Thesis (D. Min.)--Trinity International University, 2000. / Abstract. Includes bibliographical references (leaves 358-360).

Thesis (D. Min.)--Trinity International University, 2000. / Abstract. Includes bibliographical references (leaves 358-360).

The purpose of the study is to show young children's competences in the subject of biology. I hope that my work will lead to that the subject of biology is used more often in the preschool context. In my work I have had an intra-active theory as a base. I have searched for what children are interested in on the subject of biology. Here, I can conclude that animals and plants are major interests for the children. Furthermore, I wanted to explore the ways in which children's knowledge became visible. For the most part, small children (along with educators) use animism and anthropomorphism, however, this is often interwoven with facts. I also wanted to know whether there were factors that contributed to children's learning in biology. It became clear that factors such as outdoor stay and live animals and plants contributed to a fact-based learning in biology. In contrast, factors such as indoor stay and toys were important factors for an animistic and anthropomorphic learning in biology. Educators also have a crucial role in children's learning in biology. Through an intra-active approach, I note that both the factual events of biology and animism and anthropomorphism contribute to the child's creation of knowledge in biology. / Syftet med studien är att visa upp små barns kompetenser i ämnet biologi. Jag hoppas att mitt bidrag leder till att fler förskollärare lockas att arbeta med biologi. Jag har utgått från en intra-aktiv teori och praktik både i förarbetet, under mina observationer och samtal samt i analysprocess och diskussion. Jag har sökt efter vad barn väljer att leka och samtala om inom ämnet biologi. Här kan jag konstatera att djur och växter är ett stort intresse för barnen. Vidare ville jag undersöka på vilka sätt som barnens kunskaper blev synliga. Till största del använder sig små barn (tillsammans med pedagoger) av animism och antropomorfism däremot är detta ofta sammanvävt med fakta. Jag ville också veta om det fanns faktorer som bidrog till barns lärande i biologi. Här blev det tydligt att faktorer som utomhusvistelse och levande djur och växter bidrog till ett faktabaserat lärande i biologi. Däremot var faktorer som inomhusvistelse och leksakslek viktiga för ett animistiskt och antropomorfistiskt lärande i biologi. Pedagogerna har också en avgörande roll för barnens lärande i biologi. Genom ett intra-aktivt synsätt kan jag konstatera att både de faktabaserade biologihändelserna och de animistiska och antropomorfistiska biologihändelserna bidrar till barns kunskapande i biologi.

This thesis is focused on the material known as the Mesolithic portable art. Earlier research have interpreted the material as representative art relating to ideology, mythology, prestige, ritual practices,and tribalism. Such interpretations are based on theoretical frameworks that build on hylomorphism and Cartesian metaphysics. By a change of theoretical framework, to a new animistic perspective based on a combination of Gilles Deleuze and Félix Guattari’s rhizome theory, Tim Ingold’s meshwork and Giordano Bruno’s theory of bonds in general, followed by the use of ChantalConneller’s method rhizomatic chaîne opératoire, I conclude that the motifs on the tools and pendants are communications to the animated subjects that make up and inhabit the environment. Furthermore, I conclude that the binary positions of function and ritual cannot be applied when studying the formgenerating process of this material, as the tools and pendants along with their applied motifs are a result of what is in between these binary positions.

