No description available.

Enbridge has proposed the Line 3 “Replacement” Project, a new pipeline project taking a new route strait through Anishinaabe treaty territory in what is known as northern Minnesota. In the middle of the regulation process, the future remains unclear of how the State of Minnesota will move forward with the permitting process, but Anishinaabe communities, a range of non-profit organizations, and local landowners remain firmly against the line. Rooted in varied frameworks of Native sovereignty, the land, and Indigenous feminism, Anishinaabe communities lead the resistance against a product of ongoing settler colonialism, racial capitalism, and environmental racism. This thesis contextualizes the multi-tactical repertoires of those defending the land in the existing work of Indigenous scholars who write on the necessity for land-based resistance towards the unsettling process of decolonization. Ultimately, the resistance against Line 3 is representative of a long-term battle for Native sovereignty and self-determination in defense of the land and future generations.

No description available.

Cette étude porte sur les recrues de l’armée française à Djibouti, de la Grande Guerre à la fin des années 60. Le faible nombre de recrues comparé aux autres parties de l’empire africain a occulté leur participation aux conflits mondiaux. Pourtant à la différence des autres colonies françaises, les engagements ont tous été volontaires, beaucoup des engagés ne sont pas originaires de la colonie. En apparence il s’agit donc de mercenaires engagés pour des opérations extérieures, renforçant ainsi les représentations guerrières des populations de la région, en particulier des Somali, les plus nombreux à s’être engagés. L’étude repose sur les archives françaises, notamment sur les livrets individuels de plus de 1300 tirailleurs représentant le quart des recrutements des années les plus significatives. Cette approche statistique, complétée par une enquête de terrain, permet d’aborder ces recrutements sous l’angle social, et révèle des motivations bien éloignées des clichés encore répandus tant en Occident qu’au sein des populations de la Corne. Cette double approche, quantitative et micro-historique, révèle les motivations de ces jeunes hommes engagés dans les rangs d’une armée coloniale, les migrations régionales, leurs stratégies individuelles, en relation avec le contexte socio-économique de la Corne, marqué par les crises alimentaires, l’insécurité politique et le déclin progressif du pastoralisme. Instrumentalisés par une puissance coloniale comme bien d’autres Africains au cours des différents conflits auxquels ils participèrent, ces intérimaires de la guerre ne perdirent jamais de vue leur intérêt qu’ils tentèrent de concilier avec la domination coloniale. Leur passage dans l’armée française, souvent de courte durée, fut à bien des égards une expérience de vie, une forme d’entrée en modernité. Ce travail tente de mesurer cette altérité, notamment au travers de trajectoires individuelles et familiales. S’ils furent des intermédiaires culturels, la puissance colonisatrice tenta vainement de les instrumentaliser dans le contexte de la décolonisation. L’armée fut dans ce cas productrice de nouvelles notabilités, et tenta de fidéliser le groupe des anciens combattants. Mais là encore, les individus ont adopté des postures bien plus complexes qu’il n’y parait, leur fidélité n’allant pas au-delà de leur intérêt personnel. L’instrumentalisation du métier des armes s’est donc poursuivie dans la sphère privée, mais aussi dans l’espace politique naissant après 1945. / This study is about the recruits of the French army in Djibouti, from the First World war until the sixties. Because of their scarce numbers, compared with those from other parts of the African empire, their part in world conflicts is less known. Though, contrary to what went on in other French colonies, the enlistments were all voluntary and many of the enlisted were not from Djibouti. So, they seem to have been mercenaries hired for operations abroad thus strengthening their image as warriors in the eyes of the people in the area, especially the Somali who enlisted the most. The study is based on the French archives, particularly on the personal records of over 1300 “tirailleurs” representing a quarter of the enlistments during the most significant years. This statistical approach, completed with field work, allows us to study these enlistments from a social point of view and reveals motivations quite different from the clichés still widely spread in the western world as well as among the population of the Horn. This double point of view, quantitative and micro-historical, reveals the motivations of these young men enlisted in a colonial army, regional migration movements, their individual strategies in relation with the socio-economical context in the Horn marked by food crisis, political insecurity and the decline of pastoralism. Being used as instruments by a colonial power like many other Africans during the several conflicts in which they took part, these temporary warriors never forgot their own interests which they attempted to conciliate with the colonial domination. Their often short stay with the French army was for many reasons an experience, a sort of step into modernity. This study attempts to measure this otherness particularly through individual and familial paths. Even though they were cultural go-betweens, the colonizing power tried to use them in the context of decolonization. In that case, the army produced new notabilities and attempt to win the loyalty of its ex-servicemen. But then, again, the different individuals adopted postures far more complex than they seem to be, their faithfulness never overstepping their personal interest. The profession of arms was thus used at a private level, but also in the new political world after 1945.

