This dissertation presents the results of a Ph.D. research entitled as methodology development for SME based virtual enterprises. The research addresses the preparation and set up of virtual enterprises and enterprise networks. A virtual enterprise (VE) can be perceived as a customer solution delivery system created by a temporary and re-configurable information and communications technology (ICT) enabled aggregation of competencies. The main achievements of the research include: &amp / #8226 / Clarification and definition of the concept for virtual enterprises and enterprise networks including preparation of these. o A fast and efficient setup of virtual enterprises can be enabled through the establishment of an enterprise network in which an appropriate type and degree of work preparation can be established prior to the set up of virtual enterprises. &amp / #8226 / Development of a framework and a reference architecture for virtual enterprises named as Structured Methodology and ICT Reference Architecture respectively. o Structured Methodology structures the body of knowledge related to preparation, set up and operation of virtual enterprises and enterprise networks. o ICT reference architecture consists of three levels with seven layers to portray in a diagrammatic fashion how different enterprises may exchange and use information between their respective organizations&amp / #8217 / specific proprietary systems and a central server. &amp / #8226 / Development of a methodology for virtual enterprise named as Virtual Enterprise Methodology (VEM) o VEM consists of a set of guidelines, which systematically describes activities that enterprises should consider in relation to set up and preparation of own enterprise networks with the aim to set up virtual enterprises. &amp / #8226 / Testing and validation of the developed VEM with the realization of a virtual case study and establishment of a validation platform respectively. o Virtual case study demonstrates the application of the developed VE methodology with the illustration of the key activities related to setting up breeding environment, setting up &amp / operating VE and dissolution of VE. o The findings in the research can be validated through the various activities as meetings, conferences, presentations and publication of journals.

Made available in DSpace on 2014-06-11T19:26:54Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-02-29Bitstream added on 2014-06-13T19:47:11Z : No. of bitstreams: 1 oliveira_jg_me_sjrp.pdf: 637378 bytes, checksum: 83b7630d60ed94acc5e0daa92fcb0566 (MD5) / Esta dissertação tem como objetivo refletir sobre os aspectos transgressores do romance A lua vem da Ásia, de Campos de Carvalho. Esses aspectos dizem respeito à desarticulação da forma romanesca tradicional e do discurso linear e lógico, e ainda aos posicionamentos ideológicos e comportamentais do protagonista. Para nortear esta análise, utilizamos a teoria da carnavalização de Mikhail Bakhtin, teórico que observa as manifestações literárias tendo em vista as transgressões verificadas durante as festividades carnavalescas, que estabelecem uma “vida às avessas”, na qual inexistem as regras cotidianas e as relações hierárquicas vivenciadas no universo “extra-carnavalesco”. Nesse sentido, buscamos vislumbrar a referida obra de Campos de Carvalho enquanto objeto literário transgressor e dessacralizador, na medida em que a perspectiva narrativa reflete a visão de mundo de um narrador supostamente “louco” que (re)cria uma realidade inusitada, o avesso da “normalidade”, um mundo, segundo nossa hipótese, carnavalizado. / This dissertation is an analysis of the transgressive aspects in A lua vem da Ásia, by Campos de Carvalho. These aspects are related to the disarticulation of both the traditional novel structure and the linear and logical discourse, as well as of the ideologic and behavioural positions of the main character. This analysis is based upon Mikhail Bakhtin`s carnivalization theory, whose examination of literary manifestations is carried on with regard to the transgressions observed during the carnival festivities, which establish a ‘wrong life’ in which everyday rules and hierarchical relations experienced in the ‘extracarnival’ world are inexistent. Thus we consider Campos de Carvalho`s book as a transgressive and desacralizing literary work, in the sense that the narrative perspective reveals the world of a supposed ‘lunatic’ narrator who (re)creates an unusual reality, the opposite of ‘normality’: in our proposal, a carnivalized world.

Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-10-18T19:23:29Z No. of bitstreams: 1 LeticiaBeatrizGambettaAbella_TESE.pdf: 3445456 bytes, checksum: 7f4f50c90516e29819c85beec8325e9d (MD5) / Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-10-18T21:52:25Z (GMT) No. of bitstreams: 1 LeticiaBeatrizGambettaAbella_TESE.pdf: 3445456 bytes, checksum: 7f4f50c90516e29819c85beec8325e9d (MD5) / Made available in DSpace on 2017-10-18T21:52:25Z (GMT). No. of bitstreams: 1 LeticiaBeatrizGambettaAbella_TESE.pdf: 3445456 bytes, checksum: 7f4f50c90516e29819c85beec8325e9d (MD5) Previous issue date: 2017-03-21 / As redes sociais, no marco das novas Tecnologias de Informa??o e Comunica??o (TICs), t?m se constitu?do num espa?o de express?o ao alcance de todos aqueles que t?m acesso ? internet. No Brasil, 49% dos brasileiros t?m acesso ? internet e, dentro desse n?mero, 76% acessam todos os dias. Twitter, Facebook, Instagram e v?rias outras propostas participativas e interativas despertam diversos interesses de comunica??o que incluem interc?mbios pessoais de informa??o e dados, divulga??es com prop?sitos de marketing e v?rias outras finalidades. Uma das mudan?as mais importantes em torno das possibilidades que as redes oferecem surgiu para aqueles que querem conquistar seguidores e defender uma causa. Assim, os movimentos sociais t?m encontrado nesses canais de express?o um terreno f?rtil de convocat?ria e interatividade com seus seguidores. Esta tese tem o objetivo de analisar criticamente as manifesta??es discursivas do movimento Vem pra rua nas suas redes sociais Twitter e Facebook, tomando como ponto de partida o posicionamento do grupo na sua apresenta??o no seu site oficial. O Vem pra rua nasceu como movimento social em 2014 e,de acordo com o que expressam suas pr?prias lideran?as na p?gina oficial do grupo, trata-se de ?um movimento suprapartid?rio, democr?tico e plural que surgiu da organiza??o espont?nea da sociedade civil para lutar por um Brasil melhor?. A pesquisa est? sustentada teoricamente na Abordagem Sociol?gica e Comunicacional do Discurso (ASCD), bra?o te?rico-metodol?gico da An?lise Cr?tica do Discurso (ACD) (FAIRCLOUGH, 2001, 2003), que tem, nesta investiga??o, seu eixo no di?logo transdisciplinar entre a ACD, a Comunica??o para a Mudan?a Social (CMS) (GUMUCIO-DAGRON, 2008, 2011), a Sociologia Aplicada ? Mudan?a Social, a Gram?tica da Multimodalidade (COPE; KALANTZIS, 2009) e a Lingu?stica Sist?mico-Funcional (LSF) (HALLIDAY, 2004). No caso do nosso trabalho, apoiamo-nos no Sistema da Avaliatividade da LSF como ferramenta de compreens?o dos percursos de constru??o de sentido que se materializam nos textos atuais caracterizados por constru??es multisemi?ticas. Contamos tamb?m, para consolidar a nossa an?lise cr?tica, com a Representa??o dos Atores Sociais proposta por Theo Van Leeuwen (1997; 2008), que nos leva a encontrar as marcas de inclus?o e exclus?o nas formas escolhidas pelos emissores para representar os atores no texto. Esta tese tem buscado compreender, por meio do discurso manifestado nas redes do movimento Vem pra rua, se o movimento de fato, segundo se apresenta, n?o tem interesses partid?rios, se sua articula??o tem partido da organiza??o popular espont?nea e se a mobiliza??o medi?tica responde a mecanismos democr?ticos de organiza??o. Assim, seguindo o caminho metodol?gico de abordagem transdisciplinar, constatamos que o discurso de apresenta??o no site do movimento n?o ? reflexo da constru??o identit?ria que o Vem pra rua tem feito nas suas redes sociais, particularmente no per?odo pr? vota??o do impeachment da presidenta Dilma. Conclu?mos tamb?m que as novas Tecnologias de Informa??o e Comunica??o, s?o ao mesmo tempo que ferramentas potenciais de novas vias de express?o para grupos minorit?rios, elementos de grande valia para consolidar grupos hegem?nicos com fortes interesses ideol?gicos. / Social networks, in the context of the new Information and Communication Technologies (ICTs), have become a space of expression within the reach of all those who have access to the Internet. In Brazil, 49% of Brazilians have access to the internet, and within that number, 76% access every day. Twitter, Facebook, Instagram and various other participatory and interactive proposals arouse various communication interests that include personal exchanges of information and data, marketing announcements and various other purposes.One of the most important changes around the possibilities that the networks offer has arisen for those who want to win followers and defend a cause. Thus, social movements have found in these channels of expression a fertile ground of call and interactivity with their followers. This thesis has a purpose of analyze critically the discursive manifestations of the movement Vem pra rua on his Twitter and Facebook social networks, taking as a starting point the positioning of the group in its presentation on its official website. O Vem pra rua was born as a social movement in 2014 and according to what its own leaders express in the official page of the group, it is "a suprapartidary, democratic