Québec Université Laval, Bibliothèque 2014

Le nombre d'immigrants en emploi au Québec est appelé à s'accroitre de façon significative. Or, les différences culturelles peuvent occasionner des difficultés d'ajustement en entreprise, autant chez les immigrants que chez les non-immigrants. Une meilleure compréhension des orientations culturelles québécoises peut certainement faciliter cet ajustement mutuel. À travers l'expérience quotidienne de travailleurs migrants et de gestionnaires natifs du Québec travaillant avec des immigrants, des orientations culturelles québécoises plus prégnantes sont identifiées: participation, simplicité, autorité intériorisée, autonomie, consensus, féminité, individualisme, monochronie, court terme, action rapide, qualité du travail, communication explicite et peu émotionnelle, distance physique entre les interlocuteurs. Une tentative de compréhension et d'explication de ces orientations culturelles est menée à travers des éléments de nature historique de la culture nationale québécoise : une unité politique plutôt tenue en échec, une économie communautaire et libérale, une religion catholique majoritaire, une structure familiale qui privilégie un seul héritier, un courant culturel de type communautaire-tribal et national-marchand dominant. De là, sont proposées des réflexions pour la formation de personnes immigrantes et de gestionnaires québécois à l'influence de la culture nationale québécoise en emploi.

This interdisciplinary study examines the contribution that a book-review magazine makes to the cultural identity of its readers. It is the result of reflections on the cultural work of Books in Canada , on whether or not this periodical was a cultural worksite and if that is the case how it performed that cultural work. In addition, it interrogates factors that may have contributed to the magazine's demise. The study affirms that Books in Canada, a cultural enterprise from 1971 to 2008, mirrored and helped to shape book and literary culture in Canada through its circulation, through the personalities of its editors, through its front covers and through its reviewers and their reviews. Furthermore, it proposes that the demise of the enterprise was due to a combination of factors. The study begins with an introduction to book reviewing and special-interest magazines. Chapter I examines the interplay between selected visual and textual contents published in Books in Canada in its founding years. These components reflected and helped to fuel the cultural nationalism that was sweeping Canada subsequent to the 1967 World's Fair in Montreal. There were also persistent rumours and comments about the magazine that caused certain"cracks in the foundation" to appear. Chapter II compares the aims and editorial challenges of Val Clery, founder of Books in Canada , with those of Adrien Thério, founder of Lettres québécoises, and of the editors of the magazines' twentieth-anniversary issues, Paul Stuewe in the case of the former and André Vanasse in the case of the latter. Evidence in the content of the magazine, editorial and otherwise, indicated that the"contracts" that the editors made with their readers over the years were similar, to reflect and shape a cultural identity, but the result of their"projects," that is, the nature of those identities, was distinctly different. Evidently then, personal aims, preferences and political leanings of editors can have a major impact on the content of a book-review magazine and thus on the cultural work that it does. Therefore, in Chapter III, I focus on selected contents published during the tenures of two of Books in Canada 's key editors, Paul Stuewe and Olga Stein, in order to understand ways that their choices constituted a form of cultural work. The second part of this chapter moves from an analysis of the cultural work of editors to an examination of the cultural work of reviewers. Here, through a close-reading of a selection of reviews published in Books in Canada, and in other periodicals, I argue that reviewers do cultural work in the way that they negotiate their presence in a review, and in how they signal that presence through lexical choices and through the degree of intellectual interaction that they invite. Intellectual interaction is at the core of Chapter IV.This chapter consists of close readings of some of the"billboards" of the enterprise, that is, the front covers of Books in Canada , in order to show how these important components do cultural work by requiring readers to make an intellectual leap from image to text. Chapter V suggests that book reviews, the company's"bills of goods," do cultural work in much the same way as the paratexts of a book. One of my own reviews is offered as a case-study along with a number of other reviews of how central components of a book-review magazine do cultural work through the illocutionary force of their sentences. The first part of Chapter VI, the final chapter, measures the legacy of the magazine, in particular, the annual Books in Canada First Novel Award. Created in 1976, this prize is awarded to the author of the novel judged by a Books in Canada prize committee to be the best first novel in English of the year. The second part of Chapter VI sheds light on factors that may have contributed to the closure of the enterprise, including the copyright uproar that accompanied the agreement that Adrian Stein, publisher of Books in Canada and Olga Stein's husband, made in 2001 with the online book merchant, Amazon.com. Furthermore, this penultimate section of the study suggests that one of the most important factors in the magazine's demise was the decision by the Steins to exploit their position as owners, publisher, and editor of a book-review periodical, a government-subsidized one at that, to publish their own lengthy pre-trial defense of Conrad Black. The chapter then zooms back from the particular to the general with a broader consideration of the impact of technology and globalization on the book industry and on the ability of Books in Canada to survive in any form, print or digital.

Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.

The Grande Bibliothèque du Québec (GBQ), the merger of the National Library of Québec with the Central Municipal Library of Montréal in a ninety-million dollar construction project which opened in the spring of 2005, serves as the point of departure and as a model and metaphor for reflection on the significance of libraries in the cultural life of a society and in the construction of social identity. The province of Québec is unique, not only because it is the sole province in Canada where the citizens are a French language majority, but also because it is the only province to have established its own national library. The Bibliothèque nationale du Québec and other significant libraries around the world collect and preserve memory in ways that create a context for cultural recall. Government and religious leaders have, for a long time, recognized the potential that libraries have in influencing popular thought and ideas of citizens. In societies where democratization of information is fostered, libraries are promoted as a source of pride and cultural achievement in buildings that are constructed as architectural monuments. In war-torn regions or in areas under authoritarian control, library materials are censured and cultural epochs are erased or destroyed. The heated debates that took place at the turn of the late 19th and early 20th century over the creation of a public or municipal library in Montréal and in the struggle between religious and secular forces over control and direction of public reading characterize a lengthy discourse that parallels the development of the Bibliothèque nationale du Québec and of public libraries in Québec. The various stages of evolution and current metamorphosis of the Bibliothèque nationale / Grande Bibliothèque can be viewed as a reflection of the evolution and metamorphosis of society and cultural memory in Québec throughout the nineteenth century to the present.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.

Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.