A partir de 2000, a educação profissional vem ganhando cada vez mais notoriedade e atenção no contexto da educação brasileira. Os cursos técnicos passaram por um processo de renovação e melhor definição de seu papel e identidade tanto no âmbito da organização burocrática quanto da prática pedagógica e, no âmbito da Educação Superior, a vertente da tecnologia acrescentou diversidade e especialização ao panorama do ensino universitário brasileiro. Nesse contexto, o objetivo deste trabalho é contribuir para a análise sobre a educação tecnológica com ênfase na área de moda e vestuário. Para tanto, foi realizada uma pesquisa com egressos do Curso Superior de Tecnologia em Produção de Vestuário do SENAI-SP, no período de 20011 a 2015, a partir da perspectiva de mobilidade social trazida pelo curso para seus estudantes. A hipótese aqui considerada é a de que o curso, formatado de acordo com o modelo de Educação Profissional por Competências adotado pelo SENAI, oferece a seus egressos uma possibilidade maior de mobilidade social, uma vez que o modelo pedagógico adotado, por um lado, propõe a construção do conhecimento e o desenvolvimento de habilidades e competências de maneira autônoma por parte do educando, e por outro, oferece uma formação desenhada a partir das reais demandas profissionais do mercado / Since 2000, professional education has been gaining more and more attention and attention in the context of Brazilian education. The technical courses underwent a process of renewal and a better definition of their role and identity - both in the bureaucratic organization and in the pedagogical practice - and in the Higher Education area, the technology aspect added diversity and specialization to the panorama of Brazilian college education. In this context, the objective of this work is to contribute to the analysis on technological education with emphasis in the area of fashion and clothing. For that, a survey was carried out with graduates of the Superior Course of Technology in Clothing Production of SENAI-SP, from the period of 20011 to 2015, from the perspective of social mobility brought by the course for its students. The hypothesis considered here is that the course, formatted according to the model of Education by Competencies adopted by SENAI, offers its graduates a greater possibility of social mobility, since the pedagogical model adopted, on the one hand, proposes the construction of knowledge and the development of skills and competences in an autonomous way by the student, and on the other, offers a training designed from the real professional demands of the market

O estudo relaciona temas relevantes e atuais: a economia solidária e a indústria têxtil e de confecção inserida no contexto contemporâneo da moda. As propostas da economia solidária vão ao encontro das questões sociais e ambientais, evidenciadas nos últimos anos em decorrência das revelações sobre a precarização do trabalho e a exploração de recursos naturais na cadeia têxtil e de confecção e, sugere uma nova forma de economia, que visa a geração de renda e trabalho. Por outro lado, apresentase relevante observar a aplicação de atributos relativos à construção da moda brasileira, que fazem referência à elementos da natureza tropical e edênica, considerados nesta pesquisa como referências do Mito Fundador. Como um empreendimento econômico solidário atuante na indústria têxtil e de confecção nacional poderia se desenvolver, a partir da identificação e aplicação de atributos da moda brasileira em sua produção? Este estudo propõe identificar atributos identitários relativos ao Mito Fundador que compõe a moda brasileira e verificar a aplicação de tais atributos em empreendimento econômicos solidários do setor de confecção. Para isso, foram realizados estudos de fundamentação teórica sobre economia solidária no Brasil e sua atuação na indústria têxtil e de confecção e sobre a moda brasileira sob a ótica do Mito Fundador, cujos resultados propiciaram a elaboração de sistematizações necessárias à criação de categorias de análise, respectivamente, sobre os temas de Economia Solidária e atributos identitários relativos ao mito fundador que compõe a moda brasileira contemporânea. Os resultados obtidos nas etapas bibliográfica e estudo de campo revelam que os princípios fundamentais da economia solidária estão presentes e regem as ações e decisões de cada empreendimento, sobretudo a ética, o respeito ao meio ambiente e a valorização do trabalhador, porém, ressalta-se como desafio do trabalho solidário concentrar-se em nichos de mercado ainda iniciantes e sem investimentos governamentais. Nos empreendimentos de economia solidária, a elaboração de peças com técnicas artesanais é um potencial de identidade do fazer manual brasileiro que promove os conceitos de economia solidária na parceria do trabalho cooperado de artesãs. A pesquisa conclui ser recomendável a ampliação de parcerias entre empreendimentos de economia solidária, a divulgação organizada para a transmissão de seus principais valores aos consumidores, o investimento governamental em educação e capacitação de trabalhadores e o processo de produção orientado por projetos concebidos com atuação da área de Design de forma colaborativa / The study relates relevant and current themes: the solidarity economy and the textile and clothing industry inserted in the contemporary context of fashion. Solidarity economys proposals meet the social and environmental issues evidenced in recent years as a result of the revelations about the precariousness of labor and the exploitation of natural resources in the textile and clothing chain, and proposes a new form of economy aimed at the generation of income and work to the excluded population. On the other hand, it is relevant to observe the application of attributes related to the construction of the Brazilian fashion that refer to the elements of tropical and Edenic nature, considered in this research as references of the Founding Myth. How could a solidary economic enterprise operating in the Brazilian textile and clothing industry develop from the identification and application of attributes of Brazilian fashion in its production? This study proposes to identify attributes related to the Founding Myth that composes the Brazilian fashion and verify the application of such attributes in solidarity economic enterprises of the clothing manufacturing sector with the intention of presenting development perspectives of solidarity economy in the textile and clothing industry in the current context of national fashion, as sustainable means of growth of the domestic market and participation in the foreign market. The results obtained in the bibliographic and field studies show that the fundamental principles of solidarity economy are present and govern the actions and decisions of each enterprise, above all, ethics, respect for the environment and the valorization of the worker, however, we emphasize the challenge of this work to be restricted to beginning niche markets and lacking government investments. In the solidarity economy enterprises, the elaboration of garments with artisan techniques is a potential of the Brazilian manual making that promotes the concepts of solidarity economy in the cooperative work of artisans. The research concludes that it is advisable the expansion of partnerships between solidarity economy enterprises, the organized dissemination for the transmission of its main values to consumers, government investment in education and training of workers and the production process oriented by projects conceived in the Design area in a collaborative manner

