The adoption of the neo-liberal model in the mid-1980s has forced the governing elites to reconfigure the Mexican State. However, the consolidation of a neoliberal State continues to be incomplete and it has been problematic to fully integrated the Mexican economy in the global market due to the increasing organized crime, the dismantling of previous post-revolutionary control mechanisms, and the growing mobilisation of organised indigenous opposition ranging from the peaceful obstruction of hydroelectric mega-projects in their territories to armed struggle. In view of the State crisis, this thesis argues that there has been a shift in the system of control mechanisms of the State that is leaning towards a more recurrent use of open violence to implement its neo-liberal State project. From a theoretical perspective, the research proposes an innovative approach to understanding the formation of the post-revolutionary State, which transcends the State violence dichotomy established between the ´corporatist´ and the ´critical´ approaches in the contemporary literature. The research highlights the wide spectrum of control mechanisms from hegemonic domination to violence used by the governing elites to compensate the unfinished State formation process in order to maintain socio-political stability without profound structural changes. It explores the enhanced tendency of State violence to replace incorporation in Statesociety relations since the efforts to restructure the economy from the 1980s onwards. The thesis analyses how this tendency has grown particularly in response to indigenous movements in the South of Mexico. The argument is substantiated empirically with two case studies undertaken in the sub-region of Costa Chica-Montaña of Guerrero with data from 79 semi-structured interviews with a wide range of social and political actors, and participant observation in ten indigenous communities. The case studies explore the different State control mechanisms used to advance the State formation model in the post revolutionary period; the impact of the crisis of those mechanisms in the sub-region; the violent resistance of local bosses to the loss of power, and the multiples indigenous responses to the implementation of neoliberal policies in their territories. This research also includes a comparative study to explain some factors that strengthen indigenous articulations, as well as their limits in an era of neoliberal globalisation. One of the most important research findings is that neoliberalism has further weakened the 'civilianisation' power of the State to deal peacefully with civil society sectors, particularly with indigenous peoples, while it has strengthened its 'centralised-coercive' power to carry out the imposed State model. Another finding is that the indigenous initiatives that have reinvented themselves through a new version of their practices and broader alliances have consolidated their alternative models. In contrast, the indigenous responses that have reproduced their traditions have failed.

Parsimonious voice leading is a term, first used by Richard Cohn, to describe non-diatonic motion among triads that will preserve as many common tones as possible, while limiting the distance traveled by the voice that does move to a tone or, better yet, a semitone. Some scholars have applied these principles to seventh chords, laying the groundwork for this study, which strives toward a reasonably comprehensive, usable model for musical analysis. Rather than emphasizing mathematical proofs, as a number of approaches have done, this study relies on two- and three-dimensional geometric visualizations and spatial analogies to describe pitch-class and harmonic relationships. These geometric realizations are based on the organization of the neo-Riemannian Tonnetz, but they expand and apply the organizational principles of the Tonnetz to seventh sonorities. It allows for the descriptive “mapping” or prescriptive “navigation” of harmonic paths through a defined space. The viability of the theoretical model is examined in analyses of passages from the repertoire of Frédéric Chopin. These passages exhibit a harmonic syntax that is often difficult to analyze as anything other than “tonally unstable” or “transitional.” This study seeks to analyze these passages in terms of what they are, rather than what they are not.

This report analyzes the Igreja Universal do Reino de Deus (Universal Church of the Kingdom of God)—a Brazilian neo-Pentecostal church—by its capacity to enchant everyday life in modern, disenchanted worlds. It provides a history of the church, a cultural biography of its founder, and a description of the church’s demonology and ritual life. It argues that through ritual performance, members come to embody the church’s discourse of biblical sacrifice. This process enchants their lives and sanctifies their participation in modern, disenchanted institutions such as late capitalism and medical science. It further argues that previous scholarship has interpreted neo-Pentecostal churches from an implicitly ethical perspective that is rooted in Western modernity. This perspective, in turn, has led to unwarranted dismissiveness toward church members’ self-reports of the empowerment they experience through their religious life. / text

