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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 481 to 490 of 500 (0.024 seconds)| 481 |
KONSTRUERAD VERKLIGHET : En undersökning om nyhetstexter kring Israel-Palestina-konflikten efter USA:s erkännande av Jerusalem som Israels huvudstad / Constructed Reality : A Critical Discourse Analysis of News Texts Surrounding the Israeli-Palestinian Conflict After the United States’ Recognition of Jerusalem as the Capital of IsraelArnström, Adam, Manninen, Sebastian January 2018 (has links)
Constructed Reality: A Critical Discourse Analysis of News Texts Surrounding the Israeli-Palestinian Conflict After the United States’ Recognition of Jerusalem as the Capital of Israel. Within hours the American announcement was international news with an almost unanimous UN Security Council condemning the act. The purpose of this study is to examine how the conflict is constructed in news articles from Sweden's two largest daily newspapers as well as two largest evening papers, ranging a week from the US recognition of Jerusalem. The study is conducted with a starting point in theoretical perspectives that deal with the media’s influence of people's perceptions of reality and their world view. The methods applied are first and foremost the overarching model of critical discourse analysis, with a combination of quantitative content analysis and qualitative text analysis. The study concludes that overwhelmingly, the newspapers represented the parties involved (Israelis and Palestinians) in a balanced, neutral fashion. The newspapers were however not as balanced and neutral when it came to which sources were cited.
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When data crimes are real crimes: voter surveillance and the Cambridge Analytica conflictGordon, Jesse 28 August 2019 (has links)
This thesis asks what conditions elevated the Cambridge Analytica (CA) conflict
into a sustained and global political issue? Was this a privacy conflict and if so, how was
it framed as such? This work demonstrates that the public outcry to CA formed out of
three underlying structural conditions: The rise of the alt-right as an ideology,
surveillance capitalism, and a growing and unregulated voter analytics industry. A
network of actors seized the momentum of this conflict to drive the message that voter
surveillance is a threat to democratic elections. These actors humanized the CA conflict
and created a catalyst for a large scale public outrage to these previously ignored
structures. Their focus on democratic threat also allowed this conflict to transcend the
typical contours of a privacy conflict and demonstrate that the consequences of CA are
societal, rather than personal. Despite the democratic threat of voter surveillance, Canada
and the United States have yet to address the wider implications of voter surveillance
adequately. Thus, how these systems are used will be a question of central importance in
upcoming elections. / Graduate
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The employment of historically-informed performance practices in present-day tuba performances of two Italian baroque violoncello transcriptions.Coker, Bradley Gene 05 1900 (has links)
As several Italian baroque violoncello transcriptions have entered the standard performance repertory for both high school and collegiate tubists, and as numerous texts, articles, and baroque performance instruction courses have illuminated a new realm of performance possibilities, no published document has provided specific, thorough, and sample approaches to performance on the tuba of a given piece (or pieces) through a detailed application of materials found in any singular source or combination of sources. Many of the existing articles and texts that approach the subject focus largely on ornamentation, while limiting the discussion and application of the following topics: tempo, spirit, affect, notation, rhythm, dynamics, and articulation. This document examines such topics and provides detailed explanations and suggestions of historically-informed characteristics applicable to two movements each from the R. Winston Morris transcription of Antonio Vivaldi's Sonata No. 3 in A Minor and the Donald C. Little/Richard B. Nelson transcription of Benedetto Marcello's Sonata No. V in C Major.
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Green communication: případová studie na outdoorové oděvní firmě Patagonia Inc. / Green communication: case study of the outdoor clothing company Patagonia Inc.Krchová, Eva January 2019 (has links)
Tato diplomová práce, Byla, nebyla jedna firma, a ta se jmenovala Patagonie, se zabývá případovou studií outdorové značky Patagonia a jejích aktivistických transmediálních obsahových projektů, s důrazem na nejaktuálnější kampaň značky: Zachraňte Bears Ears. Park Bears Ears je obdobou české chráněné krajinné oblasti, jejíž status ale současný americký prezident Donald Trump nedávno neautorizovaně sebral. Zatímco se firma zabývá výrobou a prodejem kvalitního outdoorového oblečení, tak se Patagonie ve stejnou dobu také aktivně angažuje do veřejného dění. Firma informuje své zákazníky zejména o stavu životního prostředí prostřednictvím svćyh multimediálních poutavých příběhů nesoucí prvky žurnalistiky. Patagonie usiluje o podněcování veřejnosti a ostatních firem zapojovat se do občanské společnosti, změnit spotřební chování nejen zákazníků, ale i výrobců, s konec̆ným cílem udržitelné ochrany této křehké planety, kterou my všichni obýváme. Patagonie potvrzuje své altruistické odhodlání prostřednictvím svého oficiálního firemního hesla: "Jsme v businessu, abychom zachránili planetu."
