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A estrutura narrativa em s?ries de televis?o americanas : NYPD Blue, The Sopranos e Braking Bad : as diferentes estrat?gias no desenvolvimento de hist?rias durante a virada do mil?nioSilva, Anaurelino Negri da Costa 30 March 2017 (has links)
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Previous issue date: 2017-03-30 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This dissertation aims to analyze North America television series developed
over the last thirty years to understand its narrative structures and to check
differences and similarities in how these programs develop their content over time. In
order to do so, at first a literature review will be done to define the state of the art of
other studies that have the same theme. Then methodological procedures will be
used to select the ideal research object and to assist in the analysis of that content.
To achieve that, this work uses the ideas of Arlindo Machado, Boris Tomachevski,
Robert McKee and Steven Johnson as reference. It also analyzes the well-?known TV
shows NYPD Blue (1993 -? 2005), The Sopranos (1999 -? 2007) and Breaking Bad
(2008 -? 2013) and proposes another form of narrative analysis for television series. / O objetivo desta disserta??o ? analisar s?ries de televis?o norte-?americanas
desenvolvidas nos ?ltimos 30 anos, compreender suas estruturas narrativas e
verificar poss?veis (des)continuidades na forma como trabalham o seu conte?do com
o passar do tempo. Para tanto, em um primeiro momento, busca-?se realizar uma
revis?o bibliogr?fica que defina o estado da arte de estudos correlatos que possuam
a televis?o estadunidense e sua programa??o como foco de pesquisa. Em seguida,
apresentam-?se procedimentos metodol?gicos que visam selecionar um objeto de
pesquisa ideal e fornecer ferramentas adequadas para a investiga??o de sua
natureza estrutural. Para isso, este trabalho apoia-?se em alguns autores de
refer?ncia, como Arlindo Machado, Boris Tomachevski, Robert McKee e Steven
Johnson;? e analisa tr?s s?ries de grande repercuss?o no meio: NYPD Blue (de 1993
a 2005), The Sopranos (de 1999 a 2007) e Breaking Bad (de 2008 a 2013),
propondo uma ferramenta para interpreta??o da narrativa seriada televisiva.
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Discurso e pr?ticas de comunica??o da mem?ria institucional : um estudo do Espa?o Mem?ria BanrisulSeibt, Daniela 29 March 2017 (has links)
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Previous issue date: 2017-03-29 / The rescue of a memory has been one of the most amazing events of both cultural and political nature, during the last years, and has raised special interest in the study of Brazilian organizations, where the use of memories is a strategy to trigger identification, concept of belonging and humanization of the organization itself, strengthen the way corporations are perceived and valued. The current work suggests a discussion on how organizations are using institutional content and speech should take place enlarging scope and strategic use of memories. Furthermore, brings to light aspects of the emotional dimension of the company?s memory, identifying though brief analysis the intent and emotional response imbedded in the memory speech. This is a quality focus research, based on Speech Analysis methodology, that brings together the perspectives of Dominique Maingueneau and Patrick Charaudeau. The mapping of the resources presents the theoretical perspectives on memory and its different approaches (individual, collective, social, institutional); communication and organizational culture, identification, perception, and value: emotional response, and the organizational speech. Studying the so called Espa?o Mem?ria Banrisul puts in place an effort that targets the understanding of the connections between memory speech and the company?s communication practices in what regards company?s memory. It also uncovers the speech strategies used to communicate a memory and emotional response they trigger on the audience. It is expected that, by the end of this research, relevant considerations can be presented to professional on Social Communication and Public Relation. / A emerg?ncia da mem?ria ? um dos fen?menos culturais e pol?ticos mais surpreendentes dos ?ltimos anos e tem despertado interesse especial nos estudos organizacionais brasileiros, no que diz respeito ?s possibilidades de uso da mem?ria como estrat?gia de identidade, pertencimento e humaniza??o das organiza??es, fortalecendo a imagem e a reputa??o corporativa. O presente estudo prop?e uma discuss?o acerca do envolvimento dos discursos e conte?dos institucionais produzidos pelas organiza??es, ampliando a vis?o estrat?gica dos usos da mem?ria. Al?m disso, contempla aspectos da dimens?o emocional da mem?ria de empresa, identificando em breve an?lise as rela??es de intencionalidade e emotividade no discurso de mem?ria. Esta pesquisa tem abordagem qualitativa e est? ancorada metodologicamente pela An?lise do Discurso, num composto das perspectivas de Dominique Maingueneau e Patrick Charaudeau. O levantamento bibliogr?fico apresenta as perspectivas te?ricas sobre mem?ria e suas diferentes abordagens (individual, coletiva, social e institucional); comunica??o e cultura organizacional, identidade, imagem e reputa??o; emo??es; e o discurso organizacional. Atrav?s do estudo do Espa?o Mem?ria Banrisul busca-se compreender as rela??es entre o discurso de mem?ria e as pr?ticas de comunica??o de mem?ria das empresas, analisar as estrat?gias discursivas utilizadas na comunica??o de mem?ria e identificar que emo??es elas provocam no p?blico. Pretende-se, ao final desta pesquisa, que se possa apresentar considera??es relevantes ao campo de atua??o dos profissionais de Comunica??o Social e Rela??es P?blicas.
