Cette thèse consiste en une géographie des lieux et des circulations de l’émergence artistique dans une métropole du Sud. Elle se situe au croisement entre une géographie urbaine, soucieuse des agencements socio-spatiaux à l’intérieur desquels s’organise l’existence « ordinaire » d’une activité en train de se faire, et une géographie de l’art qui place les trajectoires spatiales des faits artistiques au cœur de l’analyse. Capitale postcoloniale, métropole est-africaine et périphérie d’une « économie mondiale d’archipel », Nairobi est un terrain de la rencontre entre métropolisation et globalisation. Dans le sillon des théories géographiques de la mondialisation, cette recherche propose de documenter et de cartographier les reconfigurations de l’espace artistique qui résultent de ces dynamiques. L’originalité de cette thèse est de rassembler l’ensemble des scènes et des productions artistiques d’une ville sur le dénominateur commun de la dimension spatiale de leurs circulations. Le matériau étudié (discours et curriculum vitae d’artistes, activités et archives de centres d’art) permet de confronter des circulations effectives à des horizons d’accomplissement différenciés, dont la trame est faite d’une ruralité encore prégnante et la connectivité d’une métropole mondialisée. La méthode développée relève de la traçabilité, dont la base est l’enquête par observation. Une exposition, une performance, une bourse de voyage, la visite d’un commissaire d’exposition, d’un collectionneur ou d’un mécène, les circulations quotidiennes d’un artiste et ses modes de socialisation, tous ces déplacements individuels, matériels, idéels et financiers constituent la matière première de la géographie proposée dans cette thèse. Comprise comme l’articulation entre, d’une part, les compétences et les tactiques spatiales des artistes et, d’autre part, les moyens matériels et institutionnels de gestion de la distance, la mobilité artistique interroge les conditions et le sens des déplacements autant que le devenir des acteurs engagés. / This Ph.D. thesis tackles the places and circulations involved in the making of art in a southern metropolis. It is situated at the crossroads of an urban geography concerned with the social and spatial layout through which this “ordinary” activity is organized, and a geographical approach of art that places actors’ trajectories at the heart of the analysis. Capital city in a postcolonial State, East African metropolis and periphery of the “global archipelagic economy”, Nairobi is a case of the encounter between metropolization and globalization. In the trail of the theories on the worlding of material geography, this study aims at documenting and mapping the reconfigurations of art space triggered by these dynamics. The novelty of this thesis is to assemble the entire range of art scenes and products of a city, using the common thread that is the spatial dimension of their circulations. The material studied (artists’ discourse and curriculum vitae; art centres activity and archive) takes on both the measureable circulations of artists while confronting them to their horizon of accomplishment. These are made up of the persistence of strong rural ties and the connectivity of a globally connected city. The method deployed relies on the notion of traceability and is based on a qualitative survey through observation. An exhibition, a performance, a mobility grant, a visiting curator, collector or benefactor, the daily circulations and socializing of an artist: all these individual, material, ideal or financial movements constitute the raw material of this research. The notion of art mobility is here understood as the articulation between artists’ agency and spatial tactics on the on hand, and the material and institutional means of dealing with distance on the other hand. Art mobility questions the conditions, directions and meanings of these movements as much as the growth of the actors engaged.

Background: Cervical cancer is the second most common cause of death from cancer among women in Kenya. Various international studies indicate that the knowledge level of cervical cancer and its predisposing and preventive measures is low among the nurses as well as general population. This study aimed to assess knowledge, practices and attitudes of nurses with regards to cervical cancer screening and preventive measures at two Nairobi hospitals in Kenya. Across-sectional quantitative descriptive study design was used. Convenience sampling method was applied and data were collected from respondents using self-administered questionnaire. About 114 nurses aged 18 years and above participated in the study. The study revealed that nurses have the information about cervical cancer, available screening tests and the purpose of screening. Nurses have the knowledge that cancer screening could detect this cancer at an early stage; however, uptake is low. Cervical screening services were hampered by barriers relating to health care institutions, nurses perception and fear of screening technique, embarrassment, stigma, social influence, financial costs and available sources of information / Health Studies / M.A. (Nursing Science)

