Made available in DSpace on 2014-06-11T19:26:48Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-07-04Bitstream added on 2014-06-13T20:55:24Z : No. of bitstreams: 1 serpa_t_me_sjrp.pdf: 7871280 bytes, checksum: 08474ce8cfb85faedd392d54080082a6 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Com o propósito de investigar os comportamentos linguístico-tradutório e social de dois tradutores diante dos obstáculos impostos pelos limites culturais na Tradução, analisamos um corpus paralelo da subárea de especialidade da Antropologia da Civilização, composto pelas obras O processo civilizatório: etapas da evolução sociocultural (1968) e O povo brasileiro: a formação e o sentido do Brasil (1995), de autoria do antropólogo Darcy Ribeiro e pelas respectivas traduções para a língua inglesa, realizadas por Betty J. Meggers e Gregory Rabassa.Também nos valemos de dois corpora comparáveis de Antropologia em português e em inglês, e de um corpus de apoio composto principalmente por dicionários de Ciências Sociais e Antropologia. Os principais objetivos que nortearam a presente pesquisa foram: observar a tradução de termos e expressões das obras darcynianas, assim como verificar o processo tradutório concernente aos brasileirismos e neologismos terminológicos elaborados pelo autor; investigar o comportamento linguístico-cultural dos tradutores, por meio da análise das opções por eles utilizadas nas traduções e dos traços de simplificação e explicitação nos textos traduzidos; e elaborar dois glossários bilíngues para a terminologia antropológica. Para tanto, apoiamo-nos na abordagem interdisciplinar proposta por Camargo (2005, 2007), adotando, para o levantamento e processamento eletrônico dos dados, o arcabouço teórico-metodológico dos Estudos da Tradução Baseados em Corpus (BAKER, 1993, 1995, 1996, 2000), da Linguística de Corpus (BERBER SARDINHA, 2004, 2010; TOGNINI-BONELLI, 2001) e, em parte, da Terminologia (BARROS, 2004; KRIEGER & FINATTO, 2004, FAULSTICH, 1995, 2000). No tocante à análise dos dados levantados, adotamos os trabalhos de Sociologia da Tradução... / Intending to investigate the social and translational linguistic behaviors of two translators in face of obstacles imposed by cultural barriers in translation, we analyzed a parallel corpus of Social Anthropology of Civilization sub-area, composed by the works, O processo civilizatório (1968) e O povo brasileiro (1995), written by the anthropologist Darcy Ribeiro, as well as by their translations into English, performed by Betty J. Meggers and Gregory Rabassa, respectively. We also used two comparable corpora of Anthropology in Portuguese and in English, and a support corpus composed mainly of dictionaries of Social Sciences and Anthropology. The main objectives that guided this research were: to observe the translation of terms and expressions in Darcy Ribeiro’s works, to analyze the translational process concerning to the terminological Brazilianisms and neologisms produced by the author; to investigate the translators’ linguistic and cultural behavior through the analysis of resources used by them in their translations; to identify simplification and explicitation features in the two translated texts; and to elaborate two bilingual glossaries for anthropological terminology. With these purposes, we based our study on Camargo’s interdisciplinary proposal (2005,2007) adopting, for the electronic collection and processing of data, the theoretical and methodological framework of Corpus-Based Translation Studies (Baker, 1993, 1995, 1996, 2000), of Corpus Linguistics (BERBER SARDINHA, 2004, 2010, TOGNINI-BONELLI, 2001) and, in part, of Terminology (BARROS, 2004; KRIEGER & FINATTO, 2004, FAULSTICH, 1995, 2000). Concerning the classification and analyzes of data gathered from our corpora, we based our research... (Complete abstract click electronic access below)

Made available in DSpace on 2014-06-11T19:26:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-09-02Bitstream added on 2014-06-13T20:34:51Z : No. of bitstreams: 1 martins_ef_me_sjrp.pdf: 624546 bytes, checksum: f46368e9f9e4e527d79c9bb194cf1c90 (MD5) / No presente trabalho, examinamos a tradução de marcadores culturais (MCs) presentes em duas obras do escritor João Ubaldo Ribeiro: Sargento Getúlio, traduzida pelo próprio autor como Sergeant Getulio; e a outra, O sorriso do lagarto, traduzida por Clifford Landers com o título de The Lizard’s Smile. Foram analisadas, nos respectivos textos de chegada, as escolhas do autotradutor e do tradutor profissional ao lidarem com diferenças culturais relacionadas aos MCs, com o objetivo de verificar aproximações e distanciamentos entre os dois pares de obras. Investigamos, também, aspectos referentes à