The aim of this thesis is to explore the development of Swedish fashion between 1930 and 1960 by examining the textile and clothing industry from the wider perspective of fashion production. It was during this period that Sweden was transformed into a leading industrial nation, which laid the foundation for increased prosperity in the post-war period. This historical and empirical study is predominantly based on systematic analysis of Swedish official statistics and close reading of the fashion press. The thesis applies a combination of approaches in the analytical chapters (chapter 2–4) that include three central aspects of fashion production: manufacturing, symbolic production, and the production of a national fashion.  Chapter 2 gives an account of the industrial production of clothing and examines the scope, size and structure of the textile and clothing industry. The results confirm its importance to the Swedish economy in the period. One important finding shows that a shift in production from tailored outerwear to lighter garments occurred as early as the mid-1950s.  Chapter 3 investigates the symbolic production of fashion by looking at the structure of the field of fashion in Sweden. The results show a French dominance where couturiers were celebrated as creative ‘artists’. A significant finding is how the idea of Swedish fashion was considered a process of creating economic value, as in clothing manufacturing.  Chapter 4 deals with fashion as an expression of national culture. The result reveals a significant fashion culture associated with an everyday wear fashion that followed the Social Democratic reforms aimed at equality in society during the period. One important finding is that the wool coat was the hallmark of Swedish fashion identity in the post-war period.  These results contribute to a broader understanding of fashion production and new insights into the history of its developments in Sweden between 1930 and 1960, which has gone largely unrecognised by previous fashion historians.

Mémoire (M.A.)--Université du Québec à Chicoutimi, 1989. / Programme de maîtrise en arts plastiques extensionné de l'UQAM à l'UQAC. CaQCU Document électronique également accessible en format PDF. CaQCU

The work is about development of spain retailing chain in the field of textile and clothing. The goal of work is finding development the company during timeframe and comparing position of company with competitions.

The goal of this thesis is to describe the most important trade policy instruments that have been used in international trade in textiles since the second half of the 20th century, and to deduce the implications of the instruments on the textile sector, mainly the European one. The thesis introduces the classification of instruments in the trade policy used in the international trade in textiles and economic consequences of chosen instruments; brief characteristics of evolution of international trade in textiles since the second half of the 20th century, change in localization and sector structure of the textiles and clothing industry and main trends in its evolution. There are described most important multilateral agreements concerning the trade in textiles: Short-Term Arrangement regarding International Trade in Cotton Textiles, Long-Term Arrangement regarding International Trade in Cotton Textiles, Multifibre Arrangement, Agreement on Textiles and Clothing and current trends in contractual instruments followed by autonomous instruments such as anti-dumping and anti-subsidy measures and particular cases. The thesis includes consequences of the instruments mentioned above. In the last chapter, the trends in the evolution of instruments are summarized and the reflection on possible solutions for the European, and thus also Czech textile and clothing industry, is mentioned.

West Africa’s textile and clothing (T&C) industries have persevered through the decline following the economic liberalization policies in the 1980s. This thesis seeks to explore the sustainable and circular business models which exist in the West African region. It also explores the ways that businesses relate to the social conditions of poverty, a small T&C industry, strong competition from imports, and the concentrated levels of imported textile waste. Through a qualitative methodology, secondary data is collected on thirty T&C businesses in West Africa. These businesses are analyzed through the framework of the eleven sustainable business model (SBM) pattern groups by Lüdeke-Freund, et al. (2018). In the results, five main SBM pattern groups emerge: Supply Chain, Social Mission, Closing-the-Loop, Eco-design, and Cooperative pattern groups. Most of the businesses do not fall neatly into one pattern, but rather embody various hybrid sustainable business models. West Africa is unusual in facing both high poverty rates and textile waste landfills, which may influence the multi-dimensional approach to sustainability. By working with the local textile value chain and artisan communities, the thirty businesses contribute to poverty alleviation. They also pave the way for ‘artisan futurism,’ where handicraft is combined with circularity and eco-design initiatives, leading the West African T&C industry into the future.