Made available in DSpace on 2014-12-17T15:46:30Z (GMT). No. of bitstreams: 1 JanainaLND.pdf: 1040786 bytes, checksum: 2021a0f8af3b77563326c04e52ed2b19 (MD5) Previous issue date: 2007-06-18 / The present study is about the professional exercise of the Social Worker in ONGs associated with the ABONG in Natal city, state of Rio Grande do Norte, referring to the work conditions, claims and professional responses in front of the capital restructuration circumstances. The group of socio-historical transformations, as a result of the after-1970 dynamic capitalism, conducts a process of new configurations in the relationship between State and society that directly affect the social question nowadays, destroying social rights historically conquered for the workers. In this context, the ONGs assume a strategical social function of the social question, contributing with the change of responsibilities with the social from the State to the third sector. This social movement causes changes to the Social Work since this is one of the professions that act on the immediate expressions of the social question. After a qualitative research based on a theoricalmethodological critical and dialectical perspective, it was possible to discover some contradictions, details and tendencies of the professional exercise of the Social Worker in ONGs. Summarizing, the results of the research show that: a) it was detected a tendency of precarization, instability, insecurity, no-articulation, no-profissionalization of the professionals in the work conditions; b) demands are associated with a moment of the capital re-ordering, where new professional exigencies and responsibilities are related with capital necessities in the period of structural crisis; c) limits and contradictions are present in a professional daily work mainly in function of the characteristics of gestation and functioning of the ONGs; d) the professionals that were interviewed show significant difficulties in a articulation between the professional daily work in organizations and the totality of the social processes, limiting the capability of doing critics to the requisitions imposed by the capital / O presente estudo trata do exerc?cio profissional do(a) Assistente Social nas ONGs associadas ? ABONG, no munic?pio de Natal/RN, no que se refere ?s condi??es de trabalho, ?s demandas e ?s respostas profissionais, diante da conjuntura de reestrutura??o do capital. O conjunto de transforma??es s?cio-hist?ricas, resultado da din?mica capitalista p?s-1970, engendra um processo de novas configura??es na rela??o Estado e sociedade as quais interferem diretamente no tratamento da quest?o social na atualidade, desconstruindo direitos sociais conquistados historicamente pelos trabalhadores. Nesse contexto, as ONGs, assumem fun??o social estrat?gica no enfrentamento da quest?o social, contribuindo para o deslocamento das responsabilidades com o social, da ?rbita do Estado para o chamado terceiro setor. Esse movimento societ?rio desencadeia mudan?as para o Servi?o Social, uma vez que ? uma das profiss?es que atuam nas express?es imediatas da quest?o social. A partir de uma pesquisa qualitativa fundamentada numa perspectiva te?rico-metodol?gica cr?tica e dial?tica, foi poss?vel desvendar algumas contradi??es, particularidades e tend?ncias do exerc?cio profissional do(a) Assistente Social em ONGs. Sinteticamente, os resultados da pesquisa indicaram que: a) nas condi??es de trabalho h? uma tend?ncia de precariza??o, instabilidade, inseguran?a e desarticula??o dos profissionais; b) as demandas est?o associadas ao momento de reordenamento do capital, cujas novas exig?ncias e responsabilidades profissionais t?m sintonia com as necessidades do capital em tempos de crise estrutural; c) os limites e as contradi??es est?o presentes no cotidiano profissional, principalmente em fun??o das caracter?sticas de gest?o e funcionamento das ONGs; d) as profissionais entrevistadas apresentam dificuldades significativas na articula??o entre a singularidade do cotidiano profissional nas organiza??es e a totalidade dos processos sociais, limitando a capacidade de efetuar a cr?tica ?s requisi??es (im)postas pelo capital

