<p>Rapporten beskriver ett examensarbete på 10 poäng som har genomförts av Moa Jantze, möbeldesignstuderande på Carl Malmsten Centrum för Träteknik och Design vid Linköpings Universitet. Rapporten består i huvudsak av två olika moment. Det första som beskriver skånska allmogemöbler och -textilier ur ett historiskt perspektiv och den andra som beskriver arbetet med att ta fram två produkter med inspiration ur allmogen. Projektets bakgrund är ett möbelprojekt som engagerat mig under hösten 2004, där jag tog fram en gungstol som presenterades i Malmstens monter på möbelmässan 2005. Gungstolen fick mycket uppmärksamhet både i svensk och internationell press och därmed väcktes ett större intresse för historien och mitt ursprung. Avsikten med arbetet var att förtydliga arbetsprocessen i ett designprojekt samt att kortfattat redovisa fakta och inspirationsmaterial. Två prototyper tillverkades utifrån ett grundligt arbete med skisser och ritningar i Solidworks vilket beskrivs i rapporten. Avslutningsvis förs ett resonemang kring frågeställningarna det praktiska arbetet i relation till resultatet i form av de två prototyperna.</p> / <p>This thesis describes a final work of 10 points carried out by Moa Jantze furniture design student at Carl Malmsten Centre of Wood Technology and Design at Linköping University. The work consists of two parts. The first one that describes furniture and textiles found in the 17th to 19th century homes of Swedish farmers in the province of Skåne. The second one describes the work developing two products with inspiration in the furniture and textile history.</p><p>The background of the work is a furniture project which I worked with during autumn 2004. The project was a rocking chair which was presented in Malmsten’s stand in Stockholm Furniture Fair 2005. The Rocking chair gathered attention from both Swedish and international press and hereby woke my interest of the history and my extraction. My intention was to make the working process in a design project clear and shortly present facts and inspiration material. Two prototypes were made out from a thorough work with sketches and drawings made in Solidworks. The work is described in the report. In the conclusion, a discussion is made regarding the issue of questions and the practical work in relation to the result in shape of two prototypes.</p>

Rapporten beskriver ett examensarbete på 10 poäng som har genomförts av Moa Jantze, möbeldesignstuderande på Carl Malmsten Centrum för Träteknik och Design vid Linköpings Universitet. Rapporten består i huvudsak av två olika moment. Det första som beskriver skånska allmogemöbler och -textilier ur ett historiskt perspektiv och den andra som beskriver arbetet med att ta fram två produkter med inspiration ur allmogen. Projektets bakgrund är ett möbelprojekt som engagerat mig under hösten 2004, där jag tog fram en gungstol som presenterades i Malmstens monter på möbelmässan 2005. Gungstolen fick mycket uppmärksamhet både i svensk och internationell press och därmed väcktes ett större intresse för historien och mitt ursprung. Avsikten med arbetet var att förtydliga arbetsprocessen i ett designprojekt samt att kortfattat redovisa fakta och inspirationsmaterial. Två prototyper tillverkades utifrån ett grundligt arbete med skisser och ritningar i Solidworks vilket beskrivs i rapporten. Avslutningsvis förs ett resonemang kring frågeställningarna det praktiska arbetet i relation till resultatet i form av de två prototyperna. / This thesis describes a final work of 10 points carried out by Moa Jantze furniture design student at Carl Malmsten Centre of Wood Technology and Design at Linköping University. The work consists of two parts. The first one that describes furniture and textiles found in the 17th to 19th century homes of Swedish farmers in the province of Skåne. The second one describes the work developing two products with inspiration in the furniture and textile history. The background of the work is a furniture project which I worked with during autumn 2004. The project was a rocking chair which was presented in Malmsten’s stand in Stockholm Furniture Fair 2005. The Rocking chair gathered attention from both Swedish and international press and hereby woke my interest of the history and my extraction. My intention was to make the working process in a design project clear and shortly present facts and inspiration material. Two prototypes were made out from a thorough work with sketches and drawings made in Solidworks. The work is described in the report. In the conclusion, a discussion is made regarding the issue of questions and the practical work in relation to the result in shape of two prototypes.