tendência de explicitação e simplificação encontrados nos respectivos textos traduzidos. Para tanto, apoiamo-nos no arcabouço teórico-metodológico dos Estudos da Tradução Baseados em Corpus (Baker, 1993, 1996, 2000, 2004), na Linguística de Corpus (Berber Sardinha, 2004), na abordagem interdisciplinar proposta por Camargo (2005, 2007), nos trabalhos sobre domínios culturais de Nida (1945) e de Aubert (1981, 2006), e nos estudos sobre modalidades tradutórias de Aubert (1984, 1998). Para a extração dos vocábulos, contamos com o auxílio das ferramentas de busca disponibilizados pelo programa WordSmith Tools, versão 4.0, que possibilitaram uma análise mais dinâmica e abrangente dos dados. Os resultados obtidos revelam que Ubaldo Ribeiro está mais voltado para o texto de partida buscando uma maior aproximação entre o leitor de língua inglesa e a mensagem do original. Já Landers direcionase mais para o texto alvo valendo-se de um número maior de recursos que podem ser identificados como características de simplificação a fim de tornar mais fácil a leitura do texto traduzido. / In this study, we investigated the translation of cultural markers present in two works written by JoãoUbaldo Ribeiro: Sargento Getúlio, translated by the self-translator as Sergeant Getulio; and the other, O sorriso do lagarto, by Clifford Landers as The Lizard’s Smile. The choices of the self-translator and the professional translator were analysed, in the respective target texts, concerning cultural differences related to cultural markers in order to observe similarities and diferences in both pairs of texts. We also investigated features of explicitation and simplification found in the respective translated texts. The theoretical approach is based on Corpus-Based Translation Studies (Baker, 1993, 1996, 2000, 2004); Corpus Linguistics (Berber Sardinha, 2004), Camargo’s interdisciplinary proposal (2005, 2007), studies on cultural domains (Nida, 1945; Aubert, 1981, 2006), and on translation modalities (Aubert, 1984, 1998). For word extraction, we used the tools provided by the WordSmith Tools program, version 4.0, which enable us to analyse data in a broader and more dynamic way. The results obtained suggest that João Ubaldo Ribeiro’s output shows patterns more likely to be consciously reproduced on the basis of the source text. On the other hand, Landers seems to be closer to the normal patterning of translated English, in an attempt to make the translated text easier for the target reader. Keywords: Corpus Based Translation Studies, Corpus Linguistics, Sergeant Getulio, The Lizard’s Smile, Cultural marker

Made available in DSpace on 2014-06-11T19:26:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-02-17Bitstream added on 2014-06-13T18:30:37Z : No. of bitstreams: 1 grigoleto_gg_me_sjrp_parcial.pdf: 97076 bytes, checksum: aeb71f1e3dcd408591619b0ee4d085c0 (MD5) Bitstreams deleted on 2015-08-28T16:08:53Z: grigoleto_gg_me_sjrp_parcial.pdf,. Added 1 bitstream(s) on 2015-08-28T16:09:59Z : No. of bitstreams: 1 000641048.pdf: 764505 bytes, checksum: 32067ef8749a30efe912c85f09883a5e (MD5) / O presente trabalho tem por objetivo analisar a tradução de vocábulos considerados recorrentes e preferenciais na obra As mulheres de Tijucopapo, de Marilene Felinto, bem como observar possíveis tendências de normalização por parte da tradutora Irene Matthews na tradução para o inglês: The women of Tijucopapo. Esta pesquisa é parte de um projeto maior, o PETra – Padrões de Estilo de Tradutores, coordenado pela Profa. Dra. Diva Cardoso de Camargo. A metodologia situa-se no campo dos estudos da tradução baseados em corpus (proposta de Baker, 1993, 1995, 1996, 2000, 2004; estudos sobre normalização de Scott, 1998; e pesquisas de Camargo, 2005, 2007), e no da linguística de corpus (estudos de Berber Sardinha, 2003, 2004); também se apoia na fortuna crítica da autora (trabalhos de Araújo, 2006; Bailey, 2010; Fiorucci, 2009; Gonçalves, 2001; Jacomel, 2008; Santos, 2005; Schmidt, 2009; Vieira, 2001; Wanderley, 2009 e Xavier, 2003). A pesquisa foi realizada por meio de uma combinação de análises semimanuais e de análises computadorizadas. Inicialmente, utilizamos o programa WordSmith Tools para obter a frequência das palavras na obra de Felinto. Em seguida, utilizamos a ferramenta KeyWords para identificar quais seriam as palavras-chave presentes no romance. Após esse levantamento, recorremos à fortuna crítica de Felinto e definimos cinco vocábulos considerados preferenciais da autora:homem, mulheres, chuva, amor e égua. Com base em Scott (1998), examinamos a tradução dos cinco vocábulos em relação a nove características de normalização. Os resultados encontrados nesta pesquisa mostram que a tradutora Irene Matthews