Text in German / Cosmology and sociology show that animism is the predominant worldview of Japan. Concepts of God, the issue of controlling mana-power, implications of the Japanese soul-concept, the orientation of the conscience and ancestor veneration are critically discussed with Christian beliefs. When compared to the Biblical peace-concept the Japanese peace-concept shows an aesthetic bias that has to be overcome by adding the concept of justice. Japanese soteriology has no reference to God the Creator, whose proclamation is the basis of understanding man's misfortune as rebellion against God and his salvation as reconciliation with Him. Cosmologically speaking, man experiences his misfortune as fear of super-human powers. Salvation is sought through defensive magic and fortunetelling. Christianity acknowledges security as a basic human need but seeks protection and guidance from God. The main focus of Japanese soteriology is in the field of sociology, which in Japan also includes the relationship with the living dead. Misfortune is mainly experienced as shame and ostracism, salvation as rehabilitation. Defilement of naturally good humans is a central theme in Japan's understanding of man's misfortune. The Christian concept of sin, on the contrary, has a theological and an ontological dimension as well. In Japan salvation is understood solely as this-worldly benefits such as health, happiness, prosperity, fertility, and longevity. But in Christianity suffering is a central theme. An overly strong orientation on "this world" can lead to ethical shallowness, overemphasizing the "coming world" to a dangerous ethical relativism. Christian soteriology must keep the tension between these two extremes. The hope of the coming world must neither be robbed of its historical truth by its transformation into a principle, nor must it be historically ineffective.As for his relationship with God, man is solely the object of God's salvation. But as for Christian acts, man is called to act "in the Lord". / Ausführungen zur Kosmologie und Soziologie zeigen, daß das vorherrschende Weltbild Japans das des Animismus ist. In kritischer Auseinandersetzung mit dem Christentum werden der Gottesbegriff, der Gebrauch der Mana-Kraft, Implikationen des Seelenbegriffs, die Gewissensorientierung und die Ahnenverehrung diskutiert. Die Gegenüberstellung mit dem biblischen Friedensbegriff zeigt, daß der japanische Friedensbegriff seine ästhetische Einseitigkeit durch die Erweiterung um den Aspekt der Gerechtigkeit überwinden muß. In Japan hat die Soteriologie keinen Bezug zu Gott, dem Schöpfer, dessen Verkündigung die Grundlage für das Verständnis des Unheils als Rebellion gegen ihn, des Heils als Versöhnung mit ihm ist. Kosmologisch wird das Unheil in Japan als Angst vor übermenschlichen Mächten erfahren, das Heil durch Schutzzauber und Wahrsagerei gesucht. Das Christentum erkennt das Grundbedürfnis der Sicherheit an, sucht Schutz und Führung aber bei Gott. Das Schwergewicht japanischer Soteriologie liegt im Bereich der Soziologie, zu der in Japan auch die Beziehung zu den living dead gehört. Unheil wird vor allem als Beschämung und Ächtung, Heil als Rehabilitation erfahren. Im japanischen Unheilsverständnis nimmt Verunreinigung des an sich guten Menschen einen hohen Stellenwert ein. Das christliche Sündenverständnis hat dagegen auch eine theologische und ontologische Dimension. Heil wird in Japan rein diesseitig als Gesundheit, Glück, Reichtum, Fruchtbarkeit und langes Leben verstanden. Dagegen spielt in der christlichen Heilslehre das Leiden eine zentrale Rolle. Eine zu starke Orientierung auf "diese Welt" kann zu ethischer Seichte, eine zu starke Orientierung auf die "kommende Welt" zu einer gefährlichen ethischen Relativierung führen. Die christliche Soteriologie muß die Spannung zwischen beiden Polen aufrechterhalten. Die Hoffnung auf die kommende Welt darf weder durch ihre Erhebung zum Prinzip ihrer geschichtlichen Wahrheit beraubt werden, noch darf sie selbst geschichtlicher Wirklichkeit entbehren. Was die Beziehung des Menschen zu Gott angeht, ist der Mensch ganz und gar Objekt des göttlichen Heilshandelns. Was aber das christliche Handeln angeht, ist der Mensch zum Handeln "im Herrn" berufen. / Christian Spirituality, Church History and Missiology / D.Th. (Missiology)

As humans we function with a biological side and a psychological side. Both of these sides have their needs. We need to put food in our stomach to stop feeling hungry and we need to give things meaning. In a Human Behavioral Archaeological perspective, which focuses a lot on the economical aspect of the animal and the human, the animal was killed for food. But, how was the animal perceived in a cultural perspective, what was the meaning of this animal? This is the question that will have its answer in this thesis. The animal handling of the Pitted Ware culture  will be analyzed from an animistic point of view - meaning, that human, animals and object can have a soul or a personality. This makes the world seem more fluent. The sharp lines between culture and nature, life and death, human and animal get wiped out and we see a world view the modern Western human is not used to. As much as the animal was a prey, it also was a being with a purpose in the Pitted Ware culture. On the Pitted Ware sites at Jettböle on the Aland Island and at Ajvide on Gotland, the seal was the most prominent animal in both the economic and cultural sphere. The clay figurines of Jettböle show some sort of worship of the seal. Among many of the anatomical parts of the animal and human body, the head seems to be of most importance. Even differences within the same culture appear. At Ajvide, there is a clear burial tradition of the deceased humans, whereas at Jettböle, there is not. And as much as the seal is of dominance at Ajvide, the swine comes in at a close second, whereas at Jettböle, there is almost no swine at all.

