Made available in DSpace on 2016-08-03T12:21:16Z (GMT). No. of bitstreams: 1 PAGINA 1-128.pdf: 1354634 bytes, checksum: 72ae995ed6f87d47933e7e12c5357162 (MD5) Previous issue date: 2011-11-26 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This thesis studies the Brazilian Protestantism as part of a long term civilizing figurational process as proposed by the German sociologist Norbert Elias. Such a process is producing cultic and extra-cultic habits exercised by practitioners of this religious expression. It was observed during the research that the initial and missionary Brazilian Protestantism had its 8 main missionary base in Campinas, later transformed into a missionary axis Campinas- Piracicaba. Currently Protestantism is definitely included into society and at the urban city of Campinas. In this study, it is found in a suburban Campinas born through a land invasion in 1997, self-appointed unofficially by the occupants as Parque Oziel (Oziel Park), several Protestant communities of origin. It followed the trajectory of incorporation of this area of occupancy and the ethnography and analysis of current habitus of evangelical adherents of this faith in the Parque Oziel. / Esta tese estuda o protestantismo brasileiro enquanto parte de um processo civilizatório figuracional de longo prazo nos termos propostos pelo sociólogo alemão Norbert Elias. Tal processo é produtor de hábitos cúlticos e extra-cúlticos exercidos pelos praticantes dessa expressão religiosa. Observou-se ao longo da pesquisa que, o protestantismo brasileiro inicial e de missão teve sua principal base missionária em Campinas, transformado posteriormente em um eixo missionário Campinas-Piracicaba. Atualmente o protestantismo está definitivamente inserido na sociedade e na paisagem urbana da cidade de Campinas. Neste estudo, encontrou-se em uma periferia urbana campineira nascida através de uma invasão de terras em 1997, autonomeada extra oficialmente pelos ocupantes de Parque Oziel, várias comunidades de origem protestante. Percorreu-se a trajetória de constituição dessa área de ocupação e a etnografia e análise dos costumes evangélicos atuais dos aderentes dessa fé no Parque Oziel.

Au prisme des caricatures que ses détracteurs en ont faites dès la Restauration, parées après les « Trois Glorieuses » des couleurs de la vérité, la cour des Bourbons de France serait à la fois nulle, anachronique et ridicule. Cette condamnation rétrospective empêche d'appréhender la centralité des institutions domestiques et de la société curiale dans la France de 1814 à 1830. Instrument de légitimation du principe héréditaire incarné par la dynastie régnante, vecteur d'exaltation de sa prééminence et de mise en scène d'une royauté sacrale, la cour de la Restauration se doit d'être étudiée d'un point de vue internaliste, qui en retrace la généalogie, les modalités de recréation et les logiques de structuration. Si elle reproduit les règles de fonctionnement identifiées par Norbert Elias comme caractéristiques de l'Ancien Régime, la société de cour restaurée s'en distingue par la prépondérance, dans l'intime familiarité des Bourbons, de fidèles purs. « Arche sainte de la légitimité » et sanctuaire des traditions royales, foyer d'oppositions anti-ministérielles et d'une résistance, couronnée de succès, à l'ordonnance de réforme du 1er novembre 1820, destinée à la « nationaliser », elle cristallise l'assimilation des courtisans à une coterie irrémédiablement étrangère au peuple de France et contraire à ses libertés. Désavouée, en 1844, par le prétendant légitimiste, la cour de la Restauration est liquidée dès 1830 par le roi des Français, rapidement contraint, cependant, de renouer avec certains de ses héritages en curialisant la monarchie de Juillet. / According to the caricatures its detractors produced from the time of the Restoration onwards, adorned with the colours of truth after "the Three Glorious" Days, the Bourbon Court of France would be nothing but anachronistic and ridiculous. This retrospective condemnation prevents from understanding the centrality of Royal Households and Court society in France between 1814 and 1830. As a means to legitimize the hereditary principle embodied by the ruling dynasty, glorify their prominence and stage the scenario of a sacred monarchy, the Restoration Court must be approached from an inner view which traces its roots, the terms of its recreation and its structuring logics. Although it replicates the rules defined by Norbert Elias as typical of the Old Regime, the restored Court society differs from them by the predominancy of courtiers depicted as pure followers within the close intimacy of the Bourbons. An « Ark of legitimacy », a sanctuary of royal traditions, and a center of oppositions to governments, the Court overcame its nationalization through the reform of November 1820, but hastened the assimilation of the courtiers into a coterie, irretrievably alien to the people of France and hostile to liberties. Disavowed by the legitimist pretender to the throne, the Restoration Court was liquidated as early as the year 1830 by the King of the French, who nevertheless had to quickly come to terms with some its legacies so as to create the national Court of the July Monarchy.