and plural movement that arose from the spontaneous organization of the civil society to fight for a Brazil best". The research is theoretically supported by the Sociological and Communicational Approach to Discourse (ASCD), the theoretical and methodological arm of the Critical Discourse Analysis (FAIRCLOUGH, 2001, 2003), which has its axis in interdisciplinary and transdisciplinary dialogue between (CID) (GUMUCIO-DAGRON, 2008, 2011), Multimodality (VIEIRA, 2015) and Functional Systemic Linguistics (LSF) (HALLIDAY, 2004).In the case of our work, we rely on the LSF Evaluation System as a tool for understanding the pathways of meaning construction that materialize in the current texts characterized by multisemiotic constructions. We have also consolidated our critical analysis with the Representation of Social Actors proposed by Teo Van Leeuwen (1997; 1008) that leads us to find the inclusion and exclusion marks in the forms chosen by the emitters to represent the actors in the text. This thesis seeks to understand, through the discourse manifested in the networks of the movement Vem pra rua, if the movement, as presented, has no partisan interests, if its articulation is based on spontaneous popular organization and if the media mobilization responds to democratic mechanisms of organization. Thus, following the methodological approach of a transdisciplinary approach, we find that the speech of presentation on the website of the movement is not a reflection of the identity construction that Vem pra rua has done in its social networks, particularly in the period before the impeachment of President Dilma. We conclude also that the new Information and Communication Technologies are potential tools of new ways of expression for minority groups, but, at the same time they are elements of great value to consolidate hegemonic groups with strong ideological interests too.

Atea är ett företag som ger sina anställda friheten att arbeta på valfri plats och detta kan leda till att ett kontor inte kanske används tillfullo. Denna studie kommer därför lägga fokus på att ta fram en lösning som kommer räkna antalet personer som är på Ateas kontor i realtid och även spara data för tidigare dagar för att ge statistik över en längre tid. Syftet med denna typ av lösning är att se hur ett kontor används, samt om detta är en lösning som kommer vara användbar och för vem. En prototyplösning har tagits fram för att testa denna typ av lösning på ett kontor. Lösningen kommer bestå av olika delar som innehåller IoT, API, Next.js och hostas på Azure. I resultatet så kan man konstaterat en rad brister och svagheter existerar i denna lösning. Mätningar visar olika data ifrån vad man personligen uppskattar gentemot vad lösningen visar. Detta beror på flera faktorer, varav den största är att lösningen endast hade tillgång till en kamera och kontoret har två in- och utgångar. Vid sammanställning av användartester så kan man se en trend av att många anser att denna typ av lösning kan vara bra i en personlig synvinkel men också ur en professionell synvinkel, och det finns ett uttryckt intresse för denna typ av lösning. / Atea is a company that gives its employees the opportunity to work from where ever they want and this can lead to the office not being used to its full potential. This study will therefore explore the option to develop a solution that can count the amount of people coming and going to an Atea office in real-time, and also save the data for previous days in order to give statistic over a longer period of time. The purpose with this type of solution is to evaluate how well an office is being used, and also to determine if the solution is useful and for who. A prototype has been created in order to test the solution at an office. The solution consists of different parts made up of IoT, API, Next.js and is hosted on Azure. The results show a lot of weaknesses and flaws in this solution. The measurements show different numbers from the ones that was estimated by personal headcount versus what the solution produced. This has to do with a couple of factors but the main one being that the solution only had access to one smart camera and the office has two entrances. When compiling the user tests, we can see a trend that most people like the solution and this type of solution would be good in a personal perspective but also in a professional one. There is also an expressed interest in a solution like this.

Since its publication and first performance, Edward Albee’s Who’s Afraid of Virginia Woolf?, has often been interpreted with regard to the theme of truth and illusion. A less studied, but nonetheless important, aspect of the drama concerns its relation to C. P. Snow’s concept of the two cultures. In this essay, I argue for the convergence of these two discussions, resulting in an epistemological understanding of Albee. From this mode of interpretation, not only is a rejection of the two cultures noticed, but also a dramatic movement towards a third culture. Thus, Who’s Afraid of Virginia Woolf? is treated as an epistemological drama of ideas.

