Global ETD Search

1	Severance Early, Matthew 01 January 2021 (has links) This collection of poems outlines the experiences of a speaker in an unhealthy queer relationship dynamic, re-living old traumas as the result of his partner's neglect and abusive tendencies. These memories present themselves as ghosts or hauntings. Said spirits prevent the speaker from coping with his current situation by forcing him to give space to them, instead, these things he's long banished. Poetry Ghosts Hauntings Relationships Creative Writing Poetry
2	Hauntings: Representations of Vancouver's disappeared women Dean, Amber R Unknown Date No description available. Missing Women Downtown Eastside Hauntings Grievability Public Mourning
3	Hauntings: Representations of Vancouver's disappeared women Dean, Amber R 11 1900 (has links) In this dissertation I examine representations of the events surrounding the disappearance and murder of women from Vancouver’s Downtown Eastside, in the interests of animating a sense of implication in these events among a wider public. To do so, I build on theoretical concepts developed in the work of Avery Gordon, Judith Butler, and Wendy Brown, namely the notions of hauntings, grievability, and inheritance. My approach to knowledge production builds upon Avery Gordon’s theorizing about the significance of hauntings in particular. Following Gordon, I argue that while the women disappeared from Vancouver are no longer physically “there” in the Downtown Eastside, they do indeed maintain what Gordon describes as a “seething presence” in Vancouver (and beyond), one that suggests matters of some urgency for contemporary social and political life, and so my research traces those presences as they have arisen through my engagement with a variety of cultural productions (including documentary film, photography, journalism, art, and poetry). Building on insights from each of the three theorists listed above, I argue that ethical encounters with the ghosts of the women who have been disappeared require rethinking conventional ways of understanding the relationships between self/other and past/present/future. Because the women disappeared from the Downtown Eastside are disproportionately Indigenous, I begin by investigating how histories of colonization, and in particular the frontier mythology so commonplace in western Canada, are implicated in these contemporary acts of violence. I argue that conventional understandings of space, temporality, and history are inadequate for understanding these events in all of their complexity. From there, I investigate how and why the women were initially cast, in a variety of representations, as living lives that many assumed could not be widely recognized through the framework of what Judith Butler has coined a “grievable life.” And finally, I ask after what kind of memorial practices might be most capable of hailing an “us” into relations of inheritance with the women who have been disappeared - such relations, I argue, are a necessary part of reckoning with our individual and collective implication in the disappearances of women from the Downtown Eastside. / English Missing Women Downtown Eastside Hauntings Grievability Public Mourning
4	The Common Uncanny: Ghostlore and the Creation of Virginia History Pirok, Alena R. 04 July 2017 (has links) Ghost stories have a long and diverse history, they appeared in religious contexts, in secular traditions, in entertainment, and in therapy and healing. Few elements of human culture have been as dynamic as the idea that the dead return to the living world as immaterial beings. Since the late nineteenth century Virginians have used ghost stories to talk about, interpret, and understand the historical significance of place. This dissertation argues that Virginians have used ghost stories to identify and make meaning of historical sites since the turn of the last century. These historical ghost stories sought to highlight the presence of the past, as well as Virginians’ close relationship with long-dead historical figures. Virginias used the ghost stories to argue that the commonwealth’s old structures and cities were especially historical and worthy of restoration. Founders of historical sites in Virginia used ghost stories as a way to offer their guests emotional, intimate, and personal connects to the celebrated past. The stories erased the distance of time, and suggested that past and present people cohabited in specifically defined historical places. Scholars who study historical sites often focus on the transition from volunteer to professional museum and public history workers. They argue that the professionalized workers rejected and silenced the public’s emotional understandings of place-based history, gave rise to more nuanced understandings of the field, and developed rich discussions on the roles that race, class, and gender play at historical sites. In that turn scholars have tended to ignore the publics’ emotional fascinations with historical sites, as seen through ghost stories. This dissertation illustrates that hauntings’ meanings and associations outlasted the professional turn and not helped establish the public’s trust in professional historical institutions, but continue to do so in the present day. Public History Thanatourism Dark Tourism The Old Dominion Hauntings History United States History