Orientador: Everardo Duarte Nunes / Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Ciências Médicas / Made available in DSpace on 2018-08-18T04:50:09Z (GMT). No. of bitstreams: 1 Nascimento_JulianaLuporinido_D.pdf: 2089434 bytes, checksum: df21f829a94c8ddf38607e306bbd00bc (MD5) Previous issue date: 2011 / Resumo: A Saúde Coletiva brasileira delineia-se como um campo do conhecimento e de práticas multifacetado, estruturado a partir de três grandes eixos: a epidemiologia, o planejamento e as ciências sociais. As ciências sociais trouxeram para a área da saúde novas potencialidades a partir de marcos teórico e metodológico que possibilitaram novas reflexões, e foram fundamentais como geradores para uma reestruturação do ensino e da prática em saúde. Dentro dessa realidade e considerando a amplitude com que as teorias e idéias advindas das ciências sociais foram e são assimiladas pelo campo da saúde coletiva se torna fundamental conhecermos os profissionais que se institucionalizaram na área da saúde, que reconhecem a saúde coletiva como área de atuação profissional, e que tenham formação específica em antropologia, sociologia, ciências política ou ciências sociais. Para tanto, buscamos nesta pesquisa traçar, em todo o território nacional, o perfil dos profissionais que realizaram alguma etapa da sua formação nas áreas das ciências sociais, antropologia, sociologia ou ciência política, inseridos nas atividades de pesquisa, docência e extensão do campo da saúde. Os dados que nos permitiram criar a cartografia dessa área específica foram coletados a partir da Plataforma Lattes e da busca em sites de Faculdades de Medicina, instituições com programas de PG em Saúde Coletiva e Institutos de Pesquisa em Saúde Coletiva. A análise do material e a estruturação do trabalho teve como autores fundamentais Norbert Elias e seus conceitos de habitus social, habitus individual e configuração social e o estudo metodológico de Bruyne et al, e sua proposição da existência de uma metodologia ampla que englobe todo o processo da pesquisa. De modo geral, os elementos encontrados que foram fundamentais para traçar a cartografia proposta foram: escolha de cursos de graduação e pós-graduação permeada pelo recorte de gênero; regionalização das universidades que mais titulam no nível de pós-graduação; predominância de profissionais vinculados às instituições públicas com vínculos como servidores públicos, predominância das funções de docência e pesquisa; exercício de múltiplas atividades profissionais; multiplicidade de linhas de pesquisa / Abstract: Brazilian Collective Health can be outlined as a multifaceted field of knowledge and practices structured upon three great axes: epidemiology, management and social sciences. The social sciences brought new theoretical and methodological potentialities to the health field which allowed for a broader thinking and were fundamental to generate a restructuring of education and practice in health. Considering this reality and the broadness with which the theories and ideas taken from the social sciences were and are assimilated by the Collective Health field, it is important to identify the professionals who were institutionalized in the health field, who recognize the Collective Health field as a place for professional performance and who have a specific training in anthropology, sociology, political science or social sciences. Therefore, in our study we sought to establish the profile of the professionals, across the whole country, who performed some stage of their training in fields such as social sciences, anthropology, sociology or political science, and who participated in activities concerning research, teaching and extension of the health field. The data which allowed us to build the cartography of this specific area was collected from the Lattes Platform and by searching in websites of the Faculties of Medicine, institutions offering post-graduate programs in Collective Health and research institutions in Collective Health. The analysis of the data and the structuring of the study was based fundamentally on Norbert Elias and his concepts of social habitus, individual habitus and social configuration, and the methodological study of Bruyne et al and his proposition on the existence of an open-ended methodology which encompasses the whole research process. In a general sense, the elements we found and which were fundamental for creating the cartographic design were: the choice of graduation and postgraduation courses permeated by a gender focus; regionalization of the universities which award more postgraduate degrees; predominance of professionals linked to public institutions and with civil servants' links; predominance of teaching and research activities; multiple professional activities and a multiplicity of research themes / Doutorado / Saude Coletiva / Doutor em Saude Coletiva

