In his monograph on Sepedi/North Sotho, Groenewald (1993:19) describes Moses Josiah Madiba as one of the first authors of didactic or moral tales. He also points out that Madiba’s contribution includes other kinds of works, such as poetry and school readers. Groenewald (1993:19) emphasises Madiba’s pioneering role in the development of literature in Sepedi. Because he was one of the earliest writers in Sepedi, his influence on the development of this literature should not be underestimated. In this study, the focus is therefore on the writing of Madiba as an author, but only his novelette Tsiri (1953) is selected for specific analysis. In the analysis, the content and structure of the work are discussed in detail and they are interpreted against the historical background of Sepedi literature in order to highlight Madiba’s place in this literature. The descriptive model used in this study is an adaptation of the narratological model. It requires a comprehensive definition of the relevant concepts. In this case a distinction is made between the theme and topic as concepts. The elements of the content, namely the characters, the action, the milieu and historical time, are defined precisely. The novelette deals with the difficult life circumstances encountered by the protagonist, which result in his falling into a life of laziness. The relationship that develops between the various characters is highlighted in terms of the topic. The historical course of the facets of the action is described. The various time aspects are closely examined, after which the milieu is discussed. The entire discussion is situated in an historical framework in order to reveal the importance of Madiba in the history of this literature. The structure of the work is discussed in four sections. First, the theme of the story, the narrative strategy, the title and the pillars on which the structure rests are discussed. Second, characterization is explored, with particular emphasis on Tsiri and his father, Madubaduba, who respectively represent the negative and positive poles in the novelette. This includes a discussion of the various narrative techniques which are used to persuade the reader to accept Tsiri after he repents. Third, the milieu is described in as far as it supports the theme. It contributes to the rationale for the turning point in Tsiri’s life. The milieu is functionally incorporated by means of a multitude of techniques. Fourth, the study focuses on the action, which presents the events in terms of an exposition, the development, climax and dénouement. Once the author has indicated the conflict between the main characters, he uses a variety of narrative moments to increase tension. In particular, he uses changes of the point of view and focalisation extensively. As can be expected in the early works in any literature, there are some bothersome structural flaws, and in this case they are related specifically to the use of the different points of view, where there is no clear rationale for the presence of the author’s moralisation. Although this flaw is pointed out, this does not imply a negative critical analysis of the work. The fact remains that Madiba writes in a flowing narrative style and that his Sepedi language usage is impeccable, which makes him an important pioneer in the history of Sepedi literature. His pioneering work in the educational arena positions him as a champion of the Sepedi language. Further studies could evaluate his other novelettes and poems against this background. AFRIKAANS : In sy monografie oor die Sepedi/Noord Sotho letterkunde beskryf Groenewald (1993:19) Moses Josiah Madiba as een van die eerste skrywers van die didaktiese of morele verhaal. Hy wys ook daarop dat Madiba se bydrae ander werke insluit, byvoorbeeld gedigte en skoolleesboeke. Groenewald (1993:19) beklemtoon Madiba se baanbrekerswerk in die Sepedi letterkunde. Omdat hy een van die vroegste skrywers in Sepedi was, mag sy invloed op die ontwikkeling van hierdie letterkunde nie onderskat word nie. In hierdie studie word die ondersoek derhalwe op die skrywerskap van Madiba toegespits, maar slegs die novelle Tsiri (1953) word vir spesifieke ontleding uitgesonder. In die bespreking word die inhoud en die struktuur van die werk indringend beskryf en dit word teen die historiese agtergrond van die Sepedi letterkunde geïnterpreteer om sodoende Madiba se plek in hierdie letterkunde duidelik uit te lig. Die beskrywingsmodel wat in hierdie studie gebruik word, is ‘n aanpassing van die narratologiese model. Dit vereis ‘n volledige omskrywing van die begrippe wat ter sprake kom. In hierdie geval word daar tussen die tema en die onderwerp as begrippe onderskei. Ook die elemente waaruit die inhoud bestaan, naamlik die karakters, die handeling, die milieu en historiese tyd, word presies omskryf. Die novelle handel oor die hooffiguur se moeilike lewensomstandighede, wat daartoe bydra dat hy in luiheid verval. Die verhouding wat tussen die verskillende karakters ontwikkel, word ten opsigte van die onderwerp uitgelig. Die historiese verloop van die fasette van die handeling word beskryf. Die verskillende tydsaspekte word onder die loep geneem, waarna die milieu bespreek word. Die hele bespreking word binne ‘n historiese raamwerk geplaas sodat die betekenis van Madiba in die geskiedenis van hierdie letterkunde na vore kom. Die struktuur van die werk word in vier afdelings behandel. Eerstens word die tema, die vertelstrategie, die titel en pilare waarop die struktuur staan, bespreek. Tweedens