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God’s Preservationists: The Championing of Conformity in Interregnum England, 1649–1660Padraig A Lawlor (6421688) 15 May 2019 (has links)
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<p>This dissertation examines the preservation of the Church of England in Interregnum England. It
incorporates a microhistorical analysis of parish life in four Puritanical counties located in East
Anglia, namely Cambridgeshire, Norfolk, Suffolk, and Essex. In the current historiography on the
Church of England, scholars of religious history have traditionally associated both Puritan and
sectarian activity with the political upheaval, religious reform, and the collapse of cultural norms
that accompanied the English Interregnum. Absent from this scholarship, however, are the voices
and actions of those devoted parishioners who refused to abandon their parish church after its
disestablishment in 1649. These followers, henceforth called “Conformists,” both fostered and
maintained a shared cultural system that stabilized their communal interaction in a period
exemplified by politico-religious chaos. In a period characterized by bloody conflicts, their
instruments were not swords, but sermons. Thus, this project reveals that the perseverance of
Conformists amid the persecution of Cromwellian England was not arbitrary, but a disciplined
reaction in which spiritual guidance was actively sought and developed. Central to this response
were the actions of sequestered Conformist ministers who guided their displaced congregations by
administering forbidden sacraments and emboldening communal engagement.
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Framing performance art: Acts of documenting in 'Being and Doing' (1984)Hanstein, Ulrike 04 October 2019 (has links)
To explore documenting practices in detail that use the time-based medium of film to engage with performance art’s negotiation of duration and disappearance, this article addresses Stuart Brisley’s and Ken McMullen’s 16 mm film “Being and Doing”. “Being and Doing” is an experimental, highly subjective documentation of live art practices of the late 1970s and early 1980s in Eastern and Western Europe. The film’s highly concentrated and rhythmically elaborate montage assembles photographs, sound recordings, footage of communal rituals, and artists’ performances with a voice-over narration by Brisley. Starting from a detailed analysis of particular montage sequences the article elaborates on the inventive aesthetics of “Being and Doing” as a conjunction of body art practices and a process-oriented mode of documentation, which is concerned with the frame as the essential constituent of film form.
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The Vocalizing Pianist: Embodying Gendered PerformanceSaiki, Michiko 04 August 2017 (has links)
No description available.
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Behind the Bamboo Curtain: US Ambassadors to China, 1945-1957Pavalko, Nathan L. January 2009 (has links)
No description available.
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Liberalism with Care: The Complementarity of Liberalism and Care EthicsKim, Donghye 29 September 2022 (has links)
No description available.
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The Murder Theme in Elizabethan and Stuart Domestic DramaKirkpatrick, Hugh L. 08 1900 (has links)
In this thesis an attempt will be made to trace briefly the development of the domestic tragedy of blood on the English stage to the end of the first decade of the seventeenth century.
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Those About to Die Salute You: Sacrifice, the War in Iraq, and the Crisis of the American Imperial SocietyOlsen, Florian B. 10 March 2011 (has links)
This dissertation produces the first attempt to bring the work of sociologist Pierre Bourdieu and the political theory literature on citizenship into dialogue with the scholarship on American empire in the field of International Relations (IR). It explores how the United States’ quest for global pre-eminence, mirrored by the war in Iraq, reveals and exacerbates the social wounds at the seams of American society. To do this, it introduces three new concepts to the field of International Relations. It builds on historian Christophe Charle’s sociological framework of “imperial society” and “national habitus” (2001, 2004 and 2005) and introduces an original concept, the field of citizenship, to examine social conflict over the distribution of military sacrifice amongst citizens in the United States. Finally, it explores these tensions by looking at multiple documentary sources, including over 200 newspaper articles, 60 testimonies about the war from soldiers and their relatives, congressional documents, and military manpower policies.
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Those About to Die Salute You: Sacrifice, the War in Iraq, and the Crisis of the American Imperial SocietyOlsen, Florian B. 10 March 2011 (has links)
This dissertation produces the first attempt to bring the work of sociologist Pierre Bourdieu and the political theory literature on citizenship into dialogue with the scholarship on American empire in the field of International Relations (IR). It explores how the United States’ quest for global pre-eminence, mirrored by the war in Iraq, reveals and exacerbates the social wounds at the seams of American society. To do this, it introduces three new concepts to the field of International Relations. It builds on historian Christophe Charle’s sociological framework of “imperial society” and “national habitus” (2001, 2004 and 2005) and introduces an original concept, the field of citizenship, to examine social conflict over the distribution of military sacrifice amongst citizens in the United States. Finally, it explores these tensions by looking at multiple documentary sources, including over 200 newspaper articles, 60 testimonies about the war from soldiers and their relatives, congressional documents, and military manpower policies.
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Experiences of Social Inequalities Related to Skin Colour Enhaced by Fashion Magazines in South Africa : A case study on how women in South Africa identify themselves in relation to the representation of race in South African fashion magazinesÅkerlund, Josefine January 2013 (has links)
This study was carried out during the spring of 2013 in Cape Town, South Africa with a Minor Field Study (MFS) scholarship funded by the Swedish International Development Cooperation Agency (SIDA). South Africa is a country with a complex society due to the still recent history of Apartheid. South Africa faces great challenges with the gap between rich and poor, high unemployment and deep expertise gaps between the white minority and the historically disadvantaged coloureds and black majority. As a result the contemporary situation is extensive segregation and difficulties for the multicultural population to conduct a common cultural identity. The aim of this study was to find out how four South African issues of international fashion magazines deals with the representation of black, white and coloured people. Furthermore, to find out how South African women from socially diverse areas experience and perceive this representation. Quantitative content analysis, connotative and denotative picture analysis and the conduction of interviews was made in order to reach a result. Consequently, it turned out that the investigated magazines do not present a fair and equal representation of the South African society, hence highly over representing the white minority in each magazine. Additionally, South African women do not describe the fashion magazines as presenting an equal representation of race, neither that a reality based ideal is being conveyed.
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Kulturell identitet i En halv gul sol och Atlantens mage : En postkolonial läsning av två icke-västerländska romanerOxblod, Simon January 2013 (has links)
This study analyses two non-western novels used in the subject of Swedish in upper secondary school: Fatou Diomes The Belly of the Atlantic and Chimamanda Ngozi Adichies Half a Yellow Sun. Looking at how the books female main character relate to Stuart Halls theory of cultural identity, I come to the conclusion that they somewhat differently relate to an essential ”authentic” self. Salie talks explicit about a generic African soul that she possesses. Olanna never talks about anything ”authentic”, but her narrative and contrary subject positions can be read as a way of demasking her European ”white” self in favour of a truer Igbo self. I also come to the conclusion that both novels use themes of alienation related to gender structures and positioned westernness and that this kind of reading could contribute to interesting classroom discussions about a dynamic interpretation on culture and identity.
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