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Text in German / An drei Stellen im Römerbrief verweist Paulus auf die Vergangenheit Israels: auf Abraham in Röm 4,1–25, auf Abrahams Nachkommen, Mose und Pharao in Röm 9,6–18 und auf Elija in Röm 11,1–10. Gegenstand der Untersuchung ist die Bedeutung dieser Verweise auf die Vergangenheit Israels für die Argumentation des Römerbriefs. Nach der Analyse der rhetorischen Situation und der Einordnung der relevanten Stellen in die rhetorische Makrostruktur des Briefs werden alttestamentlicher Kontext und frühjüdische Rezeption der rezipierten Ereignisse untersucht. Auf diesem Hintergrund werden die drei Passagen detailliert betrachtet, indem der Argumentationsgang untersucht und die mögliche rhetorische Wirkung auf die Adressaten aus sechs unterschiedlichen Perspektiven analysiert wird: mit hoher Schriftkenntnis, mit geringer Schriftkenntnis, aus jüdischer, nichtjüdischer, christlicher und stadtrömischer Perspektive. Auf diese Weise können unterschiedliche Aspekte der leserseitigen Rezeption differenziert wahrgenommen werden, bevor sie zu einem Gesamtbild zusammengeführt werden. / New Testament

Text in German / An drei Stellen im Römerbrief verweist Paulus auf die Vergangenheit Israels: auf Abraham in Röm 4,1–25, auf Abrahams Nachkommen, Mose und Pharao in Röm 9,6–18 und auf Elija in Röm 11,1–10. Gegenstand der Untersuchung ist die Bedeutung dieser Verweise auf die Vergangenheit Israels für die Argumentation des Römerbriefs. Nach der Analyse der rhetorischen Situation und der Einordnung der relevanten Stellen in die rhetorische Makrostruktur des Briefs werden alttestamentlicher Kontext und frühjüdische Rezeption der rezipierten Ereignisse untersucht. Auf diesem Hintergrund werden die drei Passagen detailliert betrachtet, indem der Argumentationsgang untersucht und die mögliche rhetorische Wirkung auf die Adressaten aus sechs unterschiedlichen Perspektiven analysiert wird: mit hoher Schriftkenntnis, mit geringer Schriftkenntnis, aus jüdischer, nichtjüdischer, christlicher und stadtrömischer Perspektive. Auf diese Weise können unterschiedliche Aspekte der leserseitigen Rezeption differenziert wahrgenommen werden, bevor sie zu einem Gesamtbild zusammengeführt werden. / New Testament

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Text in French / This thesis studies the relations between Christians and Muslim in the eastern part of the Democratic Republic of Congo (DRC), in the light of the Sermon on the Mount. Both communities, each from its own side, claim to have received the divine message to proclaim to all humanity. In the eastern DRC, as elsewhere, the encounter between these two communities often causes tension and conflict, leading to violence. These facts were established by analyzing the general context in the East since the end of the 19th century until today. The war at the end of the 19th century, which saw anti-slavery groups pitted against Arabs and their Islamic allies, is seen as one of the main original causes of the conflict. The memories of that war revive the spirit of the crusades in the Middle Ages. This has affected the relationship between the two communities. Fear of the other drives the defence mechanism that produces violence. The strategy to restore peace is an irenic approach based on the identity of the disciples as peace builders, true descendants of Abraham, agents of surpassing justice, and participants in the new humanity. Concretely, the disciples of Jesus should work for a mission that has the following simultaneous features: making peace with a view to establishing the reign of God; practising Abrahamic hospitality by opening oneself even to one‟s enemies; building the home of justice that takes into account the values of Shari‟ah and Christian virtues to create a pluralistic world; taking upon itself the promotion of intercultural and interreligious dialogue. The mission of peace is the main task. It is an attempt to restore broken relations and an effort at reconciliation. It establishes peace as equally important as other dimensions of mission, but it does not constitute the totality of mission. It is one dimension of the salvation of humanity and of the re-establishment of the reign of God on earth. Peace is about more than the cessation of hostilities or the absence of war; it refers to shalom, or total peace. This is the gospel of peace announced by Jesus Christ. / Cette thèse étudie les relations de chrétiens et musulmans à l‟Est de la RDC à la lumière du Sermon sur la montagne. Tous, chacun de son côté, se réclament avoir reçu le message divin pour annoncer à tous les hommes. A l‟Est de la RDC comme ailleurs, la rencontre de ces deux communautés occasionne souvent de tensions et conflits, source de violence. Ces faits ont été établis par l‟analyse du contexte général de l‟Est depuis la fin du XIXe siècle jusqu'à nos jours. La guerre qui a opposé vers la fin du XIXe siècle les troupes de la société anti-esclavagistes contre les arabes et leurs alliés islamisés, est perçue comme l‟une des principales causes lointaines du conflit. Ainsi, les souvenirs de cette guerre font raviver l‟esprit de la guerre des croisades du Moyen-âge. Ceci a affecté les relations de ces deux communautés. La peur de l‟autre pousse à développer le mécanisme de défense qui a instauré le règne de la violence. La stratégie pour restaurer la paix est celle d‟une approche irénique basée sur l‟identité des disciples comme des artisans de paix, des fils authentiques d‟Abraham, des agents de l‟excellente justice, et des participants à l‟humanité nouvelle. Concrètement, les disciples de Jésus doivent oeuvrer pour une mission à la fois shalomatique en vue d‟instaurer le règne de Dieu ; dans l‟esprit d‟hospitalité abrahamique en s‟ouvrant même à ses ennemis ; bâtissant la maison de justice qui prend en compte les valeurs de la Shari‟a et des vertus chrétiennes pour un monde pluraliste ; et assumant la promotion interculturelle par le dialogue interreligieux. La mission de paix est la tâche principale. Elle est un essai de restauration de relations brisées et un effort de réconciliation. Elle englobe aussi bien la paix que d‟autres dimensions. Mais, elle ne constitue pas tout le contenu de la mission. Elle est une composante du salut de l‟homme et du rétablissement du Royaume des Cieux au monde. Ainsi, la paix envisage plus que la cessation d‟hostilités ou absence de guerres. Ici, elle désigne le shalom ou la paix totale. C‟est l‟Evangile de paix annoncé par Jésus. / Christian Spirituality, Church History and Missiology / D.Th. (Missiology)

