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51	”Den här platsen krossar de som är gjorda av glas. Gör kroppar till skärvor.” : Prekaritetsläsningens möjligheter i Sara Stridsbergs Kärlekens Antarktis och Elin Perssons De afghanska sönerna / ”This place shatters those who are made of glass. It makes shards out of bodies.” : Aspects of precarity in Sara Stridsberg's Kärlekens Antarktis and Elin Persson's De afghanska sönerna Jonsson, Martina January 2021 (has links) This thesis focuses on the possibilities of precarity as a perspective in the field of literary studies in order to analyse how insecurity is portrayed in literature. Sweden has a great tradition of proletarian literature, but researchers in the neoliberal era find it problematic to understand the emancipating aspects of the new proletarian literature that does not focus on collective movement and articulated emancipation. This thesis explores the possibilities of precarity as a perspective for analysing how literature narrated through an individual and passive perspective can work as a social critique. The analysis focuses on the novels Kärlekens Antarktis [The Antarctica of Love] by Sara Stridsberg and De afghanska sönerna [The Afghan Sons] by Elin Persson and tries to answer questions about how these novels portray precarity and how the perspective of precarity enables an understanding of how the novels work as social criticism. The thesis mostly uses theories by Judith Butler and Isabell Lorey, and the analysis uses a comparative method in combination with a reading that focuses on the thematics of precarity. This is disposed in connection to Lorey’s three dimensions of precarity – precariousness, precarity, and governmental precarization. The analysis results in an understanding of how these kinds of novels can capture the biopolitical perspective, where politics and life emerge. The reading’s focus on the aspect of the body, followed by the hierarchical and societal aspects, shows how the novels’ individual perspectives can have collective tendencies in connection to the reader’s ability to feel solidarity with the characters. Precarity precarity reading precarity in literature proletariat literature insecurity in literature Kärlekens Antarktis The Antarctica of Love De afghanska sönerna The Afghan Sons Sara Stridsberg Elin Persson Isabell Lorey Judith Butler Prekaritet prekaritetsläsning prekaritet i litteraturen arbetarlitteratur osäkerhet i litteraturen Kärlekens Antarktis De afghanska sönerna Sara Stridsberg Elin Persson Isabell Lorey Judith Butler Languages and Literature Språk och litteratur
52	Myren och moderniteten : om natur, tid och plats i Sara Lidmans roman Hjortronlandet / Mire and Modernity : On Nature, Time and Place in Sara Lidman's novel Hjortronlandet Sandström, Emelie January 2022 (has links) With this essay I aim to illustrate the simultaneous tension between and entanglement of narratives of mire and modernity in Sara Lidman’s novel Hjortronlandet. Both mire and modernity are understood wide concepts; as temporal as well as spatial markers relating to nature. Through the theoretical frame of Kate Soper’s What is Nature?, Yi-Fu Tuan’s Space and Place and Doreen Massey’s Space, Place and Gender I explore how concepts of nature, time and place are conceptualized, discussed and rewritten in the novel. The analysis shows that nature, time and place are simultaneously understood through narratives and through the intimate experience of material surroundings. Narratives are thus discussed and rewritten when applied to new material surroundings, and the natural surroundings are experienced through already established narratives. Hjortronlandet explores the lives of poor settlers in northern Sweden during the first half of the 20th century in their attempt to convert their allotted wetland to farmland. Throughout the novel the propaganda narratives of the Swedish state clash with the settlers’ intimate experience of place and natural surroundings. All the while, the settler project is undertaken on behalf of the state and plays a part in the creation of a unified modern state. I argue that though an exploration of the perceived dichotomy of mire and modernity presented by the state the entanglement of the two concepts is made visible in the novel. By examining ostensibly contrasting positions I conclude that the novel exposes the untenable approach of the modern state to material surroundings. Sara Lidman Hjortronlandet ecocriticism spatiality nature space place time Kate Soper Yi-Fu Tuan Doreen Massey Sara Lidman Hjortronlandet ekokritik rumsuppfattning i litteraturen natur rum plats tid Kate Soper Yi-Fu Tuan Doreen Massey General Literature Studies Litteraturvetenskap
