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11	« Notre petite ferme me sera un paradis » : Nature, magie et violence illustrées dans les Nouveaux contes de fées de la Comtesse de Ségur Fancy, Benjamin A 29 August 2014 (has links) This paper examines the interconnections of nature, magic, and violence in the Nouveaux contes de fées (New Fairy Tales) of the Countess of Ségur and their illustrations. It focuses on the ways in which the Countess reappropriates the framework of the literary fairy tale and subtly breaks with the traditions established by past fairy-tale authors, encouraging a return to nature and a movement away from the perceived corruption of the nineteenth-century city within the context of a timeless magical world. Close study of the Countess’s multiple perspectives on violence as either a motivating form of punishment or as a display of pure malice reinforce the dichotomy of good vs. evil as it is developed in the text, reflecting the author’s desire to create an ordered world in which obedience is rewarded and cruelty is justly punished. fairy tales women writers illustration word and image nature and literature violence and literature French and Francophone Literature
12	Illuminated Books: A Voyage Through the Verbal-Visual and Caribbean Folklore Ganeshram, Shannon 01 January 2022 (has links) This thesis looks at the modern recontextualization of the illuminated book. Utilizing an interdisciplinary approach to English literature and the arts, it illustrates the dialectic between word and image. In my writing, I explore artists’ books as a physical representation of the constant dialogue of the verbal-visual relationship and how they affect each other. In this endeavor, I create an artist book, a modern bestiary that alludes to the myths and folklore of the Indo-Caribbean, specific to the country of Guyana. Illuminated Books Caribbean Folklore Word and Image Guyana Bestiaries Artist Books Caribbean Languages and Societies
13	Porcelana e leveza - percursos entre pensamento, forma e a materialidade e seus limites / - Lima, Patricia Miranda de 07 April 2014 (has links) Esta dissertação compreende o percurso no desenvolvimento de dois objetos cerâmicos. São exploradas características e possibilidades de criação com o material utilizado - porcelana -, tendo como motivo fragmentos selecionados da obra de Clarice Lispector. A dissertação é composta por descrições e reflexões sobre o processo criativo dos dois objetos e a materialidade da porcelana, esclarecendo as escolhas feitas durante o percurso. Paralelamente, apresenta e detalha os materiais e as técnicas empregadas na produção dos objetos, contribuindo com informações importantes para o meio ceramista. Mostrado como o recorte de um conjunto que inclui o conhecimento de outros materiais e técnicas cerâmicas, a dissertação ressalta a importância da pesquisa técnica e do desenvolvimento prático como motores de um ciclo para o crescimento poético. / This dissertation consists of the paths chosen for the development of two ceramic objects. The features and possibilities of creation with the material - porcelain - are explored, having as motif fragments selected from Clarice Lispector\'s work. The dissertation contains descriptions and thoughts about the creative process of the two objects and porcelain, justifying the choices made. At the same time, it presents in details the materials and technical processes used for making the objects, contributing with important information for ceramists. Chosen as part of a whole wich includes knowledge about other ceramic materials and techniques, the dissertation emphasizes the importance of technical research and practice as engine of a circle for poetic development. art arte artistic ceramics cerâmica artística escultura palavra e imagem porcelain porcelana reflexões sculpture technical ceramics técnicas cerâmicas thoughts word and image
14	Porcelana e leveza - percursos entre pensamento, forma e a materialidade e seus limites / - Patricia Miranda de Lima 07 April 2014 (has links) Esta dissertação compreende o percurso no desenvolvimento de dois objetos cerâmicos. São exploradas características e possibilidades de criação com o material utilizado - porcelana -, tendo como motivo fragmentos selecionados da obra de Clarice Lispector. A dissertação é composta por descrições e reflexões sobre o processo criativo dos dois objetos e a materialidade da porcelana, esclarecendo as escolhas feitas durante o percurso. Paralelamente, apresenta e detalha os materiais e as técnicas empregadas na produção dos objetos, contribuindo com informações importantes para o meio ceramista. Mostrado como o recorte de um conjunto que inclui o conhecimento de outros materiais e técnicas cerâmicas, a dissertação ressalta a importância da pesquisa técnica e do desenvolvimento prático como motores de um ciclo para o crescimento poético. / This dissertation consists of the paths chosen for the development of two ceramic objects. The features and possibilities of creation with the material - porcelain - are explored, having as motif fragments selected from Clarice Lispector\'s work. The dissertation contains descriptions and thoughts about the creative process of the two objects and porcelain, justifying the choices made. At the same time, it presents in details the materials and technical processes used for making the objects, contributing with important information for ceramists. Chosen as part of a whole wich includes knowledge about other ceramic materials and techniques, the dissertation emphasizes the importance of technical research and practice as engine of a circle for poetic development. arte cerâmica artística escultura palavra e imagem porcelana reflexões técnicas cerâmicas art artistic ceramics porcelain sculpture technical ceramics thoughts word and image
