Från bruksort till BRUKA, med kalkbrottet som gemensam nämnare. Stora Vika har historiskt bestått av en symbiotisk relation mellan ortens tre ”ben”: kalkbrottet, cementindustrin och bostadsområdet. Idag präglas orten av att kopplingen mellan dessa tre element gått förlorad. Visionen med BRUKA är att väcka liv i platsens historiska koppling mellan människa och industri, med kalken som “cementerande” element. Till skillnad från bruk - ett substantiv med fokus på maskin och industri så är BRUKA ett imperativ: en mänsklig handling, en plats för folket att göra till sin. BRUKA förvaltar Stora Vikas arv av att bruka platsens unika råvara, kalken, men istället för den historiska produkten cement är kalken i BRUKA en källa till kunskap för geologiska forskare. BRUKA gjuter nytt liv i Stora Vika bygd i form av arbetstillfällen, aktiviteter samt ekonomiskt tillskott för att stötta upp andra insatser i närområdet och i kommunen i stort. BRUKA visar vikten av att luckra upp gränser och göra bruk av mötet mellan människa och natur. BRUKA sätter återigen ortens ”grande dame”, den unika urkalkstenen, i förgrunden, och låter den bli en generator för arbetstillfällen, kunskapsproduktion, kunskapsdelning och bildning, kreativt skapande och lärande. / From the industrial village to BRUKA, the limestone quarry serves as a common denominator. Stora Vika has always had a symbiotic relationship between its three "legs": the lime quarry, the cement industry, and the residential area. Today, the town is distinguished by the fact that the connection between these three elements has been lost. The aim of BRUKA is to revive the site's historical link between man and industry, using lime as the "cementing" element. Unlike "bruk", the Swedish term for "industry" focused on machinery and production, BRUKA is an imperative: a human action. BRUKA honors Stora Vika's tradition of using the site's unique raw material, limestone, but instead of being turned into concrete, the lime in BRUKA serves as a source of knowledge for geological researchers. BRUKA breathes new life into the Stora Vika village through jobs, events, and financial contributions to other community and governmental projects. BRUKA demonstrates the necessity of bridging boundaries and leveraging the combined power of man and environment. BRUKA brings the local "grande dame," the unique primordial limestone, back into the spotlight and enables it to become a generator of jobs, information production, knowledge exchange and education, creativity and learning.

The textile industry is considered one of the most challenging industries when it comes to environmental pollution just after the oil industry. It has a huge impact on water pollution and resource consumption in terms of fiber production. Recently sustainability in cotton fiber production is questioned due to the huge uses of land, water, a large number of pesticides, and a significant amount of energy during cultivation. When it comes to cellulosic pulp production, currently fibrous plant material is used which is mainly wood. So, recycling of cellulosic textiles is considered the only option to reduce this impact. The recycling company Renewcell is launching a large-scale plant for cellulosic fiber recycling which is located in Sweden and will use the post-industrial textile waste as one of its feedstocks. The purpose of this research is to analyze the barriers and drivers for collecting this post-industrial textile waste from the garment manufacturing countries to Sweden and analyze the available collaborative business model alternatives. This study was performed by a qualitative study where primary data was collected through semi-structured interviews and analyzed by thematic analysis. The data was collected among four stakeholders within this value chain which are the fashion brands, recyclers, garment manufacturers, and waste handlers. The finding shows that this sector is very informal and is yet to be formalized. The external informal influence was identified throughout the value chain as a non-value-added activity.  And the involvement of fashion brands was identified as one of the drivers. Several collaborative business models are discussed considering their applicability in different contextual situations. This analysis was discussed based on the seven themes which were generated during the thematic analysis and later discussed with the current empirical study and theoretical background. Collaboration between the recycler, traders, brands, and the textile manufacturers were discussed in different dimensions such as direct collaboration and logistic partnership approach. Then the research limitation was discussed in both methodological and research contexts followed by future research recommendations.

