No description available.

Scholarship has tended to focus exclusively on connections of Qawwali, a north Indian devotional practice and musical genre, to religious practice. A focus on the religious degree of the occasion inadequately represents the participant’s active experience and has hindered the discussion of Qawwali in modern practice. Through the examples of Nusrat Fateh Ali Khan’s music and an insightful BBC radio article on gender inequality this thesis explores the fluid musical exchanges of information with other styles of Qawwali performances, and the unchanging nature of an oral tradition that maintains sociopolitical hierarchies and gender relations in Sufi shrine culture. Perceptions of history within shrine culture blend together with social and theological developments, long-standing interactions with society outside of the shrine environment, and an exclusion of the female body in rituals. To better address Qawwali performances and their meanings, I foreground the perspectives of shrine social actors and how their thoughts reflect their community, its music, and gendered spaces. / text

Depuis les premières publications d’époque coloniale, qui s’attachaient surtout à en démontrer le caractère folklorique et endémique, le culte des saints au Maghreb a fait l’objet de nombreuses études portant tant sur son origine que sur son évolution diachronique. La première phase de son développement qui va du XIIe au XVe siècle est bien connue. Toutefois, cette dévotion s’attache avant tout aux tombes des figures révérées qui n’ont fait l’objet d’aucune étude portant spécifiquement sur leur matérialité. Cette recherche se propose donc de restituer les étapes de construction de pôles de dévotion autour de ces sépultures saintes dont le paroxysme est atteint au XIVe siècle. Elle s’inscrit dans unedémarche d’archéologie du disparu, et s’attache donc à l’analyse des sources écrites pour tenter d’approcher une réalité physique inaccessible autrement.La première approche est formelle. Il s’agit de comprendre quels sont les aménagements opérés sur les tombes de saints et pour quels usages, dans une démarche chronologique. La formation des sanctuaires est ensuite envisagée dans son contexte social, avant de considérer la façon dont ces tombes s’inscrivent dans un espace donné, et participent même d’une écriture symbolique du territoire de la ville.La mise en place de ces pôles de dévotions funéraires n’est cependant pas un phénomène isolé, puisqu’il peut être constaté à l’échelle du dār al-islām. Le Maghreb s’inscrit donc pleinement dans l’histoire de l’architecture religieuse médiévale du monde musulman. / Since the fi rst publications dated from colonial times, which mostly sought to show its folk and endemic character,the cult of saints in North Africa has been the subject of numerous studies both dealing with its origins as itsdiachronic evolution. The fi rst stage of development that goes from the twelfth to the fi fteenth century is well known.However, this worship is committed to the graves of revered fi gures and there have been no studies specifi cally focusingon their materiality. This research then intends to reconstruct the building stages of real poles of devotion around theholy tombs whose climax is reached during the fourteenth century. This approach is in line with archaeology of the lost,and therefore focuses on the analysis of written sources in order to approach a physical reality, otherwise unattainable.The fi rst step is formal. The point is to understand what is erected over the tombs of the saints and for whatpurposes, in a chronological way. The constitution of shrines is subsequently considered in its social context, beforeanalysing how these burials inscribe themselves in a given space, and even participate in a symbolic writing of the city’sterritory.The set up of these funerary poles of devotion is not an isolated phenomenon, since it can be seen across the dāral-Islām. The Maghreb is therefore fully inscribed in the history of medieval religious architecture of the Muslim world.