15	A escrita literária na confluência de linguagens estéticas : relações entre palavra e imagem em Sérgio Sant'Anna Tedesco, Patrick 15 March 2013 (has links) Made available in DSpace on 2014-08-20T14:24:48Z (GMT). No. of bitstreams: 1 Dissertacao Patrick Tedesco.pdf: 3180078 bytes, checksum: 512b1518afbfec5f97f113ebf689d47b (MD5) Previous issue date: 2013-03-15 / This study is the result of an interdisciplinary critical comparatist investigation of three narratives from Brazilian writer Sérgio Sant Anna - the short stories Cenários (1982) and A mulher nua (2003), as well as the fiction text O livro de Praga: narrativas de amor e arte (2011). The line of investigation is the study of the relation between word and image, focusing on the relation between Literature and Visual Arts, which can be both identified in Sant´Anna s texts. Concepts and theoretical contributions not only from the field of literary studies were applied, but also from the intertextuality and semiotic theories, which deal with the relation between verbal and imagetic textualities. The results corroborate the understanding that Sant´Anna`s writing has the characteristic of being self-referring, intersemiotic and problematizing of the literary production activity. / Esta dissertação é resultado de investigação de natureza interdisciplinar e críticocomparatista de três narrativas do escritor brasileiro Sérgio Sant´Anna: os contos Cenários (1982) e A mulher nua (2003) e o texto de ficção O livro de Praga: narrativas de amor e arte (2011). O eixo investigativo é o do estudo das relações entre palavra e imagem, com especial atenção às relações entre Literatura e Artes Visuais, identificadas nos textos de Sant´Anna. Para isso, foram operacionalizados conceitos e aporte teórico não só do campo dos estudos literários como, pontualmente, das teorias da intertextualidade e da semiótica que tratam das relações entre textualidades verbais e imagéticas. Os resultados colaboram com a compreensão de que a escrita de Sant´Anna possui caráter autorreferente, intersemiótico e problematizador da atividade da criação literária. Sérgio Sant´Anna Literatura comparada Intertextualidade Palavra e imagem. Comparative literature Intertextuality Word and image
16	Poética de la visibilidad del Mirouer Des Simples Ames de Marguer García Acosta, Pablo 02 July 2009 (has links) Reivindicamos desde estas páginas la necesidad de reubicar el Mirouer des simples ames en su contexto medieval para restaurar sus imágenes en lo que a percepción, retórica y recepción se refiere. En este trabajo tomaremos lo textualmente visible como categoría de análisis histórico y lo justificaremos por su carácter didáctico, situándolo en contextos de difusión que no presuponían un auditorio necesariamente clerical ni letrado. Intentaremos reconstruir los aspectos visibles del Mirouer y exponer la poética de los mismos. En primer lugar, decodificaremos las imágenes a través del análisis filológico del texto para, en segundo lugar, establecer la comparación de la obra poreteana con otros documentos de la época (escritos y plásticos), lo que nos permitirá entender el posicionamiento de la obra ante su tradición expresivo-doctrinal. Propondremos una hermenéutica de lo meramente escrito a través de los mecanismos verbales que crean la visibilidad de la imagen en la obra poreteana. / In this thesis we claim the recontextualization of the Mirouer des simples ames in its medieval context so that its images can be restored as far as perception, rhetoric and reception are concerned. By this work we place the text in contexts where the audience was no necessarily clerical or educated: we justify the textual visibility because of the didactic character of the device, and we take it as a category of historical analysis. We therefore reconstruct the visible aspects of the Mirouer and explain its poetics. In the first place, we decode the images through the philological analysis of the text and, in the second place, we compare the poretean work with other documents from that period (written and, mostly, visual ones). In short, we propose a hermeneutic of the mere written word through the verbal mechanisms that create the visualization of the image in the poretean work. word and image image apophasis mistagogy Speculum femenin mysticism visual culture imagen y texto imagen apófasis mistagogia mística femenina cultura visual Mirouer des simples ames Marguerite Porete 1 82
17	Figures de femmes chez Valentine Penrose : à la croisée du saphisme littéraire et du roman gothique Kearney, Beth F. 11 1900 (has links) Valentine Penrose est une poète, romancière et collagiste surréaliste moins connue que certaines de ses homologues telles Frida Kahlo ou Claude Cahun. Si les quelques études qui lui ont été consacrées reconnaissent l’omniprésence du féminin et le caractère inquiétant de certaines manifestations de la femme dans son œuvre, les sources de ces représentations n’ont guère été explorées. Pour combler cette lacune, notre mémoire s’applique à analyser l’œuvre de Penrose afin d’y mettre en lumière la présence textuelle et picturale du saphisme littéraire et du roman gothique, deux influences majeures de l’auteure-artiste. En plus d’étudier en détail les collages insérés dans le recueil de poèmes Dons des féminines, nous