A tese tem por objetivo verificar se o autor português Eça de Queirós cumpre o trato feito com o editor Ernesto Chardron para editar A Capital! (2006), romance póstumo da coleção denominada Cenas Portuguesas (1877), de acutilar o mundo oficial, o mundo sentimental, o mundo literário, o mundo agrícola; obra que não trata de mulheres, nem de amores, mas de descrever os aspectos cruéis da vida literária em Lisboa (jornalistas, artistas, etc). Como resultado depreende-se que, embora o romance não tenha recebido as correções finais dentro dos padrões estéticos do ficcionista, os acervos das bibliotecas citadas, os jornais lidos tanto pelos membros da Família Corvelo, quanto pelas pessoas com as quais eles convivem tornaram viável a crítica direcionada pelo autor contra os grupos sociais por ele escolhidos, enquanto avalia e estabelece relações entre educação, literatura, política, profissão pública e dinheiro à medida que descreve diversas figurações de personagens-leitoras. / The thesis aims to verify if the portuguese author Eça de Queirós complies with the agreement made with the editor Ernesto Chardron to edit The Capital! (2006), posthumous novel of the collection called Portuguese Scenes (1877) The literary world, the agricultural world, a work that is not about women, nor about loves, but about describing the cruel aspects of literary life in Lisbon (journalists, artists, etc.). As a result it can be understood that although the novel has not received the final corrections within the aesthetic standards of the fictionist, the collections of the mentioned libraries, the newspapers read by both members of the Corvelo Family, as well as by the people with whom they coexist have made viable criticism Directed by the author against the social groups he chooses, while describing the relationship between education, literature, politics, public profession, and money as he describes several figurations of reader characters. Keywords: Journal. Reader. Lisbon. Literature. Literary Reception

A tese tem por objetivo verificar se o autor português Eça de Queirós cumpre o trato feito com o editor Ernesto Chardron para editar A Capital! (2006), romance póstumo da coleção denominada Cenas Portuguesas (1877), de acutilar o mundo oficial, o mundo sentimental, o mundo literário, o mundo agrícola; obra que não trata de mulheres, nem de amores, mas de descrever os aspectos cruéis da vida literária em Lisboa (jornalistas, artistas, etc). Como resultado depreende-se que, embora o romance não tenha recebido as correções finais dentro dos padrões estéticos do ficcionista, os acervos das bibliotecas citadas, os jornais lidos tanto pelos membros da Família Corvelo, quanto pelas pessoas com as quais eles convivem tornaram viável a crítica direcionada pelo autor contra os grupos sociais por ele escolhidos, enquanto avalia e estabelece relações entre educação, literatura, política, profissão pública e dinheiro à medida que descreve diversas figurações de personagens-leitoras. / The thesis aims to verify if the portuguese author Eça de Queirós complies with the agreement made with the editor Ernesto Chardron to edit The Capital! (2006), posthumous novel of the collection called Portuguese Scenes (1877) The literary world, the agricultural world, a work that is not about women, nor about loves, but about describing the cruel aspects of literary life in Lisbon (journalists, artists, etc.). As a result it can be understood that although the novel has not received the final corrections within the aesthetic standards of the fictionist, the collections of the mentioned libraries, the newspapers read by both members of the Corvelo Family, as well as by the people with whom they coexist have made viable criticism Directed by the author against the social groups he chooses, while describing the relationship between education, literature, politics, public profession, and money as he describes several figurations of reader characters. Keywords: Journal. Reader. Lisbon. Literature. Literary Reception

Cette thèse s’inscrit dans le champ de la littérature de jeunesse comme lieu d’expression artistique à la croisée de la littérature et des arts visuels. L’objet de notre travail est de décrire les formes que revêt le péritexte et les fonctions qui lui sont assignées dans l’album pour la jeunesse. Parce que l’album est un laboratoire d’écriture, parce qu’il est un objet plurisémiotique, le péritexte, dans les recherches plastiques et narratologiques les plus innovantes, se voit investi par les auteurs et traité comme un espace de créativité sémantisé. La fiction déborde sur les seuils, les seuils s’immiscent dans la fiction. Nous proposons dans un premier temps une typologie, appliquée à l’album, des usages péritextuels afin d’interroger les débordements de seuils de la périphérie du texte vers le récit, et inversement, du récit vers la périphérie du texte. Dans un second temps, nous observons ces débordements : deux types de transgressions sont à l’œuvre, l’un s’observant dans le récit iconotextuel de l’album et l’autre, dans ses seuils péritextuels, redéfinissant alors les contours mêmes du récit. Enfin, dans une perspective didactique, nous interrogeons la réception des jeunes lecteurs qui reçoivent effectivement ces péritextes plus ou moins canoniques ou nettement déviants. Nous