Canada's continued forgetfulness concerning slavery here, and the nation-state's attempts to record only Canada's role as a place of sanctuary for escaping African-Americans, is part of the story of absenting blackness from its history. Rinaldo Walcott The fact that people of African descent have had a presence in Canada for over four hundred years is not well known within the Canadian mainstream. The fact that slavery existed as an institution in Canada is another fact that is not well known. Within the Canadian mainstream writing of African-Canadian history, Blacks most often appear in historical narratives around the late-eighteenth and early-nineteenth centuries, as American fugitives or refugees—either as escaping slaves or British Loyalists. Through the representative writing of the "the Black refugee," Canada is often constructed as a "Promised Land," a sanctuary or safe haven for Blacks, a place of refuge and redemption that does not speak to the complex history of slavery that existed well before the American exodus. Many Black Canadian writers and scholars argue that there is a price to be paid for this kind of representation. First, the absence of people of African descent in Canadian historical narratives, prior to the coming o f the American refugees, ignores the long presence of Blacks in Canada and the contributions that Blacks have made in the development of Canada. Second, in focusing on the American Loyalists and refugee slaves, Canadian writers and historians often construct Black Canadians as a homogenous, genderless group, ignoring the diversity within Canada's Black population and, in particular, the concerns of Black women. Finally, the mainstream representation of Canada as a 'safe haven' proves problematic for any critical discussion of racism in contemporary Canadian society, for notions of "Canada the good" and "America the evil" that arose from those crossings North still penetrate the Canadian mainstream today. This autobiocritical exploration examines the representation of the haven and offers alternative readings to contemporary mainstream writings of African-Canadian history. In part one, I track the appearance of Black Canadians, over the past fifty years, from 1949 to 2001, in a survey of mainstream and scholarly texts. Using the results of this survey, which does not see the appearance of Blacks in Canada until 1977, I examine how mainstream texts might use the works of Black writers to offer more critical and complex histories of Black Canadians and, in particular, Black women. In part two, I take up an analysis of George Elliott Clarke's Beatrice Chancy. Seen as a counter-narrative to mainstream writings of African-Canadian history, Clarke's work, which takes up the subject of slavery in early-nineteenth century Nova Scotia, presents an/Other kind of Loyalist story, one with a Black woman at its centre. In this discussion I examine how Clarke's poetic work subverts the national narrative, as he speaks to the diversity within blackness and the complexities in defining racial identities.