O presente trabalho toma como referência a problemática e obra que constituem o pensamento de Frantz Fanon sobre colonialismo e descolonização. A reflexão atenta para as dimensões epistêmicas que perpassam a obra daquele autor e suas possibilidades para a análise da tecnologia e da educação tecnológica. Este estudopretende, no todo, avaliar, nos discursos que tecem a narrativa dos arquivos-Fanon, condicionantes que assujeitam o negro numa ordem inferior de subjetivação, restringindo-lhe a apropriação da ciência e da tecnologia, rumo à configuração de novos discursos e práticas sociais alternativas. São relatadas observações de Fanon sobre a relação do povo argelino com os saberes, produtos e profissionais de ciência e tecnologia, durante a guerra de libertação. Tais observações permitem sugerir que Fanon teria sido um dos precursores dos Estudos CTS - estudos da ciência e da tecnologia do ponto de vista dos interesses sociais. A análise das categorias do reconhecimento e a noção do novo humanismo pretendido por Fanon são alinhadas a seis categorias sustentadoras da filosofia da libertação e da poiesis – filosofia da produção – tendo em vista um design tecnológico descolonizado. As evidências recolhidas são confrontadas com códigos que marcam racialmente a educação tecnológica no Brasil, em detrimento do negro. Finaliza com breves considerações, sugerindo novos estudos sobre os temas aqui levantados. / This thesis take as its reference the problematic and work that constitute the thought of Frantz Fanon about colonialism and decolonization. The reflexion is attentive to the epistemic dimensions that pervade the work of this author and its possibilities to an analyses of technology and technological education. This work intends, as a whole, to evaluate, in the discourses that weave the narrative of Fanon’s archives, the conditioners that subject black people in a subaltern order of subjectivation, which restrict their appropriation of science and technology, toward the configuration of new discourses and alternative social practices. Fanon’s observations are reported about the relationship of the Algerian people with knowledges, products and professionals of science and technology, during the war of liberation, which allow us to suggest that Fanon would have being one of the precursors of STS Studies - Science, Technology and Society Studies. The analyses of the categories of acknowledgment and the notion of new humanism proposed by Fanon are aligned to sustain six categories of the liberation philosophy and of the poiesis – production philosophy – in the view of a decolonized technological design. The evidences collected are confronted with codes that racially mark the technological education in Brazil, in detriment of black people. Finalize with brief considerations, suggesting new studies about the themes raised along the thesis.

O presente trabalho toma como referência a problemática e obra que constituem o pensamento de Frantz Fanon sobre colonialismo e descolonização. A reflexão atenta para as dimensões epistêmicas que perpassam a obra daquele autor e suas possibilidades para a análise da tecnologia e da educação tecnológica. Este estudopretende, no todo, avaliar, nos discursos que tecem a narrativa dos arquivos-Fanon, condicionantes que assujeitam o negro numa ordem inferior de subjetivação, restringindo-lhe a apropriação da ciência e da tecnologia, rumo à configuração de novos discursos e práticas sociais alternativas. São relatadas observações de Fanon sobre a relação do povo argelino com os saberes, produtos e profissionais de ciência e tecnologia, durante a guerra de libertação. Tais observações permitem sugerir que Fanon teria sido um dos precursores dos Estudos CTS - estudos da ciência e da tecnologia do ponto de vista dos interesses sociais. A análise das categorias do reconhecimento e a noção do novo humanismo pretendido por Fanon são alinhadas a seis categorias sustentadoras da filosofia da libertação e da poiesis – filosofia da produção – tendo em vista um design tecnológico descolonizado. As evidências recolhidas são confrontadas com códigos que marcam racialmente a educação tecnológica no Brasil, em detrimento do negro. Finaliza com breves considerações, sugerindo novos estudos sobre os temas aqui levantados. / This thesis take as its reference the problematic and work that constitute the thought of Frantz Fanon about colonialism and decolonization. The reflexion is attentive to the epistemic dimensions that pervade the work of this author and its possibilities to an analyses of technology and technological education. This work intends, as a whole, to evaluate, in the discourses that weave the narrative of Fanon’s archives, the conditioners that subject black people in a subaltern order of subjectivation, which restrict their appropriation of science and technology, toward the configuration of new discourses and alternative social practices. Fanon’s observations are reported about the relationship of the Algerian people with knowledges, products and professionals of science and technology, during the war of liberation, which allow us to suggest that Fanon would have being one of the precursors of STS Studies - Science, Technology and Society Studies. The analyses of the categories of acknowledgment and the notion of new humanism proposed by Fanon are aligned to sustain six categories of the liberation philosophy and of the poiesis – production philosophy – in the view of a decolonized technological design. The evidences collected are confronted with codes that racially mark the technological education in Brazil, in detriment of black people. Finalize with brief considerations, suggesting new studies about the themes raised along the thesis.