Este estudo trata da construção e modernização da Basílica Nacional de N. Senhora de Aparecida, localizada no santuário católico do mesmo nome, em Aparecida no estado de São Paulo (a 160 km da capital do estado). O autor faz uma investigação a respeito dos aspectos míticos que envolvem as transformações espaciais e urbanísticas dessa construção. Sua metodologia de análise fundamenta-se na fenomenologia da imaginação proposta por Gaston Bachelard como um caminho para os desafios da ciência na pós-modernidade. O trabalho não se limita a relacionar a implementação da obra arquitetônica (o templo) com o desenvolvimento metropolitano da cidade de São Paulo (a cidade-mãe). Seu objetivo central está em demonstrar, ao menos teoricamente, que os mitos e suas atualizações constantes (mitogênese, mística e criações artísticas) permitem à ciência geográfica compreender a organização de um espaço religioso e sugerir instrumentos (no turismo e na educação) para seu aperfeiçoamento social. / The present study examines the construction and modernization of the National Basilica of Our Lady Aparecida, located in the Roman Catholic Sanctuary of Aparecida, 100 miles from the São Paulo state capital. The author has surveyed the mythical aspects involving the spatial and urbanistic transformations of the building. His methodology of analysis is grounded on the phenomenology of the imagination proposed by Gaston Bachelard as a way of dealing with the challenges of science in the post-modern age. The paper is not limited to relating the implementation of an architectural work (the temple) to the metropolitan development of the city of São Paulo (the mother-city). Its main goal is to demonstrate, at least theoretically, that the myths and their constant renewal (mythogenesis, mysticism, and artistic creations) help Geographic Science to better understand the organization of religious spaces and to propose instruments (in tourism and education) for their social enhancement.

Este estudo trata da construção e modernização da Basílica Nacional de N. Senhora de Aparecida, localizada no santuário católico do mesmo nome, em Aparecida no estado de São Paulo (a 160 km da capital do estado). O autor faz uma investigação a respeito dos aspectos míticos que envolvem as transformações espaciais e urbanísticas dessa construção. Sua metodologia de análise fundamenta-se na fenomenologia da imaginação proposta por Gaston Bachelard como um caminho para os desafios da ciência na pós-modernidade. O trabalho não se limita a relacionar a implementação da obra arquitetônica (o templo) com o desenvolvimento metropolitano da cidade de São Paulo (a cidade-mãe). Seu objetivo central está em demonstrar, ao menos teoricamente, que os mitos e suas atualizações constantes (mitogênese, mística e criações artísticas) permitem à ciência geográfica compreender a organização de um espaço religioso e sugerir instrumentos (no turismo e na educação) para seu aperfeiçoamento social. / The present study examines the construction and modernization of the National Basilica of Our Lady Aparecida, located in the Roman Catholic Sanctuary of Aparecida, 100 miles from the São Paulo state capital. The author has surveyed the mythical aspects involving the spatial and urbanistic transformations of the building. His methodology of analysis is grounded on the phenomenology of the imagination proposed by Gaston Bachelard as a way of dealing with the challenges of science in the post-modern age. The paper is not limited to relating the implementation of an architectural work (the temple) to the metropolitan development of the city of São Paulo (the mother-city). Its main goal is to demonstrate, at least theoretically, that the myths and their constant renewal (mythogenesis, mysticism, and artistic creations) help Geographic Science to better understand the organization of religious spaces and to propose instruments (in tourism and education) for their social enhancement.

No description available.

No description available.

