Analysis of theme, style and structure of the chanted sermons of a Virginia preacher shows that the chanted sermon is a powerful ritualistic expression in certain communities. As practiced among Afro-American groups the chanted sermon is a ritual expression which serves to resolve conflicts, affirm values, and meet certain socio-psychological needs.

This thesis delves into the role of women in the Zapatista movement and how that role has changed over time in the private, public and political spheres. It also draws parallels between the struggle for female liberation within Zapatismo and the struggles of working-class, women of color movements in the United States. Chapters are focused on topics including women's involvement in the San Andrés Accords, the Women's Revolutionary Law, the Other Campaign and Marichuy's electoral campaign as well as personal observations from time spent in Oventik, a Zapatista caracol. As complement to the text, the thesis includes a visual zine.

This dissertation studies identity formation and race informed by the discipline Whiteness Studies. As such this dissertation conceptualizes Spanish Whiteness historically and analyzes its representation in Spanish narrative in prose and film. This research responds to two questions: 1) How has Spanish culture historically instrumentalized Blackness thus contributing to the creation of the Western’s conceptualization of Whiteness? 2) What does Spanish representation of Empire say about its Whiteness? In an effort to answer these questions, this study is divided into two parts that correspond to the conceptualization and representation of what are termed ‘Situational Whiteness’ and ‘Imperial Spanish Orientalism.’ I argue that both are the result of a Spanish differential exceptionalism based on Orientalist cultural practices of tactical assimilation, by means of which the Black experience is subsumed on the margins as a part of Spanish Whiteness. To prove this hypothesis, Spanish Whiteness is conceptualized for the purpose of exploring the strategies of tactical assimilation of the Spanish Orientalism (Hispanism, Arabism, Africanism, Hispanotropicalism) towards its former colonies in Latin America and Africa. In addition, the contrasting cases of instrumentalization of Blackness as resistance in José Martí and Fernando Ortiz’s notion of Cuban racial ‘counterpoint’ as well as and the racial ‘particularism’ of Joan Maragall and Blas Infante inform cultural notions of Spanish Whiteness as well as its fragmentation. In the second part of this dissertation, the analysis focuses on understudied cases of the Spanish Imperial Whiteness’s representation in relation to Equatorial Guinean and Afro-Cuban Blackness. The overall propose of this research is, on the one hand, to explain how the situational nature of Spanish Whiteness is present throughout foundational moments in diverse forms of Spanish Orientalism; and, on the other hand, to inform Whiteness Studies from a different cultural angle thus providing the discipline with a transnational bridge towards a better understanding of white processes of racial formation, historical strategies and cultural forms of structural domination.

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In spite of its common designation as an outmoded classic of sentimental middlebrow literature, John Steinbeck’s The Grapes of Wrath remains relevant as a milestone in an extended liminal stage between the failing cultural myths of the past and the founding of newly relevant shared stories. This stage begins with the Enlightenment and continues to present-day conflicts over identity, labor, migrants, notions of truth itself, the function and responsibilities of government, and our shared ecological destiny. Arriving near the end of the Depression and its concurrent economic and environmental disasters, The Grapes of Wrath reflects a particularly chaotic stage in mythological disintegration and regeneration. While critics routinely note the structure of myths within the narrative, they too often fail to note the ways said structures fail, providing for the oppressive tone of the narrative, which ironically leaves space for the rise of new myths.

Eugenic discourse is apparent in the work of many writers in the early 20th century, but is especially explicit in D.H. Lawrence's novel, Lady Chatterley's Lover, as well as his private letters. A close reading of these works illustrates Lawrence's attempts to grapple with his advocacy of eugenic.