word karaktertekening nagegaan; en hier val die kollig op Tsiri en sy vader Madubaduba, wat onderskeidelik die negatiewe en positiewe pole in die verhaal verteenwoordig. Dit sluit ‘n bespreking in van die verskillende verteltegnieke waardeur die leser oorgehaal word om Tsiri, na sy berou, te aanvaar. Derdens, word die milieu beskryf en wel in soverre dit die tema ondersteun. Dit dra daarom by dat die keerpunt in Tsiri se lewe gemotiveer word. Deur ‘n veelheid van tegnieke word die milieu funksioneel ingespan. Vierdens val die klem op die handeling wat onder vier hoofde aan die orde kom, te wete die eksposisie, die ontwikkeling, die klimaks en die ontknoping. Nadat die outeur die botsing tussen die hooffigure aangedui het, kom hy met ‘n verskeidenheid vertelgrepe vorendag om die spanning uit te bou. Daar word veral gebruik gemaak van gesigspuntwisseling en fokussering word ekstensief aangewend. Soos te wagte in enige vroeë werk in ‘n letterkunde, kom daar hinderlike struktuurfoute voor, en in dié geval lê dit juis by die aanwending van die gesigspunttegnieke, waar die teenwoordigheid van die outeur se moralisering nie duidelik gemotiveer word nie. Hoewel die gebrek uitgewys word, lei dit nie na ‘n kritiese ontleding van die werk nie. Die saak is dat Madiba ‘n vloeiende vertelmanier het en dat sy taal in onbesproke Sepedi is, wat hom in die geskiedenis van die Sepedi letterkunde ‘n belangrike baanbreker maak. Sy pionierswerk op die gebied van die onderwys plaas hom as taalstryder voorop. In verdere studies sou sy ander novelles en gedigte teen hierdie agtergrond beoordeel kan word. Copyright / Dissertation (MA)--University of Pretoria, 2010. / African Languages / unrestricted

Metamorphoses of Narrator in Novels of Jaromír John This diploma paper focuses on the function of the narrator and his various forms in John's prosaic work. It deals with the issue of the construction of the fictional world and how the narrator influences the reader's understanding of the described events. Primarily, we try to compare the narrative categories of the main contemporary concepts as influenced by Shlomith Rimmon-Kenan, Franz Stanzel and Lubomír Doležel. It is our terminology base. Theoretical understanding of the narrator is the basis for the analysis of John's fiction from the aspect of narrative types applied to a selected sample of author's works: the anthology of the tales with war theme Večery na slamníku, novels Moudrý Engelbert, Výbušný zlotvor, Pampovánek, Honda Cibulků; marginally Estét and other works. Concurrently this work aims to describe construction methods that are typical for John's creative style - it is mainly the use of irony, the principle of collage and documentary elements. It shows that the author's work at that time belonged to the experimental stream of Czech prose. Also, we observe the relationship between author's prose work and his aesthetic concept. We hope that we were able to, at least partially, explain the literary style of Jaromir John. His importance and...

The complexity in multiscale systems design is significantly greater than in conventional systems because in addition to interactions between components, couplings between physical phenomena and scales are also important. This complexity amplifies two design challenges: a) complexity of coupled simulation models prohibits design space exploration, and b) unavailability of complete simulation models that capture all the interactions. Hence, the challenge in design of multiscale systems lies in managing this complexity and utilizing the available simulation models and information in an efficient manner to support effective decision-making. In order to address this challenge, our primary hypothesis is that the information and computational resources can be utilized in an efficient manner by designing design-processes (meta-design) along with the products. The primary hypothesis is embodied in this dissertation as a framework for integrated design of products and design processes. The framework consists of three components 1) a Robust Multiscale Design Exploration Method (RMS-DEM), 2) information-economics based metrics and methods for simplification of complex design processes and refinement of simulation models, and 3) an information modeling strategy for implementation of the theoretical framework into a computational environment. The framework is validated using the validation-square approach that consists of theoretical and empirical validation. Empirical validation of the framework is carried out using various examples including: pressure vessel design, datacenter cooling system design, linear cellular alloy design, and multifunctional energetic structural materials design. The contributions from this dissertation are categorized in three research domains: a) multiscale design methodology, b) materials design, and c) computer-based support for collaborative, simulation-based multiscale design. In the domain of design methodology, new methods and metrics are developed for integrating the design of products and design processes. The methods and metrics are applied in the field of materials design to develop design-processes and specifications for Multifunctional Energetic Structural Materials. In the domain of computer-based support for design, an information modeling strategy is developed to provide computational support for meta-design. Although the framework is developed in the context of multiscale systems it is equally applicable to design of any other complex system.