réfléchissons alors aux moyens d’utiliser en classe les éléments péritextuels, hors des rituels connus, pour en faire des entrées heuristiques dans la lecture / This thesis deals with the issue of children's literature as a means of artistic expression, at a crossroad between literature and visual art.The aim of this research is to describe the various forms that the peritext assumes and the functions assigned to it, within the literary genre of children's books.Because the peritext is a laboratory in writing, and as the children's book is a plurisemiotic object, the peritext, in its most innovative plastic and narratological research, is invested by authors and thus treated as a field of semantic creativity by them. Fiction crosses over thresholds while thresholds meddle with fiction. In a first part, a typology of peritextual usage applied to children's books is suggested, so as to examine the overlapping of thresholds from the textual fringe to the narrative, and vice versa, from the narrative to the textual fringe. In a second part, these overlaps, defined here as metalepsis, are examined. Two types of transgressions are at work, one that can be noticed in the iconotextual narrative of the book and another in its peritextual thresholds, thus redefining the very contours of the narrative itself. Finally, from a teaching perspective, the reception process among young readers, who receive these more or less canonical, if not deviating peritexts directly, is considered. How to use the peritextual elements in class out of common rituals is then pondered upon in order to be turned into heuristic entries in the reading process.

Abstract This study is based on my work as a secondary school teacher of literature and the Swedish language and rooted in my interest in developing knowledge about the importance of teaching literature in order to both cultivate young people’s reading habits and their view of themselves as readers. The more concrete purpose of this study is to examine a reading project that focuses on theories of literary perception and teaching literature. I examine four pupils who, in 2003, participated in the reading project as readers and compare this description with their view of themselves as readers seven years later. I complete the study by examining how they discuss reading and the teaching of literature. The method is qualitative and the empirics include materiel collected in two different time periods: first in 2003, in a class I taught in a secondary school; and second in 2010, when I examined four of the former pupils who participated in the project from 2003. The material contains documentation of the reading project, teacher’s notes and observations during the reading project, transcribed recordings of interviews, the pupils’ written reading logs and written inquiries about reading habits. The study shows a variety in literary perception among the pupils and attitudes towards reading. The study also shows that enlightened teaching can contribute to pupils’ motivation to read literature. One of the didactic challenges concerning these findings is that the teacher — before planning and executing the lesson — should be aware of the pupils’ reading habits and attitudes towards reading in order to be able to adjust the teaching process to the pupils’ conditions. The teacher should also be aware of the societal context of which pupils are a part and try to integrate the use of media other than literature. Finally, the teacher should be both skillful at utilizing different literature teaching methods and at choosing literature.

This study is based on my work as a teacher of Swedish language and literature to upper secondary school students, and my interest in developing the teaching of literature by using both new criticism theories and theories of literary perception focusing on reader response. The purpose of the study is to examine the learning process in trying to develop literary competence and to find out how to describe the competence shown by the students. My starting-point is a discussion about literary competence and the theory and model of literary competence by Örjan Torell. In examining literary competence, by how students use their constitutional competence as well as performance and literary transfer competences, Torell´s model shows the possibility and the need for both knowledge of literature and personal reception by focusing on the dialogue between author and reader. The method is qualitative and the empirics are material collected in one senior high school class in the Social Science programme during their second and third year. The material contains written reading logs, written answers to tasks and transcribed recordings of discussions of literature. The analysis shows a variety among the literary competence shown and developed by the students and points to the complexity of understanding the concept of literary competence. The model proves to be useful in focusing the teaching and learning of literature and the results indicate that teaching of literature by combining learning of epochs, genres, ideas and conceptions with personal reading is a valuable approach. Keywords: literary competence, literary teaching, literary reception, discussions of literature, reading logs, literary repertoire, text competence.