53	Transformationer : 1800-talets svenska translitteratur genom Lasse-Maja, C.J.L. Almqvist och Aurora Ljungstedt Holmqvist, Sam January 2017 (has links) Literary descriptions of shifting from and transgressing assigned sex were common in 19th Century Sweden. This thesis forms a contribution to the larger project of writing a history of Swedish trans literature, and develops new interpretations of certain works of fiction by applying a transgender studies perspective. Through trans readings the thesis also examines what potential and possible implications literature might have for trans people beyond the literary realm. Trans readings are able to supplement earlier research by providing a nuanced understanding of the production of trans- and cisgenders. The theoretical perspectives used in the thesis are drawn for the most part from queer and transgender studies. The thesis adopts a conceptual understanding of trans as a movement, and aims to widen the scope of what may be considered relevant to a history of trans literature. The primary objects of analysis are the 1833 autobiography of widely known thief and cross-dresser Lasse-Maja (Lars Molin), C.J.L. Almqvist’s Drottningens juvelsmycke (1834), and Aurora Ljungstedt’s Moderna typer (1874). In closing, two texts from the fin-de-siècle are also closely read; Amanda Kerfstedt’s Reflexer (1901) and Frida Stéenhoff’s “Ett sällsamt öde” (1911). A wide range of other fiction is additionally studied in order to establish a contextual pattern of trans literary traditions. The thesis demonstrates that trans permeates all kinds of fiction, and that the characters analysed construct both trans and cis gender categories. It concludes that trans is done in a variety of ways, and with a variety of meanings in 19th and early 20th century literature. Trans is often depicted as a positive, fruitful and desirable act, through trans characters who are both themselves subjects of erotic desire and who become symbols of liberty and emancipation. Other trans figures however are often counter images of what are considered to be correct sexes, and are depicted as threatening and/or ridiculous. Both these negative and positive representations of trans affirm the gender binary. At the same time, they also break and destabilize that same binary, and the trans characters in the study both can and cannot be interpreted as transgressing cis- and heteronormativity respectively. trans literature trans readings trans characters cross dressing literature and history 19th Century 1900–1920 transgender transgender people in literature C.J.L. Almqvist Lasse-Maja Lars Molin Aurora Ljungstedt Amanda Kerfstedt Frida Stéenhoff translitteratur transläsning transgestalter könsväxling litteraturhistoria 1800-tal sekelskiftet 1900 transpersoner crossdressing transpersoner i litteraturen C.J.L. Almqvist Lasse-Maja Lars Molin Aurora Ljungstedt Amanda Kerfstedt Frida Stéenhoff General Literature Studies Litteraturvetenskap
54	Männen i Moa Martinsons Kvinnor och äppelträd Eng, Tord January 2012 (has links) Uppsatsen syftar till att undersöka om en nära läsning av Moa Martinsons Kvinnor och äppelträd med fokus på de manliga karaktärerna förmår öppna texten för tolkning på något nytt sätt, huvudsakligen i ett självbiografiskt perspektiv. Även den omtvistade frågan om Kvinnor och äppelträds strukturella uppbyggnad behandlas i uppsatsen. Skildringarna av männen - Förskinnsbonden, Gamlingen, Liter-Olle med sin hund och Videbonden – visar sig leda mot en undertext, som inte frilagts i tidigare analyser. Martinsons sorg efter sina två drunknade söner tränger oupphörligt fram. Hennes kamp för att komma undan sina minnen och gå vidare avspeglas i romanen. Den svåra och kvardröjande sorgen och andra traumatiska, undanträngda händelser från det första äktenskapet kan vara en anledning till att Martinson ständigt återkom till självbiografiska skildringar i sitt författarskap. Inte mindre än nio av hennes romaner är självbiografiska. En jämförelse av hur mor Sofi och Sally i boken behandlar de män som kommer till deras innersta rum visar sig kasta ljus över diskussionen om romanens struktur - om denna är litterärt, medvetet uppbyggd eller om de ingående berättelserna är sammanfogade mindre planmässigt, mer fristående gentemot varandra. Den figura som Ebba Witt-Brattström ser som en bekräftelse på romanens stränga, medvetna uppbyggnad, att mor Sofi förebådar sin ättling Sallys öde genom sin moderlighet ställd mot Sallys revolutionära inställning, vänds i uppsatsens perspektiv till sin motsats. Mor Sofi och hennes väninna Fredrika vänder upproriskt upp och ner på hela världen då Förskinnsbonden vågar sig fram till badstugans dörr. I motsvarande situation kapitulerar Sally och gifter sig med inkräktaren, Videbonden. Innebörden är rimligen att Witt-Brattströms tolkning av figuran faller och därmed inte kan användas som argument för något planerat samband mellan det inledande kapitlet om Sofi och de senare berättelserna om Ellen och Sally. Moa Martinson Kvinnor och äppelträd Tord Eng Witt-Brattström Bergom-Larsson Kerstin Engman Sällskapet Moas Vänner Eva Adolfsson Johannesdal Harry Martinson Mor badar Liter-Olle Gamlingen Sally Fredrika Bachtin Figura Modernismen Proletärförfattare Feministisk litteratur Män i litteraturen mor Sofi Förskinnsbonden Den skroige mårbo Videbonden Glada Flickan Mandala Sallys söner

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