說唐家將小說包括《說唐後傳》、《說唐三傳》、《反唐演義》與《粉妝樓》四部小說。系列小說前承說唐系列小說，書寫題材由「君王」轉向「家將」，呈現了講史小說發展脈絡本身由「國」而「家」主題更迭的動態移轉過程。又說唐家將小說之題材於史有據，再依民間想像改編創想，承衍脈絡淵遠流長、橫跨古今，其間的家／國想像或合乎正統、或顛覆遊戲，形成官／民、虛／實等等多元對話空間。 論文第二章先討論「前之所承」，梳理小說成書之前，由官方史傳而至民間之平話、詞話、雜劇、傳奇等作品。民間說唱曲藝受官方史傳影響甚深，保持了系列小說國家宏偉敘述的「講史」特色；戲曲搬演深入民間，促成了「離家／榮歸」的情節結構，講史系統與民間戲曲的特色雜揉、交融於小說文本之中，形成說唐家將小說的獨特體質。 論文之第三、第四章進入核心論題，分從「情感關係」與「空間配置」探討小說文本之家／國想像，呼應影響家／國認同之血緣與地緣概念。第三章剖析小說中親子代際、男女性別與敵我陣營關係，發現看似穩固的倫理規範之下，其實隱藏了諸多不盡平靜的衝突與角力。第四章探察系列小說「家、國間遭到架空、戰場空間卻誇張膨脹」的空間配置情形。發現「寒窯」等破碎的家屋意象充斥文本，國朝空間更遭擠壓，只枯澀地擔負故事之間的串場任務；倒是邊境戰場含納各種家、國互動的情感因子，成為民間自掌定義、恣意戲耍的狂歡空間。 第五章再論「後之所衍」，以「個案研究」方式觀察臺灣戒嚴時期由楊麗花領銜主演之電視歌仔戲《薛剛》、二十一世紀初國光劇團創作之新編京劇《新編樊梨花》與本論文寫作當下於東森電視臺上映之電視連續劇《薛仁貴傳奇》三種現代承衍作品，探察系列小說進入現代之後，如何透過情節改編新詮改造家／國想像內涵，使更切合現代人的生命處境，故事持續傳講搬演。 第六章為總結，提出「完成承衍脈絡探討」、「深化家／國想像內涵」與「重估系列小說於小說發展史脈絡中的定位」等三項研究成果。 / The “Novels about family of warriors in Tang dynasty”(說唐家將小說) include “Shou Tang Hou Zhuan”(說唐後傳), ”Shuo Tang San Zhuan”(說唐三傳), “Fan Tang Yian Yi”(反唐演義), “Fen Zhuang Lou”(粉妝樓). Although those novels were combined with folk tales, they were also based on history facts. Thus, there are some opposite views in those novels, such as official vision verses folk culture, reality faces unreality. They inherit the “Novels about Tang dynasty”(說唐系列小說), but the subject matter transforms from the emperor to the family warriors, which reflects the theme transformation flow in history-based-novels. It leaves state and get closer to home. Related texts before the novels have been composed were collated in chapter 2. We can see those stories appeared in folk art “Quyi” (曲藝) were deeply effected by official history story. History vision still remains. At the same time, some Chinese operas have formed the basic structure of these novels, which is “leaving family/ coming home proudly”. Chinese opera and Quyi are two important sources of those novels we referred. Relationship and space arrangement are discussed in chapter 3 and chapter 4 to analyze the imagination of state and of family in the novels. In the study of chapter 3, it seems that conflicts in the novels happen under a stable requirement of ethic. However, code of ethics are shown only in appearance. In chapter 4, we will find out that war spaces are almost overstated, while space of home and state are ignored. Three case studies are put in Chapter 5. They have one thing in common: they are three modern works of art which inherits the series of novels. In Chapter 5, the study focus on how those novels has been revised to adapt nowadays culture. The essay is trying to achieve the following statement from the ” Novels of family warriors in Tang Dynasty”(說唐家將小說): further study to the heritage of tradition Chinese novels; further understanding of the imagination of family and state; revaluate the position of these novels in the history of Chinese traditional novels.