Syftet med detta arbete har varit att undersöka om berättelsen kan fungera som katalysator för elevernas reflektion över sig själva och deras situation i ett postmodernt samhälle. Väsentliga frågor i sammanhanget blev dels huruvida de själva kunde bli medvetna om och reflektera över sina egna och andras strategier i en sådan omfattande social omvandling. Ett sådant fenomen som kom i fokus var vårt behov av ytliga statussymboler.Det i grunden kvalitativa arbetet bygger på tre synvinklar och tillika källor. För det första, mig själv som oundvikligt subjektivt filter; för det andra eleverna och för det tredje, mediala källor som på olika sätt har kunnat användas i sammanhanget.Under arbetets lopp har jag kommit fram till att arbetets informativa, reflektiva och diskursiva processer i sig utgjorde ett lika intressant material som slutsatserna. / The purpose of this work has been to examine the function of storytelling as an induct-ive way to develop self reflection and environmental awareness of the students. Key subjects have been if they could be attentive to the very reflective process itself and to the strategies we apply, when to cope with dynamic changes as those of the postmodern society. Also the possibility to find basic explanations, to specially one of these strategies – one that has been more and more frequently used – became a pursuit in this work. The phenomenon in mind is our seemingly growing demand for “superficial valuables”.This work is basically qualitative. Three perspectives – as well as sources of inform-ation – have been developed through the process of this work: firstly, the inevitably subjective experiences of my own; secondly, the students; and thirdly, different forms of applicable public media. Especially the contribution from the students can’t be overstated. Initially it was them who made me aware of the phenomenon, described above. Moreover they gave input, partly through the literature seminar and the related discussion, partly through a minor enquiry consisting of a few but fundamental questions connected to the matter of “wealth” and “ability”.Quite early during the progression of this work I came to an understanding that the informative, the introspective and the communicative processes of the work itself constituted a most interesting substance. Hence, I made a more careful attempt to describe this development and my thoughts connected to it, rather than giving too much focus on the aftermath. Retrospectively seen, it presents somewhat self-evident answers of the two initial questions above. Yes, storytelling might work as a complement to more radical experiences of the real life. It can be used as a key to existential reflection in an urban security-devoting postmodern society. Also obviously, there seem to be more profound explanations to our quest for superficial valuables – needs beyond the very appeal. They could be connected to the natural instinct of individual survival through real or “illusory” acceptance and irreplaceability within one or more collective social orders – in short, the importance of being important.

No description available.

No description available.

O jornalismo transnacional (in. cross border journalism; es. periodismo transfronteirizo; din. journalistik over grænser) ganhou visibilidade nos anos 2010 a partir de séries como o OffshoreLeaks e o SwissLeaks, por estabelecer uma rede de investigação colaborativa entre equipes de diferentes países em torno de temas de relevância continental ou mundial, que normalmente envolvem estratagemas nas finanças internacionais com fins ilícitos. Tais séries jornalísticas são o ponto de partida desta tese, sendo contextualizadas com a renovação dos marcos do jornalismo profissional, que inclui o jornalismo pós-industrial (ANDERSON, BELL&SHIRKY, 2013), o qual coincide com uma \"improvável época de ouro do jornalismo investigativo\" (LEWIS, 2009). Procura-se, na presente pesquisa, mapear um território de pioneiros dessa prática de imprensa, que atrai jornalistas veteranos e interessa até às redações clássicas. A partir das constatações do crescimento dessa prática, esta tese procura refletir sobre essa tendência e identificar nela fundamentos de um método, ainda que não plenamente consolidado. E de tal método extrair elementos para um conceito, cuja prática expõe as assimetrias da globalização e se projeta numa \"sociedade civil global\" (IANNI, 1996; KALDOR, 2003). Praticado por jornalistas investigativos como David Kaplan e jornalistas-pesquisadoras como a dinamarquesa Brigitte Alfter (2015) e a chilena Florencia Melgar Hourcade (2015), o jornalismo transnacional se beneficia do saber acumulado pelo \"jornalismo de dados\" e pelo \"jornalismo sem fins lucrativos\", o que estimula uma cultura não competitiva entre redações, fortalece empreendimentos não corporativos e dá abertura a uma estimulante discussão sobre identidade profissional. No campo teórico, esta tese investiga se essa nova fronteira profissional da imprensa subsidia de fato a emergência de uma opinião pública global de caráter generalista na medida em que abre um horizonte multifacetado e plural para o conceito de objetividade jornalística (agora entendida como transparência), e na medida em que incorpora valores de uma \"ética de jornalismo global\" (WARD, 2005, 2008, 2010). / The cross border journalism (es. periodismo transfronteirizo; din. journalistik over grænser; pt. jornalismo transnacional) gained visibility in the years 2010 from series like OffshoreLeaks and SwissLeaks, by establishing a network of collaborative reporting between teams from different countries around issues of continental or global relevance, which usually involves stratagems in international finances for illicit purposes. These journalistic series are the starting point of this thesis, and they are contextualized with the renovation of the milestones of professional journalism, including the post-industrial journalism (ANDERSON, BELL & SHIRKY, 2013) and its coincidence with an \"unlikely golden era of investigative journalism\" (LEWIS, 2009). The research tries to report this territory of pioneers of this new practice from press, which attracts veteran journalists and interests even the classic newsrooms. From the factual findings, this thesis aims to reflect on this trend identifying foundations of a method, although not fully consolidated, and tries to extract therefrom the elements of a concept, and relating its practice to an emergent \"global civil society\" (IANNI, 1996; KALDOR, 2003) and exposing the asymmetries of globalization. Practiced by investigative journalists like David Kaplan and journalists-researchers as the Danish Brigitte Alfter (2015) and the Chilean Florencia Melgar Hourcade (2015), the transnational method takes benefit from the accumulated knowledge by the \"data journalism\" and the \"nonprofit journalism\" and can stimulates a non-competitive culture among newsrooms. This journalism strengthens non-corporate enterprises and gives opening to a stimulating discussion about professional identity. In theory, this thesis investigates if this new professional frontier of press subsidizes indeed the emergence of a global public opinion in a \"generalist\" character as it opens to journalistic field a multifaceted and plural horizon to objectivity (now understood as transparency), and as it incorporates values from a \"global journalism ethics\" (WARD, 2005, 2008, 2010).