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A produ??o audiovisual independente do Rio Grande do Sul e a televis?o por assinatura : um estudo introdut?rio sobre as mudan?as nas din?micas do mercado audiovisual de Porto Alegre ap?s implementa??o da Lei n? 12.485Souto, Renata Pinheiro 28 March 2017 (has links)
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Previous issue date: 2017-03-28 / The objective of this study is to map and identify the changes that occurred in the market
dynamics of Porto Alegre, starting with the implementation of a new regulatory framework for
pay-TV, which is Law 12.845, sanctioned in 2011, seeking to provide data for an introductory
study and Descriptive of the current situation of the local audiovisual and its relations with the
pay-TV market. To this end, the proposed analysis model includes independent production and
pay-TV taking into account the production, distribution, exhibition, institution and market
aspects of the national and regional audiovisual sector. The presentation of the national
dimension of the Brazilian audiovisual was understood as necessary by this research, since it is
understood that the effects occurring at the national level will be a reflection of the unfoldings
occurring in the local market.
In order to carry out this mapping the basis of this study was based on documental,
bibliographic research and exploratory interviews with local agents. For the documentary
research technique, data were used by the National Film Agency and by publications of other
entities of the Sector such as Anatel, ABTA, ABPITV, SIAV and Fundacine. The
bibliographies used were based on the studies of Octavio Getino, Jo?o Guilherme Barone, Luiz
Gonzaga de Assis De Luca, Andr? Gatti, Pedro Butcher, Tuio Becker, Val?rio Cruz Brittos,
Cesar Bola?o, Nelson Hoineff and other authors who dealt with similar questions. Finally, the
interviews were used with the local market agents, essencial material to understand the most
varied views and opinions on the same subject: the developments of the SeAC law in the
audiovisual market of Porto Alegre. / O objetivo deste estudo ? mapear e identificar as mudan?as ocorridas nas din?micas do
mercado de Porto Alegre, a partir da implementa??o de um novo marco regulat?rio para a
televis?o por assinatura que ? a Lei n? 12.845, sancionada em 2011, buscando fornecer dados
para um estudo introdut?rio e descritivo da situa??o atual do audiovisual local e suas rela??es
com o mercado de televis?o por assinatura. Para tanto, o modelo de an?lise proposto contempla
a produ??o independente e a televis?o por assinatura, levando em considera??o os aspectos de
produ??o, distribui??o, exibi??o, institui??o e mercado do setor audiovisual nacional e regional.
A apresenta??o da dimens?o nacional do audiovisual brasileiro foi entendida como necess?ria
por esta pesquisa, uma vez que se compreende que os efeitos ocorridos em ?mbito nacional
ser?o reflexos dos desdobramentos ocorridos no mercado local.
Para a realiza??o deste mapeamento, a base deste estudo apoiou-se em pesquisa
documental, bibliogr?fica e em entrevistas explorat?rias com os agentes locais. Para a t?cnica
de pesquisa documental, foram utilizados dados fornecidos pela Ag?ncia Nacional do Cinema
(ANCINE) e por publica??es de outras entidades do setor como Anatel, ABTA, ABPITV,
SIAV e Fundacine. J? as bibliografias utilizadas basearam-se nos estudos de Octavio Getino,
Jo?o Guilherme Barone, Luiz Gonzaga de Assis De Luca, Andr? Gatti, Pedro Butcher, Tuio
Becker, Val?rio Cruz Brittos, Cesar Bola?o, Nelson Hoineff e outros autores que trataram de
quest?es semelhantes. Por fim, as entrevistas utilizadas na pesquisa foram realizadas com os
agentes do mercado local, material essencial para apreender as mais variadas vis?es e opini?es
sobre o mesmo assunto: os desdobramentos da lei de SeAC no mercado audiovisual de Porto
Alegre.
