This thesis examines the formation of national memory by exploring tenth anniversary television coverage of 9/11. By analyzing themes of nationalism that structure the television specials and create a positive national memory, this thesis argues that the national memory of 9/11 serves current national goals and develops myths of American exceptionalism while it ignores the negative consequences and realities of 9/11.

Includes abstract. Includes bibliographical references.

This dissertation traces the concept of national memory through the five architectural spaces that have housed the dead body of Mustafa Kemal Atat&uuml / rk: the bedroom in Dolmabah&ccedil / e Palace, Istanbul, where he died on 10 November 1938 / the catafalque in the Grand Ceremonial Hall of Dolmabah&ccedil / e Palace used between 16-19 November 1938 / the official funeral stage in Ankara designed by Bruno Taut and used between 20-21 November 1938 / the temporary tomb in The Ethnographic Museum, Ankara / and Atat&uuml / rk&rsquo / s mausoleum, Anitkabir, in use since 10 November 1953. The dissertation firstly narrates the construction of a Turkish collective memory by means of architectural representation and politicization and secondly the physical and ideological maintenance of this memory by means of additions and subtractions to these spaces.

Submitted by ALINE RAFAELA PORTILIO LEMES null (arplemes@gmail.com) on 2016-02-28T23:36:11Z No. of bitstreams: 1 Dissertação - Entre a literatura e a política - cultura e poder na representação do índio em José de Alencar.pdf: 1045609 bytes, checksum: 709687f3fba3ac6db191d4ec7b9ee8f6 (MD5) / Approved for entry into archive by Ana Paula Grisoto (grisotoana@reitoria.unesp.br) on 2016-02-29T16:31:39Z (GMT) No. of bitstreams: 1 lemes_arp_me_assis.pdf: 1045609 bytes, checksum: 709687f3fba3ac6db191d4ec7b9ee8f6 (MD5) / Made available in DSpace on 2016-02-29T16:31:39Z (GMT). No. of bitstreams: 1 lemes_arp_me_assis.pdf: 1045609 bytes, checksum: 709687f3fba3ac6db191d4ec7b9ee8f6 (MD5) Previous issue date: 2016-01-04 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / No Brasil do século XIX, ao processo de emancipação política seguiu-se um processo de construção de uma memória nacional particular, visando legitimar o novo regime que se estabeleceu. O palco onde se desenvolverão essas questões será a literatura que, por meio do romantismo, seria capaz de expressar a especificidade do Brasil enquanto nação. O índio, associado à natureza, aparece então como um dos principais motivos literários, já que era visto como elemento capaz de expressar a especificidade brasileira. Nesse processo, política e literatura se unem de forma indissociável. Pensando a coerência interna da obra de José de Alencar, nossa proposta é analisar a maneira pela qual ele constrói seus conceitos de literatura e de nacionalidade e de que maneira esses conceitos articulam questões culturais e questões de poder, tendo como base a representação que o autor constrói a respeito do índio em dois romances: O Guarani (1857) e Iracema (1865). / In Brazil at the nineteenth century, the political emancipation process followed by a construction of a particular national memory process to legitimize the new regime that was established. The stage where these issues will be develop the literature, through Romanticism, would be able to express the main Brazil’s characteristics as a nation. The Indian, associated with the nature, appears as a major literary subjects, as it was seen as an element with conditions of expressing the Brazilian specificity. In this construction process, politics and literature come together, in an inseparable way. Thinking about the internal logic of José de Alencar's work, our goal is to analyze the way in which the author builds his literature concepts and nationality and how these concepts articulate cultural issues and issues of power, based on the representation that the author builds about the Indian in two fictional narrative: the Guarani (1857) and Iracema (1865).

[pt] Gustavo Barroso (1888-1959) desenvolveu um pensamento sistemático na área de museus, fruto de uma prática que pode ser percebida, sobretudo, através da criação do Museu Histórico Nacional (1922), do Curso de Museus (1932) e da Inspetoria de Monumentos Nacionais (1934). Admitindo a especificidade do pensamento museológico barrosiano, este trabalho busca analisar estas iniciativas de Gustavo Barroso considerando-as como um todo coerente e expressivo para identificar as coordenadas de seu projeto intelectual e para compreender como as noções de tradição, de museu e de patrimônio contribuíram para materializar um projeto de construção da memória nacional. / [en] Gustavo Barroso (1888-1959) was responsable for the systematization of a knowledge concerning museums. That knowledge came from a pratice that can be perceveid, above all, through the creation of Museu Histórico Nacional (1922), Curso de Museus (1932) and Inspetoria de Monumentos Nacionais (1934). This work takes in account specific aspects of the Barroso´s thoughts concerning museums how like all coherent and expressive for identify the setting of your intellectual project and to understand how the notions of tradition, museum and patrimony contributed to materialize a project of construction of the national memory.