The novel Leonora by Elena Poniatowska is about Leonora Carrington who was born into a wealthy family and challenged family traditions, and those expectations imposed by her social background and her gender. It will be shown that the main character acts according to a self-construction process free of social impositions. Simone de Beauvoir’s well-known phrase “one is not born a woman, one becomes one”, is one of the feminist positions that contributes to this analysis, as well as the literary techniques explained by Gérard Genette, Oscar Tacca, Mieke Bal and the narratology theories of focalization, direct speech, indirect speech and free indirect speech. The aim of this essay is to analyze the literary techniques that present the self-construction of the main character, and their effects on the reader. The hypotheses of this essay are that in order to present the self-construction of the character, the literary techniques create an effect of alternately zooming the reader in to the main character’s experience, and zooming out to a more objective view. In addition, the literary techniques used to present Carrington’s self-construction seek to show her feminist stance and her transgressions in both private and public spheres. Poniatowska’s literary techniques deliver the message that when a woman is released from social and cultural constraints she has the power to modify spheres.

This thesis is a queer masculinity reading of Sir Arthur Conan Doyle’s short story collection The Memoirs of Sherlock Holmes (1894). The analysis focuses on the dissonances, tensions and queerness that reside within the text itself. This has been done from my problem statement: How is Sherlock Holmes and John Watson’s sexuality and masculinity portrayed within the boundary of the text? What is being said, what is hidden, and what is dealt with silently? To reveal these queer parts this analysis has been focused around five themes: the late Victorian male, the Woman, countertypes and decadence, the homosocial sphere and sexuality. The thesis has two major theoretical perspectives: masculinity theory, and queer theory. For the masculine analysis I have used Jørgen Lorentzen and Claes Ekenstam’s concept of manly/unmanly, character, and the citizen from the book Män i Norden: Manlighet och modernitet 1840-1940 and George L. Mosse’s countertype. For the queer theoretical I have used a queer resistant reading combined with Eve Kosofsky Sedgwick’s concept of homosexual panic, and Judith Butler’s gender melancholia. Professor Joseph A. Kestner’s Sherlock’s Men has guided the reading of the short story collection. This thesis aims at showing that the improbable might well reside within the text, not least in the relationship between the two main characters Holmes and Watson. At first glimpse this world of Holmes’s seems devoid of desire, but in a closer reading cracks appear. There are silences, and unnecessary explanations, which have little to do with the adventures themselves, not to mention silent looks, and the association with the domestic. These threaten to effeminize their masculinity, especially Holmes who is a bachelor and suffers from repeated nervousness. Disease of the nerves was associated with effeminacy and homosexuality during the Victorian era. Also, the relationship between Holmes and Watson do at times parody the heterosexual. It’s hard however to find any conclusive evidence of any sexuality in the text, least of all homoerotic, which is hardly surprising considering the forbidding laws that were in place.

The focus of this study is to investigate what images of Sweden are transmitted in the novel The road to Ithaca (1994), by the Uruguayan author Carlos Liscano. The study focuses on the first half part of the novel for this taking place in Stockholm, Sweden, in the early nineties. The aim is to investigate by what literary strategies and literary subgenres the images of Sweden are transmitted.    The theoretical framework applied derives from studies of the literary genre of the picaresque novel and its bufonesco mood, such as the literary strategies irony and laconism. For the analysis Mieke Bal´s concept of focalization and semantic axes are used.      The study shows that in Sweden there are parallel worlds to the official world of the welfare state; in the shadow side of society there are the metecos, unwanted residents: the undocumented and the mentally ill. Through a picaresque and ironic style, the author shows that Sweden is a neat, clean, but culturally hermetic society; almost perfect on the surface, but with a lot of hidden “trash” beneath.    The welfare state of Sweden seams benevolent in its integrative intention, but is, at the same time, blind, or even worse, disinterested in the new reality of the country; that of the welfare state in dissolution and Sweden as a Tower of Babel.