Text in German / Cosmology and sociology show that animism is the predominant worldview of Japan. Concepts of God, the issue of controlling mana-power, implications of the Japanese soul-concept, the orientation of the conscience and ancestor veneration are critically discussed with Christian beliefs. When compared to the Biblical peace-concept the Japanese peace-concept shows an aesthetic bias that has to be overcome by adding the concept of justice. Japanese soteriology has no reference to God the Creator, whose proclamation is the basis of understanding man's misfortune as rebellion against God and his salvation as reconciliation with Him. Cosmologically speaking, man experiences his misfortune as fear of super-human powers. Salvation is sought through defensive magic and fortunetelling. Christianity acknowledges security as a basic human need but seeks protection and guidance from God. The main focus of Japanese soteriology is in the field of sociology, which in Japan also includes the relationship with the living dead. Misfortune is mainly experienced as shame and ostracism, salvation as rehabilitation. Defilement of naturally good humans is a central theme in Japan's understanding of man's misfortune. The Christian concept of sin, on the contrary, has a theological and an ontological dimension as well. In Japan salvation is understood solely as this-worldly benefits such as health, happiness, prosperity, fertility, and longevity. But in Christianity suffering is a central theme. An overly strong orientation on "this world" can lead to ethical shallowness, overemphasizing the "coming world" to a dangerous ethical relativism. Christian soteriology must keep the tension between these two extremes. The hope of the coming world must neither be robbed of its historical truth by its transformation into a principle, nor must it be historically ineffective.As for his relationship with God, man is solely the object of God's salvation. But as for Christian acts, man is called to act "in the Lord". / Ausführungen zur Kosmologie und Soziologie zeigen, daß das vorherrschende Weltbild Japans das des Animismus ist. In kritischer Auseinandersetzung mit dem Christentum werden der Gottesbegriff, der Gebrauch der Mana-Kraft, Implikationen des Seelenbegriffs, die Gewissensorientierung und die Ahnenverehrung diskutiert. Die Gegenüberstellung mit dem biblischen Friedensbegriff zeigt, daß der japanische Friedensbegriff seine ästhetische Einseitigkeit durch die Erweiterung um den Aspekt der Gerechtigkeit überwinden muß. In Japan hat die Soteriologie keinen Bezug zu Gott, dem Schöpfer, dessen Verkündigung die Grundlage für das Verständnis des Unheils als Rebellion gegen ihn, des Heils als Versöhnung mit ihm ist. Kosmologisch wird das Unheil in Japan als Angst vor übermenschlichen Mächten erfahren, das Heil durch Schutzzauber und Wahrsagerei gesucht. Das Christentum erkennt das Grundbedürfnis der Sicherheit an, sucht Schutz und Führung aber bei Gott. Das Schwergewicht japanischer Soteriologie liegt im Bereich der Soziologie, zu der in Japan auch die Beziehung zu den living dead gehört. Unheil wird vor allem als Beschämung und Ächtung, Heil als Rehabilitation erfahren. Im japanischen Unheilsverständnis nimmt Verunreinigung des an sich guten Menschen einen hohen Stellenwert ein. Das christliche Sündenverständnis hat dagegen auch eine theologische und ontologische Dimension. Heil wird in Japan rein diesseitig als Gesundheit, Glück, Reichtum, Fruchtbarkeit und langes Leben verstanden. Dagegen spielt in der christlichen Heilslehre das Leiden eine zentrale Rolle. Eine zu starke Orientierung auf "diese Welt" kann zu ethischer Seichte, eine zu starke Orientierung auf die "kommende Welt" zu einer gefährlichen ethischen Relativierung führen. Die christliche Soteriologie muß die Spannung zwischen beiden Polen aufrechterhalten. Die Hoffnung auf die kommende Welt darf weder durch ihre Erhebung zum Prinzip ihrer geschichtlichen Wahrheit beraubt werden, noch darf sie selbst geschichtlicher Wirklichkeit entbehren. Was die Beziehung des Menschen zu Gott angeht, ist der Mensch ganz und gar Objekt des göttlichen Heilshandelns. Was aber das christliche Handeln angeht, ist der Mensch zum Handeln "im Herrn" berufen. / Christian Spirituality, Church History and Missiology / D.Th. (Missiology)

In this project I am exploring 6 different life forms; snail, slime mold, frog, rock, moss, and fungi. I am approaching these life-forms as agent entities for me to channel, and act for them as vessels.  “Apocalypse Fatigue” is both an exploration of my own artistic practice, by attempting to create works from a nonhuman-centric perspective and investigating how different entities can be co-creators, and an exploration of its sustainability.   It is also an attempt to approach nature as a direct actor to create multiple narratives regarding climate change. Taking the perspective of another organism allows me to imagine alternative ways of being in the world, and through them, I can explore my own emotions, artistic visions or reflect on social issues with a fresh perspective. In a wider way, my work tries to challenge, modestly, dominant world views and presents an alternative to the apocalyptic narratives so often mobilized when speaking about climate change.