Made available in DSpace on 2017-07-21T18:15:24Z (GMT). No. of bitstreams: 1 Dariane Pirehowski.pdf: 6901071 bytes, checksum: e5f1e296c91a21286fcb6bbf73c9f2d1 (MD5) Previous issue date: 2016-08-10 / The Shrines, from the religious point of view, are sacred and special places - destination of devotees, pilgrims and tourists - generally raised from the story of a saint, his or her images, relics and miracles. According to it, this study aims to understand the socio-spatial organization of the Shrine of Lady of Brotas, located in Piraí do Sul (PR) from a geographic scientific view. Therefore, this work is presented in three analytical fronts: Firstly, there is a theoretical discussion where reflections are presented about culture, religion, the shrines and also it as a Paraná cultural heritage, especially the city of Piraí do Sul. After is realized the description of the historical features of the constitution of the shrine and the devotion to Lady of Brotas, in order to better understand this phenomenon - was also considered in this sense, the Church's role in the specific place, in partnership with Local Authorities and the opinion of researchers and stakeholders in this process. This theme was approached because of state and local importance of the shrine, previously recognized by the visitors and local society. Thus it was possible to identify that from the beginning of the devotion to Lady of Brotas several changes were adopted by the Church, as the partnership with the Municipal Government, with the intention of adequacy in infrastructure and religious programming to meet religious, economic, political, social and cultural. This research adopted the method of phenomenology, with qualitative approach, in a case study. The technical procedures were: analysis of tumbles, the parish registers books, observation and interviews. It was found that the shrine is a significant religious and cultural city manifestation and therefore is recognized as cultural heritage in Piraí do Sul, consequently a cultural and tourist attraction that needs greater attention from municipal and state powers to keep the maintenance and expansion of religious and cultural use and for local tourism and economic development. / Os santuários, do ponto de vista religioso, são lugares sagrados e especiais –destino de devotos, peregrinos e turistas – que geralmente são formados a partir da história de um santo, imagens, relíquias, milagres. Neste sentido, este trabalho tem por objetivo compreender a organização socioespacial do Santuário de Nossa Senhora das Brotas, de Piraí do Sul (PR) a partir de uma visão científico-geográfica.Para tanto, o trabalho apresenta-se em três frentes de análise: primeiramente há uma discussão teórica em que são apresentadas reflexões sobre cultura, religião, os santuários e estes enquanto patrimônio cultural do Paraná, especialmente da cidade de Piraí do Sul. Depois é realizada a descrição das características históricas da constituição do santuário e da devoção a Nossa Senhora das Brotas, a fim de melhor conhecer esse fenômeno – foi também considerada, neste sentido, finalmente a atuação da Igreja sobre o local, em parceria com o Poder Público local e a opinião de pesquisadores e interessados nesse processo. Este tema foi abordado devido à importância local e estadual do santuário, previamente constatada através do reconhecimento da sociedade local e visitante. Dessa forma foi possível identificar que desde o início da devoção a Nossa Senhora das Brotas diversas mudanças foram adotadas pela Igreja, como a parceria com o Poder Público Municipal, com a intenção da adequação na infraestrutura e na programação religiosa para atender interesses religiosos, econômicos, políticos, sociais e culturais. Esta pesquisa adotou o método da fenomenologia, cuja abordagem foi qualitativa, em um estudo de caso. Os procedimentos técnicos realizados foram:análise dos tombos, livros de registros paroquiais, observação e entrevistas. Verificou-se que o santuário constitui uma manifestação religiosa e cultural expressiva do município e, por isso, é reconhecido como patrimônio cultural em Piraí do Sul; consequentemente, é um atrativo cultural e turístico que necessita de maior atenção por parte dos poderes públicos municipal e estadual para a manutenção e a ampliação do uso religioso e cultural e para o desenvolvimento turístico e econômico local.

Au XVIe siècle avant J.-C., Thoutmosis III fit construire un sanctuaire en granit rose dans le temple d’Amon, à Karnak. Cet édifice, nommé Outjes-khâou, « (celui qui) exalte les apparitions d’Amon », servait d’abri principal à la barque du dieu, qui était portée en procession lors des grandes fêtes thébaines. Remplaçant la chapelle Rouge d’Hatshepsout, il resta debout jusqu’à ce que Philippe Arrhidée, le découvrant « ruiné », ordonne sa reconstruction. C’est son sanctuaire de barque en granit qui se dresse actuellement au même emplacement. La première tâche de ce travail a consisté à rechercher les blocs épars qui composaient le sanctuaire thoutmoside. Dispersés sur les 25 hectares du site de Karnak, parfois remployés dans des monuments postérieurs, ces fragments ont été identifiés, photographiés, documentés et leurs décors, dessiné. Les fonds photographiques, les journaux et rapports de fouilles des premiers directeurs des travaux de Karnak ont été dépouillés afin de déterminer la provenance de ces blocs et l’histoire de leur découverte. L’étude architecturale a ensuite été effectuée. L’analyse du décor reconstitué a fourni des données sur les aspects religieux, cultuels et politiques du règne de Thoutmosis III et permis d’identifier certaines de ses constructions. L’élément clé de cette étude est la proposition d’une nouvelle date du remplacement de la chapelle Rouge par Outjes-khâou, pour l’an 30, à l’occasion de la première fête-sed du roi. Suivant cette hypothèse, de nouvelles séquences chronologiques ont été proposées pour la construction et la décoration d’Outjes-khâou et des édifices qui l’entouraient, au cœur de Karnak. / In the 16th century BC, Thutmose III built a red granite sanctuary in the center of the temple of Amun in Karnak. This monument, named Utjes-khau “(the one who) exalts Amun’s appearances”, was used as the main resting place for the sacred bark which was carried in procession during the great Theban feasts. Replacing Hatshepsut’s Red Chapel, the shrine of Thutmose III remained standing until Philip Arrhidaeus, finding it “ruined”, ordered it to be constructed anew. Today, Arrhidaeus’ own granite bark shrine remains in situ. The first task of this research was to look for the blocks of the Thutmosid bark shrine, which were scattered across the 25 hectare area of the Karnak temples and sometimes were reused in later monuments. They were photographed, documented and drawn. The photographic collections, excavation journals and reports of the earlier field directors of Karnak have been analyzed in order to find out the find spot and the history of these blocks’ discovery. Following this, the architectural study of the bark shrine could be made. The analysis of reconstituted decoration allowed the identification of some of Thutmose III’s monuments and provided new data on religious, cultic and political aspects of his reign. The key issue of this study is the proposal of a new date for the replacement of the Red Chapel by Utjes-khau for the king’s first sed-festival in year 30. According to this hypothesis, new chronological sequences are proposed for the building and decoration of Utjes-khau and the monuments surrounding it at the center of Karnak.