Syftet med studien har varit att kartlägga Norrvattens kommunikation kring hållbar vattenanvändning med sina medlemskommuner och medlemskommunernas kommunikation med kommuninvånarna. Ytterligare ett syfte med studien har varit att kartlägga hur andra VA-organisationer har kommunicerat kring hållbar vattenanvändning. Kartläggningarna har gjorts utifrån perspektiven hur kommunikationen genomförts, vad som kommunicerats och med vilket syfte. För att synliggöra kommunikationen har en didaktisk analys gjorts utifrån de didaktiska frågorna vem, vad, varför, när och hur. Slutligen har studien syftat till att utveckla ett underlag för en kommunikationsstrategi för Norrvattens kommunikation med medlemskommuner och kommuninvånare. Grunden i resultatet av kartläggningen av kommunikationen och enligt tidigare forskning ska kommunikationen syfta till att stärka möjligheter att hantera dricksvattenefterfrågan för hållbar vattenanvändning. I studien framkom att kommunikationen kring hållbar användning av vatten syftar till att förändra individers beteenden, för att minska den onödiga användningen av vatten. Respondenterna lyfter också fram att kommunikationen bör syfta till att öka vattnets värde samt öka kunskapen kring produktionen och produktionskapaciteten. Innehållsmässigt visar resultaten att kommunikationen ska beröra konkreta och praktiska handlingar, teknisk fakta och vattnets kretslopp i det större perspektivet. Olika kommunikationskanaler passar för olika typer av kommunikation, där resultatet visar att navet för kommunikationen med kommuninvånare är webben och sociala medier. Tonalitet, timing och sociala aspekter av kommunikationen framställdes i resultatet också som viktiga delar. Dessa har på olika sätt inkluderats i kommunikationsstrategin. Kommunikationsstrategin har utvecklats baserat på en modell framställd utifrån den teoretiska grund som använts i studien. Modellen har framställts som ett fundament medan resultatet från kartläggningarna av Norrvatten, medlemskommunerna och VA-organisationernas kommunikation tillsammans med tidigare forskning har utgjort innehållet. / The aim of this study was to map Norrvatten’s communication regarding sustainable water usage with Norrvatten’s municipalities and the municipalities’ communication with the municipal residents. Furthermore, the aim has also been to map how other water and sewerage organizations have communicated about sustainable water use. Focus of the systematic mapping of the communication was on how the communication was carried out, what was communicated and for what purpose. To understand the communication, a didactic analysis was carried out based on the didactic questions of who, what, why, when, and how. The last purpose of the study aimed to develop basis for a communication strategy for Norrvatten's communication with member municipalities and municipal residents. This was done based on the results of the communication mapping and previous research. The communication intends to strengthen opportunities to handle potable water demand relative to sustainable use of water. The result showed that communication about sustainable use of water aim to change individuals' behaviors, to reduce the unnecessary use of water. The respondents also emphasize that communication should aim to increase the value of water and increase knowledge of the production and production capacity. In terms of content, the results show that the communication touches on concrete and practical actions, technical facts, and the water cycle in the larger perspective. Communication channels are suitable for different types of communication, where the results show that the hub of communication with municipal residents is the website and social media. Tonality, timing, and social aspects of the communication were also presented in the result as important parts. These have been included in the communication strategy. The communication strategy was developed on a model produced on the theoretical basis used in the study. The model has been presented as a foundation, while the results from the communication mapping of Norrvatten, the member municipalities and the VA organizations' communication together with previous research have constituted the content.