手稿本, 複本據手稿本影印. / Thesis (M.A.)--香港中文大學, 1988. / 林娟芬. / Shou gao ben, fu ben ju shou gao ben ying yin. / Includes bibliographical references (leaves 278-301). / Thesis (M.A.)--Xianggang Zhong wen da xue, 1988. / 致謝 --- p.i / 論文摘要 --- p.iii / 目錄 --- p.viii / 表次 --- p.xiv / Chapter 第一章 --- 緒論 --- p.1 / Chapter 第一節 --- 研究意義及其重要性 --- p.8 / Chapter 第二節 --- 研究問題背景 --- p.15 / Chapter 第三節 --- 報告撰寫之計畫 --- p.30 / Chapter 第二章 --- 文獻探討(一)── 社會支援網路與生活適應的理論和概念 --- p.33 / Chapter 第一節 --- 社會支援網路的理論與概念 --- p.33 / Chapter 第二節 --- 生活適應的理論與概念 --- p.44 / Chapter 第三章 --- 文獻探討(二)──社會支援網路與老年人生活適應之有關研究報告 --- p.62 / 總結 --- p.84 / Chapter 第四章 --- 研究方法 --- p.89 / Chapter 第一節 --- 研究問題 --- p.89 / Chapter 第二節 --- 名詞之操作性定義與研究變項的測量 --- p.93 / Chapter 第三節 --- 研究設計 --- p.101 / Chapter 第四節 --- 研究母體、樣本與資料收集 --- p.103 / Chapter 第五節 --- 研究限制 --- p.112 / Chapter 第五章 --- 研究結果(一)── 研究對象的基本特性 --- p.118 / Chapter 第一節 --- 個人資料 --- p.119 / Chapter 第二節 --- 老年人入住敬老所之前的基本資料特徵 --- p.127 / Chapter 第三節 --- 老年人的健康狀況與行動能力 --- p.143 / 總結 --- p.148 / Chapter 第六章 --- 研究結果(二)──研究對象的社會支援網路 --- p.150 / Chapter 第一節 --- 仁愛之家老年人的正式社會支援網路情況 --- p.151 / Chapter 第二節 --- 仁愛之家老年人的非正式社會支援網路中的家人、親戚及所外朋友之情況 --- p.165 / Chapter 第三節 --- 老年人與非正式社會支援網路中的所內院友及知己朋友交往之情況 --- p.183 / Chapter 第四節 --- 老年人對社會支援網路的看法與感受 --- p.190 / 總結 --- p.204 / Chapter 第七章 --- 研究結果(三)── 研究對象的生活適應及其與社會支援網路之關係 --- p.207 / Chapter 第一節 --- 仁愛之家老年人的生活適應之情況 --- p.209 / Chapter 第二節 --- 老年人的基本特性與生活適應之關係 --- p.224 / Chapter 第三節 --- 社會支援網路與老年人生活適應之關係 --- p.230 / 總結 --- p.245 / Chapter 第八章 --- 摘要、討論與具體建議 --- p.248 / 參考書目 --- p.278 / Chapter 附錄表一 --- 老年人的健康狀況分佈表 --- p.302 / Chapter 附錄表二 --- 老年人的生活滿意指標LSI --- p.303 / Chapter 附錄表三 --- 老年人在生活環境的體驗與感受分佈表 --- p.306 / Chapter 附錄 --- 老年人之社會支援網路與生活適應之研究問卷 --- p.307

