Workshop Mensch-Computer-Vernetzung Übersicht über die technischen Grundlagen von Web Services Abgrenzung zu anderen RPC-Mechanismen Beispiele für Beschreibungssprachen

El presente trabajo tiene como finalidad idear y planificar todas las actividades que son necesarias para dar inicio al proyecto de producción de shampoo-jabón en barra 100% natural y eco amigable, así como también demostrar la viabilidad de la idea de negocio. Hoy en día, existe gran diversidad de shampoos y jabones en el mercado, más no con la calidad y función que brinda nuestro producto, dígase, ser 100% natural y eco amigable. Como se manifestó en líneas anteriores, nuestro producto cumple la función de dos elementos en uno solo, es decir, jabón y shampoo al mismo tiempo, además de mencionar que cuenta con la incorporación de una esponja de lufa eco amigable para una mayor limpieza del cuerpo. El producto se ideó considerando a un público tanto femenino como masculino que apuesten por los productos naturales y amigables con el medio ambiente. Para determinar la viabilidad del proyecto se tomó en consideración aspectos del entorno externo e interno en el que se desarrollaría la empresa creada, así como también aspectos financieros, comerciales, planes estratégicos, de marketing, recursos humanos y de financiamiento que pudiesen contribuir con la determinación de la factibilidad de nuestra idea de negocio. / The purpose of this work is to devise and plan all the activities that are necessary to start and start the production project for 100% natural and eco-friendly shampoo-soap bars, as well as to demonstrate the viability of our business idea. Today, there is a great diversity of shampoos and soaps on the market, but not with the quality and function that our product provides, say, be 100% natural and eco-friendly. As stated in previous lines, our product fulfills the function of two elements in one, that is, soap and shampoo at the same time, in addition to mentioning that it has the incorporation of an eco-friendly loofah sponge for greater body cleaning. The product was devised considering both a feminine and masculine public that bet on natural and environmentally friendly products. To determine the viability of the project, aspects of the external and internal environment in which the created company would be developed were taken into consideration, as well as financial, commercial, strategic, marketing, human resources and financing aspects that could contribute to the determination of the feasibility of our business idea. / Trabajo de investigación

This study has been inspired by the political events in the past few years that signalled a general decline, instead of consolidation, of democracy in South Africa. The decline has caused a rising trust deficit between the government and the citizens of South Africa. These events have raised questions of the role of the media in the consolidation of democracy. Katrin Voltmer's pioneering work, The Media in Transitional Democracies (2013) shines an important light in delineating the role of the media in transitions, including democratic consolidation. Much of the focus of scholastic research in the subject of media and democracy has been on news and journalistic content. Jurgen Habermas' seminal work, The Structural Transformation of the Public Sphere (1989) also accorded more weight to the rational and cognitive, as opposed to the affective and emotive aspects of the media when arguing in favour of emancipatory potential of the public sphere. The rational and cognitive aspects are generally associated with news and journalistic content (McGuigan, 2005: 430). Unlike Habermas, this study follows the lead by scholars like Van Zoonen (2006) and McGuigan's (2005) interest in the popular entertainment content which has often been regarded as having little significance in politics, especially democracy. In its emphasis on the consolidation aspect of South African democratic transition, the study is conducted against the backdrop of the broader ‘third wave' transitions of the early 1990's (Huntington, 1991). The study's theoretical framework is aligned with Christians et al.'s (2009) revision of the Four Theories (Siebert, et al, 1956) of the press. Their approach is useful because of its normative strength that opens the possibilities of media roles in democratization. The normative approach allows a free exploration of the potential of the media, instead of restricting the media to the political systems within which they operate. In addition, it aligns itself to Jim McGuigan's theory of the cultural public sphere which highlights the often-ignored political potency of popular cultural texts in the public sphere. McGuigan (2005: 430) argues that the affective or emotive aspects of popular cultural texts enhance, rather than hinder, the quality of political engagement in the public sphere. Through entertainment television programmes, democratic ways of life can be portrayed as part of everyday, ordinary life (Stevenson, 2010: 276). Against the widely held expectation that the media should play a positive role in democracies, some scholars have noted that in reality, “this is not necessarily so” (Jebril, Stetka & Loveless, 2013: 3). Rather, the media can serve dictatorships as happily as they serve democracies (Voltmer, 2013: 23). Using the case studies of two soap operas of the South African Broadcasting Corporation (SABC), Muvhango and 7de Laan, the study explores the role of popular media in the enhancement or consolidation of democracy, and the circumstances under which this is carried out. The media of interest for this study is public service broadcasting (PSB). For most democracies of the third wave, especially in Africa, PSB has been an easy victim of political power. Because of its dependence on the state, PSB tends to be more susceptible to political interference than other media types. Like other PSBs, the SABC has clearly spelt-out objectives that are linked to the national developmental objectives, including the goal of promoting and deepening democracy. This connection makes it possible to evaluate the selected entertainment case studies against these objectives. The study uses Multimodal critical discourse analysis (MCDA) because it allows for the analysis of text in its multimodal form such as visuals and audio. It equally allows for the application of analytical tools borrowed from film and television theories. By indirect measurement, MCDA model is used in the study to evaluate how democracy is represented (promoted, negated, omitted) in various aspects of the text.