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This dissertation examines the Christological witness function of the Old Testament characters in the Gospel of John. Chapter 1 discusses the problem concomitant to the bi-partite nature of the Christian Bible and the scholarly solutions suggested to remedy this issue. The importance of Christology for John and the Gospel's indebtedness to the Jewish heritage is also noted. Combining these two aspects, some scholarly attempts to account for Johannine Christology in terms of Jewish hero redivivus theories are reviewed. An important consensus has emerged from German scholarship that sees the role of the Old Testament as Christological witness. This perspective gave impetus to the present research concerning the same witness function of the Old Testament characters. The rest of chapter 1 discusses the preliminary questions, such as, the justification, contributions, methodology, terms, and limits of the present study. Chapter 2 investigates the contribution of Jacob and Abraham to Johannine Christological understanding in view of relevant intertestamental Jewish literature. In contrast to some scholarly arguments, the main function of these patriarchs is to undergird the messianic identity of Jesus. Chapter 3 concerns Elijah in early Judaism and John. The eschatological expectation of Elijah in the former period is marked by his militant subjugation of the gentiles along with the reconciliation ministry. The contextual reading of the passages related to Elijah in John reveals that he is a type of John the Baptist rather than Jesus. Chapter 4 examines David, probably the most influential messianic prefiguration of the intertestamental period. He is characterized by his competence as a ruler, his loyalty to Judaism, and his status as an eschatological figure. While the first half of John's Gospel does not portray Jesus as a Davidic figure, the latter half is replete with the references to the Davidic trials. Although one can argue for a correspondence between David and Jesus in the Johannine passion accounts, the analogy is more evident between Yahweh and Jesus, let alone the suffering aspect of David, which did not constitute the messianic expectations of early Judaism. Chapter 5 engages in a study of Moses as depicted in early Judaism and John. In contrast to the perspectives of the Hebrew scriptural traditions, in which Moses is understood as the prophet par excellence, the fourth evangelist presents him merely as a Christological witness, not as a messianic prefiguration. Chapter 6 summarizes the foregoing observations and offers hermeneutical implications for the study of the Gospel of John, especially with reference to the redactional capability of the fourth evangelist and the value of the intertestamental Jewish literature. / This item is only available to students and faculty of the Southern Baptist Theological Seminary. If you are not associated with SBTS, this dissertation may be purchased from <a href="http://disexpress.umi.com/dxweb">http://disexpress.umi.com/dxweb</a> or downloaded through ProQuest's Dissertation and Theses database if your institution subscribes to that service.