tende a usar estratégias que podem ser identificadas como características de normalização / This thesis aims at analyzing the translation of words considered recurring and preferred in the novel As mulheres de Tijucopapo, by Marilene Felinto, as well as observing possible tendencies of normalization by the translator Irene Matthews in the translation to English: The women of Tijucopapo. This research is part of a bigger project, the PETra (Padrões de Estilo de Tradutores), coordinated by Doc. Diva Cardoso de Camargo. The methodology employed is that of corpus-based translation studies (proposed by Baker, 1993, 1995, 1996, 2000, 2004; Scott‘s study concerning normalization, 1998; and Camargo‘s research studies, 2005, 2007), and that of corpus linguistics (Berber Sardinha‘s study, 2003, 2004). We also base our study on Felinto‘s critical heritage (studies by Araújo, 2006; Bailey, 2010; Fiorucci, 2009; Gonçalves, 2001; Jacomel, 2008; Santos, 2005; Schmidt, 2009; Vieira, 2001; Wanderley, 2009, and Xavier, 2003). The research was carried out by means of a combination of semi- manual and computerized analyses. Initially, we used the computer software WordSmith Tools to obtain the frequency of the words in Felinto‘s book. Then, we went on to use the tool KeyWords to identify which would be the keywords in the author‘s novel. After collecting these data, we used Felinto‘s critical heritage in order to select five words that could be considered as recurring and preferred in Felinto‘s writing: 'homem‘ ('man‟), 'mulheres‘ ('women)‘, 'chuva‘ ('rain‘), 'amor‘ ('love‘) and 'égua‘ ('mare‘). Based on Scott (1998), we analyzed the translation of the five selected words in relation to nine normalization features. The results obtained in this study show that the translator Irene Matthews tends to use strategies that may be identified as features of normalization

Made available in DSpace on 2014-06-11T19:32:45Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-08-21Bitstream added on 2014-06-13T20:43:53Z : No. of bitstreams: 1 validorio_vc_dr_sjrp_parcial.pdf: 130030 bytes, checksum: 2bf35553ac0d3c35571e35c39890ddf2 (MD5) Bitstreams deleted on 2015-02-04T11:39:29Z: validorio_vc_dr_sjrp_parcial.pdf,Bitstream added on 2015-02-04T11:40:13Z : No. of bitstreams: 1 000589179.pdf: 1147120 bytes, checksum: bb307e9d4e14d35df44aeb2dc07fae93 (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Com o propósito de analisar o comportamento lingüístico-tradutório de dois tradutores profissionais diante das dificuldades impostas pelas barreiras culturais na tradução, investigamos os quatro corpora paralelos de nossa pesquisa, compostos por duas obras traduzidas por Gregory Rabassa, Sea of Death (1984) e The War of the Saints (1993), em relação às respectivas obras originais Mar Morto (1936) e O Sumiço da Santa (1988), escritas por Jorge Amado, bem como por duas obras traduzidas por Barbara Shelby Merello, Tent of Miracles (1971) e Tieta (The Americas) (1979) em relação às obras originais Tenda dos Milagres (1969) e Tieta do Agreste (1977), do mesmo autor. Os objetivos principais que nortearam o presente trabalho foram: analisar a tradução de marcadores culturais, verificar o comportamento lingüístico dos tradutores profissionais Gregory Rabassa e Barbara Shelby Merello por meio da observação das opções por eles utilizadas nas traduções, bem como dos traços de normalização presentes nas quatro obras traduzidas. Para tanto, apoiamo-nos na abordagem interdisciplinar proposta por Camargo (2005, 2007), adotando, para o levantamento e processamento eletrônico de dados, o arcabouço teórico-metodológico dos estudos tradução baseadas em corpus de Baker (1993, 1995, 1996, 2004), bem como os estudos sobre a lingüística de corpus, propostos por Berber Sardinha (2000, 2004). Com relação à classificação e análise dos dados levantados, adotamos os trabalhos sobre as modalidades tradutórias de Aubert (1984, 1998), a proposta de Nida (1945) para os domínios culturais, reformulada por Aubert (1981), bem como os estudos sobre normalização de Baker (1996) e Scott (1998). A metodologia adotada requereu a utilização do programa WordSmith Tools e as ferramentas por ele disponibilizadas, que nos proporcionaram os recursos necessários... / Intending to analyse the translational linguistic behavior of two professional translators faced with difficulties imposed by cultural barriers in translation, we analyzed four parallel corpora in our research, composed by two novels translated by Gregory Rabassa, Sea of Death (1984) and The War of the Saints (1993), in comparison with the original novels Mar Morto (1936) and O Sumiço da Santa (1988), written by Jorge Amado, as well as by two novels translated by Barbara Shelby