Made available in DSpace on 2015-03-26T13:44:22Z (GMT). No. of bitstreams: 1 texto completo.pdf: 559378 bytes, checksum: db5b7ac7e6a252e1a8fa50278a3637e3 (MD5) Previous issue date: 2011-02-28 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The objective of this research is do develop a comparative study between the literary works Vidas Secas, by Graciliano Ramos and A Hora da Estrela, by Clarice Lispector, emphasizing the existential path pursued by the characters Fabiano and Macabea, in relation to the figure of isolated, alienated and hermetic human beings, as a result of a dry, arid, and little stimulating environment. Taking into account modernity and the aspects that it involves, concerning the economic, social and political order, it is fundamental to analyze the human being related to the social and natural environment. This analysis attempts to investigate, under Bakhtin s perspective of dialogism, how this individual would reveal himself when set against the crowd or the anonymous and impersonal metropolis. Would he be overwhelmed by this environment or swallowed up by it? Would it be one of the modifying agents, which would make society an entity of an ever-changing, globalized and multicultural world? Still as a possibility, a question arises about the country man s condition, when moving into the big city, eager to improve his life style, would he be adapted to a new social environment or marginalized, becoming, perhaps, one more element of social exclusion. In the formation of new social identities, there may be a deconstruction of the human being exposed to another environment different from his origin. In fact, what we perceive is that there are values and representations of the world that end up by excluding some people. The excluded ones are not simply physically or geographically rejected, not only from the market and from its exchanges, but from all spiritual richness, since their values are not recognized and, as such, they also suffer from cultural exclusion. / Este trabalho tem como objetivo realizar um estudo comparativo entre as obras Vidas Secas, de Graciliano Ramos e A Hora da Estrela, de Clarice Lispector, dando ênfase à trajetória existencial das personagens de Fabiano e de Macabéa, no que se refere à figura do indivíduo isolado, alienado, hermético, por decorrência de um ambiente pouco estimulante, seco, árido. Pensando na modernidade e em todos os aspectos que a envolve, seja de ordem econômica, social e política, torna-se imprescindível a análise do ser humano, identificando sua relação tanto com o meio social quanto com o natural. Busca-se investigar, através de uma visão bakhtiniana, sob o viés do dialogismo, como se revelaria esse indivíduo colocado contra o pano de fundo da multidão ou da metrópole anônima e impessoal. Seria ele sufocado por esse meio, engolido por ele? Seria um dos agentes modificadores, que tornaria a sociedade uma entidade em mutação contínua, globalizada, pluricultural? Ainda como possibilidade, questiona-se se o sertanejo, ao se transferir para a metrópole, na ânsia de perspectivas de melhoria de vida, seria um ser adaptado ou marginalizado ao novo ambiente social, tornando-se, talvez, mais um elemento de exclusão social. Na formação das novas identidades advindas do meio, poder-se-á constatar uma desconstrução do ser humano exposto a outro meio diferente daquele de origem. Na verdade, o que se percebe é que existem valores e representações do mundo que acabam por excluir as pessoas. Os excluídos não são simplesmente rejeitados fisicamente, geograficamente ou materialmente, não somente do mercado de trabalho e de suas trocas, mas de todas as riquezas espirituais, visto que seus valores não são reconhecidos, ou seja, há, também, uma exclusão cultural.

Made available in DSpace on 2015-03-13T17:10:45Z (GMT). No. of bitstreams: 1 RosanaSF.pdf: 1150257 bytes, checksum: 7b09ae850450d28e1241104be2965636 (MD5) Previous issue date: 2005-12-20 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / It s an application about the development of the family agriculture integrated to the market in which is detected the development of the relation of partnership between settled of agrarian reform and the capitalist enterprise. It s shown initially, a conceptual discussion about family agriculture, watching the historical contexts that characterize the expropriation and subordination of the category. This way, the family agriculture is contextual zed in the moment of the modernization of the agriculture, he rising of the social tension in the area of the restructuration of production and the globalization. Finding to understand the agrarian question in Rio Grande do Norte, it s characterized the acting of the state in promoting agrarian reform politics and redistribution of lands. This way, the research demonstrate the reality of the settled of Vale do L?rio, with the partnership of the Caliman Company S. A. in this context, it s emphasized the social geographic transformation in the settler. This way it was realized the analysis of the survey of data in a lot of public department, and the research of the area with use of application form, in 90% percent of the researched group, with interviewing with the leaders