explorerons également les nombreuses images in absentia du corpus, car nous constatons que l’écriture penrosienne a très souvent recours aux effets de style « picturaux ». Par conséquent, au fil de nos analyses, nous allons osciller entre une étude littéraire et une approche intermédiale des rapports texte/image, afin de mettre en relief la réactualisation polymorphe de deux traditions ; la présence du saphisme et du gothique transparaît à travers l’emploi de certaines figures de femme, les partis pris thématiques de Penrose, le choix des décors et des trames narratives. Au terme de la présente étude, nous aurons mis en évidence trois figures de femmes propres à l’univers penrosien : la femme-nature, la fugueuse et la rebelle exemplifient, à nos yeux, la manière dont l’œuvre de Penrose se situe à la croisée du saphisme littéraire et du roman gothique. / Valentine Penrose was a surrealist poet, novelist and collagist, less well-known than many of her female counterparts such as Frida Kahlo or Claude Cahun. Albeit few, there are studies on Penrose that recognize both the omnipresence of women and their often disquieting portrayal. The origins of these representations remain, however, largely under-explored. In order to fill this considerable lacuna in existing knowledge on Penrose’s work, this thesis will analyze her œuvre, highlighting the textual and pictorial presence of two major influences: literary Saphism and the Gothic novel. In addition to analyzing the collages that accompany the poetry in Dons des féminines, we will also study the corpus’ many images in absentia, as we believe that Penrose’s style very often has recourse to “pictorial” literary devices. Consequently, throughout our analyses, we adopt both a literary and an intermedial approach, looking closely at both textual and pictorial representations of women in order to demonstrate the polymorphous borrowing of two traditions; Saphism and the Gothic appear via the representation of certain characters, Penrose’s thematic biases and the choice of particular spatial environments and narrative structures. The present study thereby sheds light on the representation of three female figures specific to Penrose’s universe: the woman of nature (la femme-nature), the fugitive (la fugueuse) and the rebel (la rebelle) each exemplify the way in which Penrose’s œuvre is located at the crossroads of literary Saphism and the Gothic novel. Valentine Penrose Saphisme littéraire Roman gothique Intermédialité Rapports texte/image Créatrice surréaliste. Literary Saphism The Gothic novel Intermediality Word and Image Studies Surrealist women
18	La collaboration au féminin : les livres surréalistes de Lise Deharme Beauchamp Houde, Sarah-Jeanne 03 1900 (has links) No description available. Imaginaire du féminin Avant-garde historique Surréalisme au féminin intermédialité Dialogues texte/image Collaboration artistique Lise Deharme Claude Cahun Leonor Fini Collective imaginary on the feminine Historical avant-garde Woman in surrealism Intermediality Word and image studies Artistic collaboration
19	Písmo a obraz v českom a slovenskom umení 50. a 60. rokov 20. storočia / Word and Image in Czech and Slovak Art in the 50's and 60's of 20th Century Hachlincová, Lenka January 2015 (has links) (in English) This dissertation paper deals with the transformation of the relationship letter and image in the Czechsoslovakian art in the 1950s and 1960s, interpreted from the point of view of the cultural and social events not as the history of art, but history of reality representation. The objective of the paper is to create a more complex view of various levels of integration of letter and image in domestic environment, so it approaches the phenomena of letter and image from a specific interpretation point of view based on three main lines. Mapping the phenomena of letter and image in the context of that period in Czechoslovakia, which preceded work structuralizing, was the base of the first interpretation line which bases the core of work on four social "activators", which, in the mind of an artist, activated the need to incarnate letter and image. Since the subject of the paper is the letter as a material manifestation of the language, the second interpretations line follows the purposeful modification of the language structure between the signifiant and signifié, which occurs in visual imaging. The third interpretation line puts the first two into a broader, aesthetic and philosophical context due to which, more complex language structures entering the art of work can be identified. Using...
20	Günter Grass und die bildende Kunst / Eine interdisziplinäre Untersuchung der Schaffensjahre 1947 bis 1977 / Günter Grass and the Visual Arts / An Interdisciplinary Study of the Creative Period between 1947 and 1977 Krason, Viktoria 22 June 2017 (has links) No description available. 400 800 Intermedialität Wort-Bild-Beziehungen Bildlichkeit Buchgestaltung Buchkunst Illustration Grafik Doppelbegabung Nachkriegszeit Klassische Moderne Expressionismus Kubismus Surrealismus Abstraktion Gegenständlichkeit Tiere "Die Blechtrommel" "Hundejahre" "Danziger Trilogie" "Der Butt" intermediality word-and-image word and image relationships imagery book design book art illustration graphic arts double talent post-war period classic modern art Expressionism Cubism Surrealism abstraction figuration animals "The Tin Drum" "Dog Years" "Danzig Trilogy" "From a Diary of a Snail" "The Flounder" Philologien (PPN621711713)

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