Located 100 km west of Key West, Florida, Dry Tortugas National Park (DRTO) is a largely untouched subtropical marine ecosystem that serves as an important developmental habitat, nesting ground, and foraging area for several species of sea turtles, including green turtles. The Park supports a recovering population of green turtles comprised of resident juveniles, subadults, and adults of both sexes; nesting females include residents and migrating females that only return to nest. Stable isotope analysis has been applied widely to describe the trophic ecology of green turtles, from urbanized bays with significant anthropogenic input, to relatively pristine ecosystems with healthy populations at carrying capacity. However, there is a paucity of published literature about the trophic ecology of green turtles in DRTO. This study describes the trophic ecology occupied by two distinct size groups (61 green turtles < 60 cm (SCL) and 98 green turtles > 60 cm (SCL)). Flipper tissue and plasma were analyzed for stable isotopic composition of C and N. Flipper tissue values for δ15N (3.41‰ to 9.69‰) and δ13C (-22.43‰ to -5.38‰) fall within literature values for green turtles, and the wide range of values indicated they could potentially feed at multiple trophic levels. Understanding the trophic ecology of this population of green sea turtles is instrumental to effective management and habitat preservation strategies in DRTO.

Please read the abstract in the thesis. / Thesis (PhD)--University of Pretoria, 2013. / gm2013 / Old Testament Studies / unrestricted

Cette thèse présente les résultats d’une fouille archéologique préventive menée sur un site de la région périurbaine est de la ville antique de Beyrouth. Leur étude approfondie montre des changements dans la fonction d’utilisation de cet espace, toujours lié directement à la ville. Son urbanisme s’est développé sur les bords des prolongations des axes urbains. Il n’a été bien planifié qu’à partir du Ier s. apr. J.-C. durant sa transformation en un espace funéraire. Sa division par des limites de terrains servait probablement aux colons nouvellement installés pour leurs activités agricoles, économiques, artisanales, etc. L’installation de constructions monumentales dans ce secteur périurbain n’a commencé qu’à la fin du IIe s. apr. J.-C. C’est ainsi qu’un sanctuaire du culte héliopolitain a été construit dans la plaine côtière, entre les deux voies menant à la ville, au point le plus proche de la mer et sur une falaise. Sa destruction est confirmée durant le IVe s. apr. J.-C.,soit à cause du tremblement de terre du 348/349 apr. J.-C. soit à la suite de la christianisation de la région. Ensuite, ce secteur a abrité plusieurs grandes résidences qui ont été détruites, soit par le tremblement de terre du 551, soit ultérieurement. Vers le début de la période médiévale, l’espace périurbain est a été abandonné pour la récupération des pierres des anciens monuments. Son occupation par des bâtiments ne reprend qu’à la période ottomane. / This thesis presents the results of the archaeological rescue excavation of a site situated in the periurban area of the ancient city of Beirut. The study findings reveal chronological changes in the use of the space, that are consistently linked to developments associated with the growth of the city. The site developed along the extensions of the urban axes, but was fully elaborated in the 1st century A.D. with its transformation into a burial ground. Divided by territory limits, the new colonists then most likely used this location for their economical, agricultural, and artisanal activities. The installation of monumental constructions in this peri-urban area began at the end of the 2nd century A.D. A sanctuary pertaining to the Heliopolitan cult was thus built on the plain between the two roads leading to the city, on the “Ras Mdawar” cliff at the nearest point to thesea. Its destruction is dated to the 4th century A.D., either as a consequence of the earthquake of 348/349 AD or as a result of the Christianization of the region. Several large villas were later built in this area and destroyed either by the earthquake of 551 AD or at a later period. With the start of the medieval era, the peri-urban space was abandoned and exploited for the recuperation of stones from the ancient monuments. It remained unoccupied until the Ottoman period.

This project focuses on an ideal solution for restoring the roof of Notre-Dame in Paris, which burned down together with its spire on April 15, 2019. The main motive behind the design was to create a quiet space that will serve as a memorial of the fire and reflect the unity of the society that contributed to the rebuilding found. The primary step of the whole reconstruction is to find an adequate way of renewal and its ethical boundaries. Main attention is focused on the roof and on the spire of the cathedral. As a tribute to medieval builders who consecrated their lives into this magnificent piece of work. The exterior of the new design has the same silhouettes and proportions that it has got eight centuries ago, but with a touch of a modern day aesthetics. When designing the interior of the roof, it was really important to maintain a clear representation of Gothic architecture – the balance between darkness and light. The space is divided into two parts. The first part represents darkness, as an obstacle, which each of us has to overcome. The second part is full of natural light that seems to tear the roof of the cathedral and illuminates the entire space inside. At the heart of the design is a gem that matters the most, life. The spire of the cathedral is designed with four pillars that symbolize the connection of mind-spirit-body with physical world The idea of the spire reflects these seemingly different things, but together they unite into one piece.