This essay aims to understand how meaning and materiality work in four picture books from the 00s and 10s; Gittan och gråvargarna by Pija Lindenbaum, I skogen by Eva Lindström, Vem ser Dim? by Maria Nilsson Thore and Vi blåste bort ibland by Viveka Sjögren. The essay uses two theoretical works about picture books: Bilderbokens pusselbitar by Maria Nikolajeva and Modernismens bilder – Den moderna bilderboken i Norden by Elina Druker. Questions to lead the analysis are: How can text and picture be understood as materiality? How can meaning be understood as a material-discursive phenomenon? How can reading and meaning be understood as performative processes? The chapter “Diffractions: Differences, Contingencies, and Entanglements That Matter” from Karen Barad’s book Meeting the Universe Halfway – Quantum Physics and the Entanglement of Matter and Meaning provides help to understand diffraction as a metaphor and methodological attitude. Eve Kosofsky Sedgwick’s understanding of knowledge as performative in the book Touching Feeling – Affect, Pedagogy, Performativity is used to understand the picture book as an act of knowledge and meaning, and reading as a performative process where human involvement cannot be overlooked. The essay problematizes the theoretical texts about picture books by taking on different parts of the picture book’s form and drawing examples from the four chosen picture books. Parts that are examined are divisions of signs in semiotics (and in the picture book theory), the picture book’s limits between for instance framework and content, fiction and reality, and book and reader, mimesis and the analytical problems with looking for truth, the impact of the picture book’s size and shape, and lastly illustration techniques and the influence that illustrator, materiality and reader have on the book. The essay shows how different involvements affect the meaning that is created in the picture book, how solid delimitations of different kinds can be problematic, and how words such as picture, text, paratext and content should be treated gently and consciously. Different ways of breaking with methods and thoughts of habit are presented, for instance by using Barad’s concept of diffraction. The essay ends by emphasizing the complexity that follows meaning, materiality and reading, the responsibility it demands of us and how picture book theory sometimes simplifies analysis. This essay stresses the importance of questioning how the methods and words we use affect what is possible to understand, but not in the sense that we should read in a paranoid and closed way, but rather open minded and with room for failures, reconsiderations and other ways forward. / Syftet med denna uppsats är att förstå hur mening och materialitet hänger ihop i fyra bilderböcker från 00- och 10-tal; Gittan och gråvargarna av Pija Lindenbaum, I skogen av Eva Lindström, Vem ser Dim? av Maria Nilsson Thore och Vi blåste bort ibland av Viveka Sjögren. Uppsatsen går i dialog med de bilderboksteoretiska verken Bilderbokens pusselbitar av Maria Nikolajeva och Modernismens bilder – Den moderna bilderboken i Norden av Elina Druker. Frågor för att leda undersökningen är som följer: På vilket sätt är text och bild materialitet? Hur kan mening förstås som materiellt-diskursivt fenomen i bilderböckerna? Hur kan läsning och mening förstås som performativa processer? Avsnittet ”Diffractions: Differences, Contingencies, and Entanglements That Matter” ur Karen Barads verk Meeting the Universe Halfway – Quantum Physics and the Entanglement of Matter and Meaning fungerar som hjälp för att förstå diffraktion som metafor och metodologisk hållning. Eve Kosofsky Sedgwicks förståelse av kunskap som performativ i verket Touching Feeling – Affect, Pedagogy, Performativity används för att förstå bilderboken som ett görande, och läsningen som en performativ process där mänsklig inblandning inte kan förbises. Uppsatsen problematiserar de bilderboksteoretiska verken genom att ta sig an olika aspekter av bilderbokens form samt exemplifiera detta med hjälp av det skönlitterära materialet. Områden som vidrörs är semiotikens (och bilderboksteoretikernas) indelning av tecken, bilderbokens gränser mellan bland annat ramar och innehåll, fiktion och verklighet samt verk och läsare, mimesis och sanningssökandets analytiska problem, bilderbokens påverkan av storlek och format, samt slutligen illustrationstekniker och den inverkan illustratör, materialitet och läsare har på verket. Uppsatsen visar på hur olika inblandningar påverkar den mening som skapas i bilderboken, hur fasta gränsdragningar av olika slag kan anses problematiska, samt hur begrepp som till exempel bild, text, paratext och innehåll bör behandlas varsamt och medvetet. Olika sätt att komma runt upptrampade metodologiska tillvägagångssätt och tankespår presenteras, bland annat med hjälp av Barads diffraktionsbegrepp. Uppsatsen avslutas med att betona den komplexitet som följer med mening, materialitet och läsning, det ansvar detta avkräver oss och hur bilderboksteorin ibland fungerar förenklande i analyser. Denna uppsats lyfter vikten av att ifrågasätta vad de metoder och ord vi använder egentligen gör med vad som är möjligt att förstå, men inte i den mening att vi bör läsa misstänksamt och stängt, utan snarare öppensinnat och med utrymme för misslyckanden, omprövningar och andra vägar vidare.

