a)Objetivos: Traçar um perfil dos procedimentos melódicos modais presentes nas manifestações étnicas e populares do nordeste brasileiro afim de verificá-los em autores ligados à música popular do Brasil na década de 1960, cotejando os diferentes procedimentos harmônicos realizados. b)Métodos: O principal método utilizado foi o da análise a partir da transcrição de exemplos em áudio. A partir dessas análises uma série de comparações com materiais similares encontrados na bibliografia foi realizada. c) Resultados: Como resultado dessa pesquisa foram apontados os principais modos e traços cadenciais utilizados no repertório étnico e popular escolhido do nordeste brasileiro. Esses traços foram importantes na construção das canções aqui selecionadas, características da chamada MPB da década de 1960 apresentando, a partir dessas análises, os principais procedimentos harmônicos desses autores relacionados aos modos e traços cadenciais encontrados. / e)Objectives: Delineating a profile of the modal melodic procedures present in the ethnic and popular manifestations of the Northeast region of Brazil in order to verify them in authors connected to the Brazilian popular music from the 1960s, comparing the different harmonic procedures produced. f)Methods: The main method used was the analysis of transcripts of audio samples. From these analyses a series of comparisons with similar materials found in the bibliography was made. g)Results: As a result of this research, the main modes and cadential traces used in the ethnic and popular repertoire chosen from the Northeast of Brazil were indicated. These traces were important in the construction of the songs here selected, characteristics of the so-called MPB of the 1960s presenting, from those analyses, the main harmonic procedures of those authors related to the cadential modes and traces found.

Gemäldeepitaphe sind eine zu Unrecht vernachlässigte Gattung der Kircheneinrichtung. Die vorliegende Arbeit umfasst 458 gemalte Epitaphe aus Franken, aus der Zeit von 1550 bis 1800. Der Schwerpunkt liegt auf der Darstellung der vielfältigen religiösen Themen der Gemälde. Die Arbeit versteht sich dabei als Beitrag zur Erforschung religiöser Malerei der Renaissance- und Barockzeit.

Submitted by Elizabete Silva (elizabete.silva@ufes.br) on 2015-09-18T18:45:49Z No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) ETHOS DISCURSIVO E GÊNERO CANÇÃO A.pdf: 1012810 bytes, checksum: a0c4c7e7a545fc1a0b27a81033421c76 (MD5) / Approved for entry into archive by Morgana Andrade (morgana.andrade@ufes.br) on 2016-01-05T13:53:16Z (GMT) No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) ETHOS DISCURSIVO E GÊNERO CANÇÃO A.pdf: 1012810 bytes, checksum: a0c4c7e7a545fc1a0b27a81033421c76 (MD5) / Made available in DSpace on 2016-01-05T13:53:16Z (GMT). No. of bitstreams: 2 license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) ETHOS DISCURSIVO E GÊNERO CANÇÃO A.pdf: 1012810 bytes, checksum: a0c4c7e7a545fc1a0b27a81033421c76 (MD5) Previous issue date: 2013 / FAPES / A presente dissertação tenciona discutir a constituição do ethos discursivo, relacionado às cenas de enunciação e ao interdiscurso, em oito “afro-sambas” pertencentes ao LP homônimo, fruto da parceria firmada entre Vinícius de Moraes e Baden Powell na década de 1960. Tais canções apresentam em comum o culto a entidades místicas vinculadas às religiões de matriz africana e, de modo bem particular, tematizam o amor e a tristeza, em diversas nuances. Para tanto, o paradigma em que nos sustemos é o da Análise do Discurso de vertente francesa, notadamente a partir de suas novas tendências, numa abordagem alinhada a de Dominique Maingueneau (1997, 2005, 2008). Optamos por tal arcabouço teórico pelo fato de tal disciplina corresponder a uma metodologia de se estudar o discurso que leva em conta as condições sócio-históricas que o possibilita, postulado basilar da presente pesquisa, a qual tem por objetivo principal: observar o modo como o ethos/os ethé são construídos; analisa as canções do LP de 1966 compostas pelos músicos, tendo por base as noções de interdiscurso, cenas enunciativas e ethos discursivo. Oportuno ressaltar que, muito embora as análises levem em conta a dimensão musical como elemento significante na constituição do ethos, seu enfoque privilegiou a dimensão verbal. Partindo da análise de cada afro-samba, os resultados da pesquisa apontaram para a construção de imagens projetadas no discurso vinculadas tanto ao universo cultural/diaspórico do negro quanto ao universo amoroso tipicamente viniciano. Considerando os indícios interdiscursivos pôde-se notar que os afro-sambas foram construídos a partir da existência e reconhecimento do Outro. Por outro lado, as cenas de enunciação criadas apresentam como campo discursivo privilegiado o domínio religioso a partir de uma experiência vivida amorosa-sensual, cujo tom lastimoso colaborou para a construção de um enunciador tristonho, melancólico, sentimental. / This dissertation aims to discuss the constitution of the discursive ethos, relating that to the enunciation scenes and to the interdiscourse, in eight “afrosambas” which belong to the LP of the same name, as a result of the partnership between Vinícius de Moraes and Baden Powell in the 1960s. Such songs present in common the cult of mystical entities related to the religions of African roots, and, in particular way, they display love, sadness in different features. In order to do so, the paradigm in which we are sustained is the one of the French Discourse Analysis, in an approach which is aligned with the Mainguenau’s one (1977, 2005, 2007). We decided to work with this theoretical framework in that such approach corresponds to a methodology of studying the discourse which considers the socio-historical conditions which made it possible, the baseline premise of the present research, which has as a main objective: observe how the ethos/ ethés are built; analyze the songs of the 1996 LP composed by the musicians, having the notions of interdiscourse, enunciation scenes and discursive ethos as the basis of the analysis. From the analysis of each afro- samba, the results point to a construction of images shed in the discourse closely linked not only to the cultural/ diasporic universe of the black people but also to the loving universe typically from Vinícius de Moraes. Considering the interdiscursive signs, it is possible to realize that the afrosambas were built from the existence and the recognition of the Other. On the other hand, the enunciation scenes which were built present as a privileged discourse field the religious domain from an loving sensual experience, whose pitiful tone contributed to the construction of a sad, melancholic, sentimental enunciator.