Merello, Tent of Miracles (1971) and Tieta (The Americas) (1979), in comparison with the original novels Tenda dos Milagres (1969) and Tieta do Agreste (1977), written by the same author. Our main objectives were: to analyze the translation of cultural markers, to observe Gregory Rabassa’s and Barbara Shelby Merello’s professional behavior by the analysis of resources used by them in their respective translations, and also to identify normalization features in the four translated texts. With these purposes in mind, we based our study on Camargo’s interdisciplinary proposal (2005, 2007) adopting, for the electronic compilation and processing, the theory and methodology proposed by Baker for corpus-based translation studies (1993, 1995, 1996, 2000), and the methodology adopted by Berber Sardinha for corpus linguistics (1999, 2000, 2003, 2004). Concerning the classification and analyzes of data gathered from our corpora, we based our study on the works on translation modalities by Aubert (1984, 1998), on the works on cultural domains by Nida (1945) and Aubert (1981), and also on the investigations on normalization by Baker (1996) and Scott (1998). The methodology adopted in the present research required the use of WordSmith Tools software, which provided the necessary resources for the collection of data from the novels and for the observation and analysis of the cultural and textual aspects... (Complete abstract click electronic access below)

abstract: Every act of communication, and therefore, reading, are in themselves acts of translation and interpretation, as the reader creates a mental representation or reconstruction of the text, extrapolating meaning from it. Interlinguistic translation adds another dimension to these hermeneutic processes, and in the movement through space and time, constant re-interpretation, new translations, and, often, modern theories and perspectives, can interfere with or bring clarity to the meaning of the original text, as well as add to the myth-creation of the writers themselves. This study centers on some of the great literary figures in poetic and essayistic production in the world of Spanish-speaking letters: Sor Juana Inés de la Cruz, José Martí, and Octavio Paz. These figures represent not only important literary movements going from the baroque to modernismo, to the vanguardia and to the creation of the self-conscious “modern” poet, but also are among the most well known Spanish-language writers in the English-speaking world. They are all self-aware creators, who, in distinct ways, join poetry, critical essays and theory that are at once an extension of and revolve around their personal poetics, projected toward the currents of their respective epochs. Finding problematic moments in translation theory and practice, and studying them in the context of the analysis of these great literary figures, at the same time contributes to a new understanding of translation theory itself. These ‘case studies’ expose certain key moments of existing translations, moments that later contribute to critical and interpretive dialogue in a type of hermeneutic spiral of influence. They also show the importance of translation as a contribution to cultural changes and literary movements. This ultimately aids in the understanding of the important points of contact between the many worlds occupied by these great writers and the ways in which they, and in turn, their translators, recreate the contexts in which they were produced. / Dissertation/Thesis / Doctoral Dissertation Spanish 2016

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / A presente dissertação possui dois objetivos principais. O primeiro, presente na parte I, é analisar a construção identitária feminina da personagem principal da obra Their Eyes Were Watching God, de Zora Neale Hurston. Sendo assim, a primeira parte desta dissertação é composta de quatro capítulos, sendo que ao longo dos três primeiros, antes da discussão propriamente dita, o trabalho busca aproximar o leitor da discussão. Para isso, os três capítulos iniciais têm o intuito de deixar o leitor familiarizado primeiro com a autora, depois com suas obras e, por último, com o momento histórico vivido pelos Estados Unidos no período do movimento cultural afro-americano conhecido como Harlem Renaissance. O segundo objetivo deste trabalho é analisar a tradução da obra, Seus Olhos Viam Deus, para o português e, se possível, fazer sugestões para as encruzilhadas e obstáculos tradutórios que porventura tenham sido enfrentados pelo tradutor. Esta dissertação visa com isso apresentar soluções que possam ser utilizadas em futuras traduções de obras de escritoras afro-americanas para o português do Brasil. Portanto, para