Ce mémoire est composé de trois parties distinctes. La première partie consiste en un recueil de fragments, L'Œil de la libellule. Constitué de réflexions, d'aphorismes, de poèmes, de micro-fictions et autres textes brefs, ce recueil explore par facettes des questionnements existentiels, en lien notamment avec la nature humaine, la mémoire, la perception du monde, les relations amoureuses et familiales, la solitude et l'écriture. La seconde partie est un essai critique portant sur les liens unissant écriture fragmentaire, mémoire, mort et survie dans Le Cœur secret de l'horloge d'Elias Canetti. Plus précisément, je discuterai de la stratégie employée par l'auteur pour, d'une part, s'assurer la postérité littéraire, et d'autre part, atteindre l'immortalité par la métamorphose. La troisième partie est un court essai portant sur la notion de doute sous-jacente à l'écriture fragmentaire. J'y effectuerai un retour sur ma propre démarche et y tracerai quelques liens avec l'œuvre de Canetti et d'autres auteurs de fragments.

Le discours olfactif en France se conclue par la subjectivité individuelle et la relativité culturelle : tout individu comme toute culture développe son penchant olfactif différencié. La problématique consiste à étudier si la personnalité autocontrainte et égocentrique de l'individu moderne explique la formation du récit, et si le déséquilibre de la personnalité moderne est dû à l'ascension inaccessible au pouvoir dans la société égalitaire et étatique de nation centralisée et monopolisée en concurrence avec la société globalisée du marché. L'approche comparative tente d'explorer la diversité et la généralité de cette personnalité autocontrainte et égocentrique, et si la dimension relativiste du récit est une expression nationale française et/ou universaliste eurocentrique. Les études empiriques appuyées sur la société du parfumeur français démontrent que la différenciation personnalisée individualise la sensibilité olfactive ; celles appuyées sur la société du maître de l'art de l'encens au Japon illustrent que la différenciation individuelle est l'expérience social générale, mais se démarque par le processus de la formation de l'état-nation. L'expérience de ce processus au Japon ne correspond pas entièrement aux hypothèses éliasiennes ; l'influence de l'occidentalisation ne configure pas de la même manière l'individualité que l'européanisation ou la colonisation. L'hypothèse éliasienne que le soi à autrui de l'individu-joueur, d'après le modèle de jeux, anticipe son avenir, est une théorisation de généralité mais objectivée de l'expérience de la formation étatique en Europe Occidental.

Laser altimetry and satellite gravity surveys indicate that the St Elias Icefields are currently losing mass and are among the largest non-polar sea level contributors in the world. However, a poor understanding of glacier dynamics in the region is a major hurdle in evaluating regional variations in ice motion and the relationship between changing surface conditions and ice flux. This study combines in-situ dGPS measurements and advanced Radarsat-2 (RS-2) processing techniques to determine daily and seasonal ice velocities for the Kaskawulsh Glacier from summer 2009 to summer 2011. Three permanent dGPS stations were installed along the centreline of the glacier in 2009, with an additional permanent station on the South Arm in 2010. The Precise Point Positioning (PPP) method is used to process the dGPS data using high accuracy orbital reconstruction. RS-2 imagery was acquired on a 24-day cycle from January to March 2010, and from October to March 2010-2011 in a combination of ultra-fine and fine beam modes. Seasonal velocity regimes are readily identifiable in the dGPS results, with distinct variations in both horizontal velocity and vertical motion. The Spring Regime consists of an annual peak in horizontal velocity that corresponds closely with the onset of the melt season and progresses up-glacier, following the onset of melt at each station. The Summer Regime sees variable horizontal velocity and vertical uplift, superimposed on a long-term decline in motion. The Fall Regime sees a gradual slowing at all stations with little variation in horizontal velocity or vertical position. Rapid but short accelerations lasting up to 10 days were seen in the Winter regimes in both 2010 and 2011, occurring at various times throughout each regime. These events initiated at the Upper Station and progress down-glacier at propagation speeds up to 16,380 m day-1 and were accompanied by vertical uplift lasting for similar periods. Three velocity maps, one from the winter of 2010 and two from the fall/winter of 2011, produced from speckle tracking were validated by comparison with dGPS velocity, surface flow direction, and bedrock areas of zero motion, with an average velocity error of 2.0% and average difference in orientation of 4.3º.