Made available in DSpace on 2014-12-17T15:07:08Z (GMT). No. of bitstreams: 1 NaraJMCM_DISSERT.pdf: 1183698 bytes, checksum: 8d3625f2ab250f1d640eb44f5cc7ddaa (MD5) Previous issue date: 2014-01-31 / Based on studies on the structure of copulates sentences in Brazilian Portuguese (PB), according to grammar theory, it s analyzed on this dissertation, the complex copulate sentences what, in the PB, initiated by the formation ? ruim que in the PB, bringing the hypothesis that they can have one predicacional reading (PRED) and other especificacional reading (ESP). It s revealed what, though they are similar slightly, that makes the different that are triggered is structural configuration of sentence and the form as come emerged the its constituents: that of PRED interpretation, that we defined as Common Copulate Sentence (or SCC), it s checked that the constituent ruim, and only it, is predicate of a Small Clause, and appears in the structure on even position wherein is pronounced, not passing by the method of movement, from where introduce wide predication on all subject, that is the CP built-in; those sentences ? ruim que understanding ESP, that denominate of Negative Copulate Sentence (or SCN), whereas the fixed expression contradict or right what is asserted in built-in, it s perceived what the ruim is a part of this fixed expression, and surely crystallized, which appears in structure per movement, germinated as adjunct of Inflexional Phrase (IP) and being elevation to specifier to FocP (or SpecFocP), where acquires discursive interpretation of focus. Besides the mode as the ruim or the fixed expression emerge in that sentences, the relation between the copula and main verb likewise contribute to distinguish the sentences: 1) regarding flexion of mode, when is a SCC, the copula must be in the mode indicative, and the main verb, in the subjunctive; when is a SCN, copula and main verb must be always on indicative; 2) regarding flexion of temp, both the copula as main verb of the SCC can be flexed, whereas at the SCN, the main verb can vary in present, past and future, but the copula should appear, necessarily, in third persona of present of indicative, what confirms our hypothesis that there is an fixed expression at the copulate sentences with ? ruim que ESP. Other two evidences are pointed as characteristics that distinguish the sentence with ? ruim que PRED of sentence with ? ruim que ESP: 1) in semantics, the constituent ruim equals not good, that has appreciation, when the reading will PRED; already the pair ? ruim equals not, at the ESP; 2) in prosody, there discrete sound elevation the ruim on the other constituents of SCC, PRED, while there is accentuated acoustic elevation on the ruim of SCN, ESP. Our search it is grounded in authors as Zanfeliz (2000), Modesto (2001), Mioto (2003), Kato & Ribeiro (2006), Lobo (2006), Quarezemin (2006, 2009, 2011, 2012) e Resenes (2009), researchers that devoted their attention on studies the formation and organization of the constituents of cleaved sentences and focalization of constituent, basing itself in approach generative of linguistic / Embasados em trabalhos sobre a estrutura das senten?as copulares no Portugu?s Brasileiro (PB), conforme a teoria da gram?tica, analisamos nesta disserta??o as senten?as copulares complexas encabe?adas pela estrutura ? ruim que no PB, trazendo a hip?tese de que elas podem ter uma leitura predicacional (PRED) e outra especificacional (ESP). Revelamos que, apesar de serem superficialmente id?nticas, o que contribui para que as distintas leituras sejam desencadeadas ? a configura??o estrutural da senten?a e a forma como aparecem os seus constituintes: naquelas de interpreta??o PRED, que as definimos como Senten?a Copular Comum (ou SCC), checamos que o constituinte ruim, e somente ele, ? o predicador de uma Small Clause, e surge na estrutura no lugar mesmo em que ? pronunciado, n?o passando por processo de movimento, de onde insere ampla predica??o sobre todo o sujeito, que ? o CP encaixado; naquelas ? ruim que de entendimento ESP, que chamamos de Senten?a Copular de Nega??o (ou SCN), tendo em vista a express?o fixa negar ou corrigir o que ? afirmado na encaixada, verificamos que o ruim faz parte dessa express?o fixa, e j? cristalizada, a qual aparece na estrutura por meio de movimento, nascendo como adjunto de IP e sendo al?ado at? o especificador de FocP (ou SpecFocP), onde adquire fun??o discursiva de foco. Al?m da forma como o ruim ou a express?o fixa surge nessas senten?as, a rela??o entre a c?pula e o verbo principal tamb?m contribui para distinguir as senten?as: 1) quanto ? flex?o de modo, quando ? uma SCC, a c?pula deve estar no modo indicativo, e o verbo principal, no subjuntivo; quando ? uma SCN, c?pula e verbo principal devem estar sempre no modo indicativo; 2) quanto ? flex?o de tempo, tanto a c?pula quanto o verbo principal das SCC podem ser flexionados, enquanto nas SCN, o verbo principal pode variar entre presente, passado e futuro, mas a c?pula deve aparecer, necessariamente, na terceira pessoa do presente do indicativo, o que vem confirmar nossa hip?tese de que h? uma express?o fixa nas estruturas copulares com ? ruim que ESP. Outras duas evid?ncias s?o apontadas como caracter?sticas que distinguem a senten?a com ? ruim que PRED da senten?a com ? ruim que ESP: 1) na sem?ntica, o constituinte ruim equivale a n?o ? bom, que tem valor apreciativo, quando a leitura for PRED; o par ? ruim equivale a n?o, nas ESP; 2) na pros?dia, h? uma discreta eleva??o sonora do ruim sobre os demais constituintes das SCC, PRED, enquanto h? uma acentuada eleva??o ac?stica sobre o ruim das SCN, ESP. Nossa pesquisa est? fundamentada em autores como Zanfeliz (2000), Modesto (2001), Mioto (2003), Kato & Ribeiro (2006), Lobo (2006), Quarezemin (2006, 2009, 2011, 2012) e Resenes (2009), pesquisadores que dedicaram aten??o ? forma??o e constru??o das constru??es clivadas e focaliza??o, baseando-se na perspectiva da corrente gerativa da lingu?stica