Made available in DSpace on 2016-04-28T19:58:54Z (GMT). No. of bitstreams: 1 Liniane Haag Brum.pdf: 6383423 bytes, checksum: 6702515acecea6ffb93b0307da91ddbe (MD5) Previous issue date: 2014-09-30 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation is inscribed into a zone of interval between critics and literary creation, that is, between the critical discourse about a work, Before the past: silence comes from Araguaia (2012), by my authorship, and the potential creation of another work - Stone house. Its objective is to speculate possible points of view for the narrator of a potential narration stablished around what is to be said by another one, already published: the novel Before the past, inscribed in the post-dictatorial Brazilian literature. Our methodological strategy is structured around two cores. The first one embraces the analysis of Before the past: the silence which comes from Araguaia, which was based on the concepts of narrator, vestige and threshold according to Wayne Booth and Walter Benjamin studies. The second one is centered on the work in progress - Stone house and has as conceptual axis the notions of archive, act and potency came from Michel Foucault e Giorgio Agamben studies. From this context, emerges the proposition of giving ear and trying to identify, describe and analyze Before the past narrative voice procedures, departing from a site where we are settled simultaneously as a researcher and a reader who scrutinizes her own work. In Part II, the architectural mechanisms of Stone house are investigated by a reflexive voice, which mixes first and third persons that narrate the creation research construction in the form of a writer s book , in the light of the book Passages, by Walter Benjamin. As a result, we delineated a sort of literary cartography of proto-book, which is Stone house, based on collecting and organizing archives made of documental vestiges, memories, audiovisual interviews, photographs, written and oral narratives about Brazilian military dictatorship, and the disappearing and death through a fragile narration which tries to keep itself in a threshold between said and non said, creation and (un)creation / Esta dissertação inscreve-se numa zona intervalar entre a crítica e a criação literária, ou seja, entre o discurso crítico sobre uma obra, Antes do Passado o silêncio que vem do Araguaia (2012), de minha autoria, e a criação potencial de outra Casa de Pedra. O objetivo é o de especular possíveis pontos de vista para o narrador de um relato potencial cujo esteio está naquilo que ficou por dizer em outro, já publicado: o do romance Antes do Passado inscrito na literatura brasileira do período pós-ditatorial. A estratégia metodológica se estruturou em dois núcleos. O primeiro abrange a análise da narração de Antes do Passado o silêncio que vem do Araguaia, tendo como fundamentos os conceitos de narrador, rastro e limiar a partir dos estudos de Wayne Booth e Walter Benjamin. O segundo centra-se na obra em processo de criação - Casa de Pedra - e tem como eixo conceitual as noções de arquivo, ato e potência, a partir de Michel Foucault e Giorgio Agamben. Surge, deste contexto, a proposição de uma escuta que procura identificar, descrever e analisar procedimentos da voz narrativa de Antes do Passado, partindo de um lugar onde nos colocamos, simultaneamente, como pesquisadora e leitora que perscruta a própria obra. Já na Parte II, são investigados os mecanismos arquitetônicos de Casa de Pedra, por meio de uma voz reflexiva que mescla primeira e terceira pessoas, a narrar a construção da pesquisa de criação na forma de um Livro do Escritor , à luz do livro das Passagens de Walter Benjamin. Como resultado, delineamos uma espécie de cartografia literária de um proto-livro , que é Casa de Pedra, a partir da recolha e da organização de arquivos feitos de rastros de documentos, memórias, entrevistas audiovisuais, fotografias, narrativas verbais e escritas sobre a ditadura militar brasileira, o desaparecimento e a morte por meio de uma frágil narração que busca se manter no limiar entre o dito e o não dito, entre criação e des-criação

