são comumente associados a jogos como Banco Imobiliário, War, Jogo da Vida, entre outros. Contudo, nos últimos anos, a indústria mundial se diversificou e atualmente podese observar uma grande inovação nos títulos, além do crescente interesse do público por novos jogos analógicos. Em uma sociedade cada vez mais individualista e tecnológica, os board games proporcionam interações comunicacionais presenciais entre indivíduos, movimento reverso às relações virtuais. Dessa forma, esta pesquisa pretende abordar os jogos de tabuleiro em um contexto comunicacional e cultural, tendo como objetivo a compreensão do momento significativo (e repleto de significado) que o retorno do interesse por esse tipo de jogo pode vir a refletir. Para isso, analisamos o jogo de tabuleiro sob três dimensões: objeto (sob a ótica das teorias do consumo); atividade (a ideia de Círculo Mágico, a imersão do jogador e seu provável consumo de experiência) e mídia (a possibilidade da leitura dos jogos de tabuleiro como textos de mídia e sua ressonância cultural). Como metodologia, adotamos entrevistas qualitativas semiestruturadas e entrevistas quantitativas (aplicação de survey junto a um público praticante), além da revisão bibliográfica que percorreu obras de Paul Booth, Jesper Juul, Stewart Woods, Emmanoel Ferreira (na área dos Games Studies); Mary Douglas, Jean Baudrillard (na área do consumo); Cláudia Pereira, Tatiana Siciliano e Everardo Rocha (na ideia de consumo de experiência); e Jesús Martín-Barbero, Ana Carolina Escosteguy, Douglas Kellner (sob a ótica da mídia e dos Estudos Culturais), entre outros autores. / [en] Table games, also called board games, are commonly associated with games such as Monopoly, Risk, Game of Life, among others. However, in recent years, the world industry has diversified and today you can see a great innovation in titles, in addition to the growing public interest in new analogue games. In an increasingly individualistic and technological society, board games provide face-to-face communicational interactions between us, a reverse movement to virtual relationships. Thus, this research intends to approach board games in a communicational and cultural context, aiming to understand the significant moment (and full of meaning) that the return of interest in this type of game may reflect. For this, we analyze the board game under three dimensions: object (from the perspective of consumption theories); activity (the idea of the magic circle, the player s immersion and his probable consumption of experience) and media (the possibility of reading board games as media texts and their cultural resonance). As a methodology, we adopted semi-structured qualitative interviews and quantitative interviews (application of survey in a practicing public), in addition to the bibliographical review that covered the works of Paul Booth, Jesper Juul, Stewart Woods, Emmanoel Ferreira (in the area of Games Studies); Mary Douglas, Jean Baudrillard (in the area of consumption); Cláudia Pereira, Tatiana Siciliano and Everardo Rocha (in the idea of consumption of experience); and Jesús MartínBarbero, Ana Carolina Escosteguy, Douglas Kellner (from the perspective of the media and Cultural Studies), among other authors.