This research provides an analytical reading of five southern African war novels, in a transnational study of the experience of war as represented by the novels' authors. In order to situate the texts within a transnational tradition of writing about modern warfare, I draw on Paul Fussell's work on the fictional writings of the Second World War in combination with Tobey Herzog's work on the writings of America's war in Vietnam. Through a reading of Sousa Jamba's Patriots and Mark Behr's The Smell of Apples. I illustrate that while these and other southern African war texts can be situated within a transnational tradition of writing about modern warfare, they also extend the tradition by adding new and previously silenced voices. I then turn to a focus on specific experiences of southern African anti-colonial war as represented in Pepetela's Mayombe and Mark Behr's The Smell of Apples. These texts are read in light of Franz Fanon's extensive writings on the nature of colonial violence and with a focus on the role of the victim and perpetrator in violent resistance to colonial oppression. Following this, and keeping with my examination of the experience of war in southern Africa, I read Pepetela's Mayombe. Sousa Jamba's Patriots and Chenjerai Hove's Bones with a view to highlighting their writing of women in times of war. Using the work of Florence Stratton, this section exposes the great difficulties faced by women in times of war as a result of war's complicity in the maintenance of patriarchal societal structures. Finally, I read Chenjerai Hove's Bones and Mia Couto's Under the Frangipani as post-war texts so as to highlight the authors' use of organic images to imagine post-war futures that are not tainted by the experience of war. In examining this topic, I aim to suggest that all of the texts studied show war to be a continuum that results in failed societies. I therefore read the texts as active interventions that seek to break the destructive cycle of the region's wars in the hope of better and constructive futures. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2005.

This dissertation analyses the violence of patriarchal culture as it is staged in three twentieth century texts: the Colombian writer Gabriel Garcia Marquez's Chronicle of a Death Foretold (1981), the South African novelist Mark Behr's The Smell of Apples (1993) and the American film Night of the Hunter (1954) directed by Charles Laughton. Each of these works focuses on the induction of the boy child into culture and the trauma attendant on this process of accession. The thesis is that if culture is violent then it must follow that damage is done to the developing subject in the process of its construction by the cultural forces that shape masculinity. The theoretical grounding of the analysis is derived from two main sources: Jacques Derrida's account of the violence of culture in Of Grammatology (1976) and the analysis of patriarchy and the Oedipal development of the boy child into manhood found in the work of Freud and Lacan. Derrida is used for his thinking on the inherently violent nature of culture and the way in which cultural discourse is structured through binary dualisms. The three chosen works all critique and dismantle binarist thinking as a move towards imagining a less destructive discursive order. The Oedipal narrative, as a myth which describes and explains the forces shaping the male child in the process of acculturation, exemplifies and illustrates cultural violence: As expounded by Freud and Lacan, the Oedipal myth is one which underpins all three of the chosen works. Derrida, Freud and Lacan have been very usefully mediated by several cultural critics and therefore extensive use is made of commentaries by Kaja Silverman, Frank Krutnik and Madan Sarup. Slavoj Zizek's interpretations of Lacan have also yielded much that is interesting about the nature of the Law of the Father and consequently reference is made to his ideas, principally in Chapter Four.This dissertation analyses the violence of patriarchal culture as it is staged in three twentieth century texts: the Colombian writer Gabriel Garcia Marquez's Chronicle of a Death Foretold (1981), the South African novelist Mark Behr's The Smell of Apples (1993) and the American film Night of the Hunter (1954) directed by Charles Laughton. Each of these works focuses on the induction of the boy child into culture and the trauma attendant on this process of accession. The thesis is that if culture is violent then it must follow that damage is done to the developing subject in the process of its construction by the cultural forces that shape masculinity. The theoretical grounding of the analysis is derived from two main sources: Jacques Derrida's account of the violence of culture in Of Grammatology (1976) and the analysis of patriarchy and the Oedipal development of the boy child into manhood found in the work of Freud and Lacan. Derrida is used for his thinking on the inherently violent nature of culture and the way in which cultural discourse is structured through binary dualisms. The three chosen works all critique and dismantle binarist thinking as a move towards imagining a less destructive discursive order. The Oedipal narrative, as a myth which describes and explains the forces shaping the male child in the process of acculturation, exemplifies and illustrates cultural violence: As expounded by Freud and Lacan, the Oedipal myth is one which underpins all three of the chosen works. Derrida, Freud and Lacan have been very usefully mediated by several cultural critics and therefore extensive use is made of commentaries by Kaja Silverman, Frank Krutnik and Madan Sarup. Slavoj Zizek's interpretations of Lacan have also yielded much that is interesting about the nature of the Law of the Father and consequently reference is made to his ideas, principally in Chapter Four. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2005.

