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61	Övernaturliga vardagar : En studie av det övernaturliga i svensk litteratur som medel för social kritik. Masdeu, Paola January 2007 (has links) <p>This essay analyses the existence of a literary tendency in Sweden the last decade, which shares many similarities with magical realism. The study includes the work of three writers: Majgull Axelsson with Aprilhäxan; John Ajvide Lindquist with Hanteringen av odöda and Låt den rätte komma in; and finally a short story of Alejandro Leiva Wegner, “Elixir”.</p><p>Focus for this work is to expose how these writers use supernatural events/people as a strategy to create a new identity and to effect social criticism, strategies that are common to magical realism.</p><p>The aim of this work is therefore to clarify generalities about magical realism as a genre and give it a place in Swedish literature and in a changing Swedish society. Furthermore this essay defines a unique term for the genre as adapted to the Swedish reader and with some characteristics of its own: “övernaturlig realism” (supernatural realism).</p> Literature Litteraturvetenskap
62	Övernaturliga vardagar : En studie av det övernaturliga i svensk litteratur som medel för social kritik. Masdeu, Paola January 2007 (has links) This essay analyses the existence of a literary tendency in Sweden the last decade, which shares many similarities with magical realism. The study includes the work of three writers: Majgull Axelsson with Aprilhäxan; John Ajvide Lindquist with Hanteringen av odöda and Låt den rätte komma in; and finally a short story of Alejandro Leiva Wegner, “Elixir”. Focus for this work is to expose how these writers use supernatural events/people as a strategy to create a new identity and to effect social criticism, strategies that are common to magical realism. The aim of this work is therefore to clarify generalities about magical realism as a genre and give it a place in Swedish literature and in a changing Swedish society. Furthermore this essay defines a unique term for the genre as adapted to the Swedish reader and with some characteristics of its own: “övernaturlig realism” (supernatural realism). Literature Litteraturvetenskap
63	El juego de la imagen/acto poético liberador en Pluma y la tempestad, La casa de Rigoberta mira al sur y Foto de señoritas y esclusas, de Arístides Vargas Puma Torres, Paúl 12 March 2021 (has links) La presente tesis doctoral estudia una mirada innovadora sobre la poesía y su accionar en Lo poético, aproximándose a su aplicación en los diversos géneros, sobre todo en el teatral. Vislumbra la trascendencia de la poesía y los elementos que constituyen lo poético: el ritmo, la metáfora y la imagen. Indaga, además, sobre el trabajo teatral del dramaturgo argentino-ecuatoriano Arístides Vargas en el seno de su Grupo de Teatro Malayerba, contextualizándolo en una mirada retrospectiva a la memoria histórica nacional del Ecuador, al teatro ecuatoriano y a la producción literaria teatral ecuatoriana, mediante una cronología de dicha producción que va desde 1973 hasta el 2018 y que por primera vez se realiza en el país sudamericano. Luego realiza la convergencia entre la teoría de Hans Gadamer sobre el juego, y su concepción hermenéutica, y la potencial imagen, luego acto poético liberador, que propone Alejandro Jodorowsky. De esa manera construye el concepto de análisis el juego de la imagen/acto poético liberador para desentrañarlo en los libros teatrales de Vargas: Pluma y la tempestad, La casa de Rigoberta mira al sur y Foto de señoritas y esclusas. Poesía Lo poético Arístides Vargas Grupo Malayerba Hans Gadamer Alejandro Jodorowsky El teatro ecuatoriano Literatura Española
64	EL REGGAETÓN COMO VEHÍCULO PARA LA ENSEÑANZA DE LA VARIACIÓN LINGÜÍSTICA EN EL AULA DE ESPAÑOL L2 Huete Guerrero, Wilfredo Antonio 05 1900 (has links) Indiana University-Purdue University Indianapolis (IUPUI) / La música popular de hace años ha cambiado, en particular el reggaetón ha tomado el mundo por asalto. Artistas que han revolucionado la escena musical, música latina, hispana que se puede escuchar por cada rincón del mundo. Sin embargo, el reggaetón tiene su propia historia, no se hizo popular de un día al otro sino ha alcanzado su nivel actual gracias a los esfuerzos de sus pioneros, los fanáticos y los artistas de hoy en día. Estos artistas reggaetoneros no son únicamente del mismo país, sino que nacieron en todas partes del mundo. Cada uno de estos artistas traen su propio español, el español de sus países, algo que expone a los oyentes a distintas variedades del español. La variedad lingüística que