What is masculinity and what does it mean to be a man? This study involves two different areas: gender and literary reception. I wanted to find out what students think about masculinity and what possible strategies they use when they read and interpret literature. The investigation consists of three parts: an introductory survey, classroom observations and an ending text analysis based on ten different questions. The investigation has taken place in second grade at an upper secondary school as part of the course Swedish B. During four lessons, the pupils have been working on issues relating to sex, gender and masculinity in relation to an extract of Ernest Hemingway's Islands in the Stream. Trends in the study show that students believe that a person is born to a biological sex but still has the opportunity to shape its gender identity. The majority of the students believe that it is up to each reader to decide what interpretation is correct, but doubt that the meaning of a literary text resides primarily in the text itself. Throughout the project, the students have demonstrated interest and commitment. However, only a small number of pupils participated in the discussions in class. On the other hand, the ending text analyses were comprehensive and well-thought-out which may show that the choice of a written accounting form suited the class well. / Denna studie berör två olika områden: genus och litteraturreception. Jag ville ta reda på hur elever ser på manlighetsbegreppet samt studera vilka strategier de använder när de läser och tolkar litteratur. Undersökningen består av tre delar: en inledande enkät, klassrumsobservationer och en avslutande textanalys utifrån tio olika frågeställningar. Undersökningen har skett i åk 2 på en gymnasieskola i kursen Svenska B. Under fyra lektioner har eleverna fått arbeta med frågor som handlar om kön, genus och manlighet i anslutning till ett textutdrag ur Ernest Hemingways Öar i strömmen. Tendenser i undersökningen visar att eleverna anser att man föds till ett biologiskt kön men att man sedan har möjlighet att forma sin könsidentitet. Majoriteten av eleverna anser att det är läsaren som avgör vilken tolkning som är den rätta, och ställer sig frågande till idén om en texts inneboende mening. Under hela projektet har eleverna visat intresse och engagemang. Dock var det endast ett fåtal av eleverna som deltog i diskussionerna i helklass. Däremot var de avslutande textanalyserna både innehållsrika och genomtänkta vilket kan visa att valet av en skriftlig redovisningsform passade klassen bra.

<p>This study is based on my work as a teacher of Swedish language and literature to upper secondary school students, and my interest in developing the teaching of literature by using both new criticism theories and theories of literary perception focusing on reader response. The purpose of the study is to examine the learning process in trying to develop literary competence and to find out how to describe the competence shown by the students. My starting-point is a discussion about literary competence and the theory and model of literary competence by Örjan Torell. In examining literary competence, by how students use their constitutional competence as well as performance and literary transfer competences, Torell´s model shows the possibility and the need for both knowledge of literature and personal reception by focusing on the dialogue between author and reader.</p><p>The method is qualitative and the empirics are material collected in one senior high school class in the Social Science programme during their second and third year. The material contains written reading logs, written answers to tasks and transcribed recordings of discussions of literature.</p><p>The analysis shows a variety among the literary competence shown and developed by the students and points to the complexity of understanding the concept of literary competence. The model proves to be useful in focusing the teaching and learning of literature and the results indicate that teaching of literature by combining learning of epochs, genres, ideas and conceptions with personal reading is a valuable approach.</p><p>Keywords: literary competence, literary teaching, literary reception, discussions of literature, reading logs, literary repertoire, text competence.</p>