黃孕祺. / 論文(博士) -- 香港中文大學硏究院藝術部, 1995. / 參考文献 : 134-143. / Huang Yunqi. / 目錄 --- p.i-iii / 〈凡例〉 --- p.iv / Chapter 第一章 --- 書風的形式 --- p.1 -33 / Chapter 一、 --- 研究之目的 --- p.1 / Chapter 二、 --- 問題之關鍵 --- p.7 / Chapter 三、 --- 形式的特徵 --- p.13 / Chapter 四、 --- 術語的糸統 --- p.18 / Chapter 五、 --- 書風的詮釋 --- p.23 / Chapter 六、 --- 風格的分判 --- p.28 / Chapter 第二章 --- 書風的演變 --- p.34 -68 / Chapter 一、 --- 斷代的標準 --- p.34 / Chapter 二、 --- 世系與稱謂 --- p.39 / Chapter 三、 --- 母妣與名諡 --- p.49 / Chapter 四、 --- 貞人與稱謂 --- p.53 / Chapter 五、 --- 斷代新方案 --- p.58 / Chapter 六、 --- 風格和時代 --- p.63 / Chapter 第三章 --- 書風的意味 --- p.69 -108 / Chapter 一、 --- 意味之抉隱 --- p.69 / Chapter 二、 --- 取龜到藏龜 --- p.74 / Chapter 三、 --- 奉龜到徹龜 --- p.80 / Chapter 四、 --- 記事和記兆 --- p.86 / Chapter 五、 --- 卜辭的書契 --- p.93 / Chapter 六、 --- 殷契之成就 --- p.101 / 〈註釋〉 --- p.109 -131 / Chapter 第一章 --- 註 --- p.109 / Chapter 第二章 --- 註 --- p.115 / Chapter 第三章 --- 註 --- p.125 / 〈書刊簡稱表〉 --- p.132 -133 / 著錄 --- p.132 / 工具書 --- p.132 / 刊物 --- p.133 / 〈參考書目〉 --- p.134 -143 / 〈附表〉 --- p.144 -190 / 【表1.1】書風範型表 --- p.144 / 【表1.2】書風範型關係簡表 --- p.145 / 【表1.3】書風範型資料例 --- p.146 -149 / 【表2.1 .1】王世、稱謂、貞人關係表一： 王世、稱謂表 --- p.150 / 【表2.1.2】王世、稱謂、貞人關係表二： 貞人稱謂表 --- p.151 / 【表2.1.3a】】王世、稱謂、貞人關係表三： 貞人王世表（a) --- p.152 / 【表2.1.3b】】王世、稱謂、貞人關係表三： 貞人王世表（b) --- p.152 / 【表2 . 2】標準片表 --- p.153 -172 / 【表2.3】貞人同版表 --- p.173 -175 / 【表2.4a】 貞人繫聯表（I) --- p.176 -177 / 【表2.4b】 貞人繫聯表（II) --- p.178 / 【表2.5】「標準片」範型時期表 --- p.179 / 【表2.6】四期書風表 --- p.180 / 【表2.7】t期書風表 --- p.180 / 【表2.8】五期書風表 --- p.180 / 【表2.9】書風同異關係糸數簡表 --- p.181 / 【表2.10】書風同異關係系數詳表 --- p.182 -189 / 【表3.1】殷代龜卜程序表 --- p.190 / 〈附圖〉 --- p.1 -223 / 《合》 --- p.1 -202 / 《屯》 --- p.203 -217 / 《英》 --- p.218 -220 / 《東》 --- p.221 / 《懷》 --- p.222 -223

From December 1983 to January 1984, 228 bamboo strips were unearthed in M247 at Jiangling, Hubei. These strips contained a collection of criminal cases called Zou Yan Shu, as well as 526 strips containing Laws of the 2nd Year. This discovery effectively patched a gap in judicature during the transition from the Qin to the Han. Beginning in 1985, a research group, Li Xueqin, and Peng Hao, began publishing the content of these strips in Wenwu. Soon scholars all over the world began researching the strips. In 2008, the Bamboo and Silk Manuscript Center at Wuhan University used infrared imaging (as well as referencing Cai Wanjin¡¦s revisions of the text and the research of other scholars) to make sense of a very muddled text. This also brought about many breakthroughs in research on the Zou Yan Shu. Now scholars understand much more concerning judicature during the Qin-Han period and how it differed from that of pre-Qin times. Despite this, few scholars have attempted a comprehensive analysis of the 22 cases found in this work. There is much research to be done on legal terminology in the text, the judiciary writing process in Zou Yan Shu, the reasons for compiling these 22 cases, knowledge of judiciary principles during Qin-Han gained from these cases, and several keys to unjust, falsified, and mistaken cases. This dissertation attempts to utilized prior understanding of the scholarly community to systematically and comprehensively analyzing all 22 cases and to explicate the meaning of the title Zou Yan Shu, judiciary terminology, the judiciary process, adjudicatory results, and reasons for the unjust, falsified, and mistaken cases. It was discovered that the purpose for this compilation was to educate law-enforcement officials and portrays the message that from receiving the initial report to apprehending and trying the criminal to gathering evidence to issuing the final judgment, if the principle ¡§all is decided by the law¡¨ is not strictly adhered to then mistakes are easily made. In addition, the way documents are written in Zhou Yan Shu is closely related to the judiciary process from the county-level all the way to the Commandant of Justice, revealing how this process worked at the various levels.

