175f. / Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-04-08T18:36:34Z No. of bitstreams: 2 Genestretiparte2.pdf: 5332198 bytes, checksum: 0b6ce65c3cd44a79233413d56c292c22 (MD5) Genestretiparte1.pdf: 6349535 bytes, checksum: 1f1488490803fa0fe28e8de927ac044b (MD5) / Approved for entry into archive by Lêda Costa(lmrcosta@ufba.br) on 2013-04-18T12:04:16Z (GMT) No. of bitstreams: 2 Genestretiparte2.pdf: 5332198 bytes, checksum: 0b6ce65c3cd44a79233413d56c292c22 (MD5) Genestretiparte1.pdf: 6349535 bytes, checksum: 1f1488490803fa0fe28e8de927ac044b (MD5) / Made available in DSpace on 2013-04-18T12:04:16Z (GMT). No. of bitstreams: 2 Genestretiparte2.pdf: 5332198 bytes, checksum: 0b6ce65c3cd44a79233413d56c292c22 (MD5) Genestretiparte1.pdf: 6349535 bytes, checksum: 1f1488490803fa0fe28e8de927ac044b (MD5) Previous issue date: 2007 / Esta dissertação, intitulada Claustro: Abrigo de Tempo e Memória, trata de um percurso interior, uma identidade intimista permeada pelo Tempo e pela Memória.Evidencia uma atitude contemporânea de expressão e de relacionamento com o espaço e com a arte como forma de depuração e de identificação simultaneamente.Neste processo criativo, materializado nas pinturas e objetos, como linguagens contemporâneas, foram questionadas a impermanência e a brevidade da vida.APRESSA-TE LENTAMENTE! Usou-se o tempo como matéria; a pátina, que permanece como memória na superfície dos objetos – os quais incitam a imaginação – foi conservada e reverenciada como sinal de alerta e de nobreza. Oferro assumiu destaque na construção das obras, ora como matéria, ora como suporte, pontuando o seu caráter misterioso e provocador e estimulando reflexões sobre a passagem do tempo. A forma metodológica adotada foi a poiética, que se mostrou capaz de amparar e delinear o corpo teórico, além de permitir o desenvolvimento de conceitos necessários ao processo de criação e instauração das obras desta investigação. / Salvador

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As reflexões sobre o tema em análise levam à compreensão das motivações e implicações presentes no processo de construção da obra, e da experimentação, em que foi utilizada uma técnica milenar tradicional, a cerâmica, que deu origem à cerâmica enquanto linguagem visual contemporânea híbrida. Durante o desenvolvimento desse trabalho, que teve o corpo como referência e a materialidade como tema, foram investigados outros materiais, além da argila, na construção de objeto, além de fotografia e instalação, dialogando com conceitos de registro,permanência/impermanêcia, memória, espaço e tempo. Tomando por base reflexões prático-teóricas, pretendeu-se realizar uma pesquisa que tivesse a obra como objeto de estudo, considerando o seu processo de instauração e a possibilidade de outros devires. No decorrer da construção dos objetos, instalações e esculturas, na qual a cerâmica foi utilizada como o principal meio de expressão com possibilidades híbridas, refletiu-se sobre aspectos contemporâneos da arte, identificados na pesquisa em questão, capazes de possibilitar a comunicação entre arte e outros conhecimentos afins, com a utilização de uma metodologia específica em artes visuais, a Poiética. Os autores eleitos para dar embasamento teórico à investigação foram Gaston Bachelard, Roland Barthes,Henri Bergson e Georges Didi-Huberman. / Salvador

We have to be specific. To take a stand. We have to tell a specific story. Therefore we need to come together. To be together. To spend timespacematter together. To build strength. To find the movements, words and materials that can hold and unfold this story. Make it live, to keep us alive. / Action: Point of Constant Departures (https://mariofjell.wordpress.com/point-of-constant-departures/)

The English-language translations of Jorge Luis Borges’s Spanish-language works undertaken by the author and Norman Di Giovanni went above and beyond what is generally perceived as acceptable in traditional Western practices. Their work, together with Borges’s thoughts on translation itself, garnered criticism from within Western Translation Studies for its rejection of the status of the original text and the blurring of the distinction between author and translator. Yet the pair’s actions and Borges’s views on translation cease to appear scandalous under the light of Buddhist philosophy, particularly through the use of the Buddhist principles that all phenomena are impermanent and interdependent. This thesis will seek to use these ideas to legitimize the actions of Borges and Di Giovanni. To do so, it will trace the history of opposing and convergent theories from Western philosophy and describe our Buddhist concepts in detail. In order to better understand Borges, it will examine the array of philosophies that influenced the writer and how they both align themselves and differ from Buddhist ideas. This thesis will end by directly applying impermanence and interdependence to the translation practices of Borges and Di Giovanni and considering what potential effect legitimacy for such practices would have on translation overall.

This paper presents an investigation in how a jewelry artist understands the life and death, permanence and impermanence of human, objects, and other creatures, by communicating still life in the form of jewelry. I will bring up a fact that death and impermanence have been forgotten by my peers, and use still life and contemporary jewelry to discuss it. The paper mainly talks about: my opinion upon life and death in modern society, why and how did I related them with still life paintings, how did I make my jewelry based on still life, and discusst a dilemma I met: how will jewelry be when they are on and not on people’s body.

In this thesis, I explore how Zen can provide practices that help remedy the environmental problems that may arise from how the environment is viewed. I argue that two ingredients should be part of a good strategy to change how one views the environment. Firstly, a good strategy should not be in conflict with the worldview one holds. Secondly, a good strategy should be practical and attractive to follow. With the help of a detailed example from fishing, I show that engaging in Zen provides these two ingredients. I show that it is attractive to incorporate an awareness of the interconnected and impermanent nature of existence and engage in a meditative state when performing tasks because it will both enhance performance and increase mental health. I also argue that there does not need to be a conflict between the worldview one holds and engaging in the proposed Zen practices. The practices Zen provides do not need to be seen as specific to Zen, and the benefits they provide have support in neuroscience. Because Zen provides practices that nurture a greater awareness of how things are interconnected and impermanent, one will gain a better understanding of things in the environment, which will be helpful in remedying the environmental problems that are facing us. I show that through meditation, one will also be able to see things more clearly, perform better, and increase mental health. Because of meditation’s health benefits that help you control the triggering of punishment and reward modules, it will also be easier to make the hard decisions to help the environment because one has the tools to handle difficult emotions.

No description available.

No description available.

Entropy is a process of gradual decline as a system loses the strength to maintain itself. It begins with disorder and results in complete transformation. As a multi-cultural American, it has been my experience that the maintenance of my Iranian heritage parallels this concept. A method of visual communication that incorporates entropy is able to express notions of impermanence, disorder and transformation. This project is focused on employing entropy in the process of design and image making by using the transformation of my cultural identity as primary content.

Not always so remarkable but still most important. Every day. The beautiful, small, horrible and often insignificant experiences that makes us who we are, fascinates me. You see, choose and become with no interruption. The constant change inspires me.  This is a text circulating around an artistic practice, it´s an illustration of a why how what. Or, maybe more an attempt to put words onto a wish to see for tracing, where an aim is being become became. Be