The two works of Joseph Schwantner which are the focus of this study, are quite unique for this composer. These two pieces represent the only instance in which Schwantner used the same music for two different compositions. From a Dark Millennium, and Sanctuary from the Music of Amber, are identical in musical material, form and length. While From a Dark Millennium was written for a large wind ensemble, Sanctuary was scored for a sextet of flute, clarinet/bass clarinet, violin, cello, piano, and percussion. The comparative analysis of these pieces reveal the essence of the music, as well as explores the scoring of each version. Both the melodic and harmonic material in this music is based almost entirely on an octatonic scale of alternating whole and half steps. Very little musical material is used in these works, however the approach toward expanding this material is exceptionally creative. The music shifts abruptly from sections that are sparse and soloistic, to scoring that is very dense. While the piano is utilized as the central timbre in both versions, the wind ensemble presents a much heavier and more percussive sound throughout. The chamber version, due to its size and instrumentation, is more ethereal, and features the performers in a soloistic environment. In examining both of these works, many of the distinctive traits found in the music of Joseph Schwantner are exhibited. The differences between these two versions help to illustrate his unique approach to composition and orchestration. The two works have also had a significant impact in their respective performance media as well. From a Dark Millennium has become an important part of the repertoire for wind ensembles; and Music of Amber, which won the 1981 Kennedy Center Friedheim Award for excellence in chamber composition, is one of Schwantner's most performed chamber pieces.

The aim of this study is to explore the complex system of sanctuary networks created to safeguard artists, journalists, publicists, and writers internationally. The two sanctuary networks included in the study are International Cities of Refuge Network and Artists at risk, both aimed to create sanctuaries and advocacy for freedom of speech but with different scopes and focus. The analytical methods used consists of system- and organizational theory tools, to map the components of the networks and contingency theory to analyze the external aspects that affect the networks. The mapping of the networks provides an overall picture of the organizational system structure containing permanent organization, cooperating actors, political actors, meeting points, funding and direction of process. The analysis show that the networks produce different types of safeguarding of artists, long-term and short-term. Both structures create pros and cons but complement each other in a complex system with a plurality of needs and solutions. Challenges that the networks face mostly consist of economic uncertainty and a need for flexibility towards external changes whilst needing structural stability to face challenges efficiently.

This thesis is an intersectional reading of William Faulkner’s novels The Sound and the Fury (1929), As I Lay Dying (1930) and Sanctuary (1931). This paper employs theories of masculinity and queer theory to examine the masculinities in the novels and their connection to blackness. It proceeds from Judith Butler’s book Bodies that Matter. The thesis focuses on the mixture of race, class, gender and sexuality in the novels. I claim that race sometimes is a mask for gender, class and sexuality in these texts. I argue that certain white characters are depicted as Afro-Americans because of their unmanly behavior and/or queer sexuality or low class. For masculinity theory I have used Jørgen Lorentzen and Claes Ekenstam’s concept of manly and unmanly, described in the anthology Män i Norden Manlighet och modernitet 1840-1940. I have also used Craig Thompson Friend’s Southern Masculinity: Perspectives on manhood in the South since Reconstruction and WJ Cash’s The Mind of the South. For the queer theory, I have used Judith Butler’s theories described in Gendertrouble and Bodies that Matter. / Den här uppsatsen är en intersektionell läsning av William Faulkners romaner The Sound and the Fury (1929), As I Lay Dying (1930) och Sanctuary (1931). Den här uppsatsen använder sig av maskulinitetsteori och queerteori för att undersöka maskuliniteterna i romanerna och deras förbindelse till svarthet. Den utgår från Judith Butlers bok Bodies that Matter. Uppsatsen fokuserar på blandningen av ras, klass, genus och sexualitet i texterna. Jag påstår att ras ibland agerar som en mask för genus, klass och sexualitet i de här texterna. Jag menar att vissa vita romanfigurer skildras som afroamerikaner på grund av sitt omanliga beteende och/eller queera sexualitet eller låga klass. Till maskulinitetsteorin har jag använt mig av Jørgen Lorentzen och Claes Ekenstams begrepp manlig och omanlig, beskrivna i antologin Män i Norden Manlighet och modernitet 1840-1940. Jag har även använt Craig Thomson Friends Southern Masculinity: Perspectives on manhood in the South since Reconstruction och WJ Cashs The Mind of the South. Till queer teorin har jag använt Judith Butlers teorier beskrivna i Gendertrouble och Bodies that Matter.