As sociedades e instituições arqueológicas, como as demais organizações científicas, são espaços fundamentais no fomento e na manutenção da rede de intelectuais de sua área de pesquisa. Podem, através da veiculação de suas publicações, apontadas na seção editorial de boletins dessas organizações, reafirmar as tradições arqueológicas ou oferecer perspectivas inovadoras. Analisamos trinta e quatro editoriais das publicações The South African Archaeological Bulletin, Nyame Akuma e Nsi, intentando compreender a formação das múltiplas imagens dos arqueólogos africanos e africanistas na era pós-colonial, entre 1987 e 1993, que, a nosso ver, dar-se-ia diante daquilo que essas sociedades através de seus boletins consolidam. Segundo a ótica de seus editores, os boletins do corpus de nossa pesquisa eram meios de comunicação rápidos e eficientes para cumprir funções de possibilitar que os arqueólogos interagissem, que se informassem sobre o andamento das pesquisas de campo e que fossem comunicados quanto à realização de congressos entre seus pares. Nosso recorte temporal define-se pela circulação concomitante dos três boletins, exceto quanto ao Nsi, que foi, um ano antes, em 1992, assimilado ao Nyame Akuma. Esse recorte temporal, a propósito, foi marcado pelas correntes teóricas da Nova Arqueologia, do Pós-Processualismo, dos estudos pós-coloniais e pela divulgação da pesquisa arqueológica na África e sobre a África em face dessas abordagens. Apontamos a título de conclusão da análise que os boletins, sob o pretexto de favorecer os arqueólogos e a produção científica em arqueologia na África durante esse período, veiculavam, na verdade, as imagens ideais ou mesmo as rechaçadas dos arqueólogos interessados na África. Essas imagens eram construídas nos textos dos editores na prática discursiva que formulavam com temas ligados ao ofício do arqueólogo. / The archaeological societies and institutions, like others scientific organizations, they are fundamental spaces in the encouragement and in the support an intellectual\'s network of the research´s area. They can, through the distribution of its publications, like the newsletters, in the editorial section, to reaffirm traditions or offer innovative perspectives. We analyzed thirty and four editorial texts in The South African Archaeological Bulletin, Nyame Akuma and Nsi, intending to understand structure multiple images\' of Africans and Africanists Archaeologists in the post-colonial era, between 1987 and 1993, that, in our opinion, would it is happen before of that societies through its newsletters consolidate. According to the viewpoint their editors, the newsletters of our documental corpus were agile and efficient to fulfill the functions to make possible archaeologists interact, they knew about the fieldwork\'s progress, they were informed about the realization of Congress. Our temporal period is defined by the concomitant movement of the bulletins, with the exception of the year 1993, when Nsi was assimilated to Nyame Akuma. It\'s a period was marked by New Archaeology´s theoretical currents, Post-processualism, postcolonial studies and dissemination of archaeological research in the Africa and about the Africa in face of these approaches. We point as conclusion of the analysis like the bulletins, under the pretext of promoting the archaeologists and the scientific archeology in the Africa, during in this period, they conveyed, in fact, the ideal or rejected images of the interested archaeologists in Africa. These images were constructed in the editor\'s texts in discursive practice that they formulated. They were recurring statements of the contingent themes at the archaeologist´s work.