isso, a segunda e a terceira parte deste trabalho, compostas de mais três capítulos, trazem uma revisão sobre as teorias tradutórias recentes e, em perspectiva inovadora, destacam pontos a serem abordados na discussão / The present dissertation has two main goals. The first, in part I, is to analyze the construction of the female identity of the main character of the novel Their Eyes Were Watching God, by Zora Neale Hurston. Therefore, four chapters compose the first part of this work. In the first three, before the discussion, the text tries to bring the readers closer to the discussion still to come. In order to do this, these initial chapters aim to make the reader more familiar with the author, then with her work, and, last but not least, with the historical moment in the United States during the period of the African-American cultural movement known as the Harlem Renaissance. The second goal is to analyze the translation of the novel, Seus Olhos Viam Deus, to Portuguese and, if possible, to make suggestions for the translation crossroads and obstacles that the translator might have faced. By doing this, this dissertation aims to present solutions that may be used in future translations to Brazilian Portuguese of works by African-American writers. Therefore, the parts II and III of this work, which are composed by three more chapters, bring a literary review about recent translation theories and, through an innovative perspective, detach a few points which are going to be subsequently discussed.

Esta pesquisa tem como objetivos, (i) verificar a ação dos componentes da patronagem: status, econômico e ideológico sob a tradução e publicação de obras da Literatura Infanto-Juvenil brasileira na hegemônica cultura norte-americana e, (ii) verificar se as estratégias de tradução dos itens de especificidade cultural de Do Outro Mundo de Ana Maria Machado estão em concordância com as normas de tradução de LIJ que, de acordo com Zohar Shavit (2006), pressupõem uma maior liberdade por parte do tradutor para que esse ajuste a trama, os personagens e a língua a capacidade de leitura e ao conhecimento de mundo infantil. A relação entre esses objetivos é verificada na afirmação de Gigeon Toury (1995a, p. 13) de que a posição ocupada pela tradução no sistema da cultura-alvo afeta diretamente as estratégias adotadas pelos tradutores e a composição dos textos traduzidos. Com base nos Estudos Descritivos da Tradução (TOURY, 1995b), o conceito de patronagem introduzido por André Lefevere (1992) associado às considerações feitas por James English (2005) quanto à importância dos prêmios na sociedade atual foram fundamentais para a compreensão da ação dos componentes da patronagem sob a literatura Infanto-juvenil. Outro importante conceito aos objetivos desta pesquisa foi o de item de especificidade cultural de Javier Franco Aixelá (1996). Na análise dos dados desta pesquisa utilizei a reformulação da classificação das estratégias de tradução dos itens de Carla Bentes (2005) nos IEC de Do Outro Mundo e respectiva tradução em inglês From Another World. Os procedimentos de análise do corpus basearam-se no modelo de Lambert e van Gorp (1985) para a análise da tradução literária. Utilizo desse modelo a análise dos dados preliminares e a análise microtextual por atenderem aos objetivos desta pesquisa. O estudo se encerra com considerações a respeito da tradução de literatura Infanto-juvenil brasileira e as implicações sob o público-alvo / The aims of this research are, (i) verify the action of the components of patronage: status, economic and ideologic on Brazilian Childrens Literature translation in the hegemonic American culture and, (ii) verify if the translation of the Culture Especific Items from From Another World by Ana Maria Machado comply with the translation Norms of the genre, as Zohar Shavit (1996), which allow translators a greater freedom in adjusting the plot, characters and language to childrens knowledge and reading. The relationship between these objectives is found at Gideon Tourys affirmation (1995a, p. 13) that the position occupied by the translation system in the target culture directly affects the strategies adopted by translators and the composition of the translated texts. Based on the Descriptive Translation Studies (TOURY, 1995b), the concept of patronage introduced by André Lefevere (1992) associated with the remarks made by James English (2005) regarding the importance of the awards in the todays society are fundamental to understand the action of the components of patronage under Children and Youth literature. Another important concept for the purpose of this study is Cultural Specific Item (CSI) by Javier Franco Aixelá (1996). In the analysis of this study data I used Carla Bentes (2005) reformulation of the translation strategies classification of the items of Do Outro Mundo and its English translation From Another World. The corpus analyses procedures were based on the model of Lambert and van Gorp (1985) for literary analysis. I use from this model the preliminary data analysis and microtextual analysis for corresponding to the aims of this research. The study concludes with considerations regarding the translation of Childrens literature in Brazil and the implications for the target audience

