This thesis seeks to interpret the cinematic representations of Hong Kongers’ identity quest during a transitional state/stage related to the sovereignty transfer. The Handover transition considered is an ideological one, rather than the overnight polity change on the Handover day. This research approaches contemporary Hong Kong cinema on two fronts and the thesis is structured accordingly: Upon an initial review of the existing Hong Kong film scholarship in the Introduction, and its 1997-related allegorical readings, Part I sees new angles (previously undeveloped or underdeveloped) for researching Hong Kong films made during 1982-2002. Arguments are built along the ideas of Hong Kongers’ situational, diasporic consciousness, and transformed ‘Chineseness’ because Hong Kong has lacked a cultural/national centrality. This part of research is informed by the ideas of Jacques Derrida, Homi Bhabha and Stuart Hall, and the diasporic experiences of Ien Ang, Rey Chow and Ackbar Abbas. With these new research angles and references to the circumstances, Part II reads critically the text of eight Hong Kong films made during the Handover transition. In chronological order, they are Boat People (Hui, 1982), Song of the Exile (Hui, 1990), Days of Being Wild (Wong, 1990), Happy Together (Wong, 1997), Made in Hong Kong (Chan, 1997), Ordinary Heroes (Hui, 1999), Durian Durian (Chan, 2000), and Hollywood Hong Kong (Chan, 2002). They meet several criteria related to the undeveloped / underdeveloped areas in the existing Hong Kong film scholarship. Hamid Naficy’s ‘accented cinema’ paradigm gives the guidelines to the film analysis in Part II. This part shows that Hong Kongers’ self-transformation during transition is alterable, indeterminate, and interminable, due to the people’s situational, diasporic consciousness, and transformed ‘Chineseness’. This thesis thus contributes to Hong Kong cinema scholarship in interpreting films with new research angles, and generating new insights into this cinematic tradition and its wider context.

This diploma thesis is thematically oriented towards early theories of public opinion of the late 19th century. Concretely, it deals with the theories of Alexis de Tocqueville, John Stuart Mill and James Bryce. The thesis presents an analysis, interpretation and a comparison of these three thinkers and concentrates on the following topics: the definition of the term "public opinion"; the formation of public opinion; the influence individuals, groups and society as a whole have on public opinion; and the role the media play in public opinion. Further, it shows how these authors' thoughts are continued in selected 20th century theories of public opinion, namely in Walter Lippmann's concept of public opinion, the Two-step flow model developed by Elihu Katz and Paul Lazarsfeld, Elisabeth Noelle-Neumann's Spiral of Silence, Irving Crespi's theory of the Public Opinion Process and Giovanni Sartori's "cascade model" of public opinion. Key words: public opinion, media, Two-step flow model, Spiral of Silence, Public Opinion Process, cascade model of public opinion, Alexis de Tocqeuville, John Stuart Mill, James Bryce, W. Lippmann, E. Katz, P. Lazarsfeld, E. Noelle-Neumann, I. Crespi, G. Sartori

Práce se zaměřuje na zjištění možných překážek, které ženám angažujícím se v komunální politice tuto činnost znesnadňují, případně jim ve vstupu do komunální politiky brání. Terénní šetření formou intenzivního výzkumu se omezuje na oblast Třeboňska.

本論文期望藉由探究《陽光下的葡萄乾》一劇，對非裔美人在面對社會困境以及白人意識型態時，如何發展自我認同的議題啟發新的思考。蘿琳．漢司白瑞以寫實的寫作手法，呈現非裔美人在美國一九五○年代種族隔離區的生活。種族隔離政策(segregation laws)中，空間具有特別的指涉意義，因此本文選擇米哈依爾．巴赫汀(Mikhail Bakhtin)的「時空型」(chronotope)理論作為本論文的基本架構。由於劇本和其當代歷史相互輝映，歷史背景的研究可以幫助理解劇中人物動機；反之，由解析劇中情節和人物行為，亦可推測非裔美人的未來發展。 本論文分為四個章節。第一章提供作者生平、劇本、評論、以及理論架構的基本介紹。第二章有兩個主題：呈現作品如何反映歷史，以及從社會背景的角度詮釋角色。其中，弗朗茲．法農(Frantz Fanon)的《黑皮膚，白面具》幫助解釋部分角色的同化行為。第三章顯示非裔美人如何在白人霸權之下建立自我認同：在社會上表達訴求以對抗白人霸權，在文化上接納非洲本能和美洲文化，及在家庭方面堅守傳承下來的家庭尊嚴。史都華．霍爾( Stuart Hall)的離散理論(diaspora)特別用來處理其中同時具有非洲和美洲本質的文化議題。第四章則是本論文的結論，總結作者寫本劇的信念和目的。 / This thesis studies A Raisin in the Sun and expects to bring new inspirations of how African Americans develop their own identities confronting social plights and white ideology. With the realistic writing style, Lorraine Hansberry truthfully depicts and reflects African Americans’ life in the segregated ghetto in the 1950s. As space carries significant meanings in the enforced segregation laws, Mikhail Bakhtin’s chronotope serves as the main theoretical framework of this thesis. The play is interconnected with its contemporary history, so we may interpret the characters by considering their historical background and infer the American blacks’ future path by scrutinizing the plot and actions in the play. This thesis consists of four chapters. Chapter One is an introduction to the author’s life, the play, the critical opinions, and the theoretical framework. In Chapter Two, there are two main issues: first, how this play reflects the historical background, and second, interpretation of characters in relation to their specific social contexts. Frantz Fanon’s Black Skin, White Masks is applied to explain the potential of assimilation of some characters. Chapter Three reveals how African Americans under the white hegemony find their own identities in social, cultural, and family perspectives. The gist is that they must strive for the improvement of their social status, embrace both African and American cultural roots, and stick to their family pride. Stuart Hall’s theory on diaspora is useful to deal with the cultural identity which ambiguously covers both African and American essences. Chapter Four is the conclusion of the thesis that sums up the author’s belief and intention in writing the play.