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Most scientists believe that in the good times the peasant had the opportunity to follow fashion. Virestad parish does not follow fashion. My purpose is to try to understand something of the mechanism that made Virestad do so: that I will do by analyzing the results in relation to the concept of status. My main source is estate inventories. Here I examine the status markers and differences in what they invested in clothes and jewelry in relation to the estate's proceeds. The lower the balance, the more percentage they need to put on clothes. As for silver, it is not possible to draw these conclusions. Those who spent more than 100 daler also have a balance of 700 daler or more. Finer and more clothing also afford more jewelry. Men and women spends the same amount in clothing and jewelry. Several parameters measures the status in clothing. 1. Materials is important. 2. The amount of material is significant. 3. Some clothes are of high value. 4. The numbers of clothes have meaning. 5. Color has meaning. 6. Old clothes have a lower value. That Virestad parish would have stagnated in fashion because of bad times and lack of money is not true. I believe that most of the peasants had more than enough to afford to replace their clothes to the more modern. Here are other mechanisms that retain a more old-fashioned dress. Status is one. In the estate inventories you can clearly see the differents of status markers.

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The purpose of this essay is to investigate why a group of young adults, living in the village of Järvsö in Hälsingland, choose to live their lives according to the ideals attributed to the peasantry in the early 19th century. The essay examines what gives them inspiration for their way of living and the driving forces behind their choices.   The theoretical starting points of the study are production of cultural heritage, nostalgia and performance studies. The study is based on interviews with young adults, and the older generation that inspires them, living in Järvsö, as well as participant observations and media coverage.   The examination of how the cultural heritage has been produced in 2018 gives an insight into the everyday life of those who choose to live by these ideals today in Järvsö and how it has shaped and affected how Järvsö is presented to the outside world.   The study concludes that the ideals that the young adults strive for are to live as environmentally friendly as possible. The inspiration comes from stories about people who lived during the 19th century and the aesthetics attributed to the folk culture. They use folk culture that includes stories, folk music, folk dance, folk costumes, crafts and games and reshape these expressions and adapt them to a contemporary life in the 21st century.   Because the decorated farmhouses of Hälsingland have been declared world heritage, there is also an authenticity guarantee which gives the interviewees legitimacy for their life choices and confirmation of the importance of passing these folk traditions on to future generations.

Skånelandskapen är en mycket omdiskuterad landsdel i Sverige. Norra Åsbo var ett gränsområde mellan Skåne och Småland under skånska kriget 1675-1679 vilket gjorde bygden till ett utsatt område. Gränsbygden blev plundrad och bränd av både svenskar, danskar och snapphanar, många förlorade allt de ägde. Norra Åsbos dombok från 1680 innehåller mycket information om trakten och hur människorna påverkades och använde krigets omfattning på tinget vid rättsfall. Hur hanterades denna traumatiserade händelse av allmogen och av överheten? Söktes rättvisa, försoning eller sattes händelsen helt enkelt i skymundan för att glömma vad som hänt? Studien har gjorts för att söka efter hur kriget behandlats och omtalats på tinget.

Under tre generationer, mellan 1760 och 1860 följer du en allmogesläkt i Kyrkefalla. Du möter dem i vardagen och får höra hur grannar och vänner lever.

This thesis reimagines an old abandoned school in the sparsly populated mid west of Sweden. Only working through physical model trying to seek inspiration from the past through the literature of Selma Lagerlöf and the classic Allmoge-style. The goal was not to bring back the aesthetics of the past, but to find joy in it and to be lustful and playful in the creation of architecture.

This study examines patterns of consumption during the 1780s in Öjaby and Virestad parishes. I have examined the clothes and jewelry in estate inventories using the concept of status. Then I have used Pierre Bourdieu's theories to understand fashion mechanisms. I have identified five different groups, each distinguished by their formal wear. Men have similar clothes but in Virestad they have more items and more silver. Four people were divergent, they choose other materials and models. The women in the various parishes had differed significantly. In Öjaby women had more modern clothing and less jewelry in comparison, with Virestad. It is clearly visible that the people in the probate area in Virestad were spending more money compared to what they owned to be able to maintain a certain level of status. Status indications in clothes and jewelry were important in Virestad. Here is a more peasant-dominated culture which apparently made clothing more conservative. In both parishes people with a smaller percentage of balance spend more to maintain a certain standard. In Virestad women spent more than men on clothes in Öjaby it is the opposite. Dressing nicely seems important, after first set of clothing more expensive were purchased. Silver, number of clothes, expensive clothes, different material and color are factors that are available when the people created their wardrobe. Those with a high balance had several expensive items to show off their status with. Interesting is also that people continued to renew their wardrobe throughout their working life.