Global ETD Search

1	Fulvio Tomizza De Sanctis, Auro Antonio. January 1980 (has links) No description available. Literature, General.
2	Deconstructing the Italian Canadian subject : reconsiderations of identity construction in the writing of Antonio D'Alfonso, Fulvio Caccia and Mary di Michele Giacomini, Nancy January 2000 (has links) Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal. Caccia, Fulvio, 1952- D'Alfonso, Antonio, 1953- Caccia, Fulvio, 1952- Di Michele, Mary, 1949-
3	Fulvio Tomizza De Sanctis, Auro Antonio. January 1980 (has links) No description available. Literature, General. Italian
4	España e Italia ante el conceptismo García Berrio, Antonio. January 1968 (has links) Tesis--Bologna, 1966. / Includes bibliographical references.
5	España e Italia ante el conceptismo García Berrio, Antonio. January 1968 (has links) Tesis--Bologna, 1966. / Includes bibliographical references.
6	Writing exile : Fulvio Tomizza Deganutti, Marianna January 2014 (has links) This thesis focuses on the unusual phenomenon of exile from a frontier land, as it is explored by the work of the Istrian writer Fulvio Tomizza. It deals with the diaspora from Istria, a territory at the intersection of different civilizations – the Italian and the Croat-Slovenian – which has historically shaped a mixture of cultures and languages, remarkable for its hybridity. The massive exile which took place at the end of the Second World War, after the redefinition of the Italo-Yugoslav border, presents original features which, by taking advantage of the narrative tool, overturn traditional parameters attributed to exile. Focusing on Fulvio Tomizza’s novels Materada, La ragazza di Petrovia and L’albero dei sogni, and also on some of his most significant essays, I will seek to outline the specific traits that typify the detachment from one’s own native country. In particular, I shall suggest that identity and idioms are called into question even before characters have left their homeland. In addition, exile begins with a clarification of characters’ sense of belonging, which inevitably leads them to split, making the choice of whether to abandon the home country even more complicated. Once abroad, characters will develop a deep sense of estrangement, dictated by the impossibility of fitting into any other context, which will eventually drive them to a double, parallel, unsuccessful exile. In order to investigate fully the characteristics of Fulvio Tomizza’s exile, I will employ some linguistic postulates to examine the bilingualism and diglossia of the origins. The theoretical approaches of Edward Said, Sigmund Freud and Julia Kristeva will be used to inform my analysis of the more subtle mechanisms which rule exile, starting with doubleness and examining the dynamics which commonly characterize the exilic experience, including those in relation to the elaboration of the narrative itself. The novelty of this work lies in its approach to exile without preconceived arguments, which run the risk of limiting the analysis of the topic, and in the exploration of the most crucial aspects of a frontier land shaken by a territorial redefinition. This thesis also aims to reallocate the figure of Fulvio Tomizza, who has as yet not been investigated in any significant manner, most often being neglected or misunderstood. The aim is also to highlight one of the most European writers of the Italian second Novecento and his relationship with Eastern European languages and literatures. 850.9
7	A pintura religiosa de Fulvio Pennacchi (1930-1945) / Fulvio Pennacchi's religious painting (1930-1945) Freitas, Maria Marta van Langendonck Teixeira de 23 August 2018 (has links) Orientador: Jens Michael Baumgarten / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-23T13:03:35Z (GMT). No. of bitstreams: 1 Freitas_MariaMartavanLangendonckTeixeirade_M.pdf: 5958095 bytes, checksum: 16e89c0e333446608616f3bfda4a5750 (MD5) Previous issue date: 2013 / Resumo: O presente trabalho tem por objetivo analisar a pintura religiosa de Fulvio Pennacchi realizada entre os anos 1930 e 1945. Primeiramente, estudamos as pinturas religiosas propriamente ditas, realizando uma análise temática e formal. Diante desta análise, examinamos a inserção destas pinturas religiosas no contexto histórico, social e artístico da cidade de São Paulo à época de sua produção. O trabalho preocupa-se em aprofundar três questões principais: os temas religiosos abordados por Pennacchi; a influência do Trecento e do Quattrocento nas pinturas religiosas de Pennacchi; a presença das pinturas religiosas de Pennacchi nos anos 1930-1945 e no ambiente artístico paulistano desta época / Abstract: The purpose of the present work is to analyze the religious painting of Fulvio Pennacchi produced between the years 1930 and 1945. First, we analyze the religious paintings themselves, regarding their theme and form. Given this analysis, we examine the presence of these religious paintings in the historical, social and artistic context of the city of São Paulo at the time of their production. The work is concerned with three main issues: the religious themes addressed by Pennacchi; the influence of the Trecento and Quattrocento in Pennacchi's religious paintings; the presence of Pennacchi's religious paintings in the years 1930-1945 and in São Paulo's artistic context of these years / Mestrado / Artes Visuais / Mestra em Artes Visuais Pennacchi, Fulvio, 1905-1992 Arte sacra Arte moderna Arte brasileira Sacred art Modern art Brazilian art