Babies born prematurely are deprived of normal sensorimotor stimulation when placed in an artificial environment, the incubator. The aim of this project was to design a series of products that could promote the baby’s emotional and neurological development, and to facilitate parental bonding.  The products designed in this project has a theoretical basis on the research available today on cognitive and emotional development in children born prematurely. They were developed in close cooperation with a group of parents and nurses in a neonatal intensive care unit. Presence is a product collection for developmental care, consisting of a mattress, a figure and a necklace. The mattress has vibration sensors that transfer the mother’s heart beat and speakers with recorded heartbeat and her voice. The figure in silicone is designed for sensorimotor stimulation and can be together with the child in the incubator. The figure wears a cloth with mother’s scent. The cloth can be worn by parent in a necklace made of silicone.

The Umwelt concept of Jakob von Uexküll considers animals as subjects that inhabit their own subjective universe which is determined by the animal's sensory perception and cognitive abilities. Dolphins present an interesting species to investigate its Umwelt because cetaceans underwent a drastic change in lifestyle in the course of evolution because these mammals returned from a terrestrial life back into the water. Although bottlenose dolphins are intensively studied there are still many knowledge gaps. Here we studied some aspects of the dolphins' Umwelt by asking: (1) how their nocturnal acoustic Umwelt is arranged; (2) what the production of vocal copies can tell us about the dolphins' perception of their environment; (3) whether they are able to perceive tastes (4) or odours; (5) whether they are sensitive to magnetic stimuli. We found that the dolphins' nocturnal Umwelt was characterized by a temporally patterned vocal activity that also included vocal copies of sounds that the dolphins had heard during the day. This is a striking separation between auditory memory formation and vocal copy production and the copies might be a vocally expressed nocturnal rehearsal of day events. Thus, vocalizations can serve as possible indicators of events or objects that are meaningful to the dolphins. Regarding dolphins' perceptive abilities, we found that they were sensitive to both gustatory and olfactory food-related stimuli. They might use this ability to locate and/or evaluate prey. Further, dolphins responded to a magnetic stimulus, suggesting that they are magnetosensitive, what could be useful for navigation. So far, chemo- and magnetoreception have not been considered seriously as potentially functional in dolphins. The results obtained during this thesis fill some of the gaps that still exist in the knowledge of the dolphin's Umwelt and therefore contribute to a better understanding of this species. Moreover, they illustrate that even already intensively studied species may still hold important facets of their biology to reveal and that research should broaden the view and remain unbiased when studying a topic.

Odour plays an important role in many predator/prey interactions. In the northern hemisphere, many mammalian prey species have been shown to respond to predator odours. It is also widely assumed that mammalian predators utilise odours to locate their prey. This thesis explores the importance of odour in Australian mammalian predator/prey interactions. Responses of native Australian species to the faecal odour of two predators; the native tiger quoll Dasyurus maculatus and the introduced red fox Vulpes vulpes, were evaluated through live-trapping and focussed behavioural studies of captive animals. Tiger quoll responses to prey olfactory cues were investigated in a captive experiment. Native rodents (bush rats Rattus fuscipes, swamp rats R. lutreolus and eastern chestnut mice Pseudomys gracilicaudatus) equally avoided traps scented with either quoll or fox faeces, and in captive experiments, bush rats and swamp rats reduced their average speed in response to both predator odours. Of the marsupial species, northern brown bandicoots Isoodon macrourus and common brushtail possums Trichosurus vulpecula were captured more frequently in quoll-scented traps than unscented traps or foxscented traps, while captures of brown antechinus Antechinus stuarttii, long-nosed bandicoots Perameles nasuta and southern brown bandicoot I. obesulus were unaffected by the either predator odour. In captive experiments, brown antechinus, long-nosed and northern brown bandicoots decreased their foraging in response to both predator odours, and spent less time in areas scented with quoll faeces. Tiger quolls didn't appear to detect odour sources from a distance of >65 cm, but they did follow scent trails and spent more time in areas scented with the urine and faeces of potential prey. Chemical analysis revealed no common components in fox and quoll odour which prey species could be responding to. Therefore, these native species have evolved to respond to fox odour since foxes were introduced to Australia 130 years ago. The stronger response of native rodents to fox odour may be a legacy of their co-evolution with canid predators prior to entering Australia. A better understanding of how odour is utilised in Australian predator/prey interactions may lead to a greater ability to protect Australia's unique mammalian fauna from introduced predators.

