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J.D. Salinger’s ‘A Girl I Knew,’ ‘Just Before the War with the Eskimos,’ and ‘Blue Melody,’ contain key thematic and narratological elements that contribute to the development of character through repeated reference to tactile imagery and through each character’s reaction to the sensations associated with tactile images. Salinger’s descriptions of tactile interaction allow readers to see his characters connected in ways that were increasingly difficult in the 1950’s, where widespread cultural changes contributed to increasing physical and emotional distancing. Critics have argued that “vision” is at the heart of many of Salinger’s characters’ struggles, since they “seek” a level of human connectedness not found in other narratives. However, Salinger's stories do not provide a mere record of observed physical characteristics as some claim; instead, they present concrete physical details that take both the character and the reader beyond sight to touch, in an effort to create the intimate space necessary for redemption. Using theoretical work by critics who focus on tactile imagery pinpoints how Salinger’s characters situate themselves in relation to the world around them and how setting and other narrative mechanics influence character. Salinger’s attention to tactile imagery influences character in a profound way creating a “narrative of immediacy” where closeness is further reinforced through tactile physical descriptions, attention to gesture, and use of conversational popular vernacular.

This project argues that there is a previously unnamed canon of literature called Magical Feminism which exists across many current popular (even lowbrow) genres such as science-fiction, fantasy, so-called realistic literature, and contemporary television and film. I define Magical Feminism as a genre quite similar to Magical Realism, but assert that its main political thrust is to model a feminist agency for its readers. To define this genre, I closely-read the image of the female magic user as one of the most important Magical Feminist metaphors. I argue that the female magic user–commonly called the witch, but also labeled priestess, mistress, shaman, mambo, healer, midwife– is a metaphor for female unruliness and disruption to patriarchy and as such, is usually portrayed as evil and deserving of punishment. I assert that many (although not all) of the popular texts this genre includes are overlooked or ignored by the academy, and thus, that an important focus for contemporary feminism is missed. When the texts are noticed by parts of the academy, they are mostly considered popular culture novelty acts, not serious political genres. As part of my argument, I analyze third wave feminism’s attempt to reconcile traits previously considered less than feminist, such as the domestic. I also deconstruct the popular media’s negative portrayal of contemporary feminism and the resulting reluctance for many young women to identify themselves as feminist. I also argue that this reluctance goes hand in hand with a growing attempt to seek new models for empowering female epistemologies. My assertion is that these texts are the classrooms where many readers learn their feminism. Finally, I list a short bibliography as a way of defining canon of texts that should be considered Magical Feminist.

This dissertation illuminates the links between agriculture, popular culture, social class, and agrarian nostalgia. Using an interdisciplinary approach, I draw from the fields of American Studies, American History, Agricultural History, Environmental Studies, popular culture, and cultural geography. Consisting of four diverse case studies, my project focuses on America's evolving relationship with its agrarian roots from the late eighteenth century to the present. Each case study pays close attention to the ways in which the forces of modern consumerism have shaped public understanding of agricultural issues. The dissertation pivots on two main arguments: 1) the modern realities of industrialized agriculture have sparked a desire for highly romanticized visions of farming, particularly tourism to rural places that promise temporary pastoral transcendence to consumers, and 2) as a result of the public demand for idyllic constructions of American rural life, agrarian nostalgia has frequently been deployed in the service of commerce. From the writings of Thomas Jefferson and Laura Ingalls Wilder, to Currier and Ives painting, Martha Stewart's media empire, and state fairs of the American Midwest, I analyze a variety of highly romanticized cultural forms that enrich our understanding of the nation's agrarian heritage. Yet, I also make important links between the past and present, and demonstrate how and why debates about such issues as farm policy and the politics of food once again stand at the forefront of popular consciousness in the twenty-first century. / text

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The present project set out to explore whether or not the members of one of the most powerful families in history functioned as agents of language change. Using the Parsed Corpus of Early English Correspondence (PCEEC), the present project examines and discusses linguistic conservatism and innovation in relation to the historical movement towards a Standard English. This is done by scrutinising six members of the house of Stewart that can be found in the PCEEC following theories and frameworks pertaining to the scientific discipline of sociohistorical linguistics. The findings of the present study suggest that the house of Stewart appears to have been in the vanguard of language change in several respects.

<p align="justify">Many different active control techniques can be used to control the vibrations of a mechanical structure: they however require at least a sensitive signal amplifier (for the sensor), a power amplifier (for the actuator) and an analog or digital filter (for the controller). The use of all these electronic devices may be impractical in many applications and has motivated the use of the so-called shunt circuits, in which an electrical circuit is directly connected to a transducer embedded in the structure. The transducer acts as an energy converter: it transforms mechanical (vibrational) energy into electrical energy, which is in turn dissipated in the shunt circuit. No separate sensor is required, and only one, generally simple electronic circuit is used. The stability of the shunted structure is guaranteed if the electric circuit is passive, i.e. if it is made of passive components such as resistors and inductors.</p><p><p><p align="justify">This thesis compares the performances of the electric shunt circuits with those of classical active control systems. It successively considers the use of piezoelectric transducers and that of electromagnetic (moving-coil) transducers.</p><p><p><p align="justify">In a first part, the different damping techniques are applied on a benchmark truss structure equipped with a piezoelectric stack transducer. A unified formulation is found and experimentally verified for an active control law, the Integral Force Feedback (IFF), and for various passive shunt circuits (resistive and resistive-inductive). The use of an active shunt, namely the negative capacitance, is also investigated in detail. Two different implementations are discussed: they are shown to have very different stability limits and performances.</p><p><p><p align="justify">In a second part, vibration isolation with electromagnetic (moving-coil) transducers is introduced. The effects of an inductive-resistive shunt circuit are studied in detail; an equivalent mechanical representation is found. The performances are compared with that of resonant shunts and with that of active isolation with IFF. Next, the construction of a six-axis isolator based on a Stewart Platform is presented: the key parameters and the main limitations of the system are highlighted.</p> / Doctorat en Sciences de l'ingénieur / info:eu-repo/semantics/nonPublished

The 1798 Irish rebellion together with the preceding decade is justly regarded as a watershed event in the forming of Irish national identity. Therefore it is not surprising that it has inspired numerous, and often conflicting, interpretations in both historiography and literature. This study concentrates on both English- and Irish-language historical novels and plays written about the rebellion in the course of the twentieth century, especially after the year 1916. Attention is drawn to the interpretations of the event contained in these literary works, comparing them to the various views of 1798 as they have evolved in Irish historiography. As the rebellion, especially from the 1970s onward, has been increasingly seen in the light of the later conflict in Northern Ireland, this connection has an important place in the analysis. On the theoretical level, the thesis draws from the findings of Hayden White, who has famously questioned the border between historiographical and fictional treatments of historical events. At the same time, this relativism is complemented by selected features of the philosophy of Paul Ricoeur, who highlighted the inevitable ethical questions connected to representations of history. In accordance with the theoretical preliminaries, the study explores the relative value of...

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