Literary Meals in Canada étudie Pig Tails ’n Breadfruit d'Austin Clarke, Chorus of Mushrooms et The Kappa Child de Hiromi Goto, This Body de Tessa McWatt, ainsi que Diamond Grill de Fred Wah. Cette thèse entreprend d’établir la signification de la nourriture dans ces récits, ce qu'elle permet aux auteur(e)s d'exprimer par rapport à divers thématiques—les structures sociales, la culture, le langage, ou encore la subjectivité—et comment ils/elles établissent des connexions entre elles, et quelles conclusions ils/elles en tirent. En d'autres termes, cette thèse s'interroge sur les stratégies utilisées par ces auteur(e)s lorsqu'ils écrivent de la “nourritéra-ture.” Ma lecture de ces oeuvres est aussi ancrée au sein d'une conversation sur la nourriture au sens large: que ce soit dans les cercles académiques, dans les supermarchés, par l'intermédiaire des étiquettes, ou dans les médias. J'examine comment mon corpus littéraire répond, infirme, ou confirme les discours actuels sur la nourriture. Divisé en quatre chapitres—Production, Approvisionnement, Préparation, et Consommation—ce mémoire précise la signification du “literary supermarket” de Rachel Bowlby, en s'appuyant sur les travaux de Michael Pollan et Hiromi Goto; compare la haute cuisine d'Escoffier à la “hot-cuisine” d'Austin Clarke; recherche les connections entre l’acte de faire la cuisine et celui de l’écrire chez Luce Giard, Austin Clarke, et Fred Wah; confronte les préceptes d'Emily Post concernant les bonnes manières de la table à la cacophonie et aux bruits de mastication chez Hiromi Goto; et relie Tessa McWatt et Elspeth Probyn qui partagent, toutes deux, un intérêt et une approche à la sustentation des corps. Les textes qui composent ce corpus sont des “foodbooks” (“aliment-textes”). La nourriture, et les différentes activités qui y sont associées, y est transcrite. C’est pourquoi cette thèse accorde une grande importance aux particularités de ce moyen d'expression. / Literary Meals in Canada examines Austin Clarke’s Pig Tails ’n Breadfruit, Hiromi Goto’s Chorus of Mushrooms and The Kappa Child, Tessa McWatt’s This Body, and Fred Wah’s Diamond Grill. It asks, what does food mean to these stories, what does it allow the writers in question to say—about social structures, culture, language, and subjectivity—and how do they go about making these connections or drawing these conclusions? In other words, what are their food-writing strategies? I also read these texts as part of a larger conversation about food, a conversation taking place in academic circles as well as at the supermarket, on food labels, on television, and other media outlets. I look for moments in which my literary corpus responds to and challenges food-centred discourse. Comprised of four chapters—Production, Procurement, Preparation, and Consumption—this dissertation explicates Rachel Bowlby’s term, “literary supermarket,” through Michael Pollan and Hiromi Goto; it compares Escoffier’s haute cuisine with Austin Clarke’s “hot-cuisine”; it tracks the kinship between “doing-cooking” and writing cooking, as articulated by Luce Giard, Austin Clarke, and Fred Wah; it reads Emily Post’s advice on table manners against Hiromi Goto’s cacophony of gnashing and nibbling; and it pairs Tessa McWatt with Elspeth Probyn, both of whom share a similar approach to, and interest in, bodies that eat. The texts that make up this corpus are foodbooks. Food and the activities and processes associated with it are therefore mediated by language. For this reason the dissertation attends to the particularities and the potential effects of writing food.

This thesis examines the role of photography in making the Canadian Pacific Railway company (CPR) an integral part of Canadian mythology. It focuses on the company's photographic advertising in the 1920s, and the ways in which its increasingly nationalistic transcontinental brochures framed the country, and equated the act of travelling with nation-building and national identity. / The CPR's tourist brochures established a visual vocabulary of the travelling experience, which was readily employed by individuals such as Montreal journalist Frank Randall Clarke. Clarke was sponsored by the CPR to travel across the country in the summer of 1929. His journalistic writing and personal photograph album allow for a rich analysis of the visual culture of the period, and they will be used to illustrate the ways in which the CPR represented Canadian progress, immigration, and tourism.

Thesis (M.A.)--Victoria University of Wellington, 2009. / Includes bibliographical references.

Denna uppsats granskar Shaun Clarkes teori om strategic persuation oriented targeting. Teorin beskriver hur strategisk påverkan av beslutsfattare ska ske genom utnyttjandet av luftmakt. En nation med begränsade resurser bör nyttomaximera användningen av stridsflyg. Israeliska offensiva flygoperationer analyseras i en jämförande studie av Sexdagarskriget, 1967 och Yom Kippurkriget 1973. Resultatet medger att framgången för Israel i luftkrigen delvis kan förklaras med Clarkes teori. Mätning av strategisk effekt och psykologisk påverkan är svår och kan ibland endast medges genom subjektiv bedömning. Detta påverkar förklaringskraften i teorin. Jämförelsen visar att specifika variabler i Clarkes teori kan verka till fördel för resultatet i enskilda fall. Enligt teorin är det den sammanlagda effekten som ska beaktas för nationer med begränsade resurser. Teoribildningen stärks genom studien och nationer med begränsade resurser kan med fördel analysera denna vid översyn av egen doktrin. Det viktiga är att göra det ur eget hot- och förmågeperspektiv. Fallstudien påvisar att undvikande av symmetriska konfrontationer och resurssplittring är en förutsättning som medger ökad möjlighet till framgång. Väl övervägda, planerade och effektiva offensiva företag tillsammans med riktad strategisk kommunikation kan innebära ökad psykologisk påverkan. Detta kan ge förutsättningar för en strategisk förändring. En instrumentell implementering av offensiva operationer kan dock ge motsatt effekt.

