Made available in DSpace on 2016-04-29T13:32:24Z (GMT). No. of bitstreams: 1 Patricia Sampaio Pflaeging.pdf: 306434 bytes, checksum: 278f5dd123d9691ad551a3d2ef0a463c (MD5) Previous issue date: 2009-05-25 / The goal of the present dissertation is to investigate the construction of the post-conventional identity of the Self, proposed by Habermas, as well as understand how the post-conventional identity leads with the fetish of the character. In this context, we aimed to analyse how the post-conventional person builds his multiples characters, leads with collective roles and maintains his autonomy in order to articulate a new life project. For this purpose we used the Social Psychology and the concept of identity-metamorphosis-emancipation, developed by Ciampa, as the main category of analysis, considering to understand not only the phenomenon in its instrumental aspect, but, also the context in which the individual is placed. The research was carried through from the narrative of the participant life history, focusing different moments of his path. This dissertation presents some considerations on in order to offers subsidies to discuss the post-conventional identity of the Self, his possibilities of emancipation and the various meanings of metamorphosis / O presente trabalho tem como objetivo compreender como se dá a formação da Identidade do eu pós-convencional (Habermas), bem como, entender como, ao longo do tempo, o eu pós-convencional lida com o fetichismo de um determinado personagem. Nesse sentido, buscamos analisar como o sujeito pós-convencional constrói seus múltiplos personagens, lida com as identidades coletivas reconhecidas pela sociedade, mantendo a autonomia e articulando um novo projeto de vida. Para isso partimos da Psicologia Social e do sintagma Identidade-Metamorfose-Emancipação (Ciampa) como categoria central de análise, propondo entender o fenômeno não apenas no seu aspecto instrumental, mas sim, todo o contexto no qual o indivíduo está inserido. A pesquisa foi realizada a partir da narrativa da história de vida do sujeito, focando diversos momentos de sua trajetória. Desta forma, esta dissertação tece algumas reflexões, assim como oferece subsídios para discutir a identidade do eu pós-convencional, as possibilidades de emancipação e os diversos sentidos da metamorfose

Made available in DSpace on 2016-04-25T20:20:38Z (GMT). No. of bitstreams: 1 Marina Costin Fuser.pdf: 1102021 bytes, checksum: 3448149b56ccf6c384f76a9fd45fca6b (MD5) Previous issue date: 2012-05-16 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This present dissertation throws light upon a theater written through the shadows of Brazilian dictatorship. Hilda Hilst s dramaturgy is a scream of protest facing the arbitrariness portrayed by the executioners of the regime. Among the ruins of human barbarism, the lady warrior shines. Though the analysis of two of Hilda Hilst s plays The Enterprise / The Possessed story of austerity and exception (1969) I intend to map the trails of women that serached the path of transcendence. Her lyrism is related to possissibilities, mouvements, and game turns. The woman in Hilda Hilst does not suit closed definitions; it unfolds just like a hand fan, made by multiple layers. Hilst enhances the trasitory, in the heat of metamorphic processes that come across her characters. Her dramaturgy is composed by allegories, that interweave in a delicate fabric, where poetry and theatre combine. The purpouse of this work is to go through these labyrinthic paths, in a senstive analysis of the unfoldings of this lyrism which does not let itself be fixed. Which silences and which screams inhabit her characters, and what happens when they are driven to their extreme limits? / A presente dissertação lança luz sobre um teatro escrito à sombra da ditadura brasileira. A dramaturgia de Hilda Hilst é um grito de protesto frente às arbitrariedades perpetradas pelos algozes do regime. Em meio aos escombros da barbárie humana, resplandece a donzela guerreira. Através da análise de duas peças de Hilda Hilst A Empresa / A Possessa estória de austeridade e exceção (1967) e O Verdugo (1969) procuro mapear as trajetórias de mulheres que buscaram caminhos de transcendência. Seu lirismo remete a possibilidades, movimentos e viradas de jogo. A mulher em Hilst não se encerra em definições fechadas; ela se desdobra tal como um leque, feito de múltiplas camadas. Hilst vislumbra o transitório, no calor dos processos metamórficos que atravessam suas personagens. Sua dramaturgia é feita de alegorias, que se entrelaçam em uma tessitura delicada, onde poesia e teatro se encontram. O objetivo desse trabalho é percorrer esses caminhos labirínticos, em uma análise sensível aos desdobramentos de um lirismo que não se deixa fixar. Quais silêncios e quais gritos habitam suas personagens, e o que ocorre quando estes são levados ao extremo limite?