Made available in DSpace on 2017-07-10T18:55:42Z (GMT). No. of bitstreams: 1 Douglas Machado.pdf: 1128189 bytes, checksum: 2749c41ecd8769a7b9ae1e25a54f99f1 (MD5) Previous issue date: 2014-02-15 / The present research aims to produce a comparative reading of Columbia (1892), written by John Musick, Los perros del Paraíso (1989), by the Argentinean Abel Posse and A Caravela dos insensatos: uma viagem pela renascença (2006), by the Brazilian Paulo Novaes to expose the characterization of Christopher Columbus' figure in American Literature as a hero on the discovery of America, as well as its deconstruction and its subsequent reconfiguration. The novels in which this comparison was carried out are part of the fictional hybrid genre called historical novel. The first one, written in North America, is a traditional historical novel and it reveals Columbus as a mythical hero of the New World. The second one, written inside the Spanish American context, is a new Latin American historical novel that presents processes of deconstruction of the existing historical speech and gives visibility to the Latin American people so that they are able to make a new reading on their own past. However, the third one, written more recently in our country, brings back the traditional historical novel model and reconfigures Christopher Columbus' traditional heroic-mythical image. Therefore, this novel ignores the voice of the Latin American people and all the critical and deconstructionist production of the Spanish American Literature done along the 20th century, which was based upon deconstructionist resources like parody, carnivalization, intertextuality, anachronies, irony, multiperspectivism and much more. These writings are constantly questioning power relations, control of truth and also deconstruct speeches that had been shaping Latin American s identity. Thus, our research aims to explain the relationship between American and the old European metropolis: colonization, decolonization and maintenance of certain aspects from the colonizatory dependence of America. These processes are reinforced by literary creations; whether they are critical as the new historical novel or traditional, still appealing to the permanence of colonizatory processes that occur by rescuing ethnocentric models of historical and literary references. To do so, we will use a bibliography which enables us to follow the course of the historical novel genre from its European origins until it became the high critical hybrid genre that currently is written in Latin America / A presente pesquisa apresenta uma leitura comparada entre Columbia (1892), do estadunidenese John Musick; Los perros del paraíso (1989), do argentino Abel Posse e A Caravela dos Insensatos: uma viagem pela renascença (2006), do brasileiro Paulo Novaes para evidenciar a caracterização da figura de Cristóvão Colombo na literatura americana sob as configurações do herói do descobrimento, a desconstrução dessa imagem heroico/mítica e a sua posterior reconfiguração. As obras nas quais essa comparação se efetiva são integrantes do gênero ficcional híbrido denominado romance histórico. A primeira delas, escrita em solo norte-americano, situa-se na modalidade do romance histórico tradicional, que revela a figura de Colombo como um herói mítico do Novo Mundo . A segunda, escrita no contexto hispano-americano, é exemplar da modalidade do novo romance histórico latino-americano que apresenta processos de desconstrução do discurso histórico vigente ao dar voz ao sujeito da América Latina para que este seja capaz de efetuar outras leituras sobre o próprio passado. Já a terceira, escrita mais recentemente em nosso país, resgata as tendências da modalidade do romance histórico tradicional e reconfigura a imagem heroico/mítica de Cristóvão Colombo. Com isso essa produção romanesca mais atual ignora a voz do sujeito crítico latino-americano e toda a produção crítica e desconstrucionista hispano-americana do século XX, a qual produziu uma literatura com o emprego de recursos escriturais bastante desconstrucionistas como a paródia, a carnavalização, as intertextualidades, as anacronias, a ironia, o multiperspectivismos e outras mais. Essas escritas constantemente questionam as relações de poder, o controle da verdade e desconstroem enunciados que moldaram a construção identitária dos sujeitos latino-americanos. As análises feitas objetivam, portanto, explicitar a tríplice relação entre a América e as metrópoles europeias: a colonização, a descolonização e a manutenção de certos aspectos da dependência colonizadora da América. Tais processos são reforçados pelas criações literárias, sejam elas as críticas do novo romance histórico ou as tradicionais que ainda apelam à permanência dos processos colonizadores que ocorrem com o resgate dos modelos etnocêntricos de referenciais históricos e literários. Para tanto, utilizaremos um referencial teórico-metodológico que nos oportunize acompanhar a trajetória do gênero romance histórico desde suas origens europeias primeiras até a constituição das modalidades que transformaram essa escrita híbrida em uma das formas mais relevantes da produção literária latino-americana