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Fernand?o : a complexidade na morte do ?dolo e a constru??o do mitoProvenzano, Bruna Atti 10 April 2017 (has links)
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Previous issue date: 2017-04-10 / In this study, our gaze turns to the relationship between the media and the death of
football players. Our focus is on the journalistic coverage of the Fernand?o death. We
delimit, as the essence of our analysis, articles published by Correio do Povo e Zero
Hora. We limit our corpus with five piece of news from each journal. They are the first
productions of informative sort produced on the idol death and published in the printed
version of the newspapers. Our objective is to study the production of meaning in the
coverage of the death of a sports idol as Fernand?o. We are also motivated by the
search for an understanding of the way the piece of news collaborate in the construction
of the athlete myth.We will proceed using the analysis method as the Paradigm of
Complexity from Edgar Morin (2011), which bets not on the linearity of the way, but on
the constant dialogue between different knowledge. We define the analysis technique
of our corpus the Semiology from Roland Barthes (1996). By unveiling the speeches
- verbal and nonverbal - we seek to find what is obtuse in the productions about the
Fernand?o death. By unveiling the speeches - verbal and nonverbal - we seek to find
what is obtuse in the productions about the Fernand?o death. Our analyzes will be
guided by six categories a priori that we understand as pertinent for the accomplishment
of this study. Our starting point is based on: Photography, with the subcategories studium
and punctum; Fait divers; myth; imaginary; Stereotype and socioleto. All are based on
Barthes? reflections.The study revealed similarities in the discourse produced by the
two journals about the death of Fernand?o. From verbal and non-verbal elements, the
material tries to clear the player?s trajectory, highlighting, above all, the moments of
victory and joy, suppressing the contradictions. / Neste estudo, nosso olhar se volta para a rela??o entre a m?dia e a morte de jogadores
de futebol. Nosso foco est? na cobertura jornal?stica realizada acerca da morte de
Fernand?o. Delimitamos, como ess?ncia de nossa an?lise, mat?rias publicadas pelos
jornais Correio do Povo e Zero Hora. Limitamos nosso corpus a cinco publica??es de
cada um dos peri?dicos. S?o as primeiras produ??es de g?nero informativo produzidas
sobre o falecimento do ?dolo colorado e publicadas nas vers?es impressas dos jornais.
Nosso objetivo ? estudar a produ??o de sentido na cobertura da morte de um ?dolo
esportivo como Fernand?o. Tamb?m nos motiva a busca pela compreens?o da forma
como as mat?rias observadas colaboram na constru??o do mito do atleta. Como m?todo,
nos valemos do Paradigma da Complexidade proposto por Edgar Morin (2011),
que aposta n?o na linearidade do caminho, mas no di?logo constante de saberes. Definimos
como t?cnica de an?lise de nosso corpus a semiologia de Roland Barthes (1996).
Ao desvelar os discursos - verbais e n?o verbais - buscamos encontrar o que est?
obtuso nas produ??es sobre a morte de Fernand?o. Nossas an?lises ser?o orientadas
por seis categorias a priori que entendemos como pertinente para a realiza??o deste
estudo. Nosso ponto de partida est? alicer?ado em: fotografia, com as subcategorias
studium e punctum; fait divers; mito; imagin?rio; estere?tipo e socioleto. Todas s?o baseadas
nas reflex?es de Barthes. O estudo revelou semelhan?as no discurso produzido
pelos dois peri?dicos acerca da morte de Fernand?o. A partir de elementos verbais
e n?o verbais, as mat?rias tratam de inocentar a trajet?ria do jogador, destacando,
sobretudo, os momentos de vit?ria e alegria, suprimindo as contradi??es.
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Imprensa e rupturas institucionais : narrativas do vivido e do imagin?rio sobre o Golpe Civil-Militar de 1964 no Brasil e a Revolu??o de 25 de abril de 1974 em PortugalKieling, Camila Garcia 30 March 2017 (has links)
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Previous issue date: 2017-03-30 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This thesis presents an analysis of newspapers narratives representing Brazilian and Portuguese hegemonic presses in two moments of institutional breakdowns: the civil-military coup of 1964 in Brazil and the revolution of April 25, 1974 in Portugal. In the first case, the result was the overthrow of President Jo?o Goulart and the beginning of a military dictatorship that lasted 21 years; in the second, the fall of an autocratic regime that existed for 48 years and the beginning of a revolutionary process that consolidated the country democracy.