小泉時期全力支援美國小布希總統的全球反恐戰爭，透過強化美日同盟，成功提升日本在美日同盟的功能與角色，朝向正常國家之路邁進。小泉每年參拜靖國神社興起了日本的民族主義，但也造成了中日關係的惡化，進而加深了日本在加入聯合國安理會常任理事國上的難度，也成為中國大規模反日運動的導火線。在中日關係上，從二戰後就一直存在著歷史上的仇恨問題，以及地緣政治因素，中日兩國在領土紛爭及資源分配等政治經濟的議題上，始終有著既合作又競爭的複雜關係。小泉時期因為911反恐浪潮強化了追隨美國路線，使得美日間友好關係展現了前所未有的高潮，同時也使中日關係產生了前所未有的「政冷經熱」的詭異現象。 本文認為，小泉的追隨美國路線的外交政策或是在推動正常國家政策上，必然會對造成中日關係上的影響，但是在推動正常國家政策上中國的支持又不可或缺，進而日本需要調整對中政策才能達成目標。小泉時期的追隨美國路線，係以什麼基準考量推動對中政策？其對中政策又如何去影響中日關係？中日關係的變化是否又會對日本的對中政策有所改變？值得我們深加研究。 / During the Koizumi administration, Japan's normalized country policies strongly supported George W. Bush's Global War on Terror to increase its role in the U.S.-Japan alliance. In addition, Koizumi also made the formal visit to the Yasukuni Shrine every year and raised Japanese nationalism. Together, these acts have contributed to the deterioration of Sino-Japanese relations, deepened the difficulty of Japan's accession to the United Nations Security Council permanent members, and become the main cause of China's large-scale anti-Japanese movement. Since World War II, Sino-Japanese relations have been characterized by historical hatred and geopolitical factors. In territorial disputes, resource allocation, and other political and economic issues, China and Japan always have a complex relationship with both cooperation and competition. During the Koizumi period, Japan's pro-American policy was strengthened due to the wave of anti-terrorism following 911, which lead to an unprecedented climax in U.S.-Japan friendship. Meanwhile, Sino-Japanese relations experienced an unprecedented and strong phenomenon of "Cold Politics-Hot Economics." Koizumi's pro-American foreign policy or Normalization policy has significantly influenced Sino-Japanese relations. To promote normalization, however, China's support is also indispensable to Japan. Thus, Japan needs to adjust its policy to achieve its goals. This research explores the basis through which the Koizumi administration evaluate its China policy under a pro-American foreign policy guideline. How Japan's China policy influences Sino-Japanese relations and whether the change in Sino-Japanese relations will then change Japan's China policy are also worth our further discussions.