The aim of this thesis is to compare the concept of sin in the theologies of Ellen G. White and Leonardo Boff. Chapter 1 examines Ellen G. White's concept of sin. White's historical and theological backgrounds coupled with her use of the "great controversy" motif provide a better grasp of her understanding of sin. White defines sin as the transgression of God's Law. She views sin to comprise at least two dimensions, namely, the individual and the social. White regards these two aspects of sin to have equal significance. White's detailed treatment of the sanctuary teaching also highlights the two dimensions of sin. In Chapter 2 Boff' s idea of sin is investigated. Boff' s historical background, which exposed him to the poor, influenced his perception of sin. Boff's theological background together with his familiarity with Karl Marx's social analysis prompted Boff to define sin as the negation of God's love in a human history bedevilled by class conflict. Boff views sin to have the individual and social dimensions. Yet, in terms of importance, Boff believes that the social dimension of sin is more consequential than the individual one. In Chapter 3 White's and Boff s views on sin are compared. From this comparison it is evident that both White and Boff recognize the bipolarity of sin. Both seem to agree that christians should take an active role in correcting social evils because love for God is manifested by how we relate to our neighbor. Boff devotes less space to the individual aspect of sin than White. Chapter 4 shows that White's theological tradition has a lot to learn from Boff and his tradition and also vice versa. An awareness of the current priestly ministry of Christ evident in White's theology could help Boff to bring some balance to his stance on the social and the individual dimension of sin. Boff' s use of Marx's social analysis should also help Seventh-day Adventists, the inheritors of White's theology, not to interpret White's theology of sin only along individualistic lines while overlooking its social dimension. / Philosophy, Practical & Systematic Theology / D.Th. (Systematic Theology)

År 1929 grävde den Svenska Cypernexpeditionen ut en helgedom daterad till den tidiga delen av Sencypriotisk II (1400-1340/1315), namngiven Ayios Iakovos: Dhima. Kring ett terrakotta-kar återfann arkeologerna flera värdefulla och exotiska föremål.  Sedan dess har platsen och dess fynd tolkats på många olika sätt, utan någon egentlig klarhet. Genom att göra en systematisk studie över det hittills opublicerade skärvmaterialet har nya slutsatser om platsen kunnat läggas fram. Tidigare tolkningar om ett kronologiskt gap under Sencypriotisk I kan nu ifrågasättas. Det finns belägg för ett kontinuerligt bruk från Mellancypriotisk III fram tills platsen övergavs under Sencypriotisk II. Den stora mängden slutna kärl, förknippade med transport av väldoftande oljor och salvor, vittnar om de aktiviteter som en gång företogs på platsen. Dessutom visar närvaron av typiska rituella dryckeskärl ett av de tidigaste exemplen på utvecklingen av Cypriotisk rituell tradition, nu separerad från de tidigare starka banden till gravriter.

The purpose of this study was to examine conservation, livelihoods, and the role of tourism. The village of Sukau in the Kinabatangan District of Sabah, Malaysia, served as a case study. The vital importance of the Lower Kinabatangan in wildlife conservation, coupled with the tourism potential of the region, underpinned the creation of the Kinabatangan Wildlife Sanctuary in 2005. The 26,000 hectare sanctuary is fragmented in nature and surrounded by palm oil plantations. Still, with the protection of these fragmented forested areas, Sukau has evolved into the ‘hub’ of tourism in the Lower Kinabatangan. The majority of visitors come to Sukau for the opportunity to view the flagship species of the Kinabatangan Wildlife Sanctuary (orang-utan, Bornean pygmy elephant, proboscis monkey, and hornbills) in the wild. Many of the local villagers own land which is still forested and serves as important ecological links between the fragmented protected areas. However many of the villagers plan to use their lands for smallholder palm oil farming in the future. This will further fragment the forested areas of the Wildlife Sanctuary, and will have severe implications for nature conservation and tourism in Sukau. The Sabah Tourism Master Plan (1996) stresses that for the tourism-conservation linkage to be effective in Sukau, the local community must benefit from tourism. If the locals of Sukau are able to depend on tourism as a livelihood option, then perhaps the forested areas of the Wildlife Sanctuary will not be further fragmented in the near future. This study will attempt to answer whether tourism is an effective alternative livelihood source for the locals of Sukau. Predominantly qualitative research methods were used for this study. These included semi-structured interviews with the local villagers of Sukau, and informal interviews with key informants in the area. Structured questionnaires and interviews were also undertaken with lodges in and near the village. The information gathered from these sources was further strengthened by my own personal and participatory observations. In 2006, 10 per cent of the population of Sukau, and 23 per cent of the estimated total workforce were directly employed in tourism. Results indicate that having tourism as a livelihood option has made the villagers more motivated to protect their environment. Yet the locals of Sukau disagree that their community benefits sufficiently from tourism, and smallholder palm oil farming is viewed as the more lucrative livelihood option. The current financial crisis (2008-9) has complicated the likely contribution of tourism to livelihoods and conservation in the future. Nevertheless it is likely that both the palm oil and tourism industries will recover from the economic downturn, and consequently they will both continue to be future livelihood options for the villagers of Sukau. Therefore steps should be made to improve both industries for the benefit of livelihoods and nature conservation in Sukau. There are a number of potential ways in which tourism could be improved in Sukau to bring more benefits to the locals. If these suggested improvements occur, then the effectiveness of tourism as an alternative livelihood source for the locals of Sukau will be enhanced.