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Made available in DSpace on 2016-04-29T13:31:07Z (GMT). No. of bitstreams: 1 Dependencia de drogas como um problema de Identidade.pdf: 1099358 bytes, checksum: 72850e5e57fa7f7d526d4e8dbe020e27 (MD5) Previous issue date: 2005-11-07 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This dissertation aims to investigate the mean of the therapeutic workshop of theater to the person who has been treated by the ambulatory of drug dependency in the city of Diadema SP. To do so, we start from the Social Psychology and the concept of Identity as the central category of analysis, considering to understand not only the phenomenon in its instrumental aspect, but, all the context in which the individual that uses psychoactive substances is inserted, in the tradition vs. modernity conflicts, of the market of consumption, of the diagnostic and treatments; with the proposal to present a contribution in such a way theoretical as political. The research was carried through from the narrative of the participant life history, which was recorded and transcript with the consent of the interviewed. While analyzing the life history narrative, we focused on happenings immediately before, during and after the participation on the therapeutic workshop of theater, asking the participant to tell several aspects of his life and not only the one who made the person search for drug dependency treatment. What has changed in his family, social, professional and individual life, observing how has this process developed. The dissertation is divided in five chapters that approach several aspects in which the individuals who use psychoactive substances are inserted. In this way, this work weaves some reflections on the question of drug usage and the possibility of change through the therapeutic workshop of theater, as well as it offers subsidy to discuss the Post Conventional Identities (Habermas) and the possibilities of emancipation in Modernity. / Esta dissertação propõe investigar o sentido da oficina terapêutica de teatro para uma pessoa que passou por ambulatório de tratamento da dependência química do município de Diadema - SP. Para isso partimos da Psicologia Social e do conceito de Identidade como categoria central de análise, propondo entender o fenômeno não apenas no seu aspecto instrumental, mas sim, todo o contexto no qual o indivíduo que usa substâncias psicoativas está inserido, nos conflitos da tradição vs. modernidade, do mercado de consumo, dos diagnósticos e tratamentos; com a proposta de apresentar uma contribuição tanto teórica, quanto política. A pesquisa foi realizada a partir da narrativa da história de vida do participante, que foi gravada e transcrita com o consentimento do entrevistado. Ao analisar a narrativa da história de vida, procuramos focar os acontecimentos imediatamente antes, durante e após a participação na oficina terapêutica de teatro, pedindo que o participante nos contasse diversos aspectos de sua vida e não apenas aquele que levou o indivíduo a procurar tratamento da dependência de drogas. O que mudou na sua vida familiar, social, profissional e individual, observando como este processo se desenvolveu. A dissertação é dividida em cinco capítulos, que abordam os diversos aspectos no qual os indivíduos que utilizam substâncias psicoativas estão inseridos. Desse modo, o presente trabalho tece algumas reflexões sobre a questão das drogas e da possibilidade de mudança por meio da oficina terapêutica de teatro, assim como oferece subsídios para discutir as Identidades Pós-Convencionais (Habermas), e as possibilidades de emancipação na Modernidade.

Made available in DSpace on 2016-04-29T13:31:29Z (GMT). No. of bitstreams: 1 Alessandro de Oliveira Campos.pdf: 629690 bytes, checksum: 410b71a9f2c7db8d4139976a07b62b83 (MD5) Previous issue date: 2007-02-02 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This dissertation investigates the identity of autonomous activists in the Global Resistance movement. We begin with a central category of Social Psychology, the conceptual use of identity-metamorphosis-emancipation sintagma. The proposal arose in the inquiry for the political Identity of the autonomous activist as a transformation process for the emancipation of the subject in a dominated world. This transformation occurs on the path to what we call Post-Conventional Identity. For this observation an analysis was performed of the history of the life of a member of the São Paulo Independent Media Center, as well as field work including participation in meetings and acts of autonomous nature. We perceive that nobody is born an activist, but passes through a process that leads him to this place. To think of the autonomous activist as a role is a contradiction, but to consider the activist identity as an I who searches for autonomy and recognizes the diverse actions for another political and social reality, which with new forms of existence come to gain legitimacy for the struggles in search of emancipation. The history of life of the autonomous activist passes through different processes that can take it to an amplification of given values and recognitions being more cooperation than competition. This work searches to weave reflections on the different possibilities to be political beyond the institutions and traditional parties / Esta dissertação busca investigar a identidade do ativista autonomista envolvido no Movimento de Resistência Global. Partimos da Psicologia Social tendo como categoria central o uso conceitual do sintagma identidade-metamorfose-emancipação. A proposta se deu na investigação da Identidade política do ativista autonomista como processo de transformação para a emancipação do sujeito em um mundo dominado. Essa transformação acontece em direção ao que denominamos de Identidade Pós-Convencional. Para essa observação foi realizada uma análise da história de vida de um membro do Centro de Mídia Independente de São Paulo, assim como um trabalho de campo participando de reuniões e atos de natureza autonomista. Percebemos que ninguém nasce ativista, mas passa por um processo que o conduz até este lugar. Pensar o ativista autonomista como um papel é uma contradição, mas considerar a Identidade ativista como um Eu que busca autonomia e reconhece a diversidade de atuações para outra realidade política e social, faz com que novas formas de existência venham a ganhar legitimidade para as lutas que buscam emancipação. A história de vida do ativista autonomista passa por diferentes processos que podem levá-lo a uma ampliação de valores e reconhecimentos dados mais pela cooperação que pela competição. Esse trabalho busca tecer reflexões sobre as diferentes possibilidades de fazer política além das instituições e partidos tradicionais