Submitted by Johnny Rodrigues (johnnyrodrigues@ufcg.edu.br) on 2018-10-10T18:07:42Z No. of bitstreams: 1 LAÍS MEDEIROS CAVALCANTE - DISSERTAÇÃO PPGH 2014..pdf: 8311281 bytes, checksum: c886c9fd1b03a87baa8b0c93c853395c (MD5) / Made available in DSpace on 2018-10-10T18:07:42Z (GMT). No. of bitstreams: 1 LAÍS MEDEIROS CAVALCANTE - DISSERTAÇÃO PPGH 2014..pdf: 8311281 bytes, checksum: c886c9fd1b03a87baa8b0c93c853395c (MD5) Previous issue date: 2014-03 / O texto, objetiva analisar, como as identidades transgêneras foram produzidas, significadas e ressignificadas pela cartunista Laerte Coutinho na primeira década do século XXI, mais especificamente no período entre os anos de 2009 e 2013. Para tanto, a pesquisa foi desenvolvida através das tirinhas que tal cartunista produz e publica em seu site chamado Muriel Total. Se lançará mão, ainda, de entrevistas que a mesma cedeu a programas de televisão, cruzando as falas de suas experiências com as tramas desenvolvidas por seus personagens. Nesse sentido, se pensou analisar como as categorias de gênero, corpo, sexualidades e identificações sofrem mutações ao longo do tempo e em determinados espaços, transformando assim as subjetivações dos sujeitos trabalhados, os transgêneros. Desta maneira, problematizo como Laerte Coutinho subjetiva as transformações identitárias e corporais as quais os sujeitos trans são submetidos e se submetem, assim como, quê condições foram necessárias, além de quê barreiras foram encontradas, para que tais processos acontecessem. Assim, realizou-se um diálogo com o arcabouço teórico da Teoria Queer, com destaque para Judith Butler, para pensar as questões de gênero e a abjeção de tais sujeitos. Ainda se trabalhou com Stuart Hall para a análise do que se refere aos processos de identificação, Guacira Lopes Louro, dentre outros. Me apropriei ainda do entendimento do conceito de fronteira utilizado por Deleuze e o de armário da epistemologia produzida por Eve Kosofsky Sedgwick. / The paper aims to analyze , how transgender identities were produced , expressed and re-signified by cartoonist Laertes Coutinho in the first decade of this century , more specifically in the period between the years 2009 and 2013 . Therefore, the research was developed through such strips cartoonist produces and publishes on its website called Total Muriel . It will attack also interviews that yielded the same television programs , crossing the lines of his experiences with the plots developed by its characters . Accordingly, it was thought to analyze the categories of gender, body , sexuality and IDs mutate over time and in certain areas, thereby transforming subjectifications the subjects worked , transgender . Thus , as Laertes Coutinho problematized the subjective identity and bodily transformations which trans subjects are submitted and submit , as well as what conditions were necessary , and what barriers were found to make these processes happen . Thus , there was a dialogue with the theoretical framework of Queer Theory , especially Judith Butler , to think gender issues and abjection of such subjects . Still worked with Stuart Hall for the analysis of the relation to the processes of identification, Guacira Lopes Blonde , among others . Yet appropriated the understanding of the concept of the frontier used by Deleuze and the epistemology of Eve Kosofsky Sedgwick produced by cabinet.