Made available in DSpace on 2016-04-28T20:38:00Z (GMT). No. of bitstreams: 1 Fabiano Massarro Salvador.pdf: 1293848 bytes, checksum: 395d3d892b74d358404a6d6b5413bfaa (MD5) Previous issue date: 2011-12-02 / The questioning which takes course throughout the pages of this work is: What could there be of such great impact in Auto-de-Fé? In the process of the present work, Elias Canetti‟s novel provoked many doubts, reflections and problems; we realized that this author‟s work is involved by many problematics. In order to analyze his work, it was necessary to trail another path besides that of Psychoanalysis. The undertaking, in this sense, was made up of the historical analysis of different cultural periods, specially German ones. I thus ventured into the origin of the German Romantic Period, its history and main artists. Analyzing this movement, I noticed that it is very interesting and rich, principally for having been a time that served as stimulus to Freud. Even so, I realized that the journey would be incomplete if I focused only on Romantism. The questions of beautiful and sublime give space to other themes, more subjective ones, which are strange to the being. I believed it would be important to establish an interface with the Expressionist Movement, in which madness and the esthetics concerning the body would be quite different. The body, in the Expressionist movement, brought forth the marks of a shattered subjectivity. These choices were made with an aim to promote a wide reflection about the historical context in which Auto-de-Fé was imagined and developed by Canetti. This work was created when the austro-germanic culture was, in a certain way, expiring. The lights of the Austro-Hungarian Empire were beginning to die out, the Weimar Republic was a caricature of power encarnation. The growing antissemitism in Eastern European countries, with the uprising of the German National Socialist Party, already antecipating the sinister aspects to come, the Viennese nihilism showing that the Austrian society was sunk in obsolete values concerning man, art and society, and also the gathering of important arts names at this notable period. This and other factors led us to the conclusion that tha analysis of madness, of which Peter Kien will be a victim in Auto-de-Fé, is a sad metaphor of what was to come. Understanding the nearly prophetical aspect of Canetti‟s words would only be possible if we had as a guide the pages of German cultural history, a culture marked by the sign of dualism / O questionamento que irá se desenrolar nas páginas deste trabalho é: O que haveria de tão impactante na obra Auto-de-Fé? No decurso da confecção do trabalho, o romance de Elias Canetti suscitou muitas dúvidas, reflexões e problemas, e percebemos que as problemáticas que envolvem essa obra são inúmeras. Para analisarmos a obra de Elias Canetti, fez-se necessário percorrer outro caminho que não somente o da psicanálise. A empreitada, neste aspecto, foi sendo construída por meio de análises históricas de diferentes períodos culturais, predominantemente germânicos. Para tanto me detive nas raízes do Movimento Romântico Alemão, sua história e seus principais nomes. Analisando este movimento, notei como ele era interessante e rico, sobretudo por ser uma época que serviu de estímulo a Freud. Mesmo assim, percebi que o caminho ficaria incompleto se permanecesse somente no âmbito do Romantismo. As questões acerca do belo e sublime vão dando espaço para outras temáticas, questões mais subjetivas, estranhas ao ser. Acreditei que seria importante fazer uma interface com o Movimento Expressionista, onde a loucura e a estética acerca do corpo seriam bastante distintas. O corpo no Expressionismo traria as marcas de uma subjetividade em cacos. Essas escolhas foram feitas com o intuito de promover uma reflexão ampla acerca do contexto histórico em que a obra foi pensada e confeccionada por Canetti. Auto-de-Fé foi construída num contexto em que a cultura austrogermânica estava de alguma maneira fenecendo. As luzes do Império Austro-Húngaro começavam a bruxulear, a República de Weimar era uma caricatura da encarnação dos poderes. O antissemitismo crescente nos países do leste europeu, com a ascensão do Partido Nacional Socialista Alemão, já antecipando aspectos sinistros, o niilismo vienense mostrando como a sociedade austríaca estava imersa em valores obsoletos no que dizia respeito ao homem, arte e sociedade, e também a aglomeração de nomes desta notável época no que concerne as artes. Estes e outros fatores levaram-nos à conclusão de que a análise da loucura da qual Peter Kien será vítima em Auto-de-Fé é uma metáfora triste daquilo que estava por vir. Entender o caráter quase profético das palavras de Elias Canetti só seria possível, tendo como eixo norteador as páginas da história da cultura germânica, uma cultura marcada pelo signo da dualidade