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Thesis (Ph.D. ( Migration and Displacement))--University of the Witwatersrand, Faculty of Humanities, 2016. / This thesis explores how the Somali diaspora constitutes itself as a collectivity by analysing identity formation processes in an interconnected postmodern world, where migration has become much common than before, where identities are not as certain as they used to be and where a trans- local sense of being connected surpasses fix national borders. I propose the concept of the cosmopolitan refugee in order to explore how Somaliness is constructed in diasporic contexts, based on the interweaving of cosmopolitan, vernacular and national identifications. Moreover, Somaliness cannot be understood today without the influence of Islam, the cosmopolitan and political implications of belonging to the umma and the importance of being seen as a “good Muslim”. Using ethnographic and narrative data, this research takes a gendered approach and moves beyond the prevailing representations of Somali women in the global imagination by presenting alternative discourses and narratives that explore the dynamics of identity constructions these women undergo in relation to cultural, religious and gender practices in the two urban contexts of Nairobi and Johannesburg. These are two interconnected cities for the Somali diaspora that metaphorical operate as a port and as island. Both places are transitional places for Somalis and in both cities the creation of the “little Mogadishus” of Eastleigh, in Nairobi, and Mayfair, in Johannesburg, generates a particular trans-local situation in which collective identity, through the repetition of cultural and religious practices, is able to transform the urban space, at the same time that the implementation of these practices makes these places to be connected between them, to the lost homeland in Somalia and to any other place in the world Somalis inhabit these days. However, due to the bigger Somali population and the historical and geographical links with Somalia, Somalis in Nairobi develop greater feelings of belonging than in Johannesburg, where isolation seems to be the more widespread feeling. Somalis in Nairobi are more exposed to cosmopolitanism due to the relationship they have with the city, the fact that Eastleigh is a point of constant transit and an important commercial hub across the Somali diaspora all around the world, and the presence of Somalis belonging to different backgrounds. In Johannesburg, the Somali population is much smaller and the isolated situation most Somalis find make them use Somaliness as a way of resilience and demarcating difference, resulting in certain vernacular and religious practices being strengthened. In this sense, Nairobi is experienced by Somalis as more cosmopolitan than Johannesburg. Nevertheless in both contexts Somaliness is constructed around a sense of unity based on: a common place of origin and mythical past, a common language, religion and “culture”, implemented in the everyday life by the habitus of cultural and religious practices. This habitus together with a narrative of the nation being constructed in the virtual spaces of Facebook and Instagram creates a strong sense of belonging to an “imagined community”. Somaliness resides not within the boundaries of a nation-state but in a trans-local sense of being connected. / MT2017

Based on the narratives of young people this research explores the rise in youth violence in Kenya's secondary school system and wider society and the potential for peacebuilding to address youth violence. Of particular concern is the gradual change in the profiles, patterns and intensity of the conflict, as evidenced by the increase in the number of youth militias. This increase is often attributed to unemployment and poverty - yet, to date, no systematic research has been produced on the extent to which the youth participation in violence occurs through choice or coercion, or indeed both. Worryingly, a significant number of young people involved in this violence are secondary school students. The findings of this research indicate that despite responses to youth violence in the school and wider Kenyan society, the violence is unabated. Notably, approaches continue to be top-down, generic, superficial and ineffectual. By marginalising the narratives of the youth who participate in and/or observe the violence, current institutional policies and approaches are decontextualised - from both the particular and the wider Kenyan context. This leaves intact the root causes of the violence. This research raises important questions concerning generic, top-down, quick-fix, outmoded cultural paradigms, hierarchical and questionable homogeneous pedagogical approaches to peacebuilding in both the schools and wider Kenyan context. In attempt to address these deficiencies the research seeks to find out approaches to peacebuilding and the Kenyan education systems that can respond to youth violence. This research proffers three key dimensions that can be incorporated in order to ensure effective and sustainable peace: experiences, worldviews and attitudes of the actors. The research, which utilises a constructivist grounded theory approach (Charmaz, 2006), was conducted in fourteen secondary schools in Nairobi and the Rift Valley provinces - two provinces that have been at the centre of youth violence and militia activities. These provinces were also selected in order to reflect the multi-cultural and multi-ethnic character, and the different types of schools in Kenya.

My Interior Design practicum is an inquiry about the nature of urban informality through the study of present and emerging urban vernaculars within Kambi Moto, an informal area in Nairobi Kenya. I argue that unique vernacular characteristics manifest in everyday living and can be captured through the experience and knowledge of self-builders, entrepreneurs and dwellers within informal settlements. An understanding of these vernacular characteristics is instrumental in the designing of meaningful and effective social housing prototypes. The main methods used to document vernacular characteristics include, post occupancy evaluations (POEs), time diaries, photographs and observation. Within an interior design context, these tools helped describe the spatial needs, wants and desires of the everyday dwellers of Kambi Moto. The four resulting compact housing configurations support one-to-ten member households with provisions for a home-based business (HBB) or a rental unit. All units have an adaptable rooftop with a garden.

My Interior Design practicum is an inquiry about the nature of urban informality through the study of present and emerging urban vernaculars within Kambi Moto, an informal area in Nairobi Kenya. I argue that unique vernacular characteristics manifest in everyday living and can be captured through the experience and knowledge of self-builders, entrepreneurs and dwellers within informal settlements. An understanding of these vernacular characteristics is instrumental in the designing of meaningful and effective social housing prototypes. The main methods used to document vernacular characteristics include, post occupancy evaluations (POEs), time diaries, photographs and observation. Within an interior design context, these tools helped describe the spatial needs, wants and desires of the everyday dwellers of Kambi Moto. The four resulting compact housing configurations support one-to-ten member households with provisions for a home-based business (HBB) or a rental unit. All units have an adaptable rooftop with a garden.