The research corpus is O Estado de S. Paulo and Jornal do Brasil in Brazil and Di?rio de Not?cias and Rep?blica in Portugal. In our approach institutional breakdowns are events that give access ? through media narratives ? to historical consciousness for they express particular modes of grasping changes regarding the mass media centrality in the modern conception of an event, according to Nora (1979).
Through the narratives of the lived and the imaginary (SILVA, 2006; 2010) we seek to unveil the object of our research through theoretical-methodological covering. Therefore we reflected upon the event category, having Nora (1979) and Sodr? (2009) as the major references. With the comparative method of Detienne (2004), our analysis approach was oriented by the Critical Narrative Analysis focused on journalism, as proposed by Motta (2013)
Understanding the journalistic narrative as a product of the technology of the imaginary (SILVA, 2006) through which facts are challenged through its spectacularisation, our analysis has been conducted by comparable categories that enabled us to acquire an understanding of the imaginary dimension of the journalistic narratives used to report those episodes of institutional rupture, namely: the composition of intrigue, the characters, the media repercussions, the lexicon and the expressions of time. / Nossa tese apresenta uma an?lise das narrativas de jornais representativos das imprensas hegem?nicas brasileira e portuguesa em dois momentos de ruptura institucional: o Golpe Civil-Militar de 1964 no Brasil e a Revolu??o de 25 de Abril de 1974 em Portugal. No primeiro caso, ocorre a derrubada do presidente Jo?o Goulart e o in?cio de uma ditadura militar que durou 21 anos. No segundo, a queda de um regime autocr?tico que j? se prolongava por 48 anos e o come?o de um processo revolucion?rio que consolidou a democracia naquele pa?s. Constituem o nosso corpus de pesquisa, no Brasil, O Estado de S. Paulo e Jornal do Brasil e, em Portugal, Di?rio de Not?cias e Rep?blica.
Em nossa abordagem, as rupturas institucionais s?o eventos que d?o acesso ? atrav?s das narrativas midi?ticas ? ? consci?ncia hist?rica, porque expressam modos particulares de apreens?o da mudan?a, tendo em vista a centralidade dos meios de comunica??o na concep??o contempor?nea de acontecimento, conforme observado por Nora (1979).
Atrav?s do percurso das narrativas do vivido e do imagin?rio (SILVA, 2006; 2010) buscamos o desvelamento de nosso objeto de pesquisa atrav?s do recobrimento te?rico-metodol?gico. Para tanto, realizamos uma reflex?o acerca da categoria acontecimento, tendo como refer?ncias principais Nora (1979) e Sodr? (2009). Com o m?todo comparativo de Detienne (2004), nossa t?cnica de an?lise foi direcionada pela An?lise Cr?tica da Narrativa voltada ao jornalismo, tal como proposta por Motta (2013).
Compreendendo a narrativa jornal?stica como produto de uma tecnologia do imagin?rio (SILVA, 2006) que interpela os fatos por meio de sua espetaculariza??o, nossa an?lise ? conduzida por categorias compar?veis, as quais nos permitiram compreender a dimens?o imagin?ria das narrativas jornal?sticas analisadas sobre os referidos epis?dios de ruptura institucional, a saber: a composi??o da intriga, as personagens, as repercuss?es midi?ticas, o l?xico e as express?es do tempo.
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Autorrepresenta??o de adolescentes porto-alegrenses no InstagramFantoni, Andressa 30 March 2017 (has links)
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Previous issue date: 2017-03-30 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This work aims to understand how teenagers of Porto Alegre/RS represent themselves on
Instagram and how the features of the social network ? that is, the instantaneity in capturing
and sharing images and the aesthetic orientation of the application ? influence on the
communication of these subjects. In order to contextualize the research, it starts from the
presentation of a theoretical contribution on youth, youth cyberculture practices and selfpresentation.
