Au XIXe siècle, enfanter illégitimement représentait une transgression importante. Honteuses, abandonnées par leur amant, craignant d’être répudiées par leur famille et leur communauté, de nombreuses célibataires ne purent assumer les conséquences de leur grossesse. Confrontées à des méthodes contraceptives et abortives inefficaces, incapables d’intenter un procès pour reconnaissance de paternité ou inconscientes du fait que les orphelinats et les maternités leur offraient des alternatives, ces femmes entreprirent de cacher leur grossesse et se résolurent à tuer leur enfant presque immédiatement après leur naissance. La découverte du cadavre d’un nouveau-né déclenchait une enquête officielle et quelques femmes furent trainées devant les tribunaux. Cette étude met l'accent sur le parcours individuel et social des mères infanticides et tente de comprendre les circonstances qui firent d’elles des meurtrières. / During the nineteenth century, illegitimate birth was a major transgression. Abandonned by their lovers, feeling shamed and in constant fear of being repudiated by their families and communities, some unmarried women could not bear the burden of pregnancy. In the face of ineffective contraceptive methods as well as unreliable abortion technics, unable to sue for paternity or unaware that orphanages and maternities offered them alternatives, these women began to hide their pregnancies and resolved to kill their children almost immediately after birth. The discovery of a new-born corpse started a formal investigation, and some women were dragged to court. This study focuses on the individual and social issues surrounding mothers who have commited infanticide and attempts to understand the circumstances that led them to murder their own children.

This thesis looks at two cases of women who murdered women - the Papin sisters (Le Mans, 1933) and Parker-Hulme (Christchurch, 1954) - and considers their diverse representations in theatre and film, paying particular attention to Jean Genet’s play The Maids (1947), Peter Jackson’s film Heavenly Creatures (1994) and Peter Falkenberg’s film Remake (2007), in which I played a part. What happens when two women (sisters, girl friends) commit violent acts together - not against a man, or a child, but against another woman, a mother or (as in the case of the Papin sisters) against women symbolically standing in place of the mother? How are these two cases - the Papin sisters and Parker-Hulme - presented in historical documents, reinterpreted in political, psychoanalytic and feminist theories, and represented in theatre and film? How might these works of theatre and film, in particular, be seen to explain - or exploit - these cases for an audience? How is the relationship between prurience - the peeping at women doing something bad - and the use of these cases to produce social commentary and/or art, better understood by looking at these objects of fascination ourselves? My thesis explores how these cases continue to interest and inspire artists and intellectuals, as well as the general public - both because they can be seen to violate fundamental social taboos against mother-murder and incest, and because of the challenge they pose for representation in theatre or film.

A sample (N = 428) of university students was introduced to a stranger that fit the public persona of either John Wayne Gacy or Ted Bundy in a vignette. The meetings between students and strangers in vignettes were similar to those in which serial killers might entrap victims. In addition to varying criminal type (Gacy or Bundy), the race and gender of the strangers were also varied in the 2 x 2 x 2 experiment. Differences among subjects in their ratings of personality traits of the strangers and how subjects expected to behave toward these persons were examined by ANOVA. Focus group discussions provided further insights about how individuals size up and react to "respectable" strangers who fit the public personas of well-known serial killers. Results suggested that young adults in the 1990s are highly vulnerable to victimization by serial murderers. / Department of Sociology

Zugl.: Bielefeld, Universiẗat, Diss.

Submitted by Daniele Santos (danielesantos.htl@gmail.com) on 2017-02-23T14:51:13Z No. of bitstreams: 1 Todd.pdf: 1104896 bytes, checksum: fcb20db5c4f43bd841fa271202a91405 (MD5) / Approved for entry into archive by Janete de Oliveira Feitosa (janete.feitosa@fgv.br) on 2017-02-23T20:43:44Z (GMT) No. of bitstreams: 1 Todd.pdf: 1104896 bytes, checksum: fcb20db5c4f43bd841fa271202a91405 (MD5) / Made available in DSpace on 2017-03-03T14:09:19Z (GMT). No. of bitstreams: 1 Todd.pdf: 1104896 bytes, checksum: fcb20db5c4f43bd841fa271202a91405 (MD5) Previous issue date: 2016-12-14 / The relationship between foreign direct investment and the security situation of a given country is complex and difficult to define. To further complicate matters, security is only one of many variables that drives the decision of a firm to invest in a particular country. This paper simplifies some of the complexities related to the study of this topic, especially as it relates to security, by expanding on previous research done at the country level and applying it at the regional level. It concludes that the security situation of a given country can be approximated through the the independent variable of the annual per capita murder rate and that this rate is directly related with FDI in a given area. Business leaders can use this simple analysis as a starting point to aid in the decision in which country to invest in and why.