Submitted by Liliane Ferreira (ljuvencia30@gmail.com) on 2018-04-03T10:58:57Z No. of bitstreams: 2 Dissertação - Sabrina Costa Braga - 2018.pdf: 1414313 bytes, checksum: ddb2ac8042127d7a53d185e43c8b135e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-04-03T11:03:51Z (GMT) No. of bitstreams: 2 Dissertação - Sabrina Costa Braga - 2018.pdf: 1414313 bytes, checksum: ddb2ac8042127d7a53d185e43c8b135e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-04-03T11:03:51Z (GMT). No. of bitstreams: 2 Dissertação - Sabrina Costa Braga - 2018.pdf: 1414313 bytes, checksum: ddb2ac8042127d7a53d185e43c8b135e (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-02-27 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / The comparisons between the ideas of Norbert Elias and Sigmund Freud have been the subject of several studies that stablish that there is a connection in the way both authors understand human societies. In accordance with the studies about the civilizatory process, Elias devoted himself to the search of explanations of how, within a civilized society like the one in 20th Century Germany, the existence of concentration camps was made possible. Our goal here is to beyond pointing out the presence of psychoanalysis in Elias theory of the Civilizatory process, to also show how psychoanalysis is present in its interpretation of the Nazi phenomenon. In order to reach such goal, we start from a detailed investigation of Elias’s work, from his approach to the historical and cultural context in which he lived and the conditions in which his writings were produced. Then moving on to a detailed study of the main aspects of his analysis of Nazism, until we come to the role of psychoanalysis as a possible axis for understanding the Elisian theory. / As analogias entre as ideias de Norbert Elias e Sigmund Freud já foram tema de diversos estudos que comprovaram haver relação no modo em que ambos os autores compreendem as sociedades humanas. Para além dos estudos sobre o processo civilizador, Elias se dedicou a busca pela explicação de como foi possível a existência de campos de concentração no corpo de uma sociedade civilizada como a Alemanha do Século XX. O nosso objetivo aqui é, além de apontar a presença da psicanálise na teoria do processo civilizador de Elias, mostrar como a psicanálise está presente também em sua interpretação do fenômeno nazista. Para alcançar tal objetivo, partimos de uma investigação detalhada da obra de Elias, começando por uma abordagem do contexto histórico e cultural em que viveu e das condições de produção de seus escritos, passando por um estudo detalhado dos aspectos mais importantes de sua análise do nazismo, até chegarmos à psicanálise como um eixo de compreensão possível para a teoria eliasina.

The Kalevala, first published in 1835 by Elias Lönnrot, is the Finnish national epic and was fundamental in formalizing the Finnish language. It is a collection of stories Lönnrot collected over many years, pieced together to create a coherent epic. The stories in the Kalevala stem from an oral tradition, in which singing and music was integral. The stories in the epic contain many different characters, with Väinämöinen and his quest in to find a wife at the forefront. Other major characters discussed include Kullervo, Lemminkäinen, and Luonnotar. Extensive research exists about the history of the Kalevala itself, as well as its impact on music in Finland in the areas of pop music, symphonic music, choral music, and opera. However, little scholarship exists, regarding how the texts from the Kalevala have been incorporated into 19th and 20th century art song. The lack of research about the Kalevala in art song is due partly to the fact that no catalogue of related songs exists. Also, works based on the Kalevala are hard to obtain, as many are only available in manuscript form, or are found only in the Finnish National Archives. This essay aims to bridge the research gap on art song inspired by the Kalevala, while evaluating the works available in the context of their incorporation of the folk singing tradition that would have been used in the early performance of these Kalevala texts. Songs analyzed include works by Gabriel Linsén, Emil Kauppi, Jean Sibelius, Otto Kotilainen, and Erkki Melartin.

This thesis evaluates Australian rugby league participant violence between 1970 and 1995 through the use of figurational sociology, a body of thought pioneered by Norbert Elias. While figurational theory is the dominant paradigm used, an interdisciplinary focus is adopted in order to negotiate the recognised weaknesses of 'Eliasian' theory, and to complement its strengths. Communication studies, cultural studies and gender theory are interweaved with figurational sociology to analyse rugby league violence. Furthermore, through these theoretical paradigms, important wider social and cultural issues are taken into account including the commodification of Australian rugby league, the media framing of State of Origin rugby league as a 'sports mediated product', and the role violence plays both within the construction of masculine identities in rugby league and in the wider 'gender order' . These social and cultural issues are evaluated to gain an adequate understanding of the structural and interpersonal interrelationships constituting the social phenomenon of rugby league violence. The central finding of this thesis is that there is a processual shift from more to less illegitimate violence in Australian rugby league between 1970 and 1995.