Made available in DSpace on 2016-12-08T16:52:02Z (GMT). No. of bitstreams: 1 122482.pdf: 2208128 bytes, checksum: fdbec15e851ede26063c859cf1431462 (MD5) Previous issue date: 2015-03-20 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Há um saber que desvela a poesia dos acontecimentos. Aprende-se esse saber vivendo a continuidade de ser. A presente dissertação surge a partir desse saber, desse viver, desse ser, experimentados pela pesquisadora ao longo do seu estudo sobre a Compagnie Dos à Deux, dos diretores e atores-dançarinos André Curti e Artur Ribeiro. Esse saber, que é o saber poético, orquestra esta pesquisa por meio de um arranjo: o dos afetos. Tal composição apresenta um pouco da história da companhia franco-brasileira de teatro gestual ao longo dos seus dezessete anos de existência: fundação, espetáculos e premiações. Os laços que uniram os diretores e as vivências da pesquisadora são contados para o leitor por meio de duas memórias: as evocadas e as prospectivas. Estas possibilitam algumas articulações e reflexões sobre a questão que orienta o desenvolvimento desta dissertação: o que é o gesto para Curti e Ribeiro? A partir de tais reflexões, a pesquisadora apresenta três princípios que sustentam a metodologia do treinamento da companhia: a escuta , a tonicidade do microgesto e o contato .

Trata-se de um estudo sobre a poética de Patativa do Assaré (Antônio Gonçalves da Silva). O viés se refere às "marcas" do sagrado em sua obra. A abordagem tem como ponto de partida a oralidade, tendo em vista que a poesia em questão é essencialmente oral. Em seguida, faz-se um perfil do poeta destacando aspectos considerados relevantes em sua trajetória. Segue-se a apresentação de suas principais obras, antes "armazenadas"na mente e no coração do vate, agora convergindo para a letra no papel, bem como para outras mediações, por exemplo, na música, no cinema, no teatro, na internet. Finalmente, discorre-se sobre os aspectos do sagrado, considerando o corpus de poemas escolhido. A pesquisa tem caráter interdisciplinar, entre outras contribuições, ela se apoia na teoria literária, na filosofia, na sociologia da religião e na teologia. / Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-05-23T19:12:05Z No. of bitstreams: 1 Dissertacao Antonio Iraildo Alves Brito.pdf: 743011 bytes, checksum: ed909290d41e266a9eefae5117215667 (MD5) / Made available in DSpace on 2014-05-23T19:12:05Z (GMT). No. of bitstreams: 1 Dissertacao Antonio Iraildo Alves Brito.pdf: 743011 bytes, checksum: ed909290d41e266a9eefae5117215667 (MD5) / This study deals with the Patativa do Assaré´s poetics (Antônio Gonçalves da Silva). The bias refers to the "marks" of the sacred in his work. The approach takes as its starting point the orality, having in view that the poetry at issue is essentially oral. Afterwards, one makes a profile of the poet highlighting important aspects considered in his trajectory. Then, there follows the presentation of his major works, before "stored" in the bard´s mind and heart, now converging to the letter on paper, as well as to other mediations, for example, in music, film, theater, on the Internet. Finally, one talks about the aspects of the sacred, considering the chosen corpus of poems. The research has an interdisciplinary character, among other contributions, it is based on literary theory, philosophy, sociology of religion and theology.

