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111	Nevoeiro e dinâmica atmosférica: uma contribuição ao estudo sobre ocorrências de nevoeiro no aeródromo da Academia da Força Aérea - Pirassununga/SP / Fog and atmospheric dynamics: a contribution to the study of fog occurrences at the Air Force Academy airfield - Pirassununga-SP Rosângela de Oliveira Colabone 24 October 2011 (has links) O objetivo desta pesquisa é o estudo da dinâmica climática e dos tipos de tempo responsáveis pela gênese de nevoeiro no aeródromo da Academia da Força Aérea - AFA, localizado na região de Pirassununga/SP, nas coordenadas 21º59\'07\'\' S, 47º20\'06\'\' O e altitude 600 m. Foi aplicada a metodologia de análise rítmica proposta por Monteiro (1971), ao período de maior ocorrência do fenômeno - abril, maio, junho e julho -, durante três anospadrão (habitual, excepcional de alta ocorrência e excepcional de baixa ocorrência). Na primeira parte deste trabalho foi realizada a estatística descritiva das ocorrências de nevoeiro e a caracterização de sua distribuição temporal durante de 20 anos (1989 a 2008). A escolha dos anos-padrão foi realizada por técnicas estatísticas aplicadas ao período de maior ocorrência do fenômeno. A segunda parte do trabalho consistiu na aplicação da análise rítmica aos anos escolhidos como padrão para o aeródromo - 2003 (habitual), 2008 (excepcional de alta ocorrência) e 2005 (excepcional de baixa ocorrência). Como resultado, constatou-se que os tipos de tempo geradores de nevoeiro ocorreram, preferencialmente, sob o domínio da Massa Polar Atlântica. Sequências de tipos de tempo desencadeadas após a passagem da Frente Polar Atlântica ou do domínio da Massa Polar Atlântica com Linha de Instabilidade contribuíram, também, para a gênese de nevoeiro no local. / The objective of this research is the study of climate dynamics of the weather types, responsible for the fog genesis at the Air Force Academy airfield- AFA-located in the region of Pirassununga at coordinates 21º59\'07\'\' S, 47º20\'06\'\' W and the altitude of 600 m . The rhythmic analysis methodology proposed by Monteiro (1971) was applied to the period of the highest occurrence of the phenomenon - April, May, June, July - during three standard years (usual, exceptionally high occurrence and exceptionally low occurrence). Descriptive statistics of the fog occurrences were held in the first part of this paper as well as the characterization of its temporal distribution over 20 years (1989 to 2008 ). The choice of standard years was made by statistical techniques applied to the period of highest occurrence of the phenomenon. The second part of this paper was based on the rhythmic analysis over the years chosen as the standard for the airfield 2003 (usual), 2008 (exceptionally high occurrence) and 2005 (exceptionally low occurrence). As a result it was found that types of fog generator weather occurred preferably under the influence of the Atlantic Polar Air Mass. Sequences of different types of weather triggered after the passage of the Atlantic Polar Air Front or the dominance of the Atlantic Polar Air Mass with squall lines also contributed to the genesis of fog occurrences at the local. Aeródromo da Academia da Força Aérea Análise rítmica Nevoeiro Tipos de tempo Air Force Academy airfield Fog Rhythmic analysis Types of weather
112	A Performance Guide to Heejo Kim's Choral Arrangements Based on Traditional Korean Folk Tunes and Rhythmic Patterns Yi, Chung-han 05 1900 (has links) Heejo Kim (1920-2001) is one of the most prominent Korean composers of the twentieth century. He is primarily known for his works that incorporate aspects of traditional Korean music. However, at the same time, his efforts in choral arrangements, especially of Korean folk tunes are highly acclaimed by professional choirs and conductors. The purpose of this study is to provide performance guidance on Heejo Kim's choral work, Bat-no-rae, by presenting his biographical background, discussing the use of traditional Korean rhythmic patterns (Jangdan) and modes, and the appropriate application of traditional ornamentations. Heejo Kim traditional rhythmic patterns folk tunes Korean arrangements Kim, Heejo, 1920-2001. Choral music. Folk music -- Korea.