Made available in DSpace on 2014-06-11T19:32:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2004Bitstream added on 2014-06-13T19:43:34Z : No. of bitstreams: 1 rocha_d_dr_assis.pdf: 1447558 bytes, checksum: 37d1e163667d0d2712f2a7df68e19abd (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / O objetivo desse estudo é fazer um rastreio da história do gosto do leitor-comum, do leitor-autor e do leitor-adaptador através dos séculos, e apresentar a possibilidade de diálogo estético e histórico internacional por meio da análise da natureza da dramaturgia e suas relações com as outras artes -ópera, música e dança-, e com aspectos da encenação e da carpintaria teatral, reflexões baseadas na teoria da estética da recepção, conforme Thomas Bleicher, Hannelore Link, Alois Wierlacher, Dietrich Krusche e Reinold Werner. Para isso, será feito uma análise e pesquisa da viagem internacional através dos continentes de The Beggar's Opera, de John Gay (1728), uma moderna saga de anti-heróis, que ultrapassou a barreira da temporalidade e dos idiomas, e que reflete um processo de odisséia satírica, iniciado na Londres georgiana do início do século XVIII, com chegada triunfal até o século XX, com recepções produtivas: Die Dreigroschenoper [A Ópera de Três Vinténs], de Bertolt Brecht (1928), na Berlim weimariana da década de 20; A Ronda dos Malandros, de Carla Civelli e Maurício Barroso, na São Paulo e seu mecenato industrial na passagem dos anos 40 aos 50; e Ópera do Malandro, de Chico Buarque (1978), no Rio de Janeiro militar dos anos 70, obras com nuances de nacionalismo, cosmopolitismo e universalismo, apoiadas nas idéias da incompreensível exploração humana do ciclo predatório (homo homini lupus) e da desumanizada exploração capitalista. / This dissertation was carried out to investigate the history of bookishness of the common reader, the author-reader, and the adapter-reader troughtout centuries, and to present a possibility of international esthetic and historical dialog by analyzing the nature of dramaturgy and its relationship to other arts - opera, music and dance - and to aspects of stanging and to aspects to stanging and theater carpentry, reflections based on the theory of esthetic reception according to Thomas Bleicher, Hannelore Link, Alois Wierlacher, Dietrich Krusche e Reinold Werner. With that purpose in mind, one will carry out an analysis and research of the international travel around the continents of The Beggar's Opera, by John Gay (1728) a modren saga of antagonists, which outreached the limits of temporality and foreign languages, and which reflects a process of satiric odyssey, started in Georgian London at the beginning of the 18 th century, triumphally reaching the 20 th century, with productive receptions: Die Dreigroschenoper [A Ópera de Três Vinténs], by Bertold Brecht (1928), in Weimar Berlin in the 1920 s, A Ronda dos Malandros, by Carla Civelli and Maurício Barroso, in São Paulo and its industrial patronage along the 1940s and 1950s, and Ópera do Malandro, by Chico Buarque (1978), in Rio de Janeiro military uproar along the 1970s, works with hues of nationalism, cosmopolitanism and universalism, supported by ideas of the incomprehensible human exploitation of the predatory cycle (homo homini lupus) and the ruthless capitalistic exploitation.

Orientador: Sílvia Maria Azevedo / Banca: Maria Adélia Menegazo / Banca: Karin Volubuef / Banca: Tania Regina de Luca / Banca: Suely Fadul Villibor Flory / Resumo: O objetivo desse estudo é fazer um rastreio da história do gosto do leitor-comum, do leitor-autor e do leitor-adaptador através dos séculos, e apresentar a possibilidade de diálogo estético e histórico internacional por meio da análise da natureza da dramaturgia e suas relações com as outras artes -ópera, música e dança-, e com aspectos da encenação e da carpintaria teatral, reflexões baseadas na teoria da "estética da recepção", conforme Thomas Bleicher, Hannelore Link, Alois Wierlacher, Dietrich Krusche e Reinold Werner. Para isso, será feito uma análise e pesquisa da viagem internacional através dos continentes de The Beggar's Opera, de John Gay (1728), uma moderna saga de anti-heróis, que ultrapassou a barreira da temporalidade e dos idiomas, e que reflete um processo de odisséia satírica, iniciado na Londres georgiana do início do século XVIII, com chegada triunfal até o século XX, com "recepções produtivas": Die Dreigroschenoper [A Ópera de Três Vinténs], de Bertolt Brecht (1928), na Berlim weimariana da década de 20; A Ronda dos Malandros, de Carla Civelli e Maurício Barroso, na São Paulo e seu mecenato industrial na passagem dos anos 40 aos 50; e Ópera do Malandro, de