The aim of the present study has been to investigate how titles of social rank used in Tudor and Stuart England are modified by attributive adjectives in pre-adjacent position and the implications that become possible to observe. Using the Corpus of Early English Correspondence Sampler (CEECS) the present work set out to examine adjectival modification, gender perspectives and MI (Mutual Information) scores in order to gain a deeper understanding of how and why titles were modified in certain ways. The titles under scrutiny are Lord, Lady, Sir, Dame, Madam, Master and Mistress and these have been analysed following theories and frameworks pertaining to the scientific discipline of sociohistorical linguistics.    The findings of the present study suggest that male titles were modified more frequently than, and differently from, female titles. The adjectives used as pre-modifiers, in turn, stem from different semantic domains which reveals differences in attitudes from the language producers towards the referents and in what traits are described regarding the holders of the titles. Additionally, a type/token ratio investigation reveals that the language producers were keener on using a more varied vocabulary when modifying female titles and less so when modifying male titles. The male terms proved to be used more formulaically than the female terms, as well. Lastly, an analysis of MI scores concludes that the most frequent collocations are not necessarily the most relevant ones.    A discussion regarding similarities and differences to other studies is carried out, as well, which, further, is accompanied by suggestions for future research.

This diploma thesis analyzes the genesis of the issues of the Anglo-Scottish union. In its introduction the diploma thesis shortly mentions the events from the end of English Civil War in 1651 until the death of Charles II King of England. The thesis will deal in more detail with the genesis of the Anglo-Scottish and political relations as well as historical events of England from the reign of the catholic King of England James II, his expeletion in 1688, and consequential arrival of his nephew and at the same time son-in-law William III of Orange with his wife Queen Mary II. Thereafter Queen Anne of Great Britain, who became a successor to the throne in 1702, as the second daughter of King James II, during whose reign the Union and Great Britain was established, to her death in 1714 and the arrival of the Hanoverian dynasty. The diploma thesis does not lose focus attention to causation and circumstances, which brought the English and the Scots closer together, and resulting conclusion of the Anglo-Scottish union in 1707. And last but not least it also analyzes implications of these connections for future development of Great Britain.

China has become a major contributor to world science today, with the largest number of qualified scientific publications in the world, a centralized government willing to sponsor the development of science, and pioneering scientists in all disciplines. Where did this scientific power emerge from historically and how did this history connect with the rest of the world? My dissertation suggests that comprehending the Sino-American intellectual exchange network since the early twentieth century is essential for us to grasp the development of science in modern China. It argues that a Sino-American intellectual exchange network through the China Foundation for the Promotion of Education and Culture (ie., the China Foundation) played a critical role in the development of modern scientific research and education from the 1920 to the 1940s. In the first half of the twentieth century, leading American intellectuals of the progressive era such as Teachers College’s educational scholar Paul Monroe and Columbia University’s prominent philosopher of pragmatism John Dewey frequently communicated with prominent Chinese intellectuals, many of whom were their former students in the United States. Such face-to-face interchanges across the Pacific ultimately influenced Chinese choices in shaping modern scientific education and research. The impact was generated primarily through the China Foundation. The China Foundation, financed by the second American remission of the Boxer Indemnity Funds, served as a sponsor of the development of scientific research, teaching and training in modern China. The trustees of the foundation, responsible for the custody and administration of the fund, included prominent Chinese intellectuals (most of whom had received western graduate training) such as Hu Shi (PhD, Columbia), Jiang Menglin (PhD, Teachers College), Zhang Boling (visiting fellow at Teachers College, 1917-1918), Ren Hongjun (H. C. Zen, MA, Columbia), Guo Bingwen (PhD, Teachers College), Ding Wenjiang (aka V. K. Ting, BA, University of Glasgow), Zhao Yuanren (aka Y. R. Chao, PhD, Harvard) as well as the American intellectuals and reformers Paul Monroe, John Dewey, Roger Sherman Greene and John Leighton Stuart. This dissertation researches the history of Sino-American intellectual exchanges in the China Foundation network, which were central to the establishment of science in modern China. It begins by tracing the cohort of leading Chinese intellectuals trained at American universities, who paved the way for its establishment. They invited leading American educators like John Dewey and Paul Monroe to China, and did the translation work that allowed for their reformist ideas of democracy, education and science to become popular in China. While the American intellectuals aspired to transmit a democratic education through introducing science, the Chinese intellectuals also developed their own rationales to pursue China’s scientific modernization. It also examines the political assumptions and tensions wound up in this Sino-American educational exchange network that illuminates the ways in which the intellectuals on both sides of the Pacific were mutually influenced by their intellectual exchanges. In asks the following questions: How did American intellectuals of the progressive era design and pursue a democratic vision for the Chinese scientific development, and what were their political assumptions undergirding the transmission of science? How did the Chinese intellectuals respond to the American knowledge of science, translate, and negotiate this transmission of science to China? What aspects of science did they absorb and incorporate for the Chinese national purposes? What ideas did they absorb from the United States, and what aspects did they deliberately eschew? In posing these questions, part of my goal is to shift the predominant narrative of transnational progressive era US intellectual history from “Atlantic Crossings” to a dense and constitutive set of exchanges of knowledge, ideas and practices of sciences across the Pacific.