This thesis discusses contemporary Scottish crime fiction in light of its transatlantic contexts. It argues that, despite participating in a globalized popular genre, examples of Scottish crime fiction nevertheless meaningfully intervene in notions of Scottishness. The first chapter examines Scottish appropriations of the hard-boiled mode in the work of William McIlvanney, Ian Rankin, and Irvine Welsh, using their representation of traditional masculinity as an index for wider concerns about community, class, and violence. The second chapter examines examples of Scottish crime fiction that exploit the baroque aesthetics of gothic and noir fiction as a means of dealing with the same socio-political contexts. It argues that the work of Iain Banks and Louise Welsh draws upon a tradition of distinctively Scottish gothic in order to articulate concerns about the re-incursion of barbarism within contemporary civilized societies. The third chapter examines the parodic, carnivalesque aspects of contemporary Scottish crime fiction in the work of Christopher Brookmyre and Allan Guthrie. It argues that the structure of parody replicates the structure of genre, meaning that the parodic examples dramatize the textual processes at work in more central examples of Scottish crime fiction. The fourth chapter focuses on examples of Scottish crime fiction that participate in the culturally English golden-age and soft-boiled traditions. Unpacking the darker, more ambivalent aspects of these apparently cosy and genteel traditions, this final chapter argues that the novels of M. C. Beaton and Kate Atkinson obliquely refract the particularly Scottish concerns about modernity that the more central examples more openly express.