This dissertation examines the development of Chinese art film in the 1990s. It explores the mechanisms that were conducive to the emergence of this art wave and its representative cinematic styles. Art film was a historically underdeveloped film practice in China, especially under the mass line-dominated Socialist film system. I argue that Chinese art cinema was fundamentally defined by the second art wave, which was flanked by the first art wave (the Fifth Generation Cinema) of the 1980s, and the full capitalization of the film industry in the new millennium. The key to understanding the second art wave was the paradoxical industrial process of the Socialist film system reform of the 1990s. The controlled top-down reform made the emergence of independent production possible while at the same time denying its legitimacy. As the result, the Chinese art film production breathed new life but was pushed from the mainstream to the realm of the alternative. In alliance with other youth subculture phenomena of the time, such as rock music and avant-garde art, art film came to be defined as a distinctive position in the field of Chinese film production in terms of the mode of production (mostly independent), distribution (international film festivals), and film style. Three styles are examined in detail in this dissertation: the documentary-inspired new realist style represented by films of Jia Zhangke, the modernistic expressionist style represented by films of He Jianjun, Zhang Ming, and others, and the style that falls in-between the new realist and expressionist style represented by early films of Zhang Yuan, Lou Ye, and Wang Xiaoshuai. / text

As a leading figure of “The Six Generation” directors, Jia Zhangke’s films focus on reality of contemporary Chinese society, and record the lives of people who were left behind after the country’s urbanization process. He depicts a lot of characters who struggle with their lives, and he works to explore one common question throughout all of his films: “where do I belong?” Jia Zhangke uses unique filmmaking techniques in order to emphasize the feelings of people losing their sense of home. In this thesis, I am going to analyze his cinematic style from three perspectives: photography, musical scores and metaphors. In each chapter, I will use one film as the main subject of discussion and reference other films to complement my analysis. / Graduate

Aging adolescents with rheumatic disease adopt responsibility for disease management from parents. Education on transition care is usually provided to patients by healthcare providers or parents. However, parent-focused transition resources are sparse with limited understanding of parental role and involvement during transition. After providing both parent and adolescent with the Transition Toolkit (parent-centered transition pamphlet, 5 domains of transition readiness roadmap, tip sheets) to support transition to adult care, we aimed to i) determine the change in patient’s transition readiness, using the Transition-Q, ii) explore the influence of parent-adolescent relationships on transition readiness, using the Parent-Adolescent Communication Scale (PACS), and iii) obtain feedback on the Toolkit’s effectiveness, using a questionnaire. A prospective cohort study of patients 14-18 years was conducted at McMaster Children’s Hospital rheumatology transition clinic (includes pediatric rheumatologists, allied health, and the adult rheumatologist patients see post-transfer). Participant demographics, disease characteristics, transition readiness scores (Transition-Q, max 100), and parent-adolescent communication scores (PACS, max 100) were collected. After obtaining 2 Transition-Q scores from routine clinical care prior to enrollment, the Toolkit was shared with participants, and 2 follow-up Transition-Q scores were collected. Generalized estimating equation analyses were performed to determine the Toolkit’s impact on transition readiness and explore the parent-adolescent relationship and communication quality. Subgroup analyses were conducted by sex. A questionnaire was used to obtain Toolkit feedback. Of 21 patients, 19 completed one post-intervention Transition-Q and 16 completed two. Transition-Q scores increased over time and the rate of increase doubled after the Toolkit was shared with adolescents and parents (β=7.8, P<0.0 and β=15.5, P<0.0, respectively). Transition readiness did not seem to be influenced by the quality of communication between parent and child. Feedback from questionnaire responses found the Toolkit to be a helpful resource but standardization of transition programs and further investigation into parent-adolescent relationships, gender differences, and intervention sustainability is needed. / Thesis / Master of Science Rehabilitation Science (MSc) / Aging youths with rheumatic disease adopt the responsibility of disease management from parents. However, few resources to educate parents on transition and transition support exist. After giving patients and parents a Transition Toolkit, we aimed to i) determine change in patient’s transition readiness, ii) explore the influence of parent-adolescent relationships on transition readiness, and iii) obtain feedback on Toolkit use. Twenty-one study participants were recruited. Participant demographics, transition readiness scores, and parent-adolescent communication scores were collected. Transition-Q scores were collected before and after Toolkit provision. Analyses were performed to determine Toolkit impact and influence of parent-adolescent communication on transition readiness. Toolkit feedback from parents and adolescents were obtained through a questionnaire. Transition-Q scores increased at each follow-up, with the greatest increase after the Toolkit was shared. Parent-adolescent relationships did not influence transition readiness. Toolkit feedback suggests digital reminders to improve long-term retention of transition education. Future studies with greater patient diversity are recommended.