Chico Buarque (1978), no Rio de Janeiro militar dos anos 70, obras com nuances de nacionalismo, cosmopolitismo e universalismo, apoiadas nas idéias da incompreensível exploração humana do ciclo predatório (homo homini lupus) e da desumanizada exploração capitalista. / Abstract: This dissertation was carried out to investigate the history of bookishness of the common reader, the author-reader, and the adapter-reader troughtout centuries, and to present a possibility of international esthetic and historical dialog by analyzing the nature of dramaturgy and its relationship to other arts - opera, music and dance - and to aspects of stanging and to aspects to stanging and theater carpentry, reflections based on the theory of "esthetic reception" according to Thomas Bleicher, Hannelore Link, Alois Wierlacher, Dietrich Krusche e Reinold Werner. With that purpose in mind, one will carry out an analysis and research of the international travel around the continents of The Beggar's Opera, by John Gay (1728) a modren saga of antagonists, which outreached the limits of temporality and foreign languages, and which reflects a process of satiric odyssey, started in Georgian London at the beginning of the 18 th century, triumphally reaching the 20 th century, with "productive receptions": Die Dreigroschenoper [A Ópera de Três Vinténs], by Bertold Brecht (1928), in Weimar Berlin in the 1920 s, A Ronda dos Malandros, by Carla Civelli and Maurício Barroso, in São Paulo and its industrial patronage along the 1940s and 1950s, and Ópera do Malandro, by Chico Buarque (1978), in Rio de Janeiro military uproar along the 1970s, works with hues of nationalism, cosmopolitanism and universalism, supported by ideas of the incomprehensible human exploitation of the predatory cycle (homo homini lupus) and the ruthless capitalistic exploitation. / Doutor

Made available in DSpace on 2017-07-10T18:56:31Z (GMT). No. of bitstreams: 1 cristina.pdf: 2047229 bytes, checksum: 3b8846e53367d4041ce126f22d3f356c (MD5) Previous issue date: 2012-03-09 / Reading, specially of the literary text, it is essential to child is in process of cognitive formation, and the school, that is considered ideal environment to practice and encourage the reading of literature, should be aware of the function that needs to execute to put into effect in the process of critical readers. In perspective, this thesis investigates how is putted into practice the reading promotion of the literary text in initials grades of Elementary School, aiming at the readers formation. Specifically, besides characterizing the profile of the teacher / mediator of reading, by considering that the personal experiences of these educators could interfere in the process of educating readers, though, it was possible to understand preferences and deepen knowledge about the concepts of reading and literature that permeate the teachers&#8223; work. Also, researches were made about teaching actions developed from the reading of Monteiro Lobato&#8223;s texts in order to reflect on their reception in the school context, i.e., we sought to investigate the concrete use and contributions about lobatianos texts in teaching.It is possible to understand that the reading of the mentioned author&#8223;s books is important because it allows discussion of essential topics in Brazilian universe, and mainly, in children's education universe. Since Lobato&#8223;s narratives are endowed with playful and educational elements. It is known that the writer was an avid promoter of reading in the decades from 1920 to 1940, therefore, it is possible to believe that reading projects that address his literature can contribute, significantly, to the readers formation. As theoretical support, it was used contemporary authors of literary criticism in view from the Aesthetics of Reception, such as Jauss (2002) and Iser (2002), and authors from the Sociology of Reading as Candido (2006), Petit (2008) and Horellou-Lafarge e Segré (2010). It also refers to the principal authors of literary criticism focused on the Brazilian children's literature as Arroyo (1988), Zilberman (1982; 2009), Lajolo (1988; 2001), Coelho (1993), Aguiar (2008), entre outros. The theoretical discussions produced by these studious reveal the importance of literature for the individual and social development, showing thus the necessity for research to investigate its expression in the social environment. Thus, this thesis sought to reveal the facts of the reality through representative