se puede escuchar por medio de las canciones es inmensa y es una manera auténtica de oír como realmente se habla el español en los diferentes países hispanohablantes. La cantidad de información sobre la fonética, la morfología, sintaxis o léxico que se puede aprender sobre los distintos países es incontable y sumamente importante. Información que se puede aplicar en un aula de clase L2 para enriquecer y fortalecer el aprendizaje de estos estudiantes. Empleando el reggaetón como base en las lecciones y actividades en el aula L2 se puede enseñar la variedad lingüística de cualquier país hispanohablante. Colombia Argentina Puerto Rico Bad bunny J balvin Latinoamerica Rauw Alejandro Karol G Ivy queen Música Reggaetón México Reggaetoneros Trap latino Fonética Lingüística Variación lingüística Rap
65	La praxis enunciativa y lo real: articulaciones interdisciplinarias para un método de análisis del discurso Mondoñedo Murillo, Marcos Javier 29 November 2023 (has links) Esta tesis se propone elaborar un modelo de análisis a partir de la articulación entre la semiótica greimasiana y el psicoanálisis lacaniano. Además, queremos probar las posibilidades de este modelo en el análisis de la significación de la obra de dos poetas peruanos de principios del siglo XX, Alejandro Peralta y Carlos Oquendo. Esta articulación interdisciplinaria y metodológica se ubica entre la teoría de la enunciación propia de la primera disciplina mencionada, y las reflexiones sobre lo real que pertenecen a la segunda. El método empleado para constituir este modelo es aquel de la aproximación interdisciplinaria y de la búsqueda de una composibilidad sostenida en la revisión de los aspectos que permiten, en la semiótica, una incorporación razonable de la dimensión de lo real en el análisis del discurso y la observación de la orientación que Lacan ha realizado respecto de la categoría de la enunciación en el psicoanálisis. La principal conclusión a la que llegamos es que resulta posible inscribir la dimensión de lo real en el análisis semiótico del discurso a partir de una ampliación de la base modal de la praxis enunciativa y de introducir, en la semiótica, la noción lacaniana de letra como mediador entre dimensiones incomposibles. / This thesis aims to develop an analysis model based on the articulation between Greimasian semiotics and Lacanian psychoanalysis. In addition, we want to test the possibilities of this model in the analysis of the significance of the work of two Peruvian poets of the early twentieth century, Alejandro Peralta and Carlos Oquendo. This interdisciplinary and methodological articulation is located between the theory of enunciation belonging to the first discipline mentioned, and the reflections on the real that belong to the second. The method used to build this model is interdisciplinary approach and search for a sustained compossibility in the revision of the aspects that allow, in semiotics, a reasonable incorporation of the dimension of the real in the analysis of discourse and the observation of the orientation that Lacan has made regarding the category of enunciation in psychoanalysis. The main conclusion we reach is that it is possible to inscribe the dimension of the real in the semiotic analysis of discourse from an expansion of the modal basis of enunciative praxis and to introduce, in semiotics, the Lacanian notion of letter as mediator between incompossible dimensions. Semiótica Psicoanálisis Lacan, Jacques Poesía peruana Peralta, Alejandro Oquendo de Amat, Carlos Análisis del discurso Vanguardismo (Literatura)
66	Nine Venezuelan Composers and a Catalogue of their Choral Works Grases, Cristian 28 April 2009 (has links) This document represents an initial endeavor in a long-lasting aspiration to pursue the study and collection of Latin American choral literature. This essay compiles the most complete and current catalogue possible of choral works written by nine Venezuelan composers born in the twentieth century and presents it in a simple and accessible format so it can be used by a variety of school teachers, choral conductors, church musicians, college directors, and professional musicians. Each composer entry presents a brief biographical note and a list of works organized in alphabetical order. The annotation for each composition includes information in eighteen categories. It also includes an extensive list of biographical resources. In addition, a list of terms and definitions of folkloric and traditional genres will help the reader understand the diversity of Venezuelan musical styles and dances; there is some additional information with regard to performance practice.