台灣地區人口成長快速、工商發達，促成要求都市升格改制壓力漸增，其中尤以縣轄 市即人口在二十萬左右地區增長最快。而新竹市與嘉義市縣轄市是自行政區域調整以 來首先獲得升格改制為省轄市者，其改制過程牽涉到市政需要與政治運作問題。 首先述研究方法、範圍、動機及都市升格改制義涵；第二章述升格改制發展過程及分 析獲准原因；第三章對兩市行政區域變動問題作探討；第四章探討兩市財政收支以及 爭議頗多之縣市財產劃分問題；第五章述縣市在改制時組織、職權及行政上變十；第 六章探討有關民選公職人員之安排及付會關係；第七章結論，分別由改制過程所步及 之理論、時機、問題解決、影響各方面和都市發展趨勢檢討改制案並提出個人意見。

Le thème de la mobilisation totale est au cœur de la réflexion actuelle sur le renouvellement des modes de subjectivation et des manières d’être-ensemble. En arrière-plan, on trouve la question de la compatibilité entre les processus vitaux humains et la modernité, bref, la question de la viabilité du processus de civilisation occidental. Au cœur du diagnostic: l’insuffisance radicale de la fiction de l’homo oeconomicus, modèle de l’individu privé sans liens sociaux et souffrant d’un déficit de sphère. La « communauté qui vient » (Agamben), la « politisation de l’existence » (Lopez Petit) et la création de « sphères régénérées » (Sloterdijk) nomment autant de tentatives pour penser le dépassement de la forme désormais impropre et insensée de l’individualité. Mais comment réaliser ce dépassement? Ou de manière plus précise : quelle traversée pour amener l’individu privé à opérer ce dépassement? Ce doctorat s’organise autour d’une urgence focale : [E]scape. Ce concept suggère un horizon de fuite immanent : il signe une sortie hors de l’individu privé et trace un plan d’idéalité permettant d’effectuer cette sortie. Concrètement, ce concept commande la production d’une série d’analyses théoriques et artistiques portant sur des penseurs contemporains tels que Foucault, Deleuze ou Sloterdijk, l’album Kid A de Radiohead ainsi que sur le cinéma et l’art contemporain chinois (Jia Zhangke, Wong Kar-Wai, Wong Xiaoshuai, Lou Ye, Shu Yong, Huang Rui, Zhang Huan, Zhu Yu, etc.). Ces analyses sont conçues comme autant de passages ou itinéraires de désubjectivation. Elles posent toutes, d’une manière ou d’une autre, le problème du commun et de l’être-ensemble, sur le seuil des non-lieux du capitalisme global. Ces itinéraires se veulent liminaux, c’est-à-dire qu’ils se constituent comme passages sur la ligne d’un dehors et impliquent une mise en jeu éthopoïétique. Sur le plan conceptuel, ils marquent résolument une distance avec le paradigme de la politique identitaire et la critique des représentations interculturelles. / The theme of total mobilization is central to the contemporary reflection on the renewing of subjectivation processes and ways of being-together. In the background, we find the question of the compatibility between the human vital processes and modernity, or in other words, the question of the viability of Western civilization. At the core of the diagnosis: the radical insufficiency of the homo oeconomicus’s fiction, model of the private individual without meaningful social links and suffering from a sphere deficit. The “coming community” (Agamben), the “politization of existence” (Lopez Petit) and the creation of “regenerated spheres” (Sloterdijk) name as many attempts to think how to go beyond the henceforth improper and senseless form of individuality. But how are we to realize this overcoming? Or more precisely: which crossing to bring the private individual to operate this overcoming? This work is organized around a focal urgency: [E]scape. This concept suggest an immanent horizon of flight: it signs a way out of the private individual and draws a plan of ideality allowing to effectuate this exit. Concretely, this concept commands the production of a series of theoretical an artistic analysis of contemporary thinkers like Foucault, Deleuze and Sloterdijk, of Radiohead’s Kid A Album, and of different Chinese contemporary filmmakers and artists (Jia Zhangke, Wong Kar-Wai, Wong Xiaoshuai, Lou Ye, Shu Yong, Huang Rui, Zhang Huan, Zhu Yu, etc.) These analyses are conceived as passages or itineraries of desubjectivation. They all posit, in one way or the other, the problem of the common and of the being-together, on the threshold of global capitalism’s non-places. These itineraries are meant to be liminal, i.e. they constitute as many passages on the line and imply an ethopoietic mise en jeu. Conceptually speaking, they mark a distance with the identity politics paradigm and the critics of intercultural representations.

陶飛亞 = A Christian Utopia in China : a historical study of the Jesus Family (1921-1952) / Tao Feiya. / 論文(哲學博士)--香港中文大學, 2001. / 參考文獻 (p. 276-290) / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Tao Feiya = A Christian Utopia in China : a historical study of the Jesus Family (1921-1952) / Tao Feiya. / Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2001. / Can kao wen xian (p. 276-290) / Zhong Ying wen zhai yao.