Odour plays an important role in many predator/prey interactions. In the northern hemisphere, many mammalian prey species have been shown to respond to predator odours. It is also widely assumed that mammalian predators utilise odours to locate their prey. This thesis explores the importance of odour in Australian mammalian predator/prey interactions. Responses of native Australian species to the faecal odour of two predators; the native tiger quoll Dasyurus maculatus and the introduced red fox Vulpes vulpes, were evaluated through live-trapping and focussed behavioural studies of captive animals. Tiger quoll responses to prey olfactory cues were investigated in a captive experiment. Native rodents (bush rats Rattus fuscipes, swamp rats R. lutreolus and eastern chestnut mice Pseudomys gracilicaudatus) equally avoided traps scented with either quoll or fox faeces, and in captive experiments, bush rats and swamp rats reduced their average speed in response to both predator odours. Of the marsupial species, northern brown bandicoots Isoodon macrourus and common brushtail possums Trichosurus vulpecula were captured more frequently in quoll-scented traps than unscented traps or foxscented traps, while captures of brown antechinus Antechinus stuarttii, long-nosed bandicoots Perameles nasuta and southern brown bandicoot I. obesulus were unaffected by the either predator odour. In captive experiments, brown antechinus, long-nosed and northern brown bandicoots decreased their foraging in response to both predator odours, and spent less time in areas scented with quoll faeces. Tiger quolls didn't appear to detect odour sources from a distance of >65 cm, but they did follow scent trails and spent more time in areas scented with the urine and faeces of potential prey. Chemical analysis revealed no common components in fox and quoll odour which prey species could be responding to. Therefore, these native species have evolved to respond to fox odour since foxes were introduced to Australia 130 years ago. The stronger response of native rodents to fox odour may be a legacy of their co-evolution with canid predators prior to entering Australia. A better understanding of how odour is utilised in Australian predator/prey interactions may lead to a greater ability to protect Australia's unique mammalian fauna from introduced predators.

Odour plays an important role in many predator/prey interactions. In the northern hemisphere, many mammalian prey species have been shown to respond to predator odours. It is also widely assumed that mammalian predators utilise odours to locate their prey. This thesis explores the importance of odour in Australian mammalian predator/prey interactions. Responses of native Australian species to the faecal odour of two predators; the native tiger quoll Dasyurus maculatus and the introduced red fox Vulpes vulpes, were evaluated through live-trapping and focussed behavioural studies of captive animals. Tiger quoll responses to prey olfactory cues were investigated in a captive experiment. Native rodents (bush rats Rattus fuscipes, swamp rats R. lutreolus and eastern chestnut mice Pseudomys gracilicaudatus) equally avoided traps scented with either quoll or fox faeces, and in captive experiments, bush rats and swamp rats reduced their average speed in response to both predator odours. Of the marsupial species, northern brown bandicoots Isoodon macrourus and common brushtail possums Trichosurus vulpecula were captured more frequently in quoll-scented traps than unscented traps or foxscented traps, while captures of brown antechinus Antechinus stuarttii, long-nosed bandicoots Perameles nasuta and southern brown bandicoot I. obesulus were unaffected by the either predator odour. In captive experiments, brown antechinus, long-nosed and northern brown bandicoots decreased their foraging in response to both predator odours, and spent less time in areas scented with quoll faeces. Tiger quolls didn't appear to detect odour sources from a distance of >65 cm, but they did follow scent trails and spent more time in areas scented with the urine and faeces of potential prey. Chemical analysis revealed no common components in fox and quoll odour which prey species could be responding to. Therefore, these native species have evolved to respond to fox odour since foxes were introduced to Australia 130 years ago. The stronger response of native rodents to fox odour may be a legacy of their co-evolution with canid predators prior to entering Australia. A better understanding of how odour is utilised in Australian predator/prey interactions may lead to a greater ability to protect Australia's unique mammalian fauna from introduced predators.