This thesis is devoted to life and work of writer named Arthur Charles Clarke. The first part introduces the author and his work, particulary the short story "The Wall of Darkness". The second part describes the creation of the autor´s book, including the ideological base. All of the parts are thematically connected to each other.

Made available in DSpace on 2014-06-11T19:22:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-12-02Bitstream added on 2014-06-13T18:06:50Z : No. of bitstreams: 1 takeuchi_tm_me_ia.pdf: 10619974 bytes, checksum: 140e20cef8b06f6d2a72d65f75ce6082 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Universidade Estadual Paulista (UNESP) / Esta pesquisa consiste na análise do aspecto literário na produção artística do artesão e artista irlandês do início do século XX, Harry Clarke, e a sua habilidade em lidar com suportes diferenciados ao interpretar plasticamente obras literárias; inicialmente com a pintura em vitrais e, depois, com a ilustração de livros, sem abandonar o trabalho com os vitrais. Partindo do pressuposto de que o artista não é apenas um artesão especializado, mas comprometido com os novos desafios que a sociedade contemporânea apresenta, este texto objetiva apreciar alguns conteúdos que permitam o diálogo próximo entre pintura e poesia, ilustração e diferentes gêneros de obras literárias clássicas, reforçando a idéia de que as artes plásticas e as artes gráficas, interagindo com o texto literário, é um exercício para a leitura do mundo de maneira significativa e ao mesmo tempo lúdica. / This research involves the analysis of the literary’s aspects of artistic production of the Irish artist and craftsman of the early twentieth century, Harry Clarke, and his ability to deal with different media to interpret plastically literary works; initially with the stained glass and then with the illustration of books, without abandoning the first work. Based on the principle that the artist is not only an expert craftsman, as well as commited to the new challenges that contemporary society presents, this text aims to assess some contents that permit a close dialogue between painting and poetry, illustration and different genres of literary classics, reinforcing the idea that the fine arts and graphic arts, interacting with the literary text is an exercise in order to read the world in a meaningful way and at the same time in a playful way.

Svensk doktrin stipulerar att grunden för Försvarsmaktens uppträdande att avskräcka olika aktörer från att använda våld. Detta ifrågasätts här grundat på att avskräckning oftast utgår ifrån numerär överlägsenhet, och Sverige kan anses ha en hotbild från regionala stormakter. Vilka luftoperativa förmågor kan då ligga bakom en avskräckande effekt hos en numerärt underlägsen luftstridskraft?  Syftet är att förklara detta genom en flerfallstudie utifrån avskräckningsteorier kopplade till luftmaktsteori i ett småstatsperspektiv. I en avslutande diskussion återkopplas detta mot Sveriges luftoperativa förmågor för att utröna om dessa bidrar till den avskräckande effekt som beskrivs som grundläggande i Försvarsmaktens doktrin. Fallstudien gav att Jaktflyg var den enda variabeln som sågs samvariera med lyckad avskräckning. I diskussionen om Sveriges motsvarande förmågor framkom att Försvarsmakten har en relativt hög förmåga till jaktflyg.