Next, it discusses the mobile internet and mobile access devices, as well as the
concept of mobile social networks. The qualitative method is used to collect data about young
Instagram users, the semi-structured interview being the main one among the techniques
employed. Data found on field show that adolescents elaborate images of themselves with
some caution, and the instantaneous condition of Instagram is neglected by these young
people. / Este trabalho objetiva compreender de que forma os adolescentes de Porto Alegre/RS
representam a si mesmos no Instagram e como as propriedades da rede social ? isto ?, a
instantaneidade na captura e compartilhamento de imagens e a orienta??o est?tica do
aplicativo ? atuam sobre a comunica??o desses sujeitos. Para contextualizar a pesquisa, partese
da apresenta??o de um aporte te?rico sobre juventude, pr?ticas ciberculturais juvenis e
autorrepresenta??o. Em seguida, ? discutida a mobilidade da internet e dos dispositivos de
acesso, bem como o conceito de redes sociais m?veis. O m?todo qualitativo ? adotado para
coletar dados sobre jovens usu?rios do Instagram, sendo a entrevista semiestruturada a
principal entre as t?cnicas empregadas. Os dados encontrados em campo mostram que os
adolescentes elaboram, com algum cuidado, imagens de si mesmos, e o car?ter instant?neo do
Instagram ? negligenciado por esses jovens.
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Produ??o colaborativa do espectador na TV : um estudo sobre o programa Hitrecord on TVLopes, Bruna Vianna 26 April 2017 (has links)
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Previous issue date: 2017-04-26 / This dissertation is about collaborative production. Our general objective is to investigate how collaborative production can develop in the television. For this, we will analyze the program Hitrecord on TV, screened by cable channel Pivot, in the United States. We selected four episodies (season 2014 and 2015) and we will use the Thompson Depth Hermeneutics method (2002). The theoretical reference is composed of the authors Wolton (1996), Marcondes Filho (1995), Orozco (2005), Ver?n (2009), L?vy (1999), Jenkins (2009), Dizard (2000) and Salaverr?a, Garc?a Avil?s and Masip 2012), Tapscott and Williams (2006), Shirky (2011) and others. The results of this research show that collaborative production depends on four factors to develop: massification of digital technologies, cognitive surplus, connectivity and organization. Within a television program, the stage of content production is the most permissive phase of the viewer's involvement. It is possible for the participant to create inputs from internal team guidelines. The viewer's contribution may be in text, image, video or audio format. The adoption of collaborative production of the viewer in vehicles is an opportunity to reduce costs and innovate in the format, but the television will have to adapt to other factors like the collective creation and the decentralization of the production. / Esta disserta??o tem como tema de pesquisa a produ??o colaborativa do espectador na TV. Nosso objetivo geral ? investigar como a produ??o colaborativa pode se desenvolver no ?mbito da televis?o. Para isso, vamos analisar o programa Hitrecord on TV, exibido pelo canal a cabo Pivot, nos Estados Unidos. Ao todo, selecionamos quatro epis?dios (temporada 2014 e 2015) e vamos utilizar o m?todo da Hermen?utica de Profundidade de Thompson (2002). O referencial te?rico ? composto pelos autores Wolton (1996), Marcondes Filho (1995), Orozco (2005), Ver?n (2009), L?vy (1999), Jenkins (2009), Dizard (2000) e Salaverr?a, Garc?a Avil?s e Masip (2012), Tapscott e Williams (2006), Shirky (2011) e outros. Os resultados desta pesquisa mostram que a produ??o colaborativa depende de quatro fatores para se desenvolver: massifica??o das tecnologias digitais, excedente cognitivo, conectividade e organiza??o. Dentro de um programa televisivo, a etapa de produ??o de conte?do ? a fase mais permissiva ao envolvimento do espectador. Nela ? poss?vel o participante criar insumos a partir de diretrizes da equipe interna. A contribui??o do espectador pode ter formato de texto, de imagem, de v?deo ou de ?udio. A ado??o da produ??o colaborativa do espectador nos ve?culos ? uma oportunidade para reduzir custos e inovar no formato, por?m a televis?o precisar? se adaptar a outros fatores como a cria??o coletiva e a descentraliza??o da produ??o.