O jornalismo transnacional (in. cross border journalism; es. periodismo transfronteirizo; din. journalistik over grænser) ganhou visibilidade nos anos 2010 a partir de séries como o OffshoreLeaks e o SwissLeaks, por estabelecer uma rede de investigação colaborativa entre equipes de diferentes países em torno de temas de relevância continental ou mundial, que normalmente envolvem estratagemas nas finanças internacionais com fins ilícitos. Tais séries jornalísticas são o ponto de partida desta tese, sendo contextualizadas com a renovação dos marcos do jornalismo profissional, que inclui o jornalismo pós-industrial (ANDERSON, BELL&SHIRKY, 2013), o qual coincide com uma \"improvável época de ouro do jornalismo investigativo\" (LEWIS, 2009). Procura-se, na presente pesquisa, mapear um território de pioneiros dessa prática de imprensa, que atrai jornalistas veteranos e interessa até às redações clássicas. A partir das constatações do crescimento dessa prática, esta tese procura refletir sobre essa tendência e identificar nela fundamentos de um método, ainda que não plenamente consolidado. E de tal método extrair elementos para um conceito, cuja prática expõe as assimetrias da globalização e se projeta numa \"sociedade civil global\" (IANNI, 1996; KALDOR, 2003). Praticado por jornalistas investigativos como David Kaplan e jornalistas-pesquisadoras como a dinamarquesa Brigitte Alfter (2015) e a chilena Florencia Melgar Hourcade (2015), o jornalismo transnacional se beneficia do saber acumulado pelo \"jornalismo de dados\" e pelo \"jornalismo sem fins lucrativos\", o que estimula uma cultura não competitiva entre redações, fortalece empreendimentos não corporativos e dá abertura a uma estimulante discussão sobre identidade profissional. No campo teórico, esta tese investiga se essa nova fronteira profissional da imprensa subsidia de fato a emergência de uma opinião pública global de caráter generalista na medida em que abre um horizonte multifacetado e plural para o conceito de objetividade jornalística (agora entendida como transparência), e na medida em que incorpora valores de uma \"ética de jornalismo global\" (WARD, 2005, 2008, 2010). / The cross border journalism (es. periodismo transfronteirizo; din. journalistik over grænser; pt. jornalismo transnacional) gained visibility in the years 2010 from series like OffshoreLeaks and SwissLeaks, by establishing a network of collaborative reporting between teams from different countries around issues of continental or global relevance, which usually involves stratagems in international finances for illicit purposes. These journalistic series are the starting point of this thesis, and they are contextualized with the renovation of the milestones of professional journalism, including the post-industrial journalism (ANDERSON, BELL & SHIRKY, 2013) and its coincidence with an \"unlikely golden era of investigative journalism\" (LEWIS, 2009). The research tries to report this territory of pioneers of this new practice from press, which attracts veteran journalists and interests even the classic newsrooms. From the factual findings, this thesis aims to reflect on this trend identifying foundations of a method, although not fully consolidated, and tries to extract therefrom the elements of a concept, and relating its practice to an emergent \"global civil society\" (IANNI, 1996; KALDOR, 2003) and exposing the asymmetries of globalization. Practiced by investigative journalists like David Kaplan and journalists-researchers as the Danish Brigitte Alfter (2015) and the Chilean Florencia Melgar Hourcade (2015), the transnational method takes benefit from the accumulated knowledge by the \"data journalism\" and the \"nonprofit journalism\" and can stimulates a non-competitive culture among newsrooms. This journalism strengthens non-corporate enterprises and gives opening to a stimulating discussion about professional identity. In theory, this thesis investigates if this new professional frontier of press subsidizes indeed the emergence of a global public opinion in a \"generalist\" character as it opens to journalistic field a multifaceted and plural horizon to objectivity (now understood as transparency), and as it incorporates values from a \"global journalism ethics\" (WARD, 2005, 2008, 2010).

The theme of this dissertation is “Management of the regeneration of post-industrial areas”. The aim of the work is to identify support mechanisms for the redevelopment of post-industrial areas in the Czech Republic. Such support mechanisms were researched and analysed in those EU countries that have broad and varied experience with the regeneration of post-industrial areas. The most favourable case studies were selected from Germany, with a particular focus given to the districts around the city of Leipzig, and the United Kingdom, highlighting the city of Manchester. For these chosen examples, I have analysed the legislative, institutional, and financial tools of urban regeneration support. One chapter is dedicated to the analysis of the environmental assessment tools for buildings and urban communities as alternative approach to the support of municipal regeneration. Findings from all chapters are contrasted with the analysis of four typical examples of derivation of post-industrial areas in Czech cities, which were chosen as being typical of unsuccessful redevelopments. Based on these examples I have compiled recommendations gained from successful mechanisms for urban regeneration abroad which could be considered and put into practice here in the Czech Republic.

(Synopsis to introductory statement): An introductory statement to five documentary films made by Ian Lang in Australia between 1981 and 1997 exemplifying  a 'democratising' model of sustainable and ethical documentary film production. This document critically reflects on the production process of these films to accompany their submission for the degree of Doctor of Philosophy by Publication at Griffith University. It finds that a contemporary tendency towards 'post-industrial' conditions allows an observational film-maker to negotiate a critical inter-dependence rather than a romantically conceived 'independence' traditional to the genre. [Full thesis consists of introductory statement plus six DVD videodiscs.]