The following project will examine the scientific, metaphysical, and aesthetic themes connected to Goethe's vision of Natur during and surrounding the years of his famed Italian Journey. Goethe's progressing conceptualization of the Urpflanze during this period, as witnessed in his autobiographical Italienische Reise and the Versuch, die Metamorphose der Pflanzen zu erklaren, will be of special concern because of its pertinence to a number of vital natural scientific themes in Goethe's scientific work. I will also trace the progression of these themes over time as seen in Goethe's related theories of the intermaxillary bone and of the morphology of plant organs so as to maintain that the Italian Journey may be seen as a period not only of literary revitalization as commonly cited, but also of scientific progress in connection with Goethe's deepening understanding of Natur as well as its inherent laws and archetypal nature. The first chapter will introduce the project's problem in detail as well as the textual and critical obstructions associated with the project. I will maintain in Chapter II that Goethe's biography during the 1780s shows a systematic progression in the understanding of Natur in his scientific projects and in the Reise, which also helps to demonstrate that Goethe's Journey was a period during which Goethe was able to develop, in greater detail than heretofore, his metaphysical vision of Natur. In Chapter III, I will investigate the primary textual material on Goethe?s notion of the Urpflanze within the Italienische Reise and its resulting extension in his 1790 study of plant morphology, the Metamorphose der Pflanzen. Chapter IV will discuss the topic of the Eins in Nature and anschauende Urteilskraft as detected in Goethe's scientific writings. Chapter V will continue and conclude this argument by linking Richards' argument regarding "Romantic biologists" to Goethe?s natural science during the time of the Italian Journey, thus making a connection between Kunst and Natur in the Italienische Reise and in Goethe's scientific projects during and surrounding the Journey.

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Tableau d'honneur de la Faculté des études supérieures et postdoctorales, 2011-2012 / L'objectif de ce mémoire est de montrer comment, dans La métamorphose des plantes et autres écrits botaniques de Goethe, la connaissance du règne végétal mûrit en intuition intellectuelle. En abordant par cet angle la botanique de Goethe, nous avons voulu la situer dans le cadre de la philosophie qui lui était contemporaine, celle de Kant et de l'idéalisme allemand. La spécificité de la conception goethéenne d'une participation spirituelle de l'homme aux formations de la nature consiste en ceci que, refusant la voie spéculative, elle prend racine dans un empirisme délicat baptisé morphologie. Cette science veut élever la raison humaine à l'intellect archétypique par l'exercice d'une imagination sensible exacte, seule capable d'épouser la légalité mobile des phénomènes organiques. Dans cet esprit, Goethe prétend que l'art est le meilleur interprète de la nature. Réciproquement, la morphologie constitue pour lui la propédeutique idéale à la pratique comme à la théorisation de l'art.

Questo lavoro mira ad offrire una nuova prospettiva dalla quale leggere la dialettica fra cultura pagano-mitica e cultura cristiana che attraversa tutta la tradizione letteraria italiana. Tema comune alle due visioni del mondo, la trasformazione è figura guida dell’intera ricerca, figura che assume declinazioni differenti e prende il nome di metamorfosi nella cultura mitica e quello di conversione nella cultura cristiana. La novità della prospettiva consiste nel tentativo di una lettura di carattere retorico di questi due fenomeni, con lo scopo di formalizzare due tipi di poetica che corrispondano al tema della metamorfosi e a quello della conversione. Applicando al vasto materiale offerto da Divina Commedia, Gerusalemme liberata, Adone, Promessi sposi, tragedie manzoniane e da alcune poesie tratte dall’Alcyone di d’Annunzio gli strumenti derivati dagli studi antropologici sui sacrifici arcaici di Girard e dalle intuizioni di Bottiroli a proposito della traduzione letteraria di alcuni schemi logici propri alla cultura occidentale si è potuta constatare una corrispondenza costante tra le forme dei contenuti ‘metamorfosi’ e ‘conversione’ e le particolari forme dell’espressione con cui essi sono stati rappresentati. Una volta individuate, le particolari forme dell’espressione sono state codificate in figure retoriche, tanto che si è giunti ad indicare lo schema, in generale, dell’antitesi come marca propria alla poetica della metamorfosi e la figura della correctio come caratteristica della poetica della conversione. / This work aims at offering a new perspective from which it is possible to read the dialectic between the heathen-mythical culture and the Christian culture that runs through the whole literary Italian tradition. Transformation is the theme in common between the two visions of the world, it is the leading figure of the whole research and it assumes different forms. It takes the name of metamorphosis in the mythical culture and of conversion in the Christian culture. The novelty of this perspective consists in the attempt of a rhetorical reading of these two phenomena, in order to formalize two kinds of poetics., that could correspond to the theme of metamorphosis and conversion. Applying to the large materials offered by Divina Commedia, Gerusalemme liberata, Adone, Promessi sposi, tragedies by Manzoni and some poems from Alcyone by d’Annunzio the instruments deriving from the anthropological studies about archaic sacrifices by Girard and from the intuitions of Bottiroli about literary transposition of some logical schemes, which are typical of the Western culture, it was possible to notice a constant correspondence between forms of contents ‘metamorphosis’ and ‘conversion’ and the particular forms of the expression, with which they have been represented. Once they have been pointed out, the particular forms of expression have been codified in figures of speech, so that it was possible to indicate the overall scheme of the antithesis as the proper sing of the poetics of metamorphosis and the figure of correctio as the feature of the poetics of conversion.