Odour plays an important role in many predator/prey interactions. In the northern hemisphere, many mammalian prey species have been shown to respond to predator odours. It is also widely assumed that mammalian predators utilise odours to locate their prey. This thesis explores the importance of odour in Australian mammalian predator/prey interactions. Responses of native Australian species to the faecal odour of two predators; the native tiger quoll Dasyurus maculatus and the introduced red fox Vulpes vulpes, were evaluated through live-trapping and focussed behavioural studies of captive animals. Tiger quoll responses to prey olfactory cues were investigated in a captive experiment. Native rodents (bush rats Rattus fuscipes, swamp rats R. lutreolus and eastern chestnut mice Pseudomys gracilicaudatus) equally avoided traps scented with either quoll or fox faeces, and in captive experiments, bush rats and swamp rats reduced their average speed in response to both predator odours. Of the marsupial species, northern brown bandicoots Isoodon macrourus and common brushtail possums Trichosurus vulpecula were captured more frequently in quoll-scented traps than unscented traps or foxscented traps, while captures of brown antechinus Antechinus stuarttii, long-nosed bandicoots Perameles nasuta and southern brown bandicoot I. obesulus were unaffected by the either predator odour. In captive experiments, brown antechinus, long-nosed and northern brown bandicoots decreased their foraging in response to both predator odours, and spent less time in areas scented with quoll faeces. Tiger quolls didn't appear to detect odour sources from a distance of >65 cm, but they did follow scent trails and spent more time in areas scented with the urine and faeces of potential prey. Chemical analysis revealed no common components in fox and quoll odour which prey species could be responding to. Therefore, these native species have evolved to respond to fox odour since foxes were introduced to Australia 130 years ago. The stronger response of native rodents to fox odour may be a legacy of their co-evolution with canid predators prior to entering Australia. A better understanding of how odour is utilised in Australian predator/prey interactions may lead to a greater ability to protect Australia's unique mammalian fauna from introduced predators.

Thesis (MA)--University of Stellenbosch, 2002. / ENGLISH ABSTRACT: Socially responsible writing has been a feature of South African literature for many years. Under apartheid, many novels dealt with apartheid, as it was one of the main features of our social landscape. The end of apartheid did not however bring about the end of a need for socially responsible writing. South Africa is still faced with many problems, one of which is reconciliation. This thesis investigates whether reconciliation may have become a new theme in South African novels, and whether these novels could playa role in assisting the process of reconciliation in the country. For this purpose, three South African works are analysed, namely Country of My Skull by Antjie Krog, Smell of Apples by Mark Behr and Disgrace by J .M. Coetzee. The introduction attempts to explain the psychological discourse surrounding reconciliation, especially Post-Traumatic Stress Disorder (PTSD), and parallels that may exists. The main body presents detailed readings of the three works, with the focus being on the presentation of reconciliation in the works, and the role that the individual works could play in assisting the reader in coming to terms with his or her feelings of guilt. / AFRIKAANSE OPSOMMING: Vir baie jare was apartheid die onderwerp van baie Suid Afrikaanse skrywers aangesien dit die mees problematiese element van Suid Afrikaanse samelewing was. Die einde van apartheid het egter nie die einde van alle probleme beteken nie. Een van die belangrike probleme is versoening. Hierdie tesis ondersoek die moontlikheid dat versoening die nuwe tema in Suid Afrikaanse letterkunde geword het en ofhierdie werke 'n bydrae kan lewer tot werklike versoening. Vir hierdie doel word drie werke behandel, naamlik Country of My Skull deur Antjie Krog, Smell of Apples deur Mark Behr en Disgrace deur J .M. Coetzee. Die inleiding poog om die sielkundige diskoers om versoening te verduidelik, veral rondom posttraumatiese stres, en die ooreenkomste wat mag voorkom. Die hoofdeel van die tesis bestaan uit 'n diepgaande bespreking van die drie werke, met die fokus op versoening in die werk, maar ook die rol wat die werke kan speel om die leser deur sy ofhaar skuld gevoelens te help.