of this group and with the manager of the Company. The research demonstrates an analysis of the reality lived by this group, in the perspective the interests of the government and the capital. / Compreende um estudo acerca do desenvolvimento da agricultura familiar integrada ao mercado em que se destaca o desenvolvimento da rela??o de parceria entre assentados de reforma agr?ria e empresa capitalista. Para tanto, inicialmente ? exposta uma discuss?o conceitual sobre a agricultura familiar, perpassando pelo quadro hist?rico que caracteriza a expropria??o e subordina??o da categoria. Percorrido este caminho, a agricultura familiar ? contextualizada no momento da moderniza??o da agricultura, do aumento das tens?es sociais no campo, da reestrutura??o produtiva e da globaliza??o. Com o intuito de entender a quest?o agr?ria no Rio Grande do Norte, ? caracterizada a atua??o do Estado na promo??o de pol?ticas fundi?rias e da redistribui??o de terras. Nesse sentido, a pesquisa demonstra a realidade do assentamento Vale do L?rio, dada a efetiva??o da parceria com a empresa Caliman S. A. Nesse processo, se enfatizam as transforma??es socioespaciais no assentamento. Para isso, foi realizado o trabalho de gabinete, levantamento de dados em v?rios ?rg?os e o trabalho de campo com a aplica??o de formul?rios, em 90% das fam?lias assentadas, e da aplica??o de entrevistas junto aos presidentes das associa??es e administrador da empresa. A pesquisa resultou, dessa forma, numa an?lise da realidade vivida pelos assentados, dentro da perspectiva dos interesses do Estado e do capital

A figura da mulher ocupa significativo papel nas novelas de cavalaria do Ciclo Bretão. Emergindo como um elemento que traz liga às narrativas do lendário artúrico, constitui-se adjuvante essencial e multifacetada na construção dos episódios, numa interação constante com o masculino representado, principalmente, pelos cavaleiros. O Medievo traz à tona uma imagem matizada do feminino: a mulher socialmente vista sob clivagens diversas é refletida na literatura de cavalaria, conforme se pode verificar em A Demanda do Santo Graal. A presença feminina é importantíssima na narrativa, sobretudo na sua tensa relação com a cavalaria, agora ligada ao elemento religioso - monastizada, celibatária e ascética. O objetivo precípuo de nossos estudos é investigar de que maneira a fôrma sociocultural medieva, na qual foi moldada A Demanda do Santo Graal, se relaciona com seu substrato: as narrativas provindas da cosmovisão inerente ao imaginário céltico. Desta feita, nosso viés analítico verticaliza-se no elemento feminino presente na obra. Mais especificamente, toma-se por escopo a imagem de personagens que refletem a ideologia clerical moralístico-didatizante do século XIII, mas, sobretudo, resgata-se a imagem de personagens imbuídas de singular dualidade; ambigüidade esta que é marca não só do medievo paradoxal concernente ao feminino, mas também de personas literárias concebidas entre dois mundos, dois pólos ideológicos distintos. Em outros termos, fala-se de personagens que são seres ficcionais bifrontes: personagens localizadas entre as herdades e as identidades. Foram tomados como corpora de pesquisa os episódios em que estas damas polidimensionais aparecem e se tornam adjuvantes na ação literária, seja para cooperar, confundir ou prejudicar os cavaleiros que empreendem a sagrada, inefável e venturosa busca do Santo Cálix que dará fim às aventuras do Reino de Logres / The figure of woman takes leading role in the novels of chivalry Cycle Breton. Emerging as an element that links the narratives of the legendary Arturo, it constitutes a vital and multifaceted adjuvant in the construction of the episodes in an ongoing interaction with the male represented mainly by knights. The Medieval brings up a nuanced picture of the female: the woman socially viewed under various divisions is reflected in the literature of chivalry, as it can be seen in The Quest for the Holy Grail. The female presence is important in the narrative, especially in its tense relationship with the chivalry, now linked to the religious element monasticated, ascetic and celibaterian. The main objective of our study is to investigate how the sociocultural medieval mold, in which was shaped The Quest for the Holy Grail relates to its substrate, the narratives originated of the worldview inherent in the Celtic imagination, thus our analytical bias uprights in the female element in this work. More specifically, it becomes a scope which the image of characters reflects the ideology of clerical didactic and moralistic of the thirteenth century. However it redeens the image of characters imbued with singular duality; that ambiguity which is not only a mark of the medieval paradoxical concerning the female, but also of literary characters designed between two worlds, two distinct ideological poles. In other words, it is about personas who are "bifront fictional beings". Characters located between the inheritances and identities. The research bases were the episodes in which these polidimensionals ladies appear and become adjuvants in literary action, either to cooperate, confuse or impair the knights who undertake the sacred, ineffable and "fortunate" quest for the Holy Chalice which will end the adventures of the Kingdom of Logres