This work aims to demonstrate differences in national memory of Communism in the Czech Republic and Poland. It looks into the principles surrounding the practice of collective memory and then uses this to create a working methodology for the study of it in these two nations. In evaluating memory in these countries it relies upon the "Three Pillars" of past events, cultural output and popular opinion and stresses the interconnected nature of these academic areas. A further emphasis is placed upon the role of belief in shaping personal and group self-identity. The overall conclusions stress that both of the national memory of these countries has been shaped by their history, culture and popular opinion, and that this has created a divide between the Polish and Czech views of events during the Communist period. The divide is seen as characterised by particular "Czech" and "Polish" viewpoints which are the product of discourse on previous aspects of what it means to belong to these respective groups. National memory in essence builds upon itself, and will continue to do so. Future perceptions of what it means to be Czech or Polish will be shaped by this latest chapter in national memory.

L’histoire a toujours occupé une place singulière au sein des sciences sociales mais qu’en est il de sa place dans le contentieux constitutionnel comparé des démocraties occidentales ? Le présent travail de recherche tendra ainsi à démontrer que la référence à l’histoire est bel et bien présente et qu’elle revêt un impact décisif sur les solutions constitutionnelles effectivement retenues pas le juge comme sur la substance même des droits et libertés fondamentaux. Il apparaîtra, en effet, que l’histoire, jaillissant dans le contentieux constitutionnel sous la forme d’un référent juridique type pouvant faire l’objet d’une systématisation au sein du droit comparé, contribue, par le truchement du juge constitutionnel à l’établissement comme au fonctionnement de l’État de droit contemporain. De la même manière, la symbolique particulière des évènements historiques qui seront mobilisés, c’est à dire leur charge positive ou négative pour l’État de droit, va nourrir la volonté juridictionnelle du juge d’assurer la rupture avec un fait historique tragique ou à l’inverse de conforter un héritage historique glorieux. Juge qui, en dernier analyse, pourra être conduit, conformément au rôle social nouveau que lui confère les démocraties constitutionnelles contemporaines, selon une utilisation soutenue du référent historique, à réparer directement ou plus indirectement les préjudices nés de l’histoire comme à renforcer ou à limiter le sens des droits et libertés fondamentaux devenus historiquement circonstanciés / History has always occupied a singular place within the realm of Social Sciences and the question of its functions in comparative judicial review deserves to be raised. This research intends to demonstrate that the historical argument has a decisive impact on constitutional decisions as well as on the substance of fundamental rights and freedoms. History, being systematized in comparative law, through the form of a standard legal argument, contributes, via constitutional review, to the establishment as well to the operation of the rule oflaw, today. The immediate legal logic of such historical impregnation will be analysed through the work of the judge in the motivation of its decisions. In the same perspective, the singular meaning of historical events and their positive or negative impact, feeds judicial interpretation, either breaking away from a tragic historical event or consolidating a glorious historicalheritage. The judge, in accordance with his new social function recognized in western democracies, is lead to repare directly or indirectly, the damages resulting from historical events as well as to strenghten or limitate the scope of fundamental rights, which appear today, historically situated

Este trabajo de investigación se centra en un análisis descriptivo de la narrativa audiovisual cinematográfica de una película a partir de hechos reales relacionados con el Conflicto Armado Interno que vivió el Perú entre los años 80 y 90, que dejó cerca de 69 mil muertos. El nombre del largometraje es el siguiente: “La hora final” (2017), el cual aborda el proceso de investigación policial y captura del líder de Sendero Luminoso, Abimael Guzmán. El eje central de investigación del trabajo es la identificación y análisis de los elementos de la película en cuestión en términos narrativos para determinar la forma en que se construye a partir de la ficción la memoria de hechos históricos relevantes para la historia del Perú. El presente trabajo propone un estudio cualitativo desde el paradigma interpretativo, se aplicará una guía de análisis de contenido a 9 escenas que han sido seleccionadas por su aporte a la narrativa del largometraje. / This research work focuses on a descriptive analysis of the cinematographic audiovisual narrative of a film based on real events related to the Internal Armed Conflict that Peru experienced between the 80s and 90s, which left about 69 thousand dead. The substitute for the feature film is the following: “La hora final” (2017), which deals with the processes of police investigation and capture of the Shining Path leader, Abimael Guzmán. The central research axis of the work is the identification and analysis of the elements of the film in question in narrative terms to determine the way in which the memory of historical events relevant to the history of Peru is constructed from fiction. The qualitative approach study proposes a qualitative study from the interpretive paradigm, a content analysis guide will be applied to 9 scenes that have been selected for their contribution to the narrative of the feature film. / Trabajo de investigación