In The Song of the Lark (1915), Willa Cather does something extraordinary by presenting a well-rounded and likeable Mexican character. This is quite different from her contemporaries’ stereotypical depictions of minorities. To include immigrants in a modern novel was avant-garde and radical subject matter; and presenting a realistic, likeable Mexican character was unheard of because the colonized and immigrants were largely ignored in American literature, or deliberately overlooked. When they were included, persistent demeaning views and unflattering Mexican stereotypes were the norm. This paper seeks to explain how positively Cather depicts Mexican characters, decades before Civil Rights. Cather includes the plight of Mexicans in her novel and gives voice to those that were silenced and ignored. Even though she was a bestselling author and considered one of the best American writers of the era, she has not been properly credited for how progressive she was in her treatment of minorities. It is well documented that Cather used juxtaposition and absences in her writing to convey meaning; I build on these absences to add in rhetorical silence and connect her use of silence to the academic conversation about speech in post-colonial analyses. By contextualizing her writings within the period, I demonstrate how progressive her novels are. Even though most depictions of minorities at the turn of the century were stereotypical, Cather diverges from the racism, which makes her decades ahead of her contemporaries in including good immigrants and minorities in American literature.

The Castillo de San Marcos is the oldest stone fortification on the North American mainland, a unique site that integrates Florida’s Spanish colonial past with American Indian narratives. A complete history of this fortification from its origins to its management under the National Park Service has not yet been written. During the Spanish colonial era, the Indian mission system complemented the defensive work of the fort until imperial skirmishes led to the demise of the Florida Indian. During the nineteenth century, Indian prisoners put a new American Empire on display while the fort transformed into a tourist destination. The Castillo became an American site, and eventually a National Monument, where visitors lionized Spanish explorers and often overlooked other players in fort history. This thesis looks at the threads of Spanish and Indian history at the fort and how they have or have not been interpreted into the twenty-first century.

Background: Pregnancy induced hypertension (PIH) is the leading cause of maternal mortality and a major contributor to preterm birth and neonatal mortality. Literature suggests that several modifiable psychosocial and health behavioral factors may play significant roles in the development of PIH. However, interrelationships among these factors and their collective impact on PIH are not well understood. Objectives: This study aims to: 1) Examine the relationship between pre-pregnancy physical activity and risk of PIH, 2) Determine the association between prepregnancy depression and PIH and the role of race/ethnicity in this association, 3) Evaluate the association between intimate partner violence (IPV) in women before and/or during pregnancy and PIH, and the role of utilization of prenatal care (PNC) as a mediator in this association. Methods: This study utilized the national Pregnancy Risk Assessment Monitoring System survey data (years 2009-2015). The outcome variable PIH was defined as a dichotomized variable (Yes; No) utilizing a birth certificate variable data. Domain-adjusted multiple logistic regression, multiple logistic regression with stratification, and structural equation modeling analyses were used to investigate the study aims. Results: No significant reduced risk of PIH was observed in women who were physically active prior to pregnancy compared to sedentary women. However, women with prepregnancy depression were more likely to have PIH compared to women without prepregnancy depression and this association was significant for non-Hispanic White women when stratified by race/ethnicity. Further, PNC utilization was a significant mediator in the association between IPV before and/or during pregnancy and PIH. However, IPV had no direct or total effect on PIH in this study. Conclusions: Public health professionals and health care providers should be aware of the relationships between prepregnancy depression, race/ethnicity, IPV, and prenatal care utilization, and PIH, and utilize the information in risk profiling, screening, early detection and intervention in women at risk of PIH.

Both the Second World War and the Korean War presented Hollywood with the opportunity to produce combat films that roused patriotic spirit amongst the American people. The obvious choice was to continue making the popular squad films that portrayed a group of soldiers working together to overcome a common challenge posed by the war. However, in the wake of various racial and ethnic tensions consistently unfolding in the United States from 1940 to 1960, it became apparent to Hollywood that the nation needed pictures of unity more than ever, especially if America was going to win its wars. Using combat as the backdrop, squad films consisting of men from all different backgrounds were created in order to demonstrate to its audiences how vital group cohesion was for the survival of the nation, both at home and abroad. This thesis explores how Hollywood’s war films incorporated racial and ethnic minorities into their classic American squads while also instilling the country’s inherent values of democracy.