Cette thèse a pour but de mettre en scène le sens et l'évolution de la quête identitaire qui partirait d'une perte initiale, voir l'absence de tout (la non-vie) inaugurant alors un besoin urgent de se (re)trouver. Cette quête paradoxale est à l'origine d'un mouvement à la fois centripète et centrifuge. Ce mouvement se manifeste par le biais du désir de construire une identité et parallèlement un souhait d'effacer à jamais toute identité. L'analyse se fonde et se développe sur une logique dialectique qui donne forme à la conscience de soi suite à un long apprentissage romanesque. En examinant les fondements mêmes de cette crispation identitaire d'un point de vue historique nous tentons de répondre à cette question : en quoi l'identité se révèle-t-elle inaccessible dans la première trilogie de l'écrivain ? Tant que la thèse porte sur la quête identitaire tiraillée entre fiction et histoire on se demande si la notion de l'identité que Modiano soulève correspond à une identité conflictuelle et problématique selon le point de vue des sciences humaines. Nous avons concentré notre étude sur ce parcours tourmenté des narrateurs placés dans un paysage fictif menaçant où se réunit les composantes d'une géographie romanesque exclusivement parisienne. Au sein de l'ambiguïté de l'Histoire et des désordres de la mémoire, l'écriture constitue le seul moyen efficace pour forger une identité narrative au narrateur modianesque afin de combattre contre l'anéantissement et la non existence. Même si le narrateur n'arrive pas à se retrouver, par l'écriture, et grâce à la mémoire des autres, il lui arrive néanmoins d'approcher son identité par ce qu'on appelle l'écriture asymptotique comme une seul garant de l'identité. A partir de l'aspect fragmentaire de l'écriture, on passe à la question liée au développement du narrateur. Ce dernier reflète l'identité de l'écrivain qui prend forme progressivement en remontant le temps. Enfin, il est possible de dire que le protagoniste est sorti de l'époque des désordres, qui lui était une fatalité depuis longtemps, pour atteindre la lucidité la plus grande dans sa quête identitaire à travers l'écriture. / This thesis’ aim is to expose the meaning and evolution of a search for identity which stems from an original loss, or the absence of all things (absence of life) which provokes an urgent need to find oneself. This paradoxical quest initiates a movement that is both centripetal and centrifugal. That movement is apparent through the desire of building an identity as well as through the will to permanently erase all identity. The study draws and dwells upon a dialectical logic which shapes the conscience of the self throughout a long fictional initiation. While analysing the roots of that identity tension from a historical standpoint, we aim at answering the following question: to what extent identity proves unattainable in Modiano’s first trilogy ? Since the thesis explores a search for identity torn between fiction and history, we ask if the question of identity as posed by the author points to conflictual and problematic identity on scientific grounds.We built our study around the turbulent journey of narrators situated in a fictional and threatening context where components of an all-Parisian fictional geography come together. In front of history’s ambiguities and memory’s disorders, writing proves the only means capable of giving Modiano’s narrators a writer’s identity, thus enabling them to fight annihilation and non-existence. Though narrators do not succeed in finding themselves through writing and through other people’s memory, they sometimes manage to get closer to their identity through asymptotic writing which warrants somewhat identity. From the fragmentary nature of the texts, we explore the evolution of narrators. The latter reflect the author’s identity which progressively takes shape as they go back in time. Last, it can be said that the protagonist manages to get out of the disorderly times, which for a long period seemed inevitable, and thus attains a greater lucidity in his literary search for identity.