Made available in DSpace on 2016-04-26T14:53:33Z (GMT). No. of bitstreams: 1 Marina Costin Fuser.pdf: 1102021 bytes, checksum: 3448149b56ccf6c384f76a9fd45fca6b (MD5) Previous issue date: 2012-05-16 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This present dissertation throws light upon a theater written through the shadows of Brazilian dictatorship. Hilda Hilst s dramaturgy is a scream of protest facing the arbitrariness portrayed by the executioners of the regime. Among the ruins of human barbarism, the lady warrior shines. Though the analysis of two of Hilda Hilst s plays The Enterprise / The Possessed story of austerity and exception (1969) I intend to map the trails of women that serached the path of transcendence. Her lyrism is related to possissibilities, mouvements, and game turns. The woman in Hilda Hilst does not suit closed definitions; it unfolds just like a hand fan, made by multiple layers. Hilst enhances the trasitory, in the heat of metamorphic processes that come across her characters. Her dramaturgy is composed by allegories, that interweave in a delicate fabric, where poetry and theatre combine. The purpouse of this work is to go through these labyrinthic paths, in a senstive analysis of the unfoldings of this lyrism which does not let itself be fixed. Which silences and which screams inhabit her characters, and what happens when they are driven to their extreme limits? / A presente dissertação lança luz sobre um teatro escrito à sombra da ditadura brasileira. A dramaturgia de Hilda Hilst é um grito de protesto frente às arbitrariedades perpetradas pelos algozes do regime. Em meio aos escombros da barbárie humana, resplandece a donzela guerreira. Através da análise de duas peças de Hilda Hilst A Empresa / A Possessa estória de austeridade e exceção (1967) e O Verdugo (1969) procuro mapear as trajetórias de mulheres que buscaram caminhos de transcendência. Seu lirismo remete a possibilidades, movimentos e viradas de jogo. A mulher em Hilst não se encerra em definições fechadas; ela se desdobra tal como um leque, feito de múltiplas camadas. Hilst vislumbra o transitório, no calor dos processos metamórficos que atravessam suas personagens. Sua dramaturgia é feita de alegorias, que se entrelaçam em uma tessitura delicada, onde poesia e teatro se encontram. O objetivo desse trabalho é percorrer esses caminhos labirínticos, em uma análise sensível aos desdobramentos de um lirismo que não se deixa fixar. Quais silêncios e quais gritos habitam suas personagens, e o que ocorre quando estes são levados ao extremo limite?

Publicados em periódicos brasileiros entre 1881 e 1890, os contos de Raul Pompéia não tiveram, ao longo do tempo, uma leitura que os singularizasse dentro da obra do autor. Mais conhecido por seu romance O Ateneu, Raul Pompéia escreveu cerca de 50 contos, que ficaram espalhados em jornais de São Paulo e Rio de Janeiro por um século, até sua reunião em 1981. Este trabalho pretende fazer uma leitura detalhada da de uma parte significativa dessa produção, buscando identificar as linhas de força do gênero em Pompéia e de que maneira o autor desenvolveu seus contos tendo em vista uma reelaboração e aprimoramento de temas e estilo, visando a uma qualidade artística pouco atingida, exceção feita a Machado de Assis, no conto do século XIX. / Published in Brazilians journals between 1881 and 1890, Raul Pompeias short stories did not have, all along, a distinctive approach on the authors work. Better known by his romance O Ateneu, Raul Pompeia wrote nearly 50 short stories, spread in São Paulo and Rio de Janeiros newspapers for a century, until their reunion in 1981. This work intend to do a detailed reading of a significant part of this production, seeking an identification of the main characteristics of the genre in Pompeia. Also, in what way the author developed his short stories searching for a new elaboration and improvement of themes and style, aiming an artistic quality hardly achieved on XIX Century short story, in exception of Machado de Assis.