samples. As an instrument of data collection, questionnaires were filled with teachers of municipal schools belonging to Francisco Beltrão Center for Education, in southwest of Paraná. From the analysis of the data, it is possible to infer that teachers despite having, in general, professional, do not show necessary "enthusiasm" in relation to reading activities, leading to the adoption of practices that do not prioritize reading as an activity of enjoyment. Thus, there has been an emphasis on the basic aspects of teaching traditional, where the structural analysis of the language prevails over the aesthetic character of the text. However, it refers to Monteiro Lobato&#8223;s work, the professionals are unanimous in recognizing his importance, that is the reason many they showed the contributions of lobatiana&#8223;s literature in the process of educating readers, among them are: to stimulate the interest the reader through the text, draw attention to reading, but also, lead the reader to perform readings of other authors / A leitura, sobretudo a do texto literário, é fundamental na infância, pois a criança está em processo de formação e, a escola, ambiente considerado ideal à prática e incentivo da leitura de literatura, deve estar ciente do papel que precisa desempenhar para concretizar o processo de formação de leitores críticos. Nessa perspectiva, a presente dissertação investiga como é realizado o trabalho de leitura com o texto literário nas séries iniciais do Ensino Fundamental, visando à formação de leitores. Especificamente, além de caracterizar o perfil do professor/mediador de leitura, por considerar que as experiências pessoais desses educadores pudessem interferir no processo de formação de leitores, foi possível compreender preferências e aprofundar o conhecimento acerca das concepções de leitura e literatura que permeiam o trabalho dos professores. Foi feito, ainda, levantamento de ações docentes desenvolvidas a partir da leitura de textos de Monteiro Lobato, a fim de refletir sobre sua recepção no contexto escolar, ou seja, buscou-se investigar contribuições concretas da utilização dos textos lobatianos no ensino por se compreender que a leitura das obras do referido autor é importante, pois permite a discussão de temas caros ao universo brasileiro e, particularmente, ao universo das crianças, uma vez que as narrativas de Lobato são dotadas de elementos de caráter lúdico e pedagógico. O escritor foi um ávido divulgador da leitura nas décadas de 1920 a 1940, portanto, acredita-se que projetos de leitura que abordam sua literatura podem contribuir, significativamente, para a formação de leitores. Como suporte teórico, recorreu-se a autores da crítica literária contemporânea, na perspectiva da Estética da Recepção, tais como Jauss (2002) e Iser (2002), e da Sociologia da Leitura como Candido (2006), Petit (2008) e Horellou-Lafarge e Segré (2010), como também, aos principais autores da crítica literária brasileira voltada para a Literatura Infantil e Juvenil como Arroyo (1988), Zilberman (1982; 2009), Lajolo (1988; 2001), Coelho (1993), Aguiar (2008), entre outros. As discussões desses estudiosos revelam a importância da literatura para o desenvolvimento individual e social, evidenciando, deste modo, a necessidade de pesquisas que investiguem sua manifestação no meio social. Desta forma, a dissertação buscou evidenciar fatos da realidade por meio de amostras representativas da população. Como instrumento de coleta de dados foi aplicado um questionário junto a professores de Escolas Municipais pertencentes ao Núcleo de Educação de Francisco Beltrão, no Sudoeste do Paraná. A partir da análise dos dados, pode-se inferir que os professores apesar de possuírem, de modo geral, qualificação profissional, não apresentam o entusiasmo necessário em relação às atividades de leitura, levando à adoção de práticas que não priorizam a leitura como atividade de fruição. Assim sendo, verificou-se ênfase para os aspectos de ensino de base tradicionalista, onde a análise estrutural da língua prevalece em detrimento ao caráter estético do texto. No entanto, quando se trata da obra de Monteiro Lobato, os profissionais são unânimes em reconhecer sua importância, razão pela qual apontaram várias contribuições da literatura lobatiana no processo de formação de leitores, dentre elas destacam-se: suscitar o interesse do leitor pelo texto, chamar a atenção para a leitura, como também, levar o leitor a realizar leituras de outros autores.