8	Word use : literary art and political intent in Quebec and Canada : the question of race and ethnicity / Us des mots : art littéraire et engagement au Québec et au Canada : la question de la race et de l'ethnicité Régnier, Alain January 2016 (has links) Abstract : The following dissertation provides a comparative analysis of four Québécois and Canadian literary authors—Fulvio Caccia, Ying Chen, Wayson Choy, and Lawrence Hill—and the manner in which they have responded through varied use of genre to present-day racial and ethnic discourse, as it occurs within both wider society and the Canadian and Québécois literary institutions more specifically. The dissertation begins with an introductory chapter that takes up the central concepts that inform the study, namely, those of ethnic literature, écriture migrante, race, ethnicity, hybridity, transculture, and comparative literature. The main body of the dissertation is divided into two parts, the first dealing with the francophone authors Caccia and Chen, the second with the anglophone authors Choy and Hill. In the first part, the writers are shown to employ defamiliarizing and ‘unreadable’ literary strategies drawn from the nouveau roman (or French new novel) and fantastic literary genres in an effort to resist common understandings of race and ethnicity, with the creation of a universal, deracialized literary space resulting to differing degrees in each case. In the second part, the study focuses on the use that Choy and Hill have made of more traditional and readable literary forms—realist and autobiographical in nature—in the attempt not so much to reject outright the discourse of race and ethnicity but to resignify the meaning of these latter terms in ways that allow for the production of a more open sense of identity. In this regard, by informing and historicizing certain cultural realities (here, Chinese Canadian and African Canadian respectively), Choy and Hill seek to challenge the reductive views that have in the past affected these often marginalized segments of Canadian society. Ultimately, the dissertation attempts to explore how the four authors in question participate in a shared project of sorts through their contestation of dominant racial and ethnic discourse, despite the different stylistic approaches they may take. A secondary aspect of the project addresses, through recourse to reader-response theory, some of the difficulties that may arise when a mainstream readership approaches works of ethnic literature. / Résumé : La thèse qui suit présente une analyse comparée de quatre auteurs québécois et canadiens—Fulvio Caccia, Ying Chen, Wayson Choy et Lawrence Hill—et la façon dont ils sont intervenus face au discours de la race et de l’ethnicité tel qu’il existe à ce moment dans la société et dans les institutions littéraires du Canada et du Québec—et cela à partir d’un emploi de divers genres littéraires. L’introduction de l’étude passe en revue les concepts centraux qui sous-tendent la thèse, à savoir ceux de la ‘littérature ethnique’ (ethnic literature), l’écriture migrante, la race, l’ethnicité, l’hybridité culturelle, la transculture et la littérature comparée. Le texte principal de la thèse comprend deux parties, la première portant sur les écrivains francophones Caccia et Chen, la deuxième sur les écrivains anglophones Choy et Hill. La première partie cherche à rendre compte de comment Caccia et Chen ont recours dans leurs écrits à des procédés littéraires défamiliarisants et ‘illisibles’ tirés du nouveau roman et de la littérature fantastique dans le but de subvertir les lieux communs sur la race et l’ethnicité, avec comme résultat la production d’un espace littéraire qui est à différents degrés universel et déracialisé. La deuxième partie traite de l’emploi que font Choy et Hill de styles littéraires plus traditionnels et lisibles—de nature réaliste et autobiographique—avec l’objectif non pas de rejeter tout court le discours de la race et de l’ethnicité, mais de réinscrire ces dernières notions de telle façon à rendre possible une vue de l’identité plus ouverte. À cet égard, en remettant dans leur contexte social et historique certaines réalités culturelles (ici, sino-canadienne et afro-canadienne respectivement), Choy et Hill arrivent à contester les idées réductives qui dans le passé ont été faites de ces secteurs souvent marginalisés de la société canadienne. En fin de compte, la thèse tente de mettre en lumière la manière dont les quatre auteurs en question participent en quelque sorte à un projet partagé en conséquence de leur opposition au discours dominant de la race et de l’ethnicité, bien que leurs approches stylistiques soient sensiblement différentes. En s’appuyant sur les théories de la lecture, un aspect secondaire de l’étude aborde quelques-uns des problèmes qui peuvent se produire lorsqu’un lectorat de la société majoritaire cherche à lire un texte migrant. Fulvio Caccia Ying Chen Wayson Choy Lawrence Hill Ethnic literature Race Ethnicity Hibridity Transculture Comparative literature Écriture migrante Ethnicité Hybridité culturelle Littérature comparée