<p>Snö har en stor betydelse för oss inom hydrologin samt ekologin. Inom hydrologin har snön inverkan på våra vattendrag under vinter och vår dessutom har den en stor betydande roll för elektricitetsproduktionen via vattenkraft. För ekologin ger snön isolering för växter, marken och skydd för mindre djur arter. Snöförhållanden förklarar också ofta naturkatastrofer, så som lavinrisker och översvämningar i vattendragen. Ökad kunskap om snöegenskaper skulle kunna hjälpa oss att förstå alla ovan nämnda skeenden bättre.</p><p>På Abiskos naturvetenskapliga forskningsstation har det sedan år 1961 till nu gjorts snöprofilsmätningar, där snötäckets egenskaper, tjocklek, snölagrets täthet/hårdhet, snö kristallernas fasthet, snökornens storlek och snöns torrhet uppskattas. Dessa mätningar utgör grunden till denna studie där syftet är att klimatologiskt undersöka den inre snöstrukturen.</p><p>Undersökningen av snöns inre struktur ger oss en tydlig bild av att kategorin is förekommer mycket ofta i snötäcket och att dess tjocklek är mycket tunn. Under de senaste 15-åren (1993-2007) har kategorin is utgjorts till 25% av alla egenskaper i snötäckets översta lager. Vi kan även se att snön har blivit mycket blötare under våren för perioden 1993-2007 (senaste 15 åren) speciellt under maj månad. Att detta är klara och distinkta spår på den ökade lufttemperaturen är det inga tvivel på. Tydliga spår av metamorfosen i snötäcket ses när kategorin mycket lucker och lucker har ökat kraftigt i det understa lagret de senaste åren, något som även förklarar ökade lavinrisker i området.</p><p>Snödjupet har minskat under de senaste 15 åren (1993-2007) under hösten (oktober och november) i jämförelse med de andra två 15-års perioderna (1961-1992), men snölagrets tjocklek har däremot ökat under våren.</p> / <p>Snow is of great importance to our environment in ways such as hydrological and ecological. When speaking in terms of hydrology, snow affects our water streams and has a great influence on hydropower. In ecological purposes, snow is a good isolator for vegetation, soil and it also gives shelter for smaller animals. Snow conditions often explain natural disaster, such as risks for avalanches and submergence in the streams. Understanding the fundamentals of snow properties would give scientist a greater understanding of snow and its effects on our environment.</p><p>Snow profile measurements have been made in Abisko research centre since 1961 until present time. Measurements have been done on snow cover properties, such as the thickness of the snow layer, grain size, snow layer hardness, grain compactness and the dryness of the snow. Collected data from Abisko research centre is the foundation of this study where our objective is to analyze the inner snow structure. This will give us a greater understanding of how snow has been behaving historically.</p><p>Result of this study illustrates that category ice occurs very frequent in the snow cover and its thickness is very thin. During the last 15-years (1993-2007) has the category ice constitute up to 25% of all the properties in the snow cover in the upper layer. We can also see that the snow cover has drastically become more wet during spring specially for the month may and there is no doubt that the increased air temperature is behind it. There are also distinct signs of metamorphoses in the snow cover which can explain the increased risks for avalanches in the area.</p><p>Results also shows that the snow depth has decreased during the last 15 years (1993-2007) in autumn (October and November) in comparison with the other 15-year periods (1961-1992), but on the other hand the snow layer thickness has increased during the spring.</p>

This thesis examines the morphology of Johann Wolfgang von Goethe (1749-1832) through several lenses. The first explores Goethe's morphology as he applied it in his botanical work and supplies an explanation of what Goethe referred to as archetypal phenomena and the archetypal plant. The scope of exploration then broadens to include how Goethe's morphology related to contemporary intellectual trends, in particular Linnaean taxonomy and Kantian Idealism. These contexts serve to situate the development of Goethe's own thinking from his initial formulations of morphology to later variations. The second half of the thesis focuses on contemporary applications of Goethe's ideas in morphology. Natural aesthetics serves as a natural extension. Modern theories of natural aesthetics seek out different justifications for aesthetic experiences arising from engagement with the natural world and this thesis offers Goethe's morphology as an additional possibility. The final chapter looks at The Nature Institute and how it has adopted Goethe's methods and applied them to modern genetics while expanding its scope to include cultural and ethical contexts. Through its presentation, this thesis intends that Goethe's morphology can be applied beyond it usual biological subject matter, including itself. / Graduation date: 2012