Este estudo analisa três obras dramáticas de Sam Shepard: Curse of the Starving Class, Buried Child e Fool for Love dentro do contexto de sua obsessão compartilhada com o sonho americano sobre uma família harmoniosa mostrando um desvio do sonho o que também é predominante em peças de dramaturgos americanos, como O\'Neill e Miller, que antecedem Sam Shepard. Este estudo também investiga o conceito da identidade americana nas peças. Entre os trabalhos do dramaturgo Sam Shepard encontramos três peças que exploram o que significa ser o membro de uma família do meio oeste americano. Em Curse of the Starving Class, Buried Child, Shepard retrata a dor ecoando dentro do círculo familiar. Assim como os trabalhos iniciais de Shepard, essas peças familiares se revelam com um forte elemento biográfico, nascidas das experiências pessoais e persistentes preocupações do dramaturgo; através das peças, ele examina e reexamina o sistema familiar multigeracional do qual ele é oriundo. Por exemplo, o alcoolismo do pai e a forma como os pais são construídos em suas peças, a partir de uma perspectiva pessoal, são muito mais do que simples características das personagens, são uma condição que afeta a todos os personagens, seu relacionamento interpessoal e seus destinos. Além disso, podemos observar que o sonho americano, e sua relação com essa instabilidade familiar é um dos temas recorrentes nos dramas escritos pelo autor. Outra intenção deste estudo é, num primeiro momento analisar, o sonho americano sob uma perspectiva histórica para definir suas múltiplas facetas desde os tempos coloniais até o século XX, tal como apresentado no drama; em segundo lugar em um nível temático para identificar os vários temas que Sam Shepard usa em suas peças, tais como laços familiares adulterados, alienação, incapacidade de se comunicar, a violência, a relação esposa-amante surreal, e a busca de identidade e assim definir como eles impedem a realização do sonho; em terceiro lugar, as características usadas por Sam Shepard, que servem para apresentar as peças como instâncias do sonho de uma família harmoniosa tornando-se um pesadelo.Na peça Fool for Love analiso também a tirania exercida pela família sobre as vidas das suas crianças crescidas. De 1977 até 1985, Shepard distancia-se da aceitação fatalística e desse modo revela mudanças tanto na perspectiva autoral como no ambiente social. Como ele faz frequentemente em seus trabalhos, Shepard reflete o comportamento de uma época. / This study analyzes three dramatic works of Sam Shepard: Curse of the Starving Class, Buried Child and Fool for Love within the context of their shared obsession with the American dream of a harmonious family showing a deviation of the dream which is also predominant in plays of American playwrights such as O\'Neill and Miller, preceding Sam Shepard. This study also investigates the concept of American identity in the plays. Among the works of playwright Sam Shepard there are three plays that explore what it means to be a member of a family in the U.S. Midwest. In Curse of the Starving Class, Buried Child, Shepard portrays the pain echoing within the family. As the initial work of Shepard, these family plays reveal themselves with a strong biographical element, born of personal experience and persistent concerns of the playwright, through the plays, he examines and reviews the multigenerational family system of which he also derives from. For example, the father\'s alcoholism and how the fathers of his plays are constructed from a personal perspective are much more than simple features of the characters, it is a condition that affects all the characters, their relationships and their interpersonal destinations. In addition, we note that the American dream and its relationship with that family instability is one of the recurring themes in dramas written by the author. Another aim of this study is, at first look at the American dream from a historical perspective to define its many facets from colonial times to the twentieth century, as depicted in the drama, and secondly on a thematic level to identify the various themes Sam Shepard uses in his plays, such as family ties tampered with, alienation, inability to communicate, violence, wife-lover surreal relationship, and the search for identity and to define how they prevent the fulfillment of the \'dream\', and finally, the features used by Sam Shepard, which serve to make the plays as instances of the \'dream\' of a harmonious family becoming a nightmare. In the play Fool for Love we also analyze the tyranny exercised by the family on the lives of their grown children. From 1977 until 1985, Shepard is away from the fatalistic acceptance and thereby reveals changes in both the authorial perspective and the social environment. As he does often in his work, Shepard reflects the behavior of an era.

OF DIPLOMA THESIS Author: Bc. Kateřina Hodboďová Supervisor: Mgr. Anna Krulová Title: Clinical utility of the QUEST test in occupational therapy for evaluation of the upper extremities function in children with cerebral palsy Subtitle: QUEST - Quality of Upper Extremity Skills Test This diploma thesis engages in description of the QUEST (Quality of Upper Extremity Skills Test) test and its practical contribution to the practice of occupational therapy. The main aim of the thesis is to demonstrate the utility of the QUEST test as an evaluation of functional capabilities of upper extremities in children with cerebral palsy in Czech occupational therapy practice. The theoretical part provides basic information about cerebral palsy in children, about the possibilities of intervention in occupational therapy focussed on upper extremities, about the importance of assessment in occupational therapy, with an emphasis on the use of standardized evaluation tools in occupational therapy. Big part is also devoted to the characteristics of the foreign test QUEST. It includes information about the origin of the test, psychometric properties and normative data. Furhtermore, the description of the test items, the method of administration and evaluation, as an interpretation of the results are included. The...

Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2016-08-23T23:41:42Z No. of bitstreams: 1 PDF_As imagens da cultura sertaneja na literatura de cordel.pdf: 1303524 bytes, checksum: 763895f20c52c18135927829bb01ee0d (MD5) / Made available in DSpace on 2016-08-23T23:41:42Z (GMT). No. of bitstreams: 1 PDF_As imagens da cultura sertaneja na literatura de cordel.pdf: 1303524 bytes, checksum: 763895f20c52c18135927829bb01ee0d (MD5) Previous issue date: 2016-02-29 / This study sought to bring on overview of how the Cordel Literature arrives in Brazil and build over the time, an own identity of production, circulation and construction standard. Through the flyers, we present and noted how they can be used to combat racism that still persists in Brazil. The Popular culture, placed at the beginning by the intellectuality as if it needed help of this society segment to stay alive, can?t be seen anymore as static, but perceived as a source of revelation and knowledge construction. The corpus of this work are the flyers of Rodolfo Cavalcante and Franklin Maxado, two great exponents of Cordel Literature in the northeast of Bahia. These flyers, as well as entertainment and information, proved themselves true historical documents. In this sense, hidden figures by society, as the slave of the nineteenth century, Lucas da Feira, gain the opportunity, through the verses from Cordel, to prove themselves as memory. Coupled to these questions we have as focus on this study, to realize popular culture and its signs in Cordel Literature. / O presente trabalho buscou trazer um panorama, de como a Literatura de Cordel chega ao Brasil e constr?i ao longo tempo, uma identidade pr?pria de produ??o, circula??o e padr?o de constru??o. Atrav?s dos folhetos apresentamos, evidenciamos como os mesmo podem ser utilizados no combate ao racismo que, ainda persiste no Brasil. A cultura popular, colocada no in?cio pela intelectualidade como se estivesse precisando da ajuda, deste segmento da sociedade para se manter viva, n?o pode ser mais vista, como est?tica e sim percebida, como fonte de revela??o e constru??es de saberes. O corpus deste trabalho s?o os folhetos de Rodolfo Cavalcante e Franklin Maxado, dois grandes expoentes da Literatura de Cordel no Nordeste. Estes folhetos, al?m do entretenimento e informa??o, revelaram-se verdadeiros documentos hist?ricos. Neste sentido, figuras ocultadas pela sociedade, como o escravo do s?culo XIX, Lucas da Feira, ganham a oportunidade, atrav?s dos versos do cordel de se revelar atrav?s da mem?ria. Atrelado a estas quest?es, temos como papel central neste trabalho, perceber a cultura popular e seus signos na Literatura de Cordel.

Den här uppsatsen undersöker hur resemotivet i Odysséen respektive The Lord of the Rings bidrar till att konstruera de manliga huvudkaraktärernas roll som maskulina hjältar. Genom en jämförelse mellan Odysseus och Frodo är syftet även att säga någonting om synen på maskulinitet i deras samtid. Det som blir tydligt är att maskulinitet och hjälteskap inte är lika synonyma i The Lord of the Rings som i Odysséen. Odysseus är en reflektion av den hegemoniska maskuliniteten i sin samtid; såväl hans maskulinitet och heroiska drag bygger på ära, hämnd, aggressivitet, rationalitet och kontroll. Odysséen har bidragit till att upprätthålla det antika Greklands syn på maskulinitet. I The Lord of the Rings är Frodo ett exempel på hur en hjälte inte behöver vara maskulin i samma bemärkelse. Hans vänskap med Sam visar att även feminina drag stämmer in på en modernare hjälte. Han behöver inte vara aggressiv eller ärelysten, utan hans mentala mod att kunna offra sig för någonting större än honom själv är en del av hans hjälteskap. I The Lord of the Rings är den traditionella hjälterollen, som Odysséen delvis har lagt grunden för, istället uppdelad mellan olika karaktärer.

La thèse propose une lecture postcoloniale des romans de Margaret Atwood s'articulant sur le thème du mensonge. A travers l'étude de six aspets communs aux romans (l'intertextualité, le mensonge, le réalisme magique, le "trickster", l'hybridité et la quête), la thèse démontre l'importance du motif du mensonge dans une lecture postcoloniale de l'auteur. The thesis produces a postcolonial reading of Margaret Atwood's novels, based on the concept of deception. Articulated on six major elements of analysis (intertextual parody, deception, magic realism, trickster figures, hybridity, and quest pattern, the thesis shows how Margaret Atwood's novels can be read from a postcolonial point of view, within which the motif of deception plays a central role.