Esta dissertação tem como objetivo central reconstituir a trajetória do poeta brasileiro Nilton Rosa da Silva, enfocando seu período como exilado político no Chile, entre 1971 e 1973. Em Santiago, Nilton da Silva estudou castelhano no Instituto Pedagógico da Universidade do Chile, publicou o livro de poesias Hombre América, e passou a militar na Frente de Estudiantes Revolucionarios (FER), um dos grupos estudantis do Movimiento de Izquierda Revolucionaria (MIR). O jovem brasileiro seria morto aos 24 anos de idade, em junho de 1973 (três meses antes do golpe de Estado liderado por Augusto Pinochet), por membros da Frente Nacionalista Patria y Libertad, milícia de ultradireita que lutava pela derrubada do presidente Salvador Allende. Defendendo a revolução armada para colocar o Chile no caminho do socialismo, mesmo durante o governo democrático da Unidad Popular (UP), o MIR era visto com reservas por setores moderados da esquerda. Ao mesmo tempo, porém, a organização procurava – desde fora – radicalizar os partidos da UP. A partir da análise da vida de Nilton da Silva, e das repercussões da sua morte, é possível discutir as disputas entre as estratégias “rupturista” e “sistêmica” da esquerda chilena durante o governo Allende, as possibilidades de acordo que se desenharam entre esses setores, e as maneiras como o MIR procurou conquistar esferas mais amplas para sua retórica em favor da necessidade de pegar em armas. Os usos políticos do assassinato de Nilton da Silva estão relacionados a essa busca: através da análise das apropriações do episódio, apreende-se o uso imediato que o MIR fez de sua morte, tentando construir o jovem militante como um mártir revolucionário em um período de crescente temor frente a um golpe reacionário. Discute-se, ademais, a forma como a vida e a morte de Nilton da Silva seriam eventualmente ressignificada nas décadas seguintes, passando a incluí-lo em uma narrativa mais ampla, ao lado de outras vítimas das ditaduras brasileira e chilena. / This thesis aims to recreate the trajectory of the Brazilian poet Nilton Rosa da Silva, focusing on his time as a political exile in Chile, from 1971 to 1973. In Santiago, Silva studied Spanish at the Pedagogical Institute of the University of Chile, published his poetry book Hombre América, and became a member of the Revolutionary Students Front (FER), one of Revolutionary Left Movement’s (MIR) groups in the student movement. The young Brazilian was killed at the age of 24 in June 1973 (three months prior to the coup led by Augusto Pinochet), by members of the Fatherland and Liberty Nationalist Front, a far-right militia that fought to overthrow the president, Salvador Allende. Advocating the need of an armed revolution to place Chile in the path of Socialism, even during the Popular Unity’s (UP) democratic administration, MIR was seen with hesitations by the moderate left. At the same time, however, MIR sought to radicalize the UP parties. By analyzing Nilton da Silva’s life and the impact of his death, it is possible to discuss the disputes between the “rupturist” and “systemic” strategies of the Chilean left during the Allende administration, the chances of agreement between these sectors, and the ways in which MIR sought to conquer wider segments to its rhetoric in favor of the need to take up arms. The political uses of Nilton da Silva’s murder are related to this goal: by examining the appropriation of his death, we are able to see the immediate use that MIR did of this episode, trying to construct the young activist as a revolutionary martyr in a period of growing fear towards a reactionary coup. This work discusses, moreover, how the life and death of Nilton da Silva would eventually be re-signified in the following decades, now being included in a broader narrative, along with other victims of the Brazilian and Chilean dictatorships.