Syftet med studien har varit att synliggöra AB Bollnäs Bostäders hållbarhetsarbete utifrån 18 framtagna hållbarhetskategorier fördelade på de ekologiska, sociala och ekonomiska hållbarhetsaspekterna. De ekologiska och sociala hållbarhetskategorierna är tagna från ISO26000, en standard som beskriver företags samhällsansvar, och de ekonomiska hållbarhetskategorierna är framtagna med utgångspunkt i tidigare forskning och dokument gällande hållbarhetsaspekter i fastighetsbranschen. Vidare har studien som syfte att synliggöra kommunikationen kring hållbarhetsarbetet genom att analysera vad som kommuniceras och vad resultatet blir av den kommunikationen. Det har gjorts genom att göra en didaktisk analys utifrån de didaktiska frågorna för vem, varför, vad och hur. Slutligen har studien som syfte att visa på vad det finns för visioner internt och externt kring AB Bollnäs Bostäders framtida hållbarhetsarbete, med grund i de 18 hållbarhetskategorierna. För att samla in relevant empiri har personliga intervjuer, enkäter och dokumentstudier genomförts. Resultatet visar på att AB Bollnäs Bostäder arbetar aktivt mot en hållbar utveckling utifrån alla tre hållbarhetsaspekter - ekologisk, social och ekonomisk. Utav 18 hållbarhetskategorier bedömdes arbetet med 14 av dem vara tillfredsställande. Med välinvesterade resurser skulle bolaget kunna utveckla sitt hållbarhetsarbete och uppfylla alla 18 hållbarhetskategorier. Kommunikationen kring hållbarhetsarbetet uppvisar övervägande ekonomiskt innehåll både internt och externt, men med olika syften för de olika målgrupperna boservice, ekonomi och administration, kundcenter, parkenheten, tekink, VD, boende, entreprenörer, kommunfullmäktige samt styrelsen. Utfallet däremot visar på att det är de ekonomiska, sociala och ekologiska hållbarhetskategorierna, i nämnd ordning, som uppfattas av de olika målgrupperna. Slutligen framgick det av resultatet att alla tre hållbarhetsaspekter ansågs vara viktiga för AB Bollnäs Bostäder i framtiden, men de ekonomiska hållbarhetskategorierna bedömdes ha högre prioritet. Nyckelord: / The objective has been to visualize sustainability work of AB Bollnäs Bostäder, based on 18 sustainability categories developed in the study, divided on the sustainable aspects ecological, social and economical. The ecological and social aspect of the sustainability categories is part of the ISO26000, a standard describing company’s social responsibility, and the economic aspect is developed based on research and document discussing sustainable development in the property business. Furthermore, the aim has also been to study the communication of the sustainability work at the company, and see the result of it. It was accomplished by a didactic analysis, based on the didactical questions for who, why, what and how. The last object of the study has been to learn the visions of the future sustainability work of AB Bollnäs Bostäder, from different groups perspectives, based on the 18 sustainability categories. To collect relevant empirical data, personal interviews, questionnaires and document studies has been carried out. The results show that active work towards a sustainable development is performed in AB Bollnäs Bostäder, from all three aspects of sustainable development – ecology, social and economy. Out of the 18 sustainability categories, the work of 14 of them was assessed to be satisfying. Well invested resources would help the company to develop their work, and fulfil all the sustainability categories. The communication of the sustainability categories showed a consideration towards an economical content, both internally and externally, but with different aims for the targeted groups property service, economic and administrations, customer centre, park division, technical, CEO, inhabitants, entrepreneurs, municipal council and the board. The outcome of the communication on the other hand, showed that the economical, social and ecological sustainability categories, in the stated order, is interpreted different by the targeted groups. Finally, the results showed that all three sustainability aspects were important for AB Bollnäs Bostäder in the future, but the economical sustainability categories were considered to have a higher priority.

Diese Arbeit beschreibt die Herstellung und die Produktionsbedingungen für die Komplett-Fertigung von Elektro-Motoren (überwiegend Drehstrommotoren) verschiedener Bauarten und Leistungsstufen (< 10 kW) von 1949 (Sachsenwerk Radeberg) bis zur Einstellung der Motorenfertigung 1959 (VEB RAFENA-Werke Radeberg). Parallel mit der Motorenfertigung wurden im Sachsenwerk die dafür benötigten Schalt- und Steuereinrichtungen hergestellt. Die 5-teilige Arbeit untergliedert sich als Beschreibung des Geschäftsfeldes Elektromotoren 1948 - 1959 mit dem zugehörigen Einführungstext in: 1. Fertigung von Elektromotoren und Schaltgeräten in Radeberg 2. Prinzipielle Fertigungs-Abschnitte der Motoren-Fertigung und Flächennutzung 3. Gerätegruppen der in Radeberg produzierten Drehstrom-Motoren 4. Umfang der Elektromotorenproduktion 5. Arbeitszeit-Aufwände, Löhne und Preise