I den övergripande luftmaktsteoretiska debatten framkommer kritik mot att små nationers specifika förutsättningar i krig tenderar att exkluderas. Konsekvensen blir att små nationer i allt för stor utsträckning kopierar stora nationers doktrinära tänk istället för att generera egna idéer. Shaun Clarke försöker genom sin luftmaktsteoretiska ansats vända denna trend och har närmare undersökt små nationers möjlighet att genom strategisk attack nå framgång mot större motståndare.   Genom sin originalitet anses Clarkes luftmaktsteori vara ett viktigt tillskott i den övergripande luftmaktsteoretiska debatten, men kritiseras samtidigt för att inte vara tillräckligt empiriskt underbyggd. Syftet med denna undersökning är att möta denna kritik och genom en teoriprövande ansats empiriskt undersöka förklaringskraften hos Clarkes teori. Därigenom även bidra till ett trovärdigare vetenskapsteoretiskt underlag, med fokus på den lilla nationen och dess ambition att utveckla förmågan strategisk attack. Forskningsstrategin representeras av en tvåfallstudie av Yom Kippur kriget 1973, samt Falklandskriget 1982, där Israel respektive Argentina utgör de huvudsakliga analysperspektiven. Resultatet påvisar att såväl Israel som Argentina tillämpat luftmakt utifrån Clarkes teoretiska beskrivning. Undersökningen stärker därmed Clarkes luftmaktsteori rent empiriskt. För små nationer, med ambition att utveckla sin förmåga till ett mer strategiskt nyttjande av luftmakt, så är den viktigaste slutsatsen från denna undersökning att strategisk attack inte primärt handlar om kinetisk energi som appliceras på strategiska mål. Utan det är istället de mänskliga reaktionerna och besluten bakom tillämpningen av strategisk attack som står i centrum.

Canada's continued forgetfulness concerning slavery here, and the nation-state's attempts to record only Canada's role as a place of sanctuary for escaping African-Americans, is part of the story of absenting blackness from its history. Rinaldo Walcott The fact that people of African descent have had a presence in Canada for over four hundred years is not well known within the Canadian mainstream. The fact that slavery existed as an institution in Canada is another fact that is not well known. Within the Canadian mainstream writing of African-Canadian history, Blacks most often appear in historical narratives around the late-eighteenth and early-nineteenth centuries, as American fugitives or refugees—either as escaping slaves or British Loyalists. Through the representative writing of the "the Black refugee," Canada is often constructed as a "Promised Land," a sanctuary or safe haven for Blacks, a place of refuge and redemption that does not speak to the complex history of slavery that existed well before the American exodus. Many Black Canadian writers and scholars argue that there is a price to be paid for this kind of representation. First, the absence of people of African descent in Canadian historical narratives, prior to the coming o f the American refugees, ignores the long presence of Blacks in Canada and the contributions that Blacks have made in the development of Canada. Second, in focusing on the American Loyalists and refugee slaves, Canadian writers and historians often construct Black Canadians as a homogenous, genderless group, ignoring the diversity within Canada's Black population and, in particular, the concerns of Black women. Finally, the mainstream representation of Canada as a 'safe haven' proves problematic for any critical discussion of racism in contemporary Canadian society, for notions of "Canada the good" and "America the evil" that arose from those crossings North still penetrate the Canadian mainstream today. This autobiocritical exploration examines the representation of the haven and offers alternative readings to contemporary mainstream writings of African-Canadian history. In part one, I track the appearance of Black Canadians, over the past fifty years, from 1949 to 2001, in a survey of mainstream and scholarly texts. Using the results of this survey, which does not see the appearance of Blacks in Canada until 1977, I examine how mainstream texts might use the works of Black writers to offer more critical and complex histories of Black Canadians and, in particular, Black women. In part two, I take up an analysis of George Elliott Clarke's Beatrice Chancy. Seen as a counter-narrative to mainstream writings of African-Canadian history, Clarke's work, which takes up the subject of slavery in early-nineteenth century Nova Scotia, presents an/Other kind of Loyalist story, one with a Black woman at its centre. In this discussion I examine how Clarke's poetic work subverts the national narrative, as he speaks to the diversity within blackness and the complexities in defining racial identities. / Arts, Faculty of / English, Department of / Graduate