Contemporary scholarship has seen increasing interest in the study of elegy. The present work attempts to elevate and expand discussions of death and survival beyond the ambit of elegy to a more genre-inclusive and ethically sensitive survey of Romantic posthumous life writings. Combining an ethic of remembrance founded on mutual fulfilment and reciprocal care with the Romantic tendency to hybridise different genres of mourning and commemoration, the study re- conceives 'posthumous life' as the 'inexhaustible' product of endless collaboration between the dead, the dying and the living. This thesis looks to the philosophical meditations of Francis Bacon, John Locke and Emmanuel Levinas for an ethical framework of human protection, fulfilment and preservation. In an effort to locate the origin of posthumous life writing, the first chapter examines the philosophical context in which different genres and media of commemoration emerged in the eighteenth century. Accordingly, it will commence with a survey of Enlightenment attitudes toward posthumous sympathy and the threat of death. The second part of the chapter turns to the tangled histories of epitaph, biography, portraiture, sepulchre and elegy in the writings of Samuel Johnson, Henry Kett, Vicesimus Knox, William Godwin and William Wordsworth. The Romantic culture of mourning and commemoration inherits the intellectual and generic legacies of the Enlightenment. Hence, Chapter Two will try to uncover the complex generic and formal crossovers between epitaph, extempore, effusion, elegy and biography in Wordsworth's 'Extempore Effusion upon the Death of James Hogg' (1835-7) and his 'Epitaph' (1835-7) for Charles Lamb. However, the chapter also recognises the ethical repercussions of Wordsworth's inadequate, even mortifying, treatment of a fellow woman writer in his otherwise successful expression of ethical remembrance. To address the problem of gender in Romantic memorialisation, Chapter Three will take a close look at Letitia Elizabeth Landon' s reply to Wordsworth's incompetent defence of Felicia Hemans. Mediating the ambitions and anxieties of her subject, as well as her public image and private pain, 'Felicia Hemans' (1838) is an audacious composite of autograph, epitaph, elegy, corrective biography and visual portraiture. The two closing chapters respond to Thomas Carlyle's outspoken confidence in 'Portraits and Letters' as indispensable aids to biographies. Chapter Four identifies a tentative connection between the aesthetic of visual portraiture and the ethic of life writing. To demonstrate the convergence of both artistic and humane principles, this cross-media analysis will first evaluate Sir Joshua Reynolds's memoirs of his deceased friends. Then, it will compare Wordsworth's and Hemans's verse reflections on the commemorative power and limitation of iconography. The last chapter assesses the role of private correspondence in the continuation of familiar relation and reciprocal support. Landon's dramatic enactment of a 'feminine Robinson Crusoe' in her letters from Africa urges the unbroken offering of service and remembrance to a fallen friend through posthumous correspondence. The concluding section will consider the ethical implications for the belated memorials and services furnished by friends and colleagues in the wake of her death.

En 1916, Abraham Valdelomar, inspirado por el teatro simbolista europeo, principalmente por la obra del italiano Gabriele D´Annunzio, escribe su “tragedia pastoril” Verdolaga, rompiendo con la que había sido hasta ese momento la tradición fundamental del teatro peruano republicano, el costumbrismo. A partir de esa fecha y hasta la década de 1950, la dramaturgia peruana sigue el rumbo de lo que podríamos llamar el “teatro poético”, un acercamiento lírico y simbólico a la realidad (en algunos casos, adoptando también el ritmo y la rima de la métrica española). Esto en llamativo contraste con la tradición realista y naturalista que caracterizaba a la mayor parte del drama del resto del continente americano. Sin embargo, a diferencia del simbolismo (y del teatro lírico de García Lorca y Claudel, que influenciaría a los autores posteriores a Valdelomar), el teatro peruano de esos años aborda temas que tienen que ver directamente con la vida política y social del país, creando un precedente inusitado. Como señalan Bernabé y Muguercia, los autores se apropian de los postulados de vanguardias europeas para poner en escena al Perú de su época, lejos de los tópicos y el estilo del costumbrismo y el melodrama, también presente en los escenarios de nuestro siglo XIX y comienzos del XX. La tesis plantea que esta opción (en sus diversas manifestaciones y tomando en consideración la personalidad de cada autor) refleja las dificultades de crear un teatro moderno, que llevara a escena la complejidad social y racial del Perú de esas décadas, La elección del tono poético o “estilizado”, como lo llamaría Pavis, es un acercamiento consciente al desafío de poner en escena sobre todo al mundo andino, virtualmente ausente del teatro costumbrista, enfrentando la dificultad de una representación del “otro” que no caiga en la caracterización física y lingüística cómica y estereotipada del teatro más popular. Para ello, se examinan en detalle tres obras fundamentales de este período, Verdolaga de Abraham Valdelomar (1916), Bandolero Niño de Ricardo Peña Barrenechea (1935) y El Fuego de Juan Ríos (1948), partiendo de las vanguardias europeas que los inspiran y analizando su apropiación de sus principios y su relación con el Perú de la época. También se busca explicar la poca fortuna escénica de estos y otros textos, analizando la forma de producción teatral típica de esos años (la compañía profesional), la presencia de la censura, la indiferencia de un público aficionado al teatro frívolo y la dificultad de hallar una nueva manera de representar que se alejara de lo aceptado hasta ese momento. / Tesis

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