La contestation antinucléaire au Rhin supérieur marqua le début des mouvements antinucléaires en France et en Allemagne. Tandis que le mouvement en Allemagne trouva bientôt un large soutien dans la société puis dans la sphère politique, le mouvement ne parvint pas à s’imposer en France. En outre, les origines du mouvement en Alsace sont presque tombées dans l’oubli. Ma thèse propose de retracer le développement du mouvement antinucléaire au Rhin supérieur. A partir d’une histoire croisée1, il s’agit d’analyser la coopération des groupes antinucléaires badois et alsaciens dans leur lutte contre l’industrialisation de la vallée du Rhin et contre la construction des centrales nucléaires le long du Rhin dans les années 1970 et 1980. Sur la base d'une analyse de la structure et des activités des initiatives des citoyens, elle examine la confrontation des militants antinucléaires avec les responsables politiques dans les deux pays, leur présence dans l’espace public, par exemple dans la presse régionale, les aspects culturels du mouvement antinucléaire ainsi que la création d'un espace public oppositionnel. Partant d’une analyse au niveau régional, j’aimais également faire des déductions sur l’évolution du mouvement antinucléaires au niveau national des deux pays. / Protests against nuclear power plants in the upper Rhine region in the early 1970s marked the beginning of the anti-nuclear movements in France and Western Germany. On both sides of the Rhine, citizens founded action groups to fight against the construction of nuclear power plants in Fessenheim and Wyhl and against the industrialization of the region in general. By using new forms of protest such as the peaceful occupation of construction sites, the activists had critical impact on the culture of civil protest and the evolution of the new social movements in France and especially in Western Germany. By way of a histoire croisée, this doctoral thesis takes a close look on how German and French citizens’ initiatives cooperated and which forms of protest they chose to draw the attention of the people and the governments to their cause. Various action groups from Baden and Alsace formed the “Badisch-Elsässischen Bürgerinitiativen, joining their forces to articulate their dissent towards decisions taken by the governments and the energy providers. Furthermore, the interaction and spill-over-effects between the anti-nuclear activists in the “Dreyeckland”, an imaginary region brought to life by German, French and Swiss anti-nuclear activists are examined. By stressing common cultural roots such as local dialect and the regional history, the anti-nuclear activists in the upper Rhine region tried to distinguish themselves from the authorities in Paris and Stuttgart. Finally, based on a regional study, it is analyzed which influence the citizens’ initiatives had on the anti-nuclear movements in Germany and France in general.

This thesis concerns the support for the AfD in the federal states Bremen, Saxony-Anhalt, and Baden-Württemberg. In particular, the goal is to explain the support for the AfD among the eligible voters of Bremen, Saxony-Anhalt, and Baden-Württemberg at the most recently elections held in Bremen on 10 May 2015 and in Baden-Württemberg and Saxony-Anhalt on 13 March 2016. This is a disciplined, interpretive case study, which uses the existing models of voting behaviour to explain the voting for the AfD in Bremen, Saxony-Anhalt, and Baden- Württemberg. It employs a sociological model of voting behaviour and a model of rational choice. The goal is to determine whether the support for the AfD in the three selected federal states can be explained using these models of voting behaviour, and if so, which model of voting behaviour best explains the support for the AfD. First, the thesis presents the models of voting behaviour that are used in the study for analysis of the support for the AfD. The next portion of the thesis deals with the party Alternative for Germany. The section of the thesis that follows is devoted to the actual analysis of support for the AfD, first in Baden- Württemberg and then in the federal states Saxony-Anhalt and Bremen. The answers to the research question are presented at the...