<p>This work concerns the linguistic relativity hypothesis, also known as the Sapir-Whorf hypothesis, which, in its most general form claims that ‘lan-guage’ influences ‘thought’. Past studies into linguistic relativity have treated various aspects of both thought and language, but a growing body of literature has recently emerged, in this thesis referred to as neo-Whorfian, that empirically investigates thought and language from a cross-linguistic perspective and claims that the grammar or lexicon of a particular language influences the speakers’ non-linguistic thought.</p><p>The present thesis examines the assumptions about language that underlie this claim and criticizes the neo-Whorfian arguments from the point of view that they are based on misleading notions of language. The critique focuses on the operationalization of thought, language, and culture as separate vari-ables in the neo-Whorfian empirical investigations. The neo-Whorfian stud-ies explore language primarily as ‘particular languages’ and investigate its role as a variable standing in a causal relation to the ‘thought’ variable. Tho-ught is separately examined in non-linguistic tests and found to ‘correlate’ with language.</p><p>As a contrast to the neo-Whorfian view of language, a few examples of other approaches to language, referred to in the thesis as sociocultural appro-aches, are reviewed. This perspective on language places emphasis on prac-tice and communication rather than on particular languages, which are vie-wed as secondary representations. It is argued that from a sociocultural per-spective, language as an integrated practice cannot be separated from tho-ught and culture. The empirical findings in the neo-Whorfian studies need not be rejected, but they should be interpreted differently. The findings of linguistic and cognitive diversity reflect different communicational practices in which language cannot be separated from non-language.</p>

<p>This thesis aims to explore the different aspects of the phenomenon of migration in Greece, as a case study. The choice of country is motivated by its geographical position at Europe’s external borders. In order to gain an insight into the reality that migrants are faced with when searching for a better life in Europe, a field study was conducted in Athens, Greece during a period of six weeks in the spring of 2010. The field work included interviews with various actors and individuals that are directly involved in migration issues, informal discussions with migrants and personal observations. Additionally, secondary sources such as previous studies were used. The framework used to approach the material included elements from neo-institutionalism, hermeneutics as well as critical theory.</p><p>The most important conclusions reached incorporate that the rights of migrants are not respected in any aspect of the societal sphere, or in other words the three institutional pillars, the regulative, normative and cultural-cognitive. As a result, there are double standards applied to Europeans respective migrants. As a possible cause of the problematic situation described, underlying perceptions of national identity versus "otherness" are identified. These perceptions derive from a deeply rooted acceptance of social constructions such as national borders, as undisputable facts.</p>

Poetry occupies an eminent position in the history of Chinese literature because almost all the traditional men of letters had experience in composing poems. However, it was not until the Sung Dynasty that the criticism of poetry became very popular; this was singled out by the appearance of a number of books called, shih-hua (icons omitted) (remarks on poetry). Since the Sung period on, shih-hua has received both praise and censure. Traditional critics tended to evaluate shih-hua from a practical viewpoint. For example, Wang Shih-han (icons omitted) criticised the content of shih-hua as trivial because it deviated from the subjects of filial piety, trust, and other Confucian merits. On the other hand, Kuo Shao-yu (icons omitted) proclaimed that shih-hua preserved a great deal of worthy materials for the study of poetry. Modern scholars tend to evaluate shih-hua from the aesthetic viewpoint. For instance, Yen Yuan-shu (icons omitted) describes shih-hua as "vague and obscure" and "lacking systematic discourse." Yet other scholars such as Yeh Wei-lien (icons omitted) claim that the shih-hua offers readers a chance to recapture the world of rich imagery in poetic composition. In order to make a more objective judgement between the above two extremely different evaluations of shih-hua, the following issues must first be resolved: the definition of shih-hua which is related to Ou-yang Hsiu's (icons omitted) Liu-i shih-hua (icons omitted) the first book titled shih-hua, what kind of poetic tradition the Liu-i shih-hua inherited, what kind of person its author was, under what kind of literary environment it was produced, what were the contents of the work, and what kind of influence it exerted on the development of the shih-hua genre. Then we may tentatively reach an answer: the practical criticism of poetry only covers one part of the content of shih-hua. To make a complete evaluation of a shih-hua book or the shih-hua genre itself, a critic must take all the issues above into consideration.