9	"IO PER ME SONO UN'OMBRA". GIOVAN BATTISTA STROZZI IL GIOVANE (1551 - 1634) FRA POESIA E RIFLESSIONE LETTERARIA ROSSINI, FRANCESCO 12 April 2019 (has links) La tesi propone uno studio monografico sul fiorentino Giovan Battista Strozzi il Giovane detto il Cieco (1551-1634), letterato e animatore di circoli culturali dalla Firenze medicea alla Roma barberiniana, attraverso la Milano borromaica e i cenacoli capitolini degli Aldobrandini e degli Umoristi. Nel primo dei tre capitoli che scandiscono la ricerca si è appuntata l’attenzione sulla partecipazione del Giovane alle attività di due vivaci consessi della sua città natale: l’Accademia Fiorentina e l’Accademia degli Alterati. Nel secondo è stata condotta una disamina dell’opera in versi – per la maggior parte ancora inedita – che comprende decine di epistole metriche in endecasillabi sciolti, un incompiuto poema in onore di Amerigo Vespucci, nonché un ricco corpus di madrigali, la cui stesura, nell’esperienza del Cieco, procedette di conserva con la speculazione teorica intorno alla nuova fisionomia cinquecentesca di questo antico genere lirico. La terza sezione si concentra invece sul contributo dello Strozzi alle discussioni di poetica (la ‘Commedia’ dantesca, il poema eroico, le unità aristoteliche) che accesero gli ambienti letterari italiani nella seconda metà del secolo XVI. Affiancando l’esegesi dei testi alla ricostruzione biografica – condotta su un ampio numero di documenti epistolari editi e inediti –, si è cercato di restituire il giusto spessore storico a ciascuno degli scritti presi in esame, ricostruendo i differenti contesti culturali in cui furono composti e scandagliando la fitta trama di relazioni – umane e letterarie – che si profila sullo sfondo di essi. Completano il lavoro una bibliografia delle opere antiche e moderne, un indice dei manoscritti e un indice dei nomi di persona. / The thesis proposes a monographic study on the Florentine Giovan Battista Strozzi the Younger also known as the Blind (1551-1634). He was a writer with connections in cultural circles across Renaissance Italy, including Medici’s Florence, Barberini’s Rome, Borromean Milan and the Roman cenacles of the Aldobrandini and the Humorists. The thesis consists of three chapters. The first chapter focuses on the participation of Strozzi the Younger in the activities of two lively groups in his hometown: the Florentine Academy and the Alterati Academy. The second chapter discusses his poetical works – for the most part still unpublished –, including dozens of versified epistles in loose hendecasyllables, an unfinished poem in honor of Amerigo Vespucci, as well as a rich corpus of madrigals. The drafting of this last corpus proceeded together with Strozzi the Younger’s theoretical speculation around the new sixteenth-century appearance of this ancient lyrical genre. The third section considers the contribution of Strozzi the Younger to the discussions on poetics (Dante’s ‘Comedy’, the heroic poem, the Aristotelian units) that went on in Italian literary circles in the second half of the sixteenth century. In this work, we aimed to restore the appropriate historical depth to each of the writings examined, through the exegesis of texts combined with the biographical reconstruction conducted on a large number of published and unpublished epistolary documents. We also tried to reconstruct the different cultural contexts in which these writings were composed and attempted to analyze the dense network of relationships, both human and literary, that loomed in the background. The thesis is completed by a bibliography of ancient and modern works, an index of manuscripts and an index of names. L-FIL-LET/10: LETTERATURA ITALIANA
10	Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale Gastaldi, Sciltian 20 March 2014 (has links) Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings. Pier Vittorio Tondelli Italian Literature Gay Literature 20th Century Italian Literature Minor Literature Engagement Social Engagement Camp Gay Studies Queer Studies Queer Theory Literary Criticism Impegno Elio Vittorini Impegno e letteratura Impegno e intellettuali Pier Paolo Pasolini Italo Calvino Franco Fortini Leonardo Sciascia Umberto Eco Alberto Arbasino Letteratura del XX secolo Letteratura italiana contemporanea Impegno sociale Letteratura minore Critica letteraria Letteratura del '900 Antonio Gramsci Homophobia Gender Studies Omofobia AIDS Literature HIV Literature Commitment Homoerotic Literature Separate Rooms Camere separate Other Libertines Altri libertini Dinnery Party Rimini Pao Pao Il diario del soldato Acci Correggio Reggio Emilia Narratori delle pianure Emilia Romagna Italia Italy Jesuit School Gesuiti Catholicism Cattolicesimo Beat Literature Pop Literature Noir Postmodernismo Postmoderno Postmodern Postmodernism Federico Fellini Eugenio Bolongaro Gary Cestaro Antonio Spadaro Fulvio Panzeri Religione Religion Pop Culture Mass Culture 1977 DAMS Bologna Movimento del '77 Michel Foucault Esther Newton 0298 0313 0401 0291 0318

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