Submitted by VALMIRA ALVES DA ROCHA null (valmirarocha@hotmail.com) on 2017-07-14T22:08:07Z No. of bitstreams: 1 DISSERTAÇÃO VAL_FINAL_repositorio.pdf: 2957868 bytes, checksum: e11542867d1cb88df90b4149e4974c5b (MD5) / Approved for entry into archive by Luiz Galeffi (luizgaleffi@gmail.com) on 2017-07-18T19:21:08Z (GMT) No. of bitstreams: 1 rocha_va_me_assis.pdf: 2957868 bytes, checksum: e11542867d1cb88df90b4149e4974c5b (MD5) / Made available in DSpace on 2017-07-18T19:21:08Z (GMT). No. of bitstreams: 1 rocha_va_me_assis.pdf: 2957868 bytes, checksum: e11542867d1cb88df90b4149e4974c5b (MD5) Previous issue date: 2017-05-22 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / O presente trabalho fundamenta-se na poética de Manoel de Barros em suas Memórias inventadas – As infâncias de Manoel de Barros que abordam um diálogo inventivo e regular com o uso das palavras. O objetivo geral foi analisar a poesia de Manoel de Barros e propor sugestões de atividades para o 9º ano do Ensino Fundamental II, como forma de incentivo à leitura e para a promoção do contato do adolescente com a Literatura. Para realizar a pesquisa, o arcabouço teórico foi elaborado a partir do método bibliográfico, por meio da leitura dos poemas selecionados (na primeira infância, O apanhador de desperdícios; na segunda infância analisamos o poema Abandono e finalizamos na terceira infância com o poema Jubilação) e de referenciais teóricos da literatura brasileira e do escritor, bem como a importância do professor enquanto estimulador da leitura para o aluno. Para a análise dos poemas foi utilizada a análise estilística que, por seu escopo enquanto método, permite avaliar a obra pelo viés expressivo e de criação de plurisignificados, presentes nas obras do autor. Após a realização da análise, foi elaborada uma proposta de atividade para o 9º ano do Ensino Fundamental explorando a metapoesia, a reflexão da linguagem e a interpretação dos alunos, propondo e estimulando a leitura, em especial, de poesias. Dessa forma, por meio da realização dessa pesquisa, conclui-se que o gênero poesia é mais uma alternativa de ensino da Literatura no Ensino Fundamental II, de forma inovadora e dinâmica, procurando desenvolver nos alunos o gosto pela Literatura. / The present work is based on the poetics of Manoel de Barros in his Memórias Inventadas – As infâncias de Manoel de Barros that approach an inventive and regular dialogue with the use of the words. The aim of this work was to analyze the poetry of Manoel de Barros and to propose suggestions for activities for the 9th grade of Middle School as a way of encouraging reading and promoting the contact of adolescents with Literature. In order to carrying out the research, the theoretical framework was elaborated from the bibliographic method, through the reading of the selected poems (on first childhood we analyzed O Apanhador de desperdícios, in the second childhood we analyzed the poem Abandono and we finished in the third childhood with the poem Jubilação) and of theoretical references about Brazilian literature and the writer, as well as the importance of the teacher as a stimulator of reading for the student. For the analysis of the poems was used the stylistic analysis that, by its scope as a method, allows to evaluate the work by the expressive bias and creation of multi-meaning, present in the works of the author. After the analysis, a proposal of activity for the 9th grade of elementary school was explored exploring metapoetry, the reflection of language and the students' interpretation, proposing and stimulating the reading, especially of poetry. Thus, through the accomplishment of this research, it we can conclude that the genre poetry is another alternative of teaching Literature in Elementary Education II, in an innovative and dynamic way, trying to develop in students a pleasure for Literature.

