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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 51 to 54 of 54 (0.03 seconds)| 51 |
Odraz učení o sedmi svátostech v liturgickém díle Tobiáše Závorky Lipenského / Reflection of the teachings of the seven sacraments in the liturgical work of Tobias Závorky of LipenskýMatějovský, Ondřej January 2018 (has links)
This master's thesis named Seven Sacraments Reflection in Tobias Zavorka Lipensky's Liturgical Work, deals with the transcription and analysis of liturgical acts which reflect seven sacraments of the Catholic Church. The appropriate texts were taken from Zavorka's agenda The Rule of Church Service, the hymn-book The Songs of Divine Praise and the song-book Funeral Chanting. The master thesis begins with brief Zavorka's curriculum vitae of Zavorka, who was the neo-utraquistic priest and Dean of the region of Doubravnik, and a description of his works. The main focus of the thesis is to describe the specifics of the special or sacramental liturgical acts that demonstrate the character of Zavorka's theological and liturgical work.
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Teologisk normativitet - en vetenskaplig synd? : En komparativ analys angående acceptabel normativitet inom akademisk teologiKnutsson, Simon January 2019 (has links)
The purpose of this essay is to discuss what kind of normativity can be considered acceptable in academic theology today in Sweden. This I do by critically and comparatively analyze two debates. The first debate is from Sweden and has its origin in the book Den okände Jesus written by Cecilia Wassén och Tobias Hägerland. The second debate is an international debate about Joseph Ratzingers or Benedict XVI book Jesus of Nazareth. For the purpose of comparison I am working with three analytical questions. I am asking the different texts whether the author express any ontological assumptions or if he or she argumenting at a epistemological level, what enables intersubjective verifiability according to the author and what kind of methods does the author see as acceptable to reach historical knowledge? This questions works as a methodological cluster and the answers indicate what the authors think about acceptable normativity in academic theology. After that I identify similarities and divergences and I ́m comparing different positions and arguments. Finally I evaluate the reasonability of these positions and argument. The reader will be lead to the conclusion that intersubjective verifiability in academic theology and exegetic doesn ́t demand naturalistic or empirical points of departure but rather transparency and cognitive understandable argument which includes theological normative arguments and research. An attitude I name as methodological reciprocity.
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EINBLENDUNGEN. Teil 2: DINGEPraetorius-Rhein, Johannes Praetorius-Rhein, Lea Wohl von Haselberg, Wohl von Haselberg, Lea 19 January 2021 (has links)
No description available.
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Sigrid Hjerténs och Isaac Grünewalds strandbilder år 1917-1918. : En bildsemiotisk analys ur ett kritiskt vithetsperspektiv.Kristensson, Maria January 2024 (has links)
Syftet med uppsatsen är att utforska en ofta förbisedd genre hos två av de första svenska modernisterna Sigrid Hjertén och Isaac Grünewald, nämligen de strandbilder konstnärsparet skapade i samband med sina sommarsemestrar i Danmark åren 1917–1918. Hur skildrar konstnärerna sitt bad och strandliv och avviker dessa bilder från konstnärernas övriga produktion från samma tidpunkt? Uppsatsens metod utgår från C.S. Peirces semiotiska begrepp ikon, index och symbol. Ett annat syfte är att ur ett kritiskt vithetsperspektiv studera om de valda verken, Blixten och Den gröna badvagnen av Isaac Grünewald samt Badscen och Komposition av Sigrid Hjertén, upprättar eller reproducerar vithet som norm? Resultatet visar att så sker, både i verk, titlar och texter. Resultatet visar även att strandbilderna följer samma mönster som konstnärernas övriga produktion. I uppsatsen presenteras en ny tolkning av symbolerna i vissa av Isaac Grünewalds verk mellan åren 1914–1919, baserad på inflytande från baltiska folksånger (daina) och det politiska läget i ett sönderfallande Tsarryssland. Inflytandet från läraren Henri Matisse samt konststilen expressionismen syns tydligt hos båda konstnärerna.
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