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Collins, Murkowski, and the Impeachment of Donald Trump: Cable News Coverage and Self-Representation of Female Republican SenatorsHill, Mackenzie January 2020 (has links)
No description available.
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A Circumspection of Ten Formulators of Early Utah Art HistoryLeek, Tom 01 January 1961 (has links) (PDF)
The purpose of this thesis was to study the efforts of ten Utah artists who played significant roles in formulating early Utah art history.
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Barbro Östlihn och New York : Konstens rum och möjligheterÖhrner, Annika January 2010 (has links)
The study analyses the American neo-avantgarde as well as the narratives of Swedish post World War II art history, through a specific subject position. The Swedish painter Barbro Östlihn (1930-1995) lived in New York from 1961, where her work was exhibited and received on a new art scene. Despite the strong focus within Swedish Art History on the 1960’s and the American art scene, Östlihn seems to be marginalized in its narratives. Studies of selected corpora of American art criticism, and of segments in the Swedish art scene in the 1960’s are maintained. Discursive and field-related mechanisms, which help to explain what positions were available, are revealed. Transnational processes of avant-garde culture between Manhattan and Stockholm are discussed, e.g. through an analysis of the American pop art show at Moderna Museet in 1964. This becomes the backdrop for the final chapter’s discussion of the narratives in post World War II Art History in Sweden. In the interpretation of Östlihn’s work-process, her use of photography is understood as a strategy to connect her painterly work with urban space. The painterly and the photographic are merged, as in other artistic practices in a historical moment of crisis in painting. The studio, the site where modes of art production are constructed, is one point of departure in a spatial analysis of the art field. Another is the ongoing urban renewal on Lower Manhattan and its impact on artistic work and on how artists are positioned. Östlihn’s co-operation in the work of her husband Öyvind Fahlström, is understood as a merging of a traditional division of work between genders, and new co-operative modes of art-production. The study is the first academic work on Barbro Östlihn, and covers the time span 1960-1969. Feminist theory, Pierre Bourdieu’s field theory and Michel Foucault's discourse theory is used as its main framework.
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Social Media in Politics: Exploring Trump's Rhetorical Strategy During the 2016 U.S. Presidential Campaign Within Twitter's Discursive SpaceChrista L Jennings (6581261) 10 June 2019 (has links)
<p>The prevalence of social media in political campaigns are changing the face of politics in the United States and abroad. The rapid pace at which this change is occurring demands inquiry into the previously unexplored area of unconventional political campaign messaging practices on social media. Investigation of Donald Trump’s use of tweets as rhetorical strategy in the discursive space of Twitter during the 2016 U.S. presidential campaign revealed a bypass of traditional media and its source verification processes. This circumventing of mainstream media channels facilitated Trump’s deployment of an unchecked ‘broken system’ narrative alleging government corruption</p>
<p>and a rigged system. Trump’s tweet discourses tapped into existing feelings of disenfranchisement and disaffection felt by a self-identified politically marginalized segment of society. This study</p>
<p>investigates how social media use in political campaigns can serve as a public sphere for contestation of social and political norms. An interdisciplinary theoretical frame comprised of Feenberg’s critical theory of technology, McLuhan’s media ecology, Fraser’s counterpublic spheres, and Iser’s implied reader offer new understandings about the power of anti-establishment discourses and a hybrid discursive space to destabilize governing institutions and redefine social and political identities. Study of Trump’s tweets as rhetorical strategy granted insights into the social and political capacity of alternative truth to undermine the political process. Further, it uncovered the power of social media to awaken and leverage existing political identities for personal political gain.</p>