Submitted by EDSON HANSEN SANT ' ANA null (edhansen_2000@hotmail.com) on 2017-11-21T23:09:37Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA null (edhansen_2000@hotmail.com) on 2017-11-22T14:07:00Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-22T18:09:14Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-22T18:12:24Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-22T19:44:22Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-23T11:57:13Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-23T12:57:55Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-23T13:16:31Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-23T13:34:43Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-23T17:24:54Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-23T17:29:02Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-24T12:05:25Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-24T12:39:45Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-24T16:47:39Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-24T17:31:21Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-27T11:40:49Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-27T12:31:51Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-27T13:03:16Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-27T18:08:08Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-28T12:13:08Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-28T14:22:47Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-28T14:31:57Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Submitted by EDSON HANSEN SANT ' ANA SANT'ANA (edhansen_2000@hotmail.com) on 2017-11-28T14:37:45Z No. of bitstreams: 1 1.Tese-Unesp-2017-defesa2-digital.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Approved for entry into archive by Mariana Borges Gasparino null (mariana.borges@ia.unesp.br) on 2017-11-28T18:29:58Z (GMT) No. of bitstreams: 1 santana_eh_dr_ia.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) / Made available in DSpace on 2017-11-28T18:29:58Z (GMT). No. of bitstreams: 1 santana_eh_dr_ia.pdf: 41089077 bytes, checksum: ebdb1b901005a1ab56739ad0e4edd650 (MD5) Previous issue date: 2017-11-08 / O objeto de estudo deste trabalho é o processo intervalar na construção composicional de Almeida Prado em suas três fases pós-ruptura, chamadas de Pós-Tonal, Síntese e Pós-Moderna. A concepção intervalar do compositor é demonstrada por análises realizadas em três obras, uma de cada fase pós-ruptura: Sonata n. 3, Cartas Celestes I e Noturno n. 7, respectivamente. A análise tem sua metodologia baseada em um recorte arbitrário que buscou compreender três intervalos básicos que podem ser somados a outros três intervalos enarmônicos como ampliação das possibilidades intervalares na escrita. O desenvolvimento teórico da pesquisa aprofundou-se a partir de um foco e uma análise intervalar que, conceitualmente, buscaram uma superação terminológica de uma formulação anterior nomeada como expressividade intervalar (SANT’ANA, 2009) para a atualização terminológica definida como intervalo característico. O embasamento teórico para essa concepção intervalar deu-se a partir das proposições de Boulanger (1926), Costère (1954, 1962), Forte (1973), Straus ([1990] 2013), Pousseur ([2005] 2009) e Menezes (2002). Como contextualização crítico-histórica, foi realizada uma revisão sucinta de tendências teórico-analíticas e seus problemas, reconsiderando-se as observações de Schoenberg ([1922] 2001, [1954] 2004), Kerman ([1985] 1987), Cook (1987, 2007) e Kramer (2015). Para se validar a construção e o caráter da ferramenta teórico-analítica aqui empreendida, utilizou-se a teoria de Lacey (2008) associada à visão teórico-musicológica desses autores. Com o processo analítico, apresentado no quarto capítulo, procurou-se demonstrar a grande incidência do(s) intervalo(s) característico(s) na construção estrutural das obras, desvelando-se um número variado de estratégias composicionais adotadas por Almeida Prado associadas a esses intervalos. Ainda no quarto capítulo, foi aplicada a ferramenta denominada régua intervalar, que pode ajudar na melhor compreensão dos intervalos com mais potencial de dissonância, os quais agem por meio de interação e contraste frente ao background aparentemente tonal dos intervalos mais consonantes ligados aos primeiros sete parciais (harmônicos) da série harmônica. Assim, em uma pesquisa futura, a ferramenta e a proposição analítica aqui desenvolvidas podem contribuir na compreensão e na sistematização dos tipos de objetos harmônicos pensados como entidades tímbricas que são moldados a partir dessa concepção intervalar. / The object of study this work is the interval process in the compositional construction of Brazilian pianist and composer Almeida Prado in his three post-rupture phases, called PostTonal, Synthesis and Post-Modern. The intervalar conception of the composer is demonstrated by analyses carried out in three works - one from each post-rupture phase (Sonata n. 3, Cartas Celestes I and Noturno n. 7). The analysis has its methodology based on an arbitrary crop that sought to understand three basic intervals that can be added to three other enharmonic intervals as an extension of the interval possibilities in writing. The theoretical development of the research was deepened from a focus and an interval analysis that, conceptually, sought a terminological overcoming of an earlier formulation named as intervalar expressivity (SANT'ANA, 2009) for the terminological update defined as a characteristic interval. The theoretical basis for this interval conception came from the propositions of Boulanger (1926), Costère (1954, 1962), Forte (1973), Straus ([1990] 2013), Pousseur ([2005] 2009) and Menezes (2002). As a critical-historical context, a brief review of theoretical-analytical trends and their problems was carried out, reconsidering the observations of Schoenberg ([1922] 2001, [1954] 2004), Kerman ([1985], 1987), Cook (1987, 2007) and Kramer (2015). To validate the construction and character of the theoreticalanalytical tool undertaken here, Lacey (2008)’s theory was used associated with the theoretical-musicological view, methodologically adopted in this work. Like the analytical process contained in the fourth chapter, one tried to demonstrate the great incidence of the characteristic interval (s) in the structural construction of the works, revealing a varied number of compositional strategies adopted by Almeida Prado associated to these intervals. Still in the fourth chapter, the tool called interval rule was applied, which can help in better understanding the intervals with more potential of dissonance that act through interaction and contrast against the seemingly tonal background of the more consonant intervals linked to the first seven (harmonic) partials of the harmonic series. Thus, in a future research, the tool and the analytical proposition developed here, can contribute to the comprehension and systematization of the types of harmonic objects thought as timbral entities that are shaped from this intervalar conception.

The aim of the diploma thesis World of novels by Daniela Hodrová is through the author's novels world to analyze her very specific poetics, which is to a large extent also influenced by a professional activities in the field of literary science. Own scientific work is based on the method of repeated readings of individual pieces of fiction, which are in fact only one part of the endless life novel. Intense reading experience is then confronted with author's theoretical works. Although the subject is based on the bachelor thesis, all the facts have been processed completely original approach. World of author's novels is analyzed through the gateway of own reader's experience and the dedication of the individual works and of the whole creation, which in this concept significantly address the loss of the family, but in the context of therapy in the form of writing novels herself can't accept, in ultimately resulting it is for her more hurtful.