This master thesis examines the political and particular media situation in 1832, with the stress on spreading the liberal ideas and their attempt to influence the public via one typical German journal for this period. Over six months, there was an extraordinary situation in Baden, when the censorship was restricted and suddenly there arose, for this period, unexpected possibilities for journalists. As a reaction to reduction of censorship, the journal Der Freisinnige was established. Although its existence was short-lived, manifestation of liberal values and reflection of contemporary opinions is evident. This journal was more important and powerful than any other because of the cooperation with one of the main initiators of liberalism, Karl von Rotteck, who was also active in politics. This connection of two roles was very powerful. Freedom of speech, understood as one of the major liberal demands, allowed the practical promotion of liberal ideas among citizens. This case study pays attention to this particular year, within the political inclinations and tendencies over the period 1815-1832 of the Grand Duchy of Baden and former German Confederation. There were clear connections to the events in the first third of the nineteen century, that made the short-time fall of censorship happen. At the...

Die Kommunalarchive Sachsens verwalten nach dem Sächsischem Archivgesetz ihre Archive in eigener Zuständigkeit. Seit 2010 diskutieren sie auch über die elektronische Archivierung. Es wurde im Rahmen dieser Diskussion beschlossen, ein gemeinsames elektronisches Archiv einzurichten. Nach einer umfassenden Marktanalyse wurde als Grundlage DIMAG ausgewählt. Die Daten werden in einem zentralen Rechenzentrum gespeichert und von den Archiven selbst verwaltet. Ab 01. Januar 2022 soll das elKA in den Wirkbetrieb gehen. / The municipal archives in Saxony manage their archives under their own responsibility in accordance with the Saxon Archives Act. Since 2010, they have also been discussing electronic archiving. It was decided as part of this discussion to set up a joint electronic archive. After a comprehensive market analysis, DIMAG was selected as the basis. The data will be stored in a central computer centre and managed by the archives themselves. The elKA is scheduled to go into operation on 1 January 2022.

Cette thèse compare le traitement judiciaire de l’homosexualité masculine sous le national-socialisme dans un territoire du « vieux Reich » (Bade) et un territoire annexé de facto (Alsace), en examinant le rôle des acteurs du système judiciaire au sens large (législateurs, population, policiers, experts médico-légaux, procureurs, juges) et les réactions des inculpés. Cette étude de cas, qui porte sur les pratiques comme sur les discours et les représentations de chacun, est replacée dans ses contextes nationaux (Allemagne, France) et dans le temps long pour mettre en valeur les spécificités régionales et les ruptures temporelles. Elle démontre qu’en dépit de la radicalisation législative et de l’explosion des condamnations, l’application judiciaire du programme répressif national-socialiste a été en partie entravée par le relatif manque d’engagement de certains acteurs répressifs, ce qui a laissé des « espaces de liberté » homosexuels, et qu’elle a été variable selon les territoires. Ces variations dépendent toutefois plus des acteurs et de leur engagement répressif que des traditions répressives régionales ou des contextes politico-administratifs. / This thesis compares the judicial treatment of masculine homosexuality in national-socialist times in a territory of the “old” Reich (Baden) and in a territory annexed de facto (Alsace). The focus is set on the role of the different actors of the repression (law-makers, population, medical experts, policemen, persecutors, judges) and the reactions of the suspects. This case-study looks at the practice as well as the discourse and representation of each group over the long-term by taking into account the national contexts (France, Germany) to highlight the regional particularities and the moments of change. The thesis shows that despite the repressive turn of the legislation and the increasing number of condemnations, the repression could in practice be slowed down by the lack of engagement of certain parties, differing between territories. This attitude led to the creation of ‘homosexual spaces of freedom’. The degree of repression was highly dependent on the people involved and their willingness to follow a repressive line of action; the legislative and judicial traditions of each region and the political and administrative contexts had thus a limited impact.

The thesis compares two educational systems: the Salesian preventive system of John Bosco and Scouting. It presents the personality of the founders, than characterizes the recipients, mission, principles, aims, methods and tools of these educational systems. This comparison focuses on the moral values, virtues and value attitudes advenced by the systems. The thesis looks for elements which the two education systems sharediffer in and attempts to highlight those elements which could be mutually inspirative in the pursuit of the ideal of integral education of a young person.

The thesis in its first part outlines in general the iconographical type of pietà and its genesis from the very beginning of the representation of this type until the end of the 14th century. Furthermore the work interprets the literary sources and its impact on the form of medieval pietàs. The emphasis in all chapters of this work will be put in the first place on the type of the so called Beautiful pietàs of the Beautiful Style. In the first, theoretical part of the work the author presents, among others, an interpretation of Beautiful pietàs' gestures. The second part of the thesis treats seven concrete Beautiful pietàs chosen as illustrative representatives of the iconographical type they belong to. The attention will be devoted to the Pietà of Marburg, Pietà of Baden, Pietà of St. Elisabeth in Wrocław, Pietà of the Kreuzenstein Castle, K ivák's Pietà, Pietà from the Hermitage Museum in Petersburg and Pietà of Celje. In the case of these concrete examples will be summarized and interpreted the existing research outputs. Subsequently the author will attempt to solve some of the problems and questions relating to the concrete sculptures concerning in particular the time of their creation, provenance, the original placement and authorship.