Advances in technology over the last few decades have led to significant changes in the way we communicate. Technological innovation has been one of the reasons for the development of computer-mediated communication (CMC), which has had far-reaching implications in the private and professional lives of many people. Instant messaging (IM), which is one form of computer-mediated communication, has significantly gained popularity over the years and many scholars have examined its influence in areas including business and academics. Initially developed to enhance communication between users who understood the same language, some IM clients including Wechat (www.wechat.com), QQ International (www.imqq.com), and Skype Translator (www.skype.com) have integrated a built-in translation application that facilitates communication among users that speak different languages. The current research project explores the relationship between machine translation, IM, and foreign language (FL) learning. In particular, it investigates whether machine-translated IM could improve the willingness to communicate (WTC) of beginner FL learners and whether the IM translation tool offers learners opportunities to communicate (OTC) in the FL. To answer these questions, China-based beginner FL learners were recruited and paired with native and near-native English speakers based in Canada. China-based participants completed two questionnaires and also exchanged (machine-translated) IM on selected topics with Canada-based participants for a period of ten weeks. Some China-based participants communicated with the help of the IM translation tool, while the others communicated without the tool. After analyzing the data gathered during the study, we found that WTC increased more for participants with the IM translation tool than for participants without the IM translation tool. Our analysis also indicated that the IM translation tool offered participants OTC in English. This was illustrated in various conversation aspects including number of words and turns exchanged, synchronous exchanges, ownership, conversation enhancement, topics discussed, tasks undertaken, and requests for paraphrase, repetition and explanation. In the discussion of the implications of our findings, we outline how the research project reinforced our understanding of the concept of WTC in a technology driven FL learning environment. We also discuss the implications of our findings for machine translation (MT), FL, and translation studies. Our discussion focuses on the debate on the tools to use and content to teach in the translator and FL training environments as well as various concepts in translation studies including MT quality, writing for MT, fit-for-purpose MT, collaboration and MT post-editing. This project enables us to test the applicability of MT in a different context using a novel group of users. The project therefore contributes to ongoing research on the relationship between CMC (specifically IM), MT, and FL learning, as well as to our knowledge of applications and perceptions of MT.

The aim of this study was to identify the strategies used to render the literary dialect in A State of Independence into the Swedish translation. In order to systematically study the translation solutions, a number of ‘coupled pairs’ consisting of source text ‘problems’ and target text ‘solutions’ were extracted from the original text and the translation. The ‘coupled pairs’ were then analysed in order to detect regularities in the translation solutions. The study showed that the major strategy used by the translator was the use of ‘eye-dialect’, i.e. non-standard spellings that simulate non-standard speech. Moreover, some passages in the translation had been standardised, whereas eye-dialectal spellings were found in other passages where the original did not contain any non-standard features. Finally, a comparative count of dialectally marked utterances in both texts was made. The count showed that the dialectal markers were in the majority in the translation, which might indicate that the translator has tried to compensate for the lack of equivalent target language features.