Orientador: Charlotte Marie Chambelland Galves / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-16T23:55:13Z (GMT). No. of bitstreams: 1 Gibrail_Alba_D.pdf: 1754412 bytes, checksum: eabaf3c4452eb02a82325d642f09139f (MD5) Previous issue date: 2010 / Resumo: Esta dissertação descreve os contextos de formação de estruturas de tópico e foco do português clássico. Investigamos o comportamento linguístico de autores portugueses nascidos entre os séculos 16 e 19. O resultado de nossa investigação define uma gramática de natureza-V2 no licenciamento dessas construções. O resultado obtido também revela que a posição de realização dos clíticos é fortemente correlacionada com a posição ocupada pelo sintagma topicalizado em CP. Considerando os efeitos-V2 que emergem na formação dessas construções, assumimos o português clássico como uma gramática de natureza V2, com propriedades similares ao português antigo. Como hipótese de trabalho, propomos que o verbo finito se move para o núcleo Fin nas sentenças principais e subordinadas dessa gramática. Por outro lado, esta pesquisa mostra que ocorrem mudanças na frequência de uso e nas configurações estruturais dessas construções a partir do século 18. Assumimos que as mudanças estruturais são desencadeadas por uma nova gramática em uso na língua nesse período histórico. O resultado alcançado em nossa investigação permite-nos apresentar os fatores sintáticos e prosódicos que motivam a mudança gramatical. Apresentamos, nesta dissertação, análises para justificar a ausência de efeitos de localidade na formação de estruturas de tópico e foco em contextos de sentenças de ordens V2/V3/V4. As análises propostas estão ancoradas no Projeto Cartográfico de Rizzi (1997; 2004a) / Abstract: This research describes the contexts of structure formation of Topic and Focus in Classical Portuguese. We investigated the linguistic behavior of Portuguese authors born between 16th century and 19th century. The result of our research defines a V2 grammar which produces different forms of these structures. The result obtained also shows that the clitic placement is strongly correlated with the position occupied by topicalized phrase in CP. Considering the V2 effects on the formation of these structures, we assume Classical Portuguese as a V2 grammar, with similar syntactic proprieties to the Old Portuguese. As a working hypothesis, we propose that the finite verbs moves to Fin head in the main and subordinate sentences. Moreover, this research shows some changes related to the frequency and to the structural configurations of these V2 sentences in this language from 18th century. We assume that these structural changes are triggered by a new grammar in use in this language in this historical period. The result achieved in this research allows us to present the factors which motivated the grammatical change. We present some analyses to justify the absence of locality effects in the formation of Topic and Focus structures in sentences that project V2/V3/V4 orders. The proposed analyses are anchored in Rizzi's Cartography Project (1997, 2004a) / Doutorado / Linguistica / Doutor em Linguística

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This essay is a qualitative study that analyzes how close-ups and point of view in relation to the narrative affect the viewer emotionally in the TV show The Last of Us episode 8. It examines the visualization of the character Ellie’s emotions and analyzes its emotional effect on the viewer. The theories applied explain the human ability to feel empathy and social cognition, film’s ability to evoke emotion and the concept of focalization. The theories also define the terms: narrative, point of view and close-ups. Five scenes were chosen and each scene was analyzed closely looking at facial expressions, point of view, camera movement, angles and more. Since this is a qualitative study it is based on subjective interpretations and assumptions which should be taken into account. However emotions are exceedingly subjective and a quantitative study would therefore be unmotivated.  The results suggest that assumptions can be made in how close-ups and point of view affect the viewer emotionally. When taken narrative into account, close-ups and point of view visualized the character Ellie’s emotions. These two techniques clarified and reinforced the character’s emotional state which, through the human ability to feel social cognition and empathy, transferred and/or influenced the viewer’s emotions.