News in our contemporary newspapers has come to be associated more and more with what the elites do and say. Both their deeds and misdeeds are treated as newsworthy events and in the process they become newsmakers, both actors and sources of news. Even when they are not directly involved in news events they are sought out by journalists to validate those events and to interpret the social reality to the readers as news sources. This study is about the selection of news sources in the Daily Nation, a contemporary, independent newspaper based in Nairobi, Kenya. In this study, I set out to unravel the complex processes that underlie newsmaking and source selection. This study is informed by the theory of news values and the paradigm of the role of media in democracy. Based on qualitative interviews, observations and content analysis of the front-page stories, it investigates the process of news and source selection in front-page stories. Through these approaches, I established that news values are significant criteria that inform journalists in both the selection of front-page news stories and the sources of these stories. I also established that social values of the society in which this newspaper operates are heavily embedded in the news. For example, the journalists preferred male politicians as sources of news in the front-page stories to women, and the elites to ordinary people, and this reflected on the social structures and cultural norms that are prevalent in this society. This study, further, established that the news values of this newspaper share commonly with the Western news media in terms of journalistic conventions and ways of interpreting the social reality in the news. Ideally, the newspaper embraces the principles of democracy in news reporting, but in practice it does not satisfactorily adhere to the full requirements of its democratic role in terms of source selection. The democratic principles in news reporting require, among other things, that the newspaper should allow a diversity of views in the news, representing various groups that are found in real society including the elites, non-elites, women, ordinary people and minorities. In the case of the Daily Nation, a tiny group of elite male professional politicians made up the largest majority of its front-page news sources.

Background Air quality in Africa has remained a relatively under-researched field. Most of the African population is dependent on biomass for cooking and heating, with most of the combustion happening in low efficiency stoves in unvented kitchens. The resulting high emissions are compounded by ingress from poor outdoor air in a context of poor emissions controls. The situation is dire in slum households where homes are crowded and space is limited, pushing households to cook in the same room that is used for sleeping. This study assessed the levels of particulate matter with aerodynamic diameter £ 2.5 microns (PM2.5) in slum households and people's perceptions of and attitudes towards air pollution and health risks of exposure in two slum areas, Viwandani and Korogocho, in the Nairobi city. Methods The study employed both qualitative and quantitative methods. For the quantitative study, we used structured questionnaires to collect data about the source of air pollution among adults aged 18 years and above and pregnant women residing in the two study communities. We used the DustTrak™ air samplers to monitor the indoor PM2.5 levels in selected households. We also collected data on community perceptions on air pollution, annoyance and associated health risks. We presented hotspot maps to portray the spatial distribution of perceptions on air pollution in the study areas. For the qualitative study, we conducted focus group discussions with adult community members. Groups were disaggregated by age to account for different languages used to communicate with the younger and older people. We analysed the qualitative data using thematic analysis. Results Household levels of PM2.5 varied widely across households and ranged from 1 to 12,369μg/m3 (SD=287.11). The household levels of PM2.5 levels were likely to exceed the WHO guidelines given the high levels observed in less than 24 hours of monitoring periods (on average 10.4 hours in Viwandani and 11.8 hours in Korogocho). Most of the respondents did not use ventilation use in the evening which coincided with the use of cookstove and lamp, mostly burning kerosene. The levels of PM2.5 varied by the type of fuels, with the highest emissions in households using kerosene for cooking and lighting. The PM2.5 levels spiked in the evenings and during periods of cooking using charcoal/wood. Despite these high levels, residents perceived indoor air to be less polluted compared with the outdoor air, possibly due to the presence of large sources of emissions near the communities such as dumpsites and industries. The community had mixed perceptions on the health impacts of air pollution, with respiratory illnesses perceived as the main consequence while vector or sanitation related diseases such as diarrhoea was also perceived to be related to air pollution. Conclusions With poor housing and reliance on dirty fuels, households in slums face potentially high levels of exposure to PM2.5 with dire implications on health. To address the poor perception on air pollution and knowledge gaps on the health effects of air pollution, education programs need to be developed and tailored. These programs should aim to provide residents with information on air quality and its impact on the health; what they can do as communities as well as empower them to reach out to government/stakeholders for action on outdoor sources of pollution such as emissions from dumpsites or industries. The government has a larger role in addressing some of the key pollution sources through policy formulation and strong implementation/enforcement.

Magister Scientiae (Physiotherapy) - MSc(Physio) / In developing economies and specifically Sub-Saharan Africa physical inactivity has been identified as a risk factor along with tobacco use / South Africa