The present study was intended as a new approach to the study of the military equipment of the Late Assyrian period which has traditionally relied upon the pictorial representations of the palace reliefs. By examining extant artifacts from the first millennium in their own right, with the reliefs merely serving to contextualize them, a truer understanding of Assyrian arms and armour can be gathered. This is necessary because the artwork only provides us with a filtered view of the real world, the reliefs are as much works of propaganda as of history. The approach taken here is to first examine the existing weapons typologically, and then to evaluate whether such weapon types appear to be accurately represented in contemporary artwork. Textual sources are also used where they can aid in the discussion. Five categories of arms and armour were studied: swords and daggers, spearpoints, shields, armour and helmets. The quality and quantity of the items in these categories varied significantly, providing for a much better representative sample of some items than others. Further questions concerning the possible ritual, rather than military, use of some of the existing artifacts were raised. However, the main conclusions reached were that the reliefs suffer not only from a propagandistic viewpoint which sometimes obscures the reality of Assyrian warfare, but that they also suffer from artistic license and spatial restraints, the difficulties in representing three-dimensional objects in a two-dimensional manner, the possible unfamiliarity of the artists with changing military technology and methods of construction, and finally, our inability to understand artistic short-hand for what were commonplace objects to the contemporary viewer. These have led to misunderstanding both as to the dating and chronological changes in weaponry, and also to the tactics used by the Late Assyrian military. This study of the artifacts themselves reveals a more mundane, utilitarian, and conservative military force which shows both a basic homogeneousness throughout the empire, and the myriad tiny variables of an army on the move drawing weapons and troops from many regions.

No description available.

Young people are arguably facing complex life situations in their transition into adulthood and navigating their life trajectories in a highly individualised way. For youth in post-compulsory education, their training years have been extended, their years of dependency have increased and they have greater individual choice compared to previous youth generations. This study develops an understanding of the process of individualisation applied to youth in late modernity and explores it in relation to the neo-liberal climate. It compares the life situation of this youth generation with youth in the early 1960s, brought up with more predefined traditional conditions, cemented in traditional social structures. The processes that led to generational changes in the experiences of youth in the last forty-five years are examined, linked to structural transformations that influence subjective experiences. Specifically, the shifts of the conditions of youth in post-compulsory education are studied in relations to socio-economic, technological and cultural changes. This study discusses the Western Anglo-American model of changes in youths life experiences and examines how it (mis)fits in a more conservative Catholic Mediterranean setting. The research investigates conditions in Malta, an ex-colonial small island Mediterranean state, whose peculiarities include its delayed economic development compared to the Western setting. The core of the research comprises of primary data collection using in-depth, ethnographical interviews, with two generations of youth in different socio-historical context; those who experienced their youth in the early 1960s and youth in the late 2000s. This study concludes that the concept of individualisation does indeed illuminate the experiences of youth in late modernity especially when compared to the experiences of youth forty-five years ago. However the concept of individualisation is applied in a glocalised manner in line with the peculiarities of Malta that has lagged behind mainstream developments in Western Europe and still retained traditional features. Building on the individualisation concept, I use an empirically grounded concept of compromised choices to describe the increase in the bargaining of choice happening at different fronts in the life experiences of youth, especially in the life biography of women, choices in education and the job market and choices in consumption.