Nesta tese de doutorado, analiso as obras Levantado do chão, Memorial do convento, História do cerco de Lisboa, O evangelho segundo Jesus Cristo, Caim, Ensaio sobre a cegueira, Ensaio sobre a lucidez, A caverna e Todos os nomes, de José Saramago. Meu objetivo é identificar, descrever e analisar elementos da poética de Saramago, de modo a apresentar o que Bakhtin chamou de “voz interior” do autor. Analiso os aspectos formais, a dimensão alegórica e os conteúdos das narrativas, classificando-as segundo sua relação com a história, a religião e a sociedade capitalista. Realizo uma leitura intertextual e alegórica, sustentada por aproximações entre literatura, historiografia, filosofia e discurso religioso. As análises enfocam personagens, ações e discursos, de modo a identificar suas funções estéticas e ideológicas no plano da significação. Considero as narrativas ficcionais metonímias do real. Nesse sentido, pretendo evidenciar como Saramago, nos textos situados num tempo pretérito, reelabora o passado e o discurso bíblico estabelecendo um diálogo com a referencialidade histórica do tempo presente; e, nos textos situados na contemporaneidade, como o autor alegoriza o mundo. A partir disso, reflito sobre o papel da literatura como agente de transformação social, considerando este aspecto uma dimensão fundamental da poética do autor. / In this thesis, I analyze the work of Jose Saramago considering its formal aspects, its allegorical dimension and its contents, classified according to their relation to history, religion and capitalist society. My goal is to identify, describe and analyze elements of Saramago’s poetics in order to present what Bakhtin called "inner voice" of the author, and reflect on the role of literature as an agent of social transformation. I realize an intertextual and allegorical reading, supported by similarities between the literature, history, philosophy and religious discourse. The analyses focus on the characters, actions and discourses in order to identify their aesthetic and ideological functions at the level of significance. I consider the novels as metonymy of real. Thus, I intend to show how Saramago elaborates the past and the biblical discourse by establishing a dialogue with the historical referentiality of the present and how the author allegorizes the world.

El tema de la “sublimación del amor”, ampliamente debatido en las estéticas de Kant y Hegel, ha sido ilustrado en la poesía hispanoamericana colonial con sendos poemas de Diego Dávalos y Figueroa, Sor Juana Inés de la Cruz, y Juan del Valle y Caviedes. A partir de su examen semánticotextual, en este artículo se determina los alcances de las respectivas poéticas en el marco de dicho enfrentamiento teórico. / The “love’s sublimation” subject was under debate in the Kant and Hegel aesthetic doctrine. This controversy was also illustrated by the colonial Hispanic-American poetry of Diego Dávalos y Figueroa, Sor Juana Inés de la Cruz and Juan del Valle y Caviedes. This article looks into the semantic structure of tree poems in order to determine their poetic scopes in the frame of the Kant-Hegel aesthetic discussion.

José Emilio Pacheco (Mexico 1939-2014) est un poète, romancier, nouvelliste mexicain qui a profondément transformé le paysage de la littérature en langue espagnole. Son œuvre se caractérise par un travail continu sur le texte, le sien et celui d’autres écrivains. L’observation et l'analyse de la réécriture comme pratique textuelle, l’étude du discours métalittéraire qui l’accompagne et, de manière moins évidente mais tout aussi prégnante, l’examen de topoi poétiques connotant cet éternel recommencement, mettent en lumière une véritable poétique de la réécriture. Le premier chapitre de notre thèse permet d’introduire la notion de réécriture, avant de la confronter aux concepts et notions théoriques qui lui sont adjacents : le dialogisme et l’intertextualité, l’influence et la tradition, la critique génétique. Dans le deuxième chapitre, nous réfléchissons à la réécriture en tant que praxis littéraire : afin de prendre la mesure de la productivité textuelle et de son orientation vers la réception, nous proposons une typologie formelle et une typologie fonctionnelle des principales opérations rescripturales dans l’œuvre de notre auteur. Le troisième chapitre, analytique, examine en détail les processus de réécriture autographe : les changements introduits lors des nouvelles éditions révisées et corrigées des textes narratifs et poétiques nous donnent l’image d’une écriture mouvante et soumise au passage du temps. Enfin, le quatrième et dernier chapitre aborde la réécriture allographe. Après avoir examiné quels textes ont été réécrits, depuis quelles langues et quelles cultures, nous nous attarderons sur les principales manifestations de la réécriture de l’autre dans l’œuvre de Pacheco et nous verrons comment celles-ci contribuent à privilégier l’image du lecteur, du traducteur ‒ ou de la bibliothèque ‒ plutôt que celle de l’auteur. / José Emilio Pacheco (Mexico, 1939-2014) is a Mexican poet, novelist, and short story writer who deeply changed the scenery of Hispanic literature. His narrative and poetic works show a continuous recreation of his own texts, as much as other writers. The analysis of textual operations such as quotes or corrections, the study of the metatextual discourse that comes along with it, and, in a more subtle but equally significant way, the interpretation of a set of poetic topoi which reveals the endless repetition of linguistic and literary materials, lead us to set up a poetics of rewriting. The first chapter of our dissertation deals with the theoretical concepts and methodological tools: dialogism, intertextuality, influence and tradition, textual genetics. The second chapter muses over the act of rewriting in a pragmatic perspective. Based on the examination of the works of Pacheco, and in order to encompass the diversity of the rewriting practices, we propose a formal and a functional typology of rewriting phenomenon. In the third chapter, we follow the main line of research of textual genetics to question an analysis and an interpretation of self-rewriting in a selection of poems and short stories. The changes introduced by the rewriter during the revisions and corrections previous to new editions show us a dynamic and temporal textuality. Finally, the fourth chapter is about the texts in which Pacheco rewrites other authors. By using a diversity and a multiplicity of sources and by reproducing and inserting other writers' verses or sentences in his own compositions in a sometimes transgressive way, it contributes to favour the figure of the reader, the translator ‒ or the library ‒ instead of the figure of the author.