113	Canons rythmiques et pavages modulaires / Rhythmic canons and modular tilings Caure, Hélianthe 24 June 2016 (has links) Ce mémoire de thèse est une contribution à l'étude des canons modulo p. De nombreux outils mathématiques et informatiques ont été employés pour l'étude des canons rythmiques mosaïques. La recherche récente s'est particulièrement attachée à trouver les canons sans périodicité interne, dits de Vuza. Ces canons ont la particularité d'être une base pour la construction de tous les canons rythmiques mosaïques, cependant ils sont très difficiles à obtenir. La meilleure méthode actuellement est un algorithme exhaustif de recherche, qui malgré de récentes améliorations reste exponentiel. Plusieurs techniques ont été utilisées dans l'espoir de mieux les comprendre ou de les générer plus rapidement. Ce mémoire présente donc un nouveau sujet d'étude pour mieux comprendre le pavage apériodique. / This thesis is a contribution to the study of modulo p tiling. Many mathematical and computational tools were used for the study of rhythmic tiling canons. Recent research has mainly focused in finding tiling without inner periodicity, being called Vuza canons. Those canons are a constructive basis for all rhythmic tiling canons, however, they are really difficult to obtain. Best current method is a brut force exploration that, despite a few recent enhancements, is exponential. Many technics have been used, hoping to understand Vuza canons better or to generate them faster. Hence, this thesis presents a completely new way to study aperiodic tiling. Canons rythmiques Pavages apériodiques Canons modulaires Vuza Combinatoire Pavage unidimensionnel Vuza canons Modular tiling Rhythmic tiling canons 510
114	Specificity of spatio-temporal order under rhythmic environmental parameter : cooperation of real-world experiments with numerical modeling / 周期的環境変化にともなう時空間秩序：実空間の実験系と数理モデリングの協奏 / シュウキテキカンキョウヘンカニトモナウジクウカンチツジョ : ジツクウカンノジッケンケイトスウリモデリングノキョウソウ上野洋, Hiroshi Ueno 18 September 2021 (has links) 博士(工学) / Doctor of Philosophy in Engineering / 同志社大学 / Doshisha University 時空間秩序周期的環境変化 spatio-temporal order rhythmic environment
115	Das Verbiegen des Zeitpfeils: Ligetis ametrische Uhren Temeş, Bianca Ţiplea 23 October 2023 (has links) No description available. info:eu-repo/classification/ddc/780 ddc:780
116	Factors Affecting the Perceived Rhythmic Complexity of Auditory Rhythms Vinke, Louis Nicholas 26 April 2010 (has links) No description available. Experiments Music Psychology rhythm perception and cognition perceived rhythmic complexity tempo musical training beat perception tapping measures of complexity auditory rhythms
117	Rhythmic Relations Gray, Jessica M. 28 October 2010 (has links) No description available. Fine Arts ceramics pottery rhythmic relations coil building hand building dimpling technique stoneware clay cone 6 glazes cone 06 glazes
118	Breath in Motion: Breath Awareness Design Research Study Reese, Cassandra L. 05 May 2017 (has links) No description available. Design Communication
119	The Effects of Training and Individual Differences in Heart Rate Variability on the Golf Swing’s Coordination Structure Speller, Lassiter F. 30 August 2012 (has links) No description available. Cognitive Psychology Psychobiology Psychology motor coordination motor behavior heart rate variability HRV golf training groups rhythmic units
120	Takt och Otakt Gahrton, Daniel January 2019 (has links) The theme of the song Lonely Woman by Ornette Coleman and the song It’s Halloween by The Shaggs has something in common when it comes to how the different instruments relate rhythmically to each other. I would call it a musical quality that could be described as a feeling of ungraspability. I had this quality in focus during a process of listening to music, writing music and playing music. To describe the cause of this quality I felt the need to define two concepts I named 1) rubato structures; rhythmic structures that aren’t based on, nor establish a steady pulse, and 2) tempo structures; rhythmic structures that are based on and establishes a steady pulse. Throughout the project I identified the cause of the quality, to be combinations of rubato structures and tempo structures, however my understanding developed during the project to a more specific definition which was layers of rubato structures and tempo structures. In the 6 compositions that this project resulted in, I created a number of musical situations with my group, which all had these elements. When listed, these situations rather systematically go through ways of combining structures in regards to different parameters. When listened to, at least for me, several of them give rise to the feeling of ungraspability I had in focus. My attempts to describe and analyze the many inspiring examples stretching from Charles Ives to Swedish contemporary vocal folk music, helped me to develope tools for making music of my own, rather than resulting in some objective truth, or a system for describing and analyzing music that would work objectively. One thing I would consider objectively true, however, is that there are a lot of different ways of creating rhythmic complexity, where some ways are very tedious and difficult for the musicians. With rhythmic layers of rather simple structures, containing rubato structures, I can create rhythmic complexity beyond the quantifiable, just by putting the human impulses in control. Takt in Swedish could mean many things, such as beat, meter, bar, measure. Otakt is often used as a negative word to describe a failed attempt to play in time, but is also linguistically the negation of takt (thus meaning no beat, no meter, no bar, no measure). Takt och (and) Otakt is therefor a play with words, since otakt relates to things in this study that is embraced rather than avoided. / <p>Bilaga: CD</p> rhythm rhythmic layers rubato tempo pulse contrast composition composing quintet ostinato loop structure polyphony autentic ungraspable impulse Ives Shaggs Ornette Coleman rhythmic analyzis composing tools rhythmic complexity organic rhythm composing for improvisors rytmik rytmiska lager rubato tempo puls kontrast komposition komponerande låtskrivande kvintett ostinato loop strukturer polyfoni autentisk ogreppbarhet impulser Ives Shaggs Coleman Ornette rytmisk analys kompositionsverktyg rytmisk komplexitet organisk rytmik komponera för improvisatörer Music Musik

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