This thesis constructs an ethnography for the nineteenth century ǀXam Bushmen of the Northern Cape Province of South Africa, known primarily through a nineteenth century manuscript collection of oral narrative (the Bleek-Lloyd archive), which has, over the past twenty-five years, increasingly become the focus of scholarly attention, mined for insights about the cultural world of southern Bushman societies. It draws on the Bleek-Lloyd archive to produce a detailed ethnographic case study, focusing on the ideological and ontological concepts that underpinned the differentiation of ǀXam society. Firstly, the thesis situates the archive and ǀXam society within their particular environmental and historical contexts, providing valuable supplementary information that informs readings of the narratives. By producing a fully searchable transcription of the entirety of the archive, paying close attention to emic terminology, and examining the recurrence of thematic associations of this phraseology throughout the narratives, the analysis explores the constitution of ǀXam ‘personhood’ and examines the extent to which the ‘hunter-gatherer’ category forms a useful heuristic for understanding ǀXam society, with a particular focus on models of the ‘animic ontology’. The ǀXam deployed a series of positively and negatively evaluated traits in the creation of dimensions of authority, obligation, and social responsibility, embedded in particular social identities; central to these constructions and to the differentiation of these identities were the techniques and resources of ǀXam subsistence practices, salient in the production of admirable (socially-responsible hunters), reprehensible (antagonistic ‘beasts of prey’), and more ambiguous (ǃgi:tǝn ritual specialists) identities. Recognising this internal differentiation, the thesis outlines ǀXam ‘subsistence strategies’ and suggests they should be defined broadly to include their contacts and interactions with non-ǀXam groups, with domesticated animals, and with the novel material culture of the colonial period; these interactions were a consequence of their ‘hunter-gatherer’ strategies rather than a negation of them. Such strategies generated experiences that reinforced and reconstituted ǀXam ideological frameworks, incorporating the dynamics of the nineteenth century ‘frontier’ scenario and provided avenues for social change that ultimately led to the collapse of independent hunter-gatherer lifeways, and to the adoption of strategies that incorporated ǀXam individuals within rural and urban ‘Coloured’ populations of the Northern Cape; placing the ǀXam in a comparative colonial context, the thesis stresses the wider relevance of this particular ethnography for understanding hunter-gatherer engagements with food-producing, state-level societies.

A obra romanesca de Mia Couto é o objeto da investigação desta tese, ponto de partida para tentar compreender a contribuição do autor na afirmação do romance africano e na reconstrução da identidade de seu país, Moçambique. Para tanto, o estudo discute a importância da revelação de uma paisagem oculta ao leitor, de matriz cultural e complexo entendimento. O capítulo que traz esta análise mostra como a obra retrata as condições históricas e políticas de dominação, desigualdade, identificando aqui e lá um tom levemente engajado na escrita miacoutiana, tanto quanto suas posições ideológicas, suas denúncias. Entre os temas mais destacados na obra está o animismo africano que dá origem a uma série de circunstâncias sobrenaturais nos enredos, como uma lembrança constante: em África, os espíritos estão por toda a parte, mantendo intensa relação com os vivos. Em torno da questão, a tese discute o fato de parte da crítica classificar a obra por gêneros como o Realismo Mágico, o Maravilhoso e o Fantástico. Também são investigadas as estratégias narrativas deste autor, suas opções regulares na composição de enredos, personagens, nomes de personagens e epígrafes. Com base nessas marcas e em outros traços comuns a todos os seus romances talvez presentes igualmente em seus contos descobre-se a adequação entre a criação de um sistema de pensamento dicotômico, que atravessa a obra, e estruturas frasais que revelam algo significativo: os romances de Mia Couto são propositivos, especialmente quando convidam o leitor ao movimento constante de questionamento de suas próprias certezas / Mia Coutos romanesque work is the inquiry object of this thesis, trying to comprehend the authors contribution in the assertion of the African novel and in the reconstruction of the identity of his country, Mozambique. In order to do this, the study discusses the importance of revealing an occult landscape to the reader, its cultural origin and complex understanding. The chapter that brings this analysis shows how the work reflects the historical and political conditions of domination, social differences, identifying occasionally a slightly engaged accent in Mia Coutos writing, as much as his ideological position and denouncement. Among the detached subjects in the work is African animism, which originates several supernatural circumstances in the plot, as a constant remembrance: in Africa, spirits are everywhere, keeping intense relationship with the people. Around this issue, the thesis discusses the fact that part of the critics classify the work in genres such as the Magical Realism, the Marvellous and the Fantastic. Also the narrative strategies of this author are investigated, as his regular options in the creation of the plots, characters, names of characters and epigraphs. Based on these marks and in other common traces to all his novels perhaps equally present in his short stories we find adequacy between the dichotomic thought system, through the work, and the phrasings that reveal something significant: Mia Coutos novels are propositive, especially when they invite the reader to the constant movement of questioning their proper certainties