L’avancée considérable des dispositifs de vraisemblance, l’imposante combinaison de l’art et du virtuel, le souci d’archives, la volonté de réalité etc. qui marquent notre temps ont mis la question de "pourquoi la fiction ?" au centre des réflexions poétiques et philosophiques. Question qui, à ses deux extrémités, implique le discours littéraire et le discours historiographique. Pour y répondre, la pensée en Occident fait traditionnellement appel à ses origines grecques. De manière quasiment invariable, la réponse a été recherchée dans un cadre bipolaire et référentiel constitué du réel et du fictionnel. Dans le présent travail, il s’agit de remonter jusqu’aux Grecs, à la recherche d’une pensée de l’art et du fictionnel qui ne se contenterait pas du cadre référentiel. Ainsi, sont repérés les éléments d’une autre lecture grecque qui se trouve être à l’origine de la poétique élaborée au sein de l’islam iranien : une poétique orientale qu’il faut considérer comme un autre devenir de la poétique grecque. À partir des discours théorique, littéraire et historiographique irano-islamiques, il est montré comment cette poétique orientale exige de penser la fiction dans le cadre d’un schème tripartite : le rapport du réel au fictionnel fait immanquablement entrer en ligne de compte un troisième pôle qu’on appelle la vérité ou le réel de la réalité. D’un point de vue comparatif, le schème tripartite permettra de penser la question de la fiction sous un nouveau jour. / The ingenious progress of the means of likelihood, the required combination of art and the virtual, the interest for archives, the will of reality ect., that characterize our time, have given a particular interest to the question of "why fiction?", both in the philosophical reflections and the poetical investigations. In its two end-points, this question concerns both literary and historiographical discourses. Western thought has traditionally referred to its Greek origins in order to answer the question. Yet most of the time, the answer is formulated in a bipolar, referential framework consisting of the real and the fictional. Instead, in the present work, the issue is to move back up the Greek legacy in search of some art and fiction thought which goes beyond this referential framework. Doing this, we can identify the elements of a different reading of Greek thought which is actually involved in the very starting point of the poetics developed within the Islamico-Iranian cultural world : an oriental poetics which is to be considered another becoming of Greek poetics. Through theoretical, literary and historiographical discourses in Post-Islamic Iran, the author tries to show this oriental poetics requires thinking fiction now in a tripartite schema : the relationship between the real and the fictional takes necessarily into account a third pole that one can call the truth or the real of reality. From a comparative perspective, the tripartite schema could help to think the general issue of fiction in a different way.

O objetivo deste trabalho é investigar a teoria da ação humana presente na Ética Nicomaqueia de Aristóteles e, em particular, os elementos que constituem os critérios para a determinação da noção de responsabilidade do agente moral e identificar se tais critérios se encontram presentes na teoria sobre a imitação da ação humana na tragédia grega, apresentada na Poética. Para ilustrar essa possível relação, utilizar-se-á o mito de Édipo, paradigma da discussão sobre a virtude na ação heroica, presente na tragédia de Sófocles, Édipo-Rei. / The aim of this master degree dissertation is to investigate the theory of human action available in Aristotles Nicomachean Ethics. The aim is particularly to investigate the elements that constitute the criteria to determining the notion of responsibility of the agent and to identify if these criteria can be found in the theory about the imitation of human action in Greek tragedy available in Aristotles Poetics. In order to ilustrate this possible relation, it will be used Oedipus myth, as a paradigm of the discussion about virtue in heroic action, available in Sophocles tragedy, Oedipus-Rex.