<p>Predmet istraţivanja ove doktorske disertacije jesu metafore tela i prostora u stvarala&scaron;tvu savremene vel&scaron;ke spisateljice Sare Voters. Istraţivanje se usredsreĊuje na prvih pet romana iz njenog opusa, objavljenih u periodu od 1998. do 2009. godine. Romani Usne od somota, Srodne du&scaron;e i Dţeparo&scaron; spadaju u neoviktorijansku prozu, dok su romani Noćna straţa i Mali stranac sme&scaron;teni u period za vreme i nakon Drugog svetskog rata. Uloga protagoniste u njenim romanima najĉe&scaron;će se dodeljuje lezbejskim likovima, pa se njeno stvarala&scaron;tvo moţe shvatiti kao poku&scaron;aj da se navedene istorijske epohe rekonstrui&scaron;u tako da se omogući predstavljanje lezbejskih likova i lezbejske seksualnosti. Istovremeno, njeni romani doprinose &scaron;irem predstavljanju lezbejske tematike u savremenoj knjiţevnoj produkciji. Osnovni cilj istraţivanja jeste da se ispita uloga telesnih i prostornih metafora u obradi teme istopolne ljubavi, ali i znaĉaj ovih metafora za ĉitav niz drugih tema.<br />Istraţivanja tela i prostora predstavljaju izuzetno plodnu i dinamiĉnu oblast savremene kritiĉke teorije. Ovi pojmovi dospevaju u ţiţu kritiĉkog interesovanja u drugoj polovini dvadesetog veka, mada je njihovo prisustvo u oblastima nauĉnih istraţivanja znatno duţe, pa rasprave o telu i telesnosti nalazimo jo&scaron; u klasiĉnoj filozofiji. Prostor je pak sve do druge polovine dvadesetog veka prevashodno bio predmet matematiĉkih i geografskih istraţivanja, dok je u humanistiĉkoj tradiciji bio shvaćen tek kao pasivna i statiĉna pozadina istorijskih dogaĊaja. Istraţivanje polazi od istorijskog pregleda kljuĉnih teorijskih pristupa telu, poĉev od platonistiĉke dualistiĉke tradicije,&nbsp;preko kartezijanskog dualizma, sve do savremenih poststrukturalistiĉkih teorija, a teorijsko upori&scaron;te analize telesnih metafora ĉine teorije Mi&scaron;ela Fukoa i Dţudit Batler. Analiza romana se usredsreĊuje na motiv transodevanja, metaforu duha, ali i na skup konkretnih telesnih slika kojima se spisateljica iznova vraća. Potom se razmatraju savremena teorijska poimanja prostora, pri ĉemu se istraţivanje oslanja i na relevantna istorijska, knjiţevnoistorijska i sociolo&scaron;ka istraţivanja. Ovaj teorijski okvir sluţi da se ispitaju predstave kuće, zatvora, ludnice i britanske prestonice, te interakcija lezbejskih likova s ovim lokalitetima<br />&nbsp;</p> / <p>The aim of this doctoral thesis is to explore the corporeal and spatial metaphors in the fiction of Sarah Waters, a contemporary Welsh novelist. The critical focus of the thesis is on Waters‟s first five novels, published between 1998 and 2009. Tipping the Velvet, Affinity and Fingersmith belong to the neo-Victorian genre, while Night Watch and The Little Stranger are set in the period during and after the Second World War. In Waters‟s fiction, the role of protagonist is mostly reserved for lesbian characters and her oeuvre can be perceived as an attempt to rewrite the chosen historical periods in ways which provide for the representation of lesbian characters and lesbian sexuality. In addition, her novels make a significant contribution towards wider literary representation of lesbian issues in the contemporary context. The main goal of this research is to analyze the role of corporeal and spatial metaphors in the portrayal of same-sex relationships, class tensions and other relevant themes in Waters‟s work.<br />The issues of body and space are undoubtedly at the centre of contemporary critical interest and theoretical debates that surround them are diverse and wide-ranging. However, while the history of theoretical interest in the body dates back to the classical tradition, spatiality only came to prominence in the second half of the twentieth century, when a surge of critical interest can be observed marking the beginning of the so-called spatial turn. The thesis therefore&nbsp;starts by providing a brief historical overview of the key theoretical approaches to the body, including the mind/body debate in the classical Platonic tradition, Cartesian dualism and contemporary poststructuralist theory. The theories of Michel Foucault and Judith Butler are then used as the main theoretical framework for the analysis of corporeal metaphors, which focuses on the motif of cross-dressing, the spectral metaphor, as well as a range of recurrent corporeal images in Waters‟s writing. In the following chapters, the focus shifts to contemporary theoretical approaches to spatiality and relevant sociological, cultural and historical research, which are used to explore the representations of home, prison, asylum and urban space, as well as the interaction between the lesbian protagonists and their surroundings.</p>