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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
21

[2013 - 2015] O movimento de translação de um artista em torno do próprio trabalho / -

Vilela, Jimson Ferreira 21 October 2015 (has links)
O objeto desta dissertação são os trabalhos de arte produzidos pelo autor entre 2013 e 2015. Partindo dos próprios trabalhos e dos espaços onde foram apresentados, este ensaio busca articular procedimentos e conceitos recorrentes na produção do artista por meio de imagens, descrições, desenhos, anotações, projetos e interpretações que interroguem a ideia de livro como suporte, matéria-prima e lugar. / The object of this Master\'s thesis is the author\'s works of art produced between 2013 and 2015. Departing from the works of art themselves and from the spaces where they were presented, this essay seeks to articulate recurring procedures and concepts in the artist\'s production through images, descriptions, drawings, notes, projects and interpretations that question the idea of the book as a support, raw material and place.
22

[2013 - 2015] O movimento de translação de um artista em torno do próprio trabalho / -

Jimson Ferreira Vilela 21 October 2015 (has links)
O objeto desta dissertação são os trabalhos de arte produzidos pelo autor entre 2013 e 2015. Partindo dos próprios trabalhos e dos espaços onde foram apresentados, este ensaio busca articular procedimentos e conceitos recorrentes na produção do artista por meio de imagens, descrições, desenhos, anotações, projetos e interpretações que interroguem a ideia de livro como suporte, matéria-prima e lugar. / The object of this Master\'s thesis is the author\'s works of art produced between 2013 and 2015. Departing from the works of art themselves and from the spaces where they were presented, this essay seeks to articulate recurring procedures and concepts in the artist\'s production through images, descriptions, drawings, notes, projects and interpretations that question the idea of the book as a support, raw material and place.
23

Language of the Book : Volume I–III Investigations of the conceptual and bodily experience of reading and making books / Bokens Språk

Bornedal, Kajsa January 2021 (has links)
The project Language of the Book Volume I-III explores the conceptual and the bodily experience of reading and making books. The essay presents the development of Volume I: Narracube consisting of three storytelling prototypes. With Narracube a format was developed that can invite stories to be told beyond single voices, linear time and fixed points of views. Narracube highlights the active role of a medium in transmission of a message. A book is never a neutral container for ink but an active space of communication in its mere contruction despite its content. / Projektet Bokens språk Volume I-III utforskar den konceptuella och kroppsliga upplevelsen av att läsa och göra böcker. Uppsatsen presenterar utvecklingen av Volume I: Narrakub som består av tre prototyper för berättande. Narrakub är ett format som utvecklats för att undersöka hur konstruktionen av boken kan bjuda in berättelser bortom enstaka röster, linjär tid och låsta perspektiv. Narrakub belyser den aktiva rollen som ett medium har då det sänder ett meddelande. En bok är aldrig en neutral behållare för bläck utan bär på ett aktivt kommunikationsutrymme i sin konstruktion oavsett innehåll.
24

Anthem

Clifford, Zachary Lee January 2019 (has links)
No description available.
25

Ontophonie et pictopoésie dans l'oeuvre de Gherasim Luca. : etude de la "variation continue". / Pictopoésie and ontophonie : A study of the continuous variation in the complete works of Gherasim Luca

Clonts, Charlène 07 July 2016 (has links)
Cette thèse étudie le processus de variation continue comme une trame de fond de l’oeuvre complète de Gherasim Luca, afin de mettre en valeur ses aspects plastiques et phoniques, leur articulation ainsi que la façon dont la pictopoésie et l’ontophonie participent à l’autogénération textuelle. Considérant l’oeuvre à la croisée des arts, l’analyse souligne la structure des espaces textuel et iconique. Elle s’intéresse en outre aux figures (personae) émergeant d’une esthétique protéiforme et à l’espace figural du langage, mettant aussi à l’épreuve la théorie deleuzienne de la variation continue pour en montrer les ressorts et les dépassements. Enfin, la mise en oeuvre organique, phonique et linguistique del’ontophonie interroge les voix/voies nouvelles établies par la poésie orale et la médiopoétique, ménageant un accès vers l’analyse de la répétition et de la reformulation en tant que genèse infinie. / The aim of this PHD is to study the process of the continuous variation, as the guiding principle for the complete works of Gherasim Luca. The purpose is to highlight both its plastic and its phonic aspects, how they work together, and also the way pictopoésie and ontophonie help create a perpetual selfgenerated text. Since the works stand at the crossroads of several arts, this analysis underlines the structure of the iconic and textual spaces. One of the axis of research, that focuses on the persona, as it emerges from a protean aesthetics, and on the figurative space proper to language, calls thus intoquestion Deleuze’s theory of “continuous variation”, while showing its internal mechanism and its exceedance. Finally, the phonic, the linguistic and the physical performance, in staging the ontophonie, brings into question the voices and the media as a means, established by the oral poetry and the mediopoetics, granting access to an analysis based on endless repetition and reformulation.

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