Submitted by Aline Batista (alinehb.ufpel@gmail.com) on 2015-11-03T20:57:41Z No. of bitstreams: 2 Resistência e descolonização na obra de Luandino Vieira.pdf: 828138 bytes, checksum: 32885786029247867fed8e33c266d19a (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2015-11-04T20:15:15Z (GMT) No. of bitstreams: 2 Resistência e descolonização na obra de Luandino Vieira.pdf: 828138 bytes, checksum: 32885786029247867fed8e33c266d19a (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2015-11-04T20:16:17Z (GMT). No. of bitstreams: 2 Resistência e descolonização na obra de Luandino Vieira.pdf: 828138 bytes, checksum: 32885786029247867fed8e33c266d19a (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2015-04-30 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / O presente trabalho analisa duas obras de Luandino Vieira produzidas em momentos históricos distintos: a primeira, A Vida Verdadeira de Domingos Xavier (1961), produzida durante a colonização, e a segunda, O Livro dos Guerrilheiros (2009), no momento de descolonização e já como memória da guerrilha. As duas obras discutem a violência sofrida pelo colonizado e também as ações que estes realizavam por meio da guerrilha para alcançar o projeto de descolonização de seu país. As reflexões neste trabalho passam também pela importância da escrita de Luandino, analisando a literatura de resistência, o papel da literatura, os instrumentos de resistência, como a escola e sua importância política e cultural, e as ações da guerrilha a fim de concretizar a liberdade. Para tanto, estes estudos são feitos a partir dos textos literários que compõem o objeto deste trabalho. É por intermédio destes textos, do modo de construção literária e, mais especificamente, por meio da movimentação de suas personagens, que todas estas questões são problematizadas. / This work analyzes two titles of Luandino Vieira produced in e historical periods: the first, A Vida Verdadeira de Domingos Xavier(1961), produced during colonization and the second, O Livro dos Guerrilheiros(2009), at the time of decolonization, with the guerrilla as a memory. The two discuss the violence suffered by the colonized and the actions that they performed through the guerrilla to achieve the decolonization in his country. The reflections in this work encompasses the importance of the Luandino’s writing, analyzing resistance literature, literature role, the resistance instruments, as the school and its political and cultural importance, the guerrilla actions in order to achieve freedom. Therefore, these studies are made of the literary texts that make up the object of this work. Is, through these texts, the way of literary construction and, more specifically, by the shift of their characters that all these issues be problematize.

L’œuvre romanesque de Romain Gary est un écho du XXe siècle. Des périls de l’histoire, l’écrivain n’en ignore aucun. La Seconde Guerre mondiale forge sa conscience morale ; elle est la source de son gaullisme, basé sur un idéal de l’Homme, auquel il demeure fidèle. Mais au-delà de cette matrice, les années d’après-guerre façonnent également sa pensée. Car ses carrières diplomatique et littéraire n’ont pas été dissymétriques. Des quinze années passées au Quai d’Orsay, nombre de ses romans sont directement inspirés. La diplomatie révèle donc la topographie de la pensée de l’écrivain, qui ne résulte pas seulement du traumatisme de la Shoah et de la fraternité de la Résistance, mais est également forgée en réaction au totalitarisme soviétique et à la résurgence des nationalismes. Explorer sa carrière diplomatique, c’est aller aux sources de son œuvre romanesque, déceler dans l’événement le matériau de la fiction. Romain Gary a donc doublement composé avec l’histoire immédiate, cherchant à en comprendre les déterminants – c’est le travail du diplomate – et à en dépeindre les effets – c’est l’œuvre de l’écrivain. Dès lors, le roman apparaît comme le palimpseste de la dépêche. Et c’est en démêlant cet écheveau, entre diplomatie et littérature, histoire et fiction, que sa pensée politique apparaît avec le plus de clarté, de complexité aussi, et de nuances : en tirant ce fil, son œuvre romanesque démontre son unité et sa cohérence tant vis-à-vis des événements historiques que des positions de l’homme. / The novels of Romain Gary echo the events of the 20th Century. None of the great crises of the period is ignored by the author. Gary’s moral conscience was forged by the Second World War and it led him to a philosophy of Gaullism based on a human ideal, to which he always remained faithful. But beyond this matrix the post-war years also shaped his thinking. His diplomatic and literary careers follow a symmetrical path. His fifteen years working for the French Foreign Ministry were the direct inspiration for several of his novels. It is diplomacy which reveals the writer’s intellectual topography. This was not just a product of the trauma of the Shoah and the fraternity of the resistance but was also forged in reaction to Soviet totalitarianism and the resurgence of nationalisms. To explore his diplomatic career is to discover the sources of his novels, to reveal the factual basis of his fiction. Romain Gary made a double usage of contemporary events, first as a diplomat intent on understanding underlying causes, second as a writer painting a picture of the effects. Thus the novel can be seen as a palimpsest, a reworking of the diplomat’s despatch. As this skein is untangled, as diplomacy and literature, history and fiction are teased apart, Gary’s political thinking is revealed in the greatest clarity, complexity, and nuance. As the thread is drawn out, Gary’s novels demonstrate a unity and a coherence both with regard to historical events and to his own personal convictions.