nÃo hà / Translation action is a complex task that involves a greater understanding of culture and must be performed critically so that there is a reflection on the meaning of words within a context and not just the handling of grammatical forms from a language to another. In this context, subtitle translation has emerged as a way of transmitting cultural values due to the fact that it is a tool that allows the interaction between different cultures. Thus, in this work the subtitles will be taken as reference, understanding them as a translation process that takes into account linguistic, technical and mainly cultural aspects. Taking into account the cultural aspects, this work aims to investigate the presence of cultural markers (CM) in the subtitles of five The Simpsons episodes related to North - American culture and analyze how these terms were translated, that is, which translation procedures (TP) are involved in the translation process of this CM. For this analysis, the Polysystem Theory, createded by Itamar Even-Zohar (1970), the Descriptive Translation Studies of Gideon Toury (1998), the domestication concept proposed by Venuti (1998) and the notion of TP offered by Vinay and Darbelnet (1995) were taken as reference. For the data collection, srt files were used with the original English subtitles and another file of the same format with subtitles in Brazilian Portuguese. Through comparative analysis, the CM were collected and subdivided into subcategories according to their characteristics to make the analysis systematized. This subdivision was developed by this work and does not represent a truth in itself, being susceptible of changes and critics in future studies. Therefore, six subcategories of CM were suggested: language, clothing, personal style, typical foods, arts and brands. In the second stage, these CM were organized into tables to be examined. Then, in the third stage of the work and for the analysis of the collected terms, an instrumental based on Vinay and Darbelnet (1995), Venuti (1998) and Ivacovoni (2009) were developed. After analyzing the data, the exposition of them was done through graphs. The study concluded that all the translation procedures indicated in the research literature were detected, however, it was necessary to include the TP of omission, since it appeared in some translations. It is concluded then that the analysis indicated that the translation of the subtitles chose to approximate the text to the culture of the target reader. / A aÃÃo tradutÃria à uma tarefa complexa que envolve um entendimento maior sobre cultura e que deve ser realizada de forma crÃtica de maneira que haja uma reflexÃo sobre o significado das palavras dentro de um contexto e nÃo somente o manuseio de formas gramaticais de uma lÃngua à outra. Nesse contexto, a traduÃÃo por meio de legendas tem despontado como um meio de transmissÃo de valores culturais devido ao fato de ser uma ferramenta que possibilita a interaÃÃo entre diferentes culturas. Neste trabalho, tomaremos as legendas como base, entendendo-as como um processo tradutÃrio que leva em consideraÃÃo aspectos linguÃsticos, tÃcnicos e principalmente cultural. Levando em conta os aspectos culturais, esta dissertaÃÃo tem como objetivo investigar a presenÃa de marcadores culturais (MC) nas legendas de cinco episÃdios da sÃrie televisiva Os Simpsons com temÃticas da cultura norte-americana e analisar como se procedeu a traduÃÃo destes termos, ou seja, quais procedimentos tradutÃrios (PT) estÃo envolvidos no processo de traduÃÃo deste MC. Para esta anÃlise, foram tomados como base a Teoria dos Polissistemas, cunhada por Itamar Even-Zohar (1970), os Estudos Descritivos da TraduÃÃo de Gideon Toury (1998), o conceito de domesticaÃÃo proposto por Venuti (1998) e os PT ofertados por Vinay e Darbelnet (1995). Para a coleta dos dados, foram utilizados arquivos em formato .srt com a legenda original em lÃngua inglesa e outro arquivo no mesmo formato com legendas em portuguÃs brasileiro. Por meio de anÃlise comparativa, os MC foram coletados e subdivididos em subcategorias de acordo com suas caracterÃsticas para tornar a anÃlise sistematizada. Esta subdivisÃo foi desenvolvida por este trabalho e nÃo representa uma verdade em si, sendo passÃvel de alteraÃÃes e crÃticas em estudos futuros. Logo, foram sugeridos seis subgrupos de MC: lÃngua, vestimentas, estilo pessoal, culinÃria, artes e marcas. Na segunda etapa, tais MC foram organizados em tabelas para serem averiguados. Em seguida, na terceira etapa do trabalho e para a anÃlise dos termos coletados, foi desenvolvido instrumental baseado em Vinay e Darbelnet (1995), Venuti (1998) e Ivacovoni (2009). ApÃs anÃlise dos dados, a exposiÃÃo dos mesmos se deu por meio de grÃficos e explicaÃÃo dos mesmos. O estudo obteve como resultado que todos os procedimentos tradutÃrios indicados na literatura da pesquisa foram detectados, contudo, foi necessÃria a inclusÃo do PT da omissÃo, visto que este surgiu como PT utilizado em algumas traduÃÃes. Conclui-se, entÃo, que as anÃlises indicaram que a traduÃÃo das legendas optou por aproximar o texto à cultura do leitor meta.