5	Belägrade människor – Belägrade Rum : Om invandrargöranden och förorter / Besieged People – Besieged Spaces : On Immigrant-making and Suburbs Ericsson, Urban January 2007 (has links) This thesis analyses the notion of so-called “Invandrartäta förorter” [“Immigrant-dense suburbs”]. The aim of the study has been to analyse the haunting imagery of the Suburb and the Immigrant as portrayed in the Swedish media. The notion of a fantasy-frame is related to the “Invandrartäta förorten” [“Immigrant-dense suburb”] which is, in the main, a fantasy. Nevertheless, the study shows that the imagery is powerful in its racialised and discriminatory practice. In the first part of the study the main focus is on the media narratives of the suburbs. Illustrations of how the idea of the “Invandrartäta förorten” [“Immigrant-dense suburb”] was created and how this place was, and still is, made to perform Otherness, are described. In the latter part of the study, the interwoven relationship between the fantasy-frame of the suburb and the mediated immigrant-made subject is in focus. Here the focus is on studying the attention and space of appearance that the media imposes on the immigrant-made individual when she or he is presented as representing this space. By taking into account the media's editing techniques in press material, ways of interpretation and the recurring themes concerning this space of appearance, the analysis tries to shed light on the conditions of attention for the one who is portrayed in relation to this fantasy space. Such representations mix fear with enticing elements of the exotic. The imagery of the suburban fantasy-frame materialises in the individual portraits and daily life of the people who are depicted in relation to this space. In the final part of the thesis, the notion of mime is used to describe a form of subversive strategy in relation to the imagery that the portrayed is evoked to display. Ethnology Postcolonial Discourse Representations Media Racism Hauntings Fantasy-frame Power Mime Emptiness Re-memory Etnologi Ethnology Etnologi
6	"The Grey Sky Lowers" : The Uncanny in Five of Sylvia Plath's Poems Stenskär, Eva January 2022 (has links) This thesis investigates the uncanny (das Unheimliche) in five of Sylvia Plath’s 1962 poems: “Berck-Plage”, “The Arrival of the Bee Box”, “Daddy”, “Fever 103°”, and “Death & Co.”. Furthermore, it looks at how the biographical circumstances in which the poet found herself while writing the poems, may have influenced them. Drawing mainly on Sigmund Freud’s 1919 essay “The Uncanny” and the 2003 The Uncanny by Nicholas Royle, this thesis examines a variety of elements in Plath’s poems including, but not limited to, the beach as a liminal space, aposiopesis as intellectual uncertainty and as an example of l’écriture féminine, thresholds in the form of windows, shoes, and locked boxes, severed limbs as examples of Viktor Shklovsky’s defamiliarization, Latin as a heimlich/unheimlich language, the uncanny effect of darkness, silence, and solitude, the double as a harbinger of death, the wish to both include and exclude the specter and that which is strange, and breathlessness and euphoria as manifestations of madness. Furthermore, it examines hitherto unexplored potential influences on Plath’s poetry, including but not limited to, the writings of Nathaniel Hawthorne, Thérèse of Lisieux, Franz Kafka, and Knut Hamsun. Because of the ambiguity of the concept of the uncanny, this thesis incorporates a host of material such as taped interviews conducted by Harriet Rosenstein, Subha Mukherji’s Thinking on Thresholds, Julia Kristeva’s Strangers to Ourselves, and Jacques Derrida’s Specters of Marx. In conclusion, this thesis argues that the uncanny is an instrumental key to the comprehension of Plath’s late poetry. Sylvia Plath Ariel Sigmund Freud Nicholas Royle Harriet Rosenstein Uncanny das Unheimliche Liminality Darkness Aposiopesis Hauntings Doubles Humanities and the Arts Humaniora och konst General Literature Studies Litteraturvetenskap
7	Entitetkontinuitet : en religionspsykologisk tolkning / Entity Continuity : a Psychology of Religion Interpretation Duppils, Sara January 2009 (has links) “Entity continuity” refers to recurrent transcendent experiences related to certain places (“hauntings”). The experiences are often interpreted to be due to discarnate spirits or folklore entities. Although the entity continuity experience can be regarded as religious experience, they have yet to be fully explored in science of religion. The purpose of this paper was to describe entity continuity experiences and map out the scientific discussion in order to provide a psychology of religion that provides an understanding of the phenomena. For this purpose a literature study of theories of jungian psychology, parapsychology, and described experiences was undertaken. The material was thereafter analyzed comparatively. The results show that entity continuity experiences can be understood as a form of animism and that the experiences are colored by culture, context, and visual impression. The material also shows that experiences at locations that have played host to entity continuity and poltergeist experiences are equivalent. An altered state of consciousness, a special type of personality, and distinctive environmental stimuli, the atmosphere or “feeling”, is necessary for the occurrence of these experiences. The “percipients” and/or “agents” psychic material is reflected in the atmosphere and becomes expressed as psychic manifestations in the form of entity experiences. entity continuity hauntings apparitions ESP psychology of religion atmosphere spirit ghost spiritualism spiritism animism poltergiest C. G. Jung altered state of consciousness ASC jungian psychology folklore entitetkontinuitet entitetupplevelser religiösa upplevelser ESP jungiansk psykologi C. G. Jung hemsökt plats andar spöken poltergeist folktro folktroväsen förändrat medvetandetillstånd inbedda kyrkor atmosfär platsminne kvarvarande psykiska avtryck apparitioner förnimmelse autonoma kompex komplex numen animistiska teorier spiritistiska teorier det omedvetna alien subjektiva upplevelser objektiva upplevelser Religious Studies Religionsvetenskap Religious Studies Religionsvetenskap Humanities Humaniora

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