The diploma thesis describes the analysis, specification, origin and transformation of the current editing system N.E.S.P.I, which is the intellectual property of the company WebRex s.r.o. The main aim is to separate the administration of the web sites from their content, which can be seen on the Internet and by doing so to achieve the unified and complex administration interface for the customers. By bringing the service into work we do not only save time and simplify the work of the programmers, but we are also able to reach the stage when the editing system is not only the intellectual property of the company, but also its physical property, because the customer owns only the web sites, but the possibility to administrative them is offered as further service. The service should also provide the customers with modern access to informational technologies and propose enhanced assistance for their entrepreneurial plans and ideals.

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Under the right conditions, a moving sphere may successfully enter, and leave, a soap bubble without rupturing that bubble. The physics behind this phenomena are not well understood, nor the limiting factors (such as sphere size, speed, etc.). This work, investigating this phenomenon using high speed photography, has produced several results which are presented. First, several distinct regimes, noted while photographing the interactions between the spheres and the bubbles, are classified and discussed. Next a probabilistic examination of the soap bubbles rupture by the moving spheres is presented. Then a conjecture for the limiting sphere sizes and speeds is presented. And finally some interesting phenomena, noted in the course of this investigation, are presented and discussed.

Sexual depictions were analyzed in $&, episodes of seven drama serials on British mainstream television over a four-week period in November– December %##). Scenes that depicted sexual behavior and talk about sexual matters were counted separately. Further distinctions were made on the basis of the levels of intimacy and the graphic nature of portrayals. A total of (#) sexual scenes were found that occurred at the rate of ).( per hour across the seven soaps, but this figure was inflated by one late-night serial that averaged $).# scenes per hourly episode. Nearly two-thirds of these scenes were restricted to talk about sexual matters, while the others contained overt depictions of sexual behavior. Sexual intercourse was relatively rare and restricted in terms of overt depictions to the late-night serial. Passionate kissing was far more prevalent throughout these programs regardless of the time of day the program was transmitted. When sexual intercourse was featured, this was generally in the context of loss of virginity or of infidelity.

The frequency of occurrence on typical soap operas of incidents such as homicide, infidelity, and mental breakdown is much greater than is the case in real life. Also, various occupations (e.g., medical profession, legal profession) are overrepresented in these programs. The present study investigated the extent to which heavy soap opera viewers are influenced by these representations. Specifically, the differences between long term soap opera viewers’ and non-soap opera viewers’ perceptions about people and events in the real world were investigated. The subjects’ perceptions of the frequency of occurrences in the general population of such events as divorce, extramarital affairs, serious accidents, deception, having illegitimate children, death by homicide, being institutionalized, working in the medical profession, and being a lawyer were measured utilizing standard survey techniques. Also, the subjects’ estimates of the potential likelihood of future personal involvement in such events were measured. Results indicated that with respect to the probability of having extramarital affairs, nonviewers are more likely to anticipate being unfaithful than viewers [t(98) = -1.94, p <.05]. Also, female nonviewers are more likely to predict that they will be sexually assaulted than female viewers [t(98) = -2.23, p <.05]. No other statistically significant results were found. The results of this study provide no strong evidence that viewing soap operas directly affects viewers conceptions of reality.

<p>This research analyzes the reproduction of patriarchal ideological hegemony in the soap opera <em>Another World</em> using Stuart Hall's theory of the mass media and his conceptualization of ideology. A structural analysis of five one hour video-taped episodes of <em>Another World</em> reveals how the soap opera text constructs meaning fulfilling the three functions of the mass media, and thus, reproducing patriarchy's hegemony. This research confirms Hall's theory of the mass media and the propositions which flow from his conceptualization of ideology. Moreover, this research is the first attempt to systematically apply Hall's theory to the study of soap opera. It goes beyond the generalizations of his theory to look at the particularities of soap opera which contribute to the reproduction of patriarchal ideological hegemony. However, it is seen that what is problematic to this research, and all research on soap opera, is a lack of a theory of the reader.</p> / Master of Arts (MA)

This paper analyzes the political dimensions surrounding visual and literary allusions to soap bubbles. Traditionally, iconographic studies consider soap bubbles within the history of northern Baroque vanitas, attaching to bubbles notions of ephemerality and transience. Building on these interpretations, eighteenth- and nineteenth-century French artists and writers created a complex metaphor for soap bubbles that relied on their impermanence and fragility, as well as their illusory nature. By coupling the earliest conceptual meanings of soap bubbles with their almost imperceptible formal properties, the bubble blower came to symbolize deceivers, or figures creating illusions or delusions. Eventually, this transformed vanitas symbolism became harnessed to political critiques and representative of chimerical assertions of papal authority, calumny, and false promises of liberal reform. I not only describe the alternative meanings associated with soap bubbles in eighteenth- and nineteenth-century France, but also I situate Edouard Manet's Les Bulles de savon (1867) within this trajectory. While most scholars interpret Manet's painting and accompanying prints as a continuation of, and legacy to, the Dutch vanitas tradition, I illustrate how the artistic and political milieu in which Manet worked mirrored earlier criticisms employing allusions to bubbles. / Art History