67	"Homage to Nancarrow" from "Estudios de Frontera for 5 Percussion Players" by Alejandro Viñao: A Rhythmic Analysis and Performance Practice Guide Kilgore, Matthew Ryan 12 1900 (has links) The Peabody Conservatory commissioned Estudios De Frontera by Alejandro Viñao in 2004. Percussionist Robert Van Sice initiated the commissioning process. Estudios De Frontera is the first composition for percussion ensemble by Viñao. Viñao's Estudios is written in two movements. The first is titled Homage to Nancarrow. As the title implies the compositional processes are directly influenced by Conlon Nancarrow. The composer states: "Homage to Nancarrow is concerned with the perceptual illusion of multiple simultaneous speeds or tempi....This movement explores the type of rhythms that create the illusion that multiple independent tempi are being heard while remaining playable by musicians." The purpose of this document is to provide a rhythmic analysis describing the techniques used by Chopin, Ligeti, and Nancarrow, and demonstrating their manifestation in the first movement of Alejandro Viñao's Estudios de Frontera. The analysis provides detailed information in regards to Nancarrow's rhythmic structures including: ostinato, hemiola, isorhythm, accelerations, and implied poly-tempo. Additionally, by seeking advice from notable performers and ensembles, the areas of greatest concern are identified, and strategies towards rehearsal and performance are recommended. The performance guide is included as an appendix to the analytic body of the paper. percussion music Viñao Homage to Nancarrow Nancarrow rhythmic analysis performance guide tempo rhythm ostinato polyrhythm isorhythm polytempo compositional technique Musical meter and rhythm. Time in music. Composition (Music) Academic theses
68	Contextos nacionales y transnacionales: la nueva reencarnación del melodrama mexicano en la película Bella (2006, Alejandro Monteverde) Burton, Mary Ashley 19 April 2012 (has links) No description available. Film Studies Foreign Language Hispanic Americans Hispanic American Studies Language Latin American History Latin American Literature Latin American Studies Mass Communications Mass Media Minority and Ethnic Groups Motion Pictures Bella mexicanidad mexican film cine mexicano melodrama epoca de oro alejandro monteverde
69	Lucifer och den performativa filmkonsten : En studie kring sataniska visioner i den kaliforniska filmvärlden Ljung, Peter January 2019 (has links) This study regards the influence of ’modern’ satanism on performative art in the nineteen sixties- and seventies. The methodological framework consists of performativity theory, religious visual culture and aesthetics of experimental film. The material consists mainly of cinematic work by Kenneth Anger and Alejandro Jodorowsky, as well as musical performances by the likes of Mick Jagger, the Rolling Stones and David Bowie. In addition to this material I also use academic texts, dissertations and books written about the subjects themselves as a foundation for my own further analysis and discussions. By looking closely at a selection of cinnematic work of foremost Kenneth Anger, I try to show how his own esoteric and occult interests are present as a fundamental part of his creative process and the following filmworks/artworks themselves. This is also put into relationship with Anton Szandor Lavey, founder of the Church of Satan, and their common thoughts concerning ritually performed magic. By using performativity theory I trie to emphasise the interlocking structures of these two worlds in the artwork of Kenneth Anger and other artists active in the culturual ’milieu’ of the sixties- and seventies. The results indicate that the religious sphere of satanism, occultism and esotericism (and alternative modes of religion in general) was closeley inflicted with counterculture-infused film and music (as represented by the selection of material). Satanism performativity performance ritual black mass Kenneth Anger Anton LaVey Satan Lucifer Anton Szandor LaVey Church of Satan Aleister Crowley magick Mick Jagger Alejandro Jodorowsky Rolling Stones David Bowie film experimental film art film art satanism performativitet performativitetsteori Kenneth Anger Anton LaVey Anton Szandor LaVey Church of Satan Alejandro Jodorowsky Mick Jagger David Bowie Rolling Stones Lucifer Svart mässa Aleister Crowley magick film experimentell film filmkonst konst Religious Studies Religionsvetenskap
70	Reassessing Consensus: Alejandro O’Reilly’s 1765 Visita and Puerto Rican History Unknown Date (has links) King Charles III of Spain implemented a series of Enlightenment reforms throughout his domain following the 1763 defeat of the Seven Years War Among the royal officials sent to enact these reforms in the Caribbean, the Crown dispatched Field Marshal Alejandro O’Reilly to the colony of Puerto Rico Historians have attributed to his 1765 inspection, or visita, and subsequent report, or memoria, the foundations for a turning point in the island’s history Despite the historical consensus that has lauded O’Reilly’s recommendations, this inspector-general does not merit the credit that historians consistently have given him Agrarian and economic patterns such as population growth, smuggling, and the hato economy persisted decades after his visita into the nineteenth century Other events helped drive immigration and investment into Puerto Rico more than O’Reilly’s memoria Ultimately, O’Reilly did not trigger enduring change in the colony’s history, and Puerto Rican historiography awaits the corresponding revision / Includes bibliography / Thesis (MA)--Florida Atlantic University, 2016 / FAU Electronic Theses and Dissertations Collection Puerto Rico--History--18th century Caribbean Area--History--18th century

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