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Comunica??o e mem?ria empresarial : os livros institucionais da Ipiranga - 1962 e 1997Ordoque, Christian Astigarraga 30 March 2017 (has links)
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Previous issue date: 2017-03-30 / Institutional book is one of the communication products most traditionally used by companies to publicize their trajectory. Throughout them the companies elaborate a narrative that differentiate them from their competitors. In our study, we sought to analyze two institutional books: The first book is called ?Petrolinho Edi??o Especial Comemorativa ao 25? Anivers?rio da Refinaria de Petr?leo Ipiranga S/A?, produced in 1962. The second book of Ipiranga has the title: ?Uma Hist?ria de Realiza??es. Empresas Petr?leo Ipiranga 60 anos?, produced in 1997. Our analysis will be made through the Hermeneutics Depth method of John B. Thompson and we will use as Technical Discursive Textual Analysis of Roque Moraes, trying to answer if the books present the memory or the history of the company. For that, the analysis of three contexts is necessary; The relationship between culture and organizational communication, the debate between History and Memory and the more current context of corporate social responsibility and historical responsibility. With our study, we intend to contribute to the analysis of the insitutional book, its process of elaboration and use as an communication tool for companies. / O livro institucional ? um dos produtos de comunica??o mais tradicionalmente utilizados pelas empresas para a divulga??o de sua trajet?ria. Atrav?s deles as empresas elaboram uma narrativa que as diferenciam de seus concorrentes. Em nosso estudo, buscamos analisar dois livros institucionais: O primeiro livro se chama ?Petrolinho Edi??o Especial Comemorativa ao 25? Anivers?rio da Refinaria de Petr?leo Ipiranga S/A?, produzido em 1962. O segundo livro da Ipiranga tem o t?tulo: ?Uma Hist?ria de Realiza??es. Empresas Petr?leo Ipiranga 60 anos?, produzido em 1997. Nossa an?lise ser? efetuada atrav?s do m?todo Hermen?utica de Profundidade de John B. Thompson e utilizaremos como t?cnica a An?lise Textual Discursiva de Roque Moraes, buscando responder se os livros apresentam a mem?ria ou a hist?ria da empresa. Para tanto, a an?lise de tr?s contextos se faz necess?ria; a rela??o entre cultura e comunica??o organizacional, o debate entre Hist?ria e Mem?ria e o contexto mais atual da responsabilidade social empresarial e da responsabilidade hist?rica. Pretendemos com nosso estudo, contribuir para a an?lise do livro institucional, seu processo de elabora??o e utiliza??o como ferramenta de comunica??o para as empresas.
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A presen?a do filme publicit?rio nas redes sociais : estudo de caso da campanha "Cada momento conta" do Banco Ita?Celia, Elisa Rocha 29 March 2017 (has links)
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Previous issue date: 2017-03-29 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / The objective of this study is to observe and understand the adequacy of the advertising film format in the midst of media convergence. We will study the change in modes of production, the adaptation of advertising to new technologies and to the new consumer, who ceases to be just a receiver and starts to play the role of content issuer and producer. Thus, it will be approached the growing creation of formats for exclusive use in social networks, even if allied to already traditional formats in the history of advertising. In this sense, the present work proposes to seek conceptualizations that make sense in the current research, such as audiovisual, storytelling, viral marketing, among others. This dissertation aimed to observe these changes in the presence of advertising in social networks, based on the case study of the campaign "Cada Momento Conta", from the Ita? bank. / O objetivo deste estudo ? observar e compreender a adequa??o do formato de filme publicit?rio em meio ? converg?ncia das m?dias. Estudaremos a mudan?a nos modos de produ??o, a adapta??o da publicidade ?s novas tecnologias e ao novo consumidor, que deixa de ser apenas um receptor e passa a assumir tamb?m o papel de emissor e produtor de conte?do. Sendo assim, ser? abordada a crescente cria??o de formatos para veicula??o exclusiva nas redes sociais, mesmo que aliadas ? formatos j? tradicionais na hist?ria da propaganda. Nesse sentido o presente trabalho prop?e buscar conceitualiza??es que fazem sentido na pesquisa em voga, como audiovisual, storytelling, marketing viral, entre outros. Essa disserta??o teve como objetivo, observar essas mudan?as da presen?a da publicidade nas redes sociais, a partir do estudo de caso da campanha ?Cada momento conta?, do banco Ita?.