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Beckett, Barthelme, and Vonnegut : finding hope in meaninglessnessBritten, Alex M. 16 April 2012 (has links)
This thesis is a study of the shifting philosophical trends in the works of Samuel Beckett, Donald Barthelme, and Kurt Vonnegut as representations of a greater shift from modernism to postmodernism. I have chosen to explore Beckett's plays Waiting for Godot and Krapp's Last Tape, Barthelme's short stories "Nothing: A Preliminary Account," "The New Music," and "Kierkegaard Unfair to Schlegal," and Vonnegut's book Timequake to see how each author seeks to find a new hope in the face of a collapsed causal system. This work is an examination of the form and content of each author's work as it pertains to their own philosophical standing and in relation to the other two authors' works. I argue that each author finds a different hope for humanity depending on their place among the philosophical trends during their time. / Graduation date: 2012
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Δύο προσεγγίσεις για την έννοια της ΠρόθεσηςΣκλαβούνος, Παναγιώτης 01 February 2013 (has links)
Η “καθιερωμένη θεώρηση για την πράξη”, όντας δεσμευμένη σε ένα ευρύτερο νατουραλιστικό μοντέλο, κατανοεί την πράξη ως “επιμέρους συμβάν”, το οποίο προκαλείται αιτιακά από συγκεκριμένες νοητικές καταστάσεις. Σ’ αυτό το πλαίσιο, η αιτιακή επίδραση της πρόθεσης υπάγεται στο σύνηθες χιουμιανό μοντέλο της αιτιότητας μεταξύ συμβάντων. Ωστόσο, η εν λόγω θεώρηση αποτυγχάνει ουσιωδώς να ερμηνεύσει τις πράξεις στην εξέλιξή τους, πριν δηλαδή να διαμορφωθεί το απαιτούμενο (από το χιουμιανό μοντέλο) εξατομικευμένο συμβάν. Το γεγονός αυτό έχει ευρύτερες επιπτώσεις για τον τρόπο με τον οποίο αντιλαμβάνεται η εν λόγω προσέγγιση τόσο την έννοια της πρόθεσης, όσο και κατ’ επέκταση το ρόλο του δρώντος.
Στην παρούσα εργασία και με αφορμή κυρίως πρόσφατες εργασίες από τους Hornsby και Crowther, επιχειρηματολογώ σχετικά με το ότι μπορούμε να υιοθετήσουμε μια εναλλακτική προσέγγιση, τόσο για την οντολογία της πράξης, όσο και για την πρόθεση, η οποία δίνει ικανοποιητικότερες απαντήσεις στις ανωτέρω προκλήσεις. Κεντρική θέση στα πλαίσια αυτής της προσέγγισης είναι η αναγνώριση της “δραστηριότητας” ως συγκροτησιακού στοιχείου της πράξης, κατά τη διάρκεια της οποίας η αιτιακή συμβολή του δρώντος παραμένει συνεχής, σε συμφωνία με μια αριστοτελικού τύπου προσέγγιση της αιτιότητας. Όι παραδοχές αυτές οδηγούν σε μια θεώρηση της πρόθεσης ως καθοδηγητικής της πράξης καθόλη τη διάρκεια εξέλιξής της. / The “standard story of action” being committed to a broader naturalistic model, understands action as a “particular event”, which is caused by certain mental states. In this context, the causal efficacy of intention is covered by the standard humean model of causality between events. Nevertheless, the story in question substantially fails to give an account for actions as they develop, that is, before the required (by the humean model) individuated event has been formed. That fact has broader effects on the way that the approach in question understands the concept of intention, and ultimately the role of the agent.
In this thesis, following mainly on recent papers by Hornsby and Crowther, I argue that we can endorse an alternate approach regarding the ontology of action, as well as intention, that gives more adequate answers to the challenges mentioned above. The main thesis in this context is to recognize “activity” as a constitutional element of action, during which the causal efficacy of the agent remains ongoing, in accordance with an aristotelian type of approach to causality. These commitments result in recognizing intention as guiding action throughout the whole of its development.
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