Snö har en stor betydelse för oss inom hydrologin samt ekologin. Inom hydrologin har snön inverkan på våra vattendrag under vinter och vår dessutom har den en stor betydande roll för elektricitetsproduktionen via vattenkraft. För ekologin ger snön isolering för växter, marken och skydd för mindre djur arter. Snöförhållanden förklarar också ofta naturkatastrofer, så som lavinrisker och översvämningar i vattendragen. Ökad kunskap om snöegenskaper skulle kunna hjälpa oss att förstå alla ovan nämnda skeenden bättre. På Abiskos naturvetenskapliga forskningsstation har det sedan år 1961 till nu gjorts snöprofilsmätningar, där snötäckets egenskaper, tjocklek, snölagrets täthet/hårdhet, snö kristallernas fasthet, snökornens storlek och snöns torrhet uppskattas. Dessa mätningar utgör grunden till denna studie där syftet är att klimatologiskt undersöka den inre snöstrukturen. Undersökningen av snöns inre struktur ger oss en tydlig bild av att kategorin is förekommer mycket ofta i snötäcket och att dess tjocklek är mycket tunn. Under de senaste 15-åren (1993-2007) har kategorin is utgjorts till 25% av alla egenskaper i snötäckets översta lager. Vi kan även se att snön har blivit mycket blötare under våren för perioden 1993-2007 (senaste 15 åren) speciellt under maj månad. Att detta är klara och distinkta spår på den ökade lufttemperaturen är det inga tvivel på. Tydliga spår av metamorfosen i snötäcket ses när kategorin mycket lucker och lucker har ökat kraftigt i det understa lagret de senaste åren, något som även förklarar ökade lavinrisker i området. Snödjupet har minskat under de senaste 15 åren (1993-2007) under hösten (oktober och november) i jämförelse med de andra två 15-års perioderna (1961-1992), men snölagrets tjocklek har däremot ökat under våren. / Snow is of great importance to our environment in ways such as hydrological and ecological. When speaking in terms of hydrology, snow affects our water streams and has a great influence on hydropower. In ecological purposes, snow is a good isolator for vegetation, soil and it also gives shelter for smaller animals. Snow conditions often explain natural disaster, such as risks for avalanches and submergence in the streams. Understanding the fundamentals of snow properties would give scientist a greater understanding of snow and its effects on our environment. Snow profile measurements have been made in Abisko research centre since 1961 until present time. Measurements have been done on snow cover properties, such as the thickness of the snow layer, grain size, snow layer hardness, grain compactness and the dryness of the snow. Collected data from Abisko research centre is the foundation of this study where our objective is to analyze the inner snow structure. This will give us a greater understanding of how snow has been behaving historically. Result of this study illustrates that category ice occurs very frequent in the snow cover and its thickness is very thin. During the last 15-years (1993-2007) has the category ice constitute up to 25% of all the properties in the snow cover in the upper layer. We can also see that the snow cover has drastically become more wet during spring specially for the month may and there is no doubt that the increased air temperature is behind it. There are also distinct signs of metamorphoses in the snow cover which can explain the increased risks for avalanches in the area. Results also shows that the snow depth has decreased during the last 15 years (1993-2007) in autumn (October and November) in comparison with the other 15-year periods (1961-1992), but on the other hand the snow layer thickness has increased during the spring.

In this thesis I propose a new approach to the study of the “childlike” in five works from the first half of the 20th century: Les Enfants terribles (1929) by Jean Cocteau, “Un diamant gros comme le Ritz” (1922) by F. Scott Fitzgerald, La Métamorphose (1915) by Franz Kafka, Le Petit Prince (1943) by Antoine de Saint-Exupéry and L’Arrache-coeur (1953) by Boris Vian. Distinct from both childhood narratives and narratives for children, these texts nevertheless exhibit a childlike quality that can best be described as an in-between state of ambiguity. In the first section of the thesis, I look at the “between” identity of the children. There are children who fly and who are extraterrestrials. There are others who have adult jobs and who even marry. In fact, I call these ambiguous characters, “les enfantins”. In the second section of the thesis, I show that the language is “between”. In 1951, child psychologist Jean Piaget published “La Formation du symbole chez l’enfant”, a work in which he studies the tendency of young children to take one object for another. I show how this type of almost magical thinking that Piaget calls “symbolic thought” appears in the “récit”. In the final section of my thesis, I study areas in the story where the reader finds himself in a “between” position, unable to establish whether what he is reading is occurring or whether it belongs to the imaginary symbolic thought of the child. Here I focus on the readers’ hesitation, contrasting it with the hesitation that Tzvetan Todorov explores in the genre of the fantastic. While this thesis is a close reading of five specific works, it incites several theoretical questions that can be applied more widely to studies concerning the “literary child”: what constitutes a child character in a work, what effect does a child character have on the language of the text, and how does a child character affect the way a text is read? / Thesis (Master, French) -- Queen's University, 2008-02-14 12:16:39.799

Zugl.: München, Univ., Diss., 2005/06

Publicados em periódicos brasileiros entre 1881 e 1890, os contos de Raul Pompéia não tiveram, ao longo do tempo, uma leitura que os singularizasse dentro da obra do autor. Mais conhecido por seu romance O Ateneu, Raul Pompéia escreveu cerca de 50 contos, que ficaram espalhados em jornais de São Paulo e Rio de Janeiro por um século, até sua reunião em 1981. Este trabalho pretende fazer uma leitura detalhada da de uma parte significativa dessa produção, buscando identificar as linhas de força do gênero em Pompéia e de que maneira o autor desenvolveu seus contos tendo em vista uma reelaboração e aprimoramento de temas e estilo, visando a uma qualidade artística pouco atingida, exceção feita a Machado de Assis, no conto do século XIX. / Published in Brazilians journals between 1881 and 1890, Raul Pompeias short stories did not have, all along, a distinctive approach on the authors work. Better known by his romance O Ateneu, Raul Pompeia wrote nearly 50 short stories, spread in São Paulo and Rio de Janeiros newspapers for a century, until their reunion in 1981. This work intend to do a detailed reading of a significant part of this production, seeking an identification of the main characteristics of the genre in Pompeia. Also, in what way the author developed his short stories searching for a new elaboration and improvement of themes and style, aiming an artistic quality hardly achieved on XIX Century short story, in exception of Machado de Assis.