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Binge-watching como um novo modo de assistir televis?o : uma an?lise comparativa entre o fen?meno em arquivo e em fluxoCardoso, J?ferson Cristiano Cortes Zambom 28 March 2017 (has links)
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Previous issue date: 2017-03-28 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This dissertation analyzes the phenomenon called binge-watching and how this new way of watching television is changing the behavior of viewers who come to play roles of users, hiperviewers and multipliers. For this was done an anlytical in two stages. In the first was done an monitoring, measurement and analysis of the comments of this public on Twitter before, during and after the launch of sitcom Orange Is The New Black (OITNB), production of Netflix, in addition to posts in Brazilian official accounts (@OITNBrazil) and American (@OITNB) to check public behavior in these spaces. In the second stage was done an monitoring, measurement and analysis of the comments of this public on Twitter before, during and after an marathon simulation, in the pay television, of sitcom The Walking Dead (TWD), production of AMC, displayed by Fox, in addition to posts in Brazilian official accounts (@TWDBrasil) and American (@WalkingDead_AMC), to see what changes when the binge-watching is spontaneous, occurring in a file environment, in which one can determine when will be marathon or not, or when the binge-watching is induced, occurring in a flow environment in which the viewer can not determine when it will do the marathon, can only choose whether to follow what it is being broadcast on television or not. It was contacted that the official accounts are restricted to participation of moderators and in Brazil the public does not use the term binge-watching, but marathon, watching the series mainly on launch day, when in file, and not having a strong attachment to the simulations. To support this research were used authors as Jenkins (2009), Kinder, (1991), Cannito (2010), Bauman (2008/2009/2013), Anderson (2006), Jenkins, Green and Ford (2014), Lipovetsky and Serroy (2012), Johnson (2012), Shirky (2011), Scolari (2014), Mattos (2013), Negroponte (1995), Eco (1986), Foucault (2002), Wolton (1996) and McLuhan (1979).. The methodology used was the Depth Hermeneutics as Thompson's vision (1995), using as technique of structuring data collection Bardin's Content Analysis (2011) and the analysis of data Computer Discourse Mediated Analysis (CDMA ) Herring (2004). / Esta disserta??o analisa o fen?meno chamado binge-watching e como esse novo modo de assistir televis?o vem modificando o comportamento dos telespectadores, que passam a desempenhar pap?is de usu?rios, hipertelespectadores e multiplicadores. Para isso foi realizada uma an?lise em duas etapas. Na primeira foi feito um acompanhamento, mensura??o e an?lise dos coment?rios desse p?blico no Twitter antes, durante e ap?s o lan?amento do seriado Orange Is The New Black (OITNB), produ??o do Netflix, al?m das postagens nas contas oficiais brasileira (@OITNBrazil) e americana (@OITNB), a fim de verificar o comportamento do p?blico nesses espa?os. Numa segunda etapa foi feito um acompanhamento, mensura??o e an?lise dos coment?rios desse p?blico no Twitter antes, durante e ap?s uma simula??o de maratona, na televis?o paga, da s?rie The Walking Dead (TWD), produ??o da AMC, exibida pela Fox, al?m das postagens nas contas oficiais brasileira (@TWDBrasil) e americana (@WalkingDead_AMC), a fim de verificar o que modifica quando o binge-watching ? espont?neo, ocorrendo em um ambiente de arquivo, no qual a pessoa pode determinar quando vai maratonar ou n?o, ou quando o binge-watching ? induzido, ocorrendo em um ambiente de fluxo, no qual o telespectador n?o pode determinar quando ir? fazer a maratona, podendo apenas escolher se ir? acompanhar o que est? sendo transmitido pela televis?o ou n?o. Contatou-se que as contas oficiais ficam restritas a participa??o dos moderadores e que no Brasil o p?blico n?o utiliza o termo binge-watching, mas sim maratona, assistindo aos seriados principalmente no dia do lan?amento, quando em arquivo, e n?o tendo uma forte ades?o as simula??es. Para embasar essa pesquisa foram usados autores como Jenkins (2009), Kinder (1991), Cannito (2010), Bauman (2008/2009/2013), Anderson (2006), Jenkins, Green e Ford (2014), Lipovetsky e Serroy (2012), Johnson (2012), Shirky (2011), Scolari (2014), Mattos (2013), Negroponte (1995), Eco (1986), Foucault (2002), Wolton (1996) e McLuhan (1979). A metodologia utilizada foi a Hermen?utica de Profundidade conforme a vis?o de Thompson (1995), usando como t?cnica de estrutura??o da coleta de dados a An?lise de Conte?do de Bardin (2011) e para a an?lise dos dados a An?lise de Discurso Mediada por Computador (CDMA) de Herring (2004).
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