A critical investigation of the public/private distinction as it has been conceived in Anglo-American political thinking in the second half of the 20th century. A broadly held consensus has developed amongst many theorists that public/private does not refer to any single determinate distinction or relationship but rather to an often ambiguous range of related but analytically distinct conceptual oppositions. The argument of this thesis is that if we approach public/private in the search for analytic or conceptual clarity then this consensus is correct. Against this I propose that a number of the most dominant invocations of the distinction can be understood to express public/private as an irreducibly political dialectic that mediates the relationship between the subjective and objective side of social and political life. By locating these conceptually diverse invocations within a broader and more determinate framework of the historical development and contestation of the boundaries which establish the conditions for subjectivity, as the assertion of political agency, on the one hand, and which demarcate, police and defend these particular boundaries, as part of the objectively given character of social life and institutional organisation, on the other hand, then a more determinate character to public/private can be recognized. I then seek to explore the capacity of this model to capture and explain the peculiar post-war problematisation of public/private amongst a number of new left thinkers in Britain and America.

Andrew Michael Ramsay fut un intellectuel écossais du Siècle des Lumières, à la fois "aventurier religieux", auteur politique et franc-maçon. Élevé dans le protestantisme, il rechercha un équilibre spirituel et une doctrine plus conformes à ses vœux. Il voyagea dans de nombreux pays pour atteindre ce but et finalement trouva auprès de Fénelon, archevêque de Cambrai, et de Madame Guyon, adepte du "Pur Amour", un père et une mère spirituels. Sous leur influence, il finit par adhérer à un catholicisme de nature gallicane caractérisé par un appel constant à l’intériorité. De son œuvre, émergent quatre traités : l’Essai sur le gouvernement civil(1721) dans lequel il démontre que la meilleure forme de gouvernement est la monarchie absolue, héréditaire, de droit divin. Fervent jacobite, il espérait le retour de la dynastie Stuart sur le trône d’Angleterre. L’Histoire de la vie de Fénelon (1727) traite principalement des péripéties de sa conversion par le prélat; Les Voyages de Cyrus (1727), roman didactique, apologétique et politique, raconte la formation d’un jeune prince accompli, rempli de sagesse et de piété. Son ouvrage central, Les principes philosophiques de la religion naturelle et révélée (1749), communément appelé le "Great Work" ne parut qu’après sa mort. Le franc-maçon perçait alors sous le philosophe. Son Discours (1737) fait remonter les origines de l’Ordre aux croisades et, surtout, fixe les obligations auxquelles est soumis tout franc-maçon, qui lui sont rappelées au moment de son initiation. Cet homme, complexe, mystique et politique réussit l’exploit de faire changer radicalement cette organisation très attachée à ses traditions qu’est la Franc-maçonnerie. / Andrew Michael Ramsay was a Scottish intellectual of the Enlightenment and was at the same time a "religious adventurer", a political author and a freemason. Born into a Protestant family, he undertook a search for spiritual stability and for a doctrine more in line with his aspirations. In this quest, he journeyed through several countries, and he eventually found in the company of Fénelon, archbishop of Cambrai, and of Madame Guyon, an advocate of the doctrine of "Pure Love", a spiritual father and mother. Inspired by them, he finally converted to a Gallican variety of Catholicism which was at the root of his call to a life of constant soul-searching. From his work four treatises emerge: An Essay upon Civil Government (1721), in which he sought to show that the best form of government is an absolute, hereditary monarchy, based on divine right. As a zealous Jacobite, he longed for the return of the Stuarts to the British throne. The Life of Fénelon (1727) deals mainly with the various stages leading up to his conversion by the prelate. The Travel of Cyrus (1727) is a didactic, apologetic and political novel which relates the education of a young accomplished prince endowed with wisdom and piety. His most considerable work is The Philosophical Principles of Natural and Revealed Religion (1749), commonly called the "Great Work", which was published posthumously. Here the freemason can be seen beneath the philosopher. His Discourse (1737) traces the origins of Freemasonry back to the crusades, and also sets out the obligations that every freemason must adhere to and which he is reminded of during his initiation. His success in radically changing this organization so deeply attached to its customs remains the lasting legacy of this complex, mystical and political figure who is Andrew Michael Ramsay.