Thesis (MA (English))--University of Stellenbosch, 2010. / ENGLISH ABSTRACT: This thesis explores masculinity and sexuality, hegemonic and “deviant” in the nation state of the old apartheid South Africa, by addressing aspects of fatherhood, boyhood and motherhood in white, predominantly Afrikaans family narratives. In doing this, I explore the ways in which the young boys in texts such as The Smell of Apples (1995), by Mark Behr, and moffie (2006), by André Carl van der Merwe, are systematically groomed to become the ideal stereotype of masculinity at the time: rugged, intelligent, successful and heterosexual. The main focus of this thesis is to explore the ideologies inherent in constructing the white, Afrikaner man, his woman and their family. This will be done with specific reference to the time frame between the early 1970s to the fall of the apartheid regime in the early 1990s, focussing on the young white boys who are sent to do military training and oftentimes, a stint on the border between Angola and the then South-West Africa, in order to keep the so-called threat of communism at bay. I explore what happens when this white-centred patriarchal hegemony is broken down, threatened or resisted when “deviance” in the form of homosexuality occurs. A second focus of this thesis is that of “deviance” in the army. I analyse “deviance” in three novels, moffie (2006) by André Carl van der Merwe, The Beautiful Screaming of Pigs (1991) by Damon Galgut and Kings of the Water (2009) by Mark Behr. These novels foreground “deviance” and I make use of them in exploring the punishment, or “consequences” of being homosexual or “deviant” in the highly masculine environs of the South African National Defence Force (SANDF) army. I also examine the muted yet, I argue, resistant voices of female characters in these novels. This thesis concludes by briefly noting the aftermath of this war, the after-effects of a white, hegemonic, conservative ruling party at the helm of a divided, war-faring country on its soldiers, who are now middle-aged men. / AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek manlikheid en seksualiteit, hegemonie en “afwykings” in die staat van ou apartheid Suid-Afrika deur te verwys na aspekte van vaderskap, seunwees en moederskap in blanke, oorwegend Afrikaanse gesinsvertellings. Eerstens sal daar ondersoek ingestel word na die wyses waarop jong seuns in tekste soos The Smell of Apples (1995) deur Mark Behr en moffie (2006) deur André Carl van der Merwe stelselmatig gekweek word tot die ideale stereotipe van manlikheid in die era: ongetem, intelligent, suksesvol en heteroseksueel. Die hoofklem van hierdie tesis is om die denkwyses onderliggend aan die konstruksie van die blanke Afrikaner man, sy vrou en hulle gesin, te verken. Dit sal bewerkstellig word deur na die tydperk vanaf die vroeë 1970s tot en met die ondergang van die apartheidsbewind in die vroeë 1990s te verwys, met spesifieke klem op jeugdige blanke seuns wat gestuur is vir militêre opleiding en dikwels ook diensplig aan die grens tussen Angola en destydse Suid-Wes Afrika om die oënskynlike kommunistiese aanslag af te weer. Daar word verken wat plaasvind wanneer hierdie blank-gesentreerde, patriargale oorwig afgebreek, bedreig of teengestaan word deur “afwykings” soos die voorkoms van homoseksualiteit. ‘n Tweede fokuspunt van hierdie tesis is die “afwykings” in die weermag. Die volgende drie “afwykingsromans” word ontleed: moffie (2006), The Beautiful Screaming of Pigs (1991) deur Damon Galgut en Kings of the Water (2009) deur Mark Behr. Hierdie romans ondervang die idee van “afwykings” en word gebruik in die ondersoek na die straf of gevolge van homoseksueel of “afwykend” wees in die uitsluitlik manlike omgewing geskep deur die SANW-opleiding. Daar word ook ondersoek ingestel na die stilgemaakte; dog, soos aangetoon word, versettende stemme van vroulike karakters in die romans. Hierdie tesis sluit af deur vlugtig te verwys na die nasleep van die oorlog en die gevolge van ’n blanke, heersende, konserwatiewe party aan die stuur van ’n verdeelde, oorlogvoerende land op sy soldate wat tans middeljarige mans is.