in English Title: Murder of a Newborn Child by Its Mother under Section 142 of the Criminal Code Author: Lucie Brázdová This thesis addresses the issue of further need for a special legal regulation of the criminal offence of murder of a newborn by its mother. The first chapter is dedicated to the origin and the development of this legal provision and explains the circumstances within which this criminal offence has become part of the current Criminal Code. By describing the organization of the Criminal Code and main provisions of the Constitutional Law, the following chapter demonstrates the values on which the Criminal Law is built. These have to be taken into account when assessing the need for a change or a repeal of the discussed legal provision. The third chapter is an overview of primary information on constituent elements of this criminal offence. However, it does not neglect certain disputable aspects including the issue of pinpointing precisely when human life begins. From a theoretical point of view, the offence in question is considered to be a "privileged factum". In such cases, a certain additional factor lowers the harmful effect the offence has on society. The last part of the third chapter is thus dedicated to the issue of privileged factum in general and its place within the...

Esta dissertação tem como objetivo central reconstituir a trajetória do poeta brasileiro Nilton Rosa da Silva, enfocando seu período como exilado político no Chile, entre 1971 e 1973. Em Santiago, Nilton da Silva estudou castelhano no Instituto Pedagógico da Universidade do Chile, publicou o livro de poesias Hombre América, e passou a militar na Frente de Estudiantes Revolucionarios (FER), um dos grupos estudantis do Movimiento de Izquierda Revolucionaria (MIR). O jovem brasileiro seria morto aos 24 anos de idade, em junho de 1973 (três meses antes do golpe de Estado liderado por Augusto Pinochet), por membros da Frente Nacionalista Patria y Libertad, milícia de ultradireita que lutava pela derrubada do presidente Salvador Allende. Defendendo a revolução armada para colocar o Chile no caminho do socialismo, mesmo durante o governo democrático da Unidad Popular (UP), o MIR era visto com reservas por setores moderados da esquerda. Ao mesmo tempo, porém, a organização procurava – desde fora – radicalizar os partidos da UP. A partir da análise da vida de Nilton da Silva, e das repercussões da sua morte, é possível discutir as disputas entre as estratégias “rupturista” e “sistêmica” da esquerda chilena durante o governo Allende, as possibilidades de acordo que se desenharam entre esses setores, e as maneiras como o MIR procurou conquistar esferas mais amplas para sua retórica em favor da necessidade de pegar em armas. Os usos políticos do assassinato de Nilton da Silva estão relacionados a essa busca: através da análise das apropriações do episódio, apreende-se o uso imediato que o MIR fez de sua morte, tentando construir o jovem militante como um mártir revolucionário em um período de crescente temor frente a um golpe reacionário. Discute-se, ademais, a forma como a vida e a morte de Nilton da Silva seriam eventualmente ressignificada nas décadas seguintes, passando a incluí-lo em uma narrativa mais ampla, ao lado de outras vítimas das ditaduras brasileira e chilena. / This thesis aims to recreate the trajectory of the Brazilian poet Nilton Rosa da Silva, focusing on his time as a political exile in Chile, from 1971 to 1973. In Santiago, Silva studied Spanish at the Pedagogical Institute of the University of Chile, published his poetry book Hombre América, and became a member of the Revolutionary Students Front (FER), one of Revolutionary Left Movement’s (MIR) groups in the student movement. The young Brazilian was killed at the age of 24 in June 1973 (three months prior to the coup led by Augusto Pinochet), by members of the Fatherland and Liberty Nationalist Front, a far-right militia that fought to overthrow the president, Salvador Allende. Advocating the need of an armed revolution to place Chile in the path of Socialism, even during the Popular Unity’s (UP) democratic administration, MIR was seen with hesitations by the moderate left. At the same time, however, MIR sought to radicalize the UP parties. By analyzing Nilton da Silva’s life and the impact of his death, it is possible to discuss the disputes between the “rupturist” and “systemic” strategies of the Chilean left during the Allende administration, the chances of agreement between these sectors, and the ways in which MIR sought to conquer wider segments to its rhetoric in favor of the need to take up arms. The political uses of Nilton da Silva’s murder are related to this goal: by examining the appropriation of his death, we are able to see the immediate use that MIR did of this episode, trying to construct the young activist as a revolutionary martyr in a period of growing fear towards a reactionary coup. This work discusses, moreover, how the life and death of Nilton da Silva would eventually be re-signified in the following decades, now being included in a broader narrative, along with other victims of the Brazilian and Chilean dictatorships.

Serial crime is an element of society that continues to disturb and fascinate scholars. There is thus a need to understand the uniqueness of serial murderers and their psychological development. The field of psychobiography is a qualitative approach to uncover the story of an individual life through greater understanding of psychological concepts. Psychobiographical research is invaluable in the application of theory to the finished lives of exemplary or enigmatic individuals to develop and test theories of human development. Jeffrey Lionel Dahmer (1960 – 1994), a cannibalistic serial killer who killed 17 young men, served as the single psychobiographical subject in this study. Dahmer was selected based on interest value, his uniqueness and the lack of a specifically academic and psychologically focused case study on his life. A qualitative psychobiographical research method was utilized in this study. The primary aim of the research was to explore and describe Jeffrey Dahmer’s personality development across his lifespan. This was achieved by applying Erikson’s (1950) psychosocial theory of staged developmental crises to the lifespan developmental process and Adler’s (1929) dynamic individual psychology to provide a more comprehensive idiographic interpretation of Dahmer as an individual. Jeffrey Dahmer’s life history was uncovered in this psychobiographical case study research through the systematic and consistent collection, analysis and interpretation of life history materials, which highlighted five significant historical periods: (a) Childhood of Fantasy, (b) The Quiet Loner, (c) Hiatus – or Build-up, (d) Seeking a Compliant Partner and (e) Arrest, Trial and Death. The two theoretical frameworks were used to discern, transform and reconstruct his life into a coherent and illuminating narrative of his psychological movement through life. Alexander’s (1988) model of identifying salient themes was used to analyze data for analytical generalization (Yin, 1994). A conceptual framework derived from the two theoretical perspectives was constructed to organize and integrate data and to guide the presentation and discussion of the findings of the study in an integrative and comprehensive manner. The findings suggested that both theoretical perspectives considered the biopsychosocial as well as cultural and historical influences of situations and experiences in Dahmer’s personality development throughout the lifespan. Adlerian theory indicated that Dahmer held a socially useless lifestyle whose movement was guided purposively towards a fictional goal xxii of godlikeness through creative, concrete expressions of personal superiority. Eriksonian theory held that Dahmer remained in role confusion, which was viewed as a functional, fragmented identity to survive in society and achieve a fantasy. Thus, both theories indicated, despite their different conceptualizations, that Dahmer’s personality development was ultimately not socially beneficial. The study of Dahmer’s personality development has provided a positive demonstration of the value of both Erikson (1950) and Adler’s (1929) theories to understand the processes of personality development in an individual life. It has further highlighted the uniqueness of individual responses to life tasks and consequently unlocked the possibility of perceiving people and their actions differently. Recommendations were made for future research undertakings that utilize a psychobiographical research design and methodology to uncover, illuminate and reconstruct the lives of enigmatic personalities.

The aim of this study is to examine how female and male perpetrators are represented in the tabloid Aftonbladet. The study is based on two murder cases that resemble each other. The murders are commited by two perpetrators together, a woman and a man. The questions examined are: How are the perpetrators and victims of news journalism represented in murders commited together by a female and male offender? Which are the similarities and differences between how female and male offenders are represented? We executed a critical discourse analysis of 14 news articles from Aftonbladet, from the time period of the detention to the sentence of the crimes. The result shows that the perpetrators together are represented as well-planned, greedy and evil. The female offender are represented as manipulative, emotional and her actions are correlated to her role as a mother. Furthermore she is placed above the male offender, he becomes submissive. The man is also represented as deviant and has relationship problems with others. The victims are portrayed as helpless and innocent. They are also represented as thoughtful and generous towards their children. The victims’ fear is portrayed in relation to the perpetrators malice.