Multiforme, hétérogène, surabondante, la presse est un acteur essentiel de la circulation de l’information des Lumières. Le Journal des Savants donne à la presse d’Ancien Régime l’une de ses institutions les plus solides, le premier périodique de critique bibliographique et un précieux outil de travail pour le monde savant. De 1710 jusqu’aux premiers mois de 1792, les Nouvelles Littéraires occupent une place singulière au sein du Journal, dont elles épousent naturellement le projet mais où, sous peine de disparaître, il leur faut revendiquer leur identité, qui passe d’abord par la régularité de leur présentation et leur malléabilité sous les assauts d’une production bientôt pléthorique.Ce travail se propose de déterminer l’identité matérielle et intellectuelle de la rubrique, perceptible dans ses critères de validation et sa perméabilité aux courants de pensée qui traversent le siècle. La place concédée aux différents champs du savoir est également examinée puisqu’elle participe, naturellement, de cette identité, ainsi que la sensibilité à des clivages qui scindent le monde savant autant que la société dans son ensemble. D’autres pratiques disciplinaires adoptent ainsi une perspective où les questions qui touchent à l’intimité et à l’éthique ne peuvent plus être évacuées, où s’impose la césure entre le domaine privé et l’espace public et où la science devient une nouvelle religion. Il s’agira ensuite d’étudier les acteurs et les mécanismes de cette circulation de l’information, dans ses relais institutionnels ainsi que dans sa géographie, d’abord européenne puis mondiale, à partir des échanges qui animent depuis longtemps la République des lettres. Enfin, c’est en observant comment les Nouvelles Littéraires infléchissent leur projet initial et façonnent leur identité, que s’impose la présence du public, comme l’un des trois pôles qui procurent à la rubrique sa cohérence, mais entre lesquels nous la voyons constamment écartelée : le pouvoir, le public et la science. / Diverse, heterogeneous and over productive, the press was an essential player in the circulation of information during the Enlightenment. The Journal des Savants provided the press of the Ancien Régime with one of its most solid institutions, the first periodical of critical bibliography offering a precious resource for the intelligentsia. From 1710 until the beginning of 1792, the Nouvelles Littéraires occupied a singular place at the heart of the Journal, the editorial line of which it naturally followed. However, in order to thrive, it was forced to consolidate its identity through the consistency of its articles and through its flexibile response to the increasingly unwieldy publication.This study seeks to determine the physical and intellectual identity of the column, perceptible through its critical criteria and through its susceptibility to the dominant thinking which spanned the century. The importance accorded to different fields of knowledge will also be studied as this was part of the identity of the Nouvelles Littéraires, as will its sensitivity to the conflicts which split the intellectual establishment - not to mention society as a whole. Other fields also adopted an approach in which issues relating to intimacy and to ethics were no longer to be brushed aside, where the distinction between the private and public spheres was important and where science became a new religion. We will then examine the protagonists and the mechanisms involved in the circulation of information through institutional intermediaries as well as through geography (first European, then universal) based on exchanges that long animated la République des lettres. Finally, it is by observing how the Nouvelles Littéraires modified its initial intentions and shaped its identity that we see how the public established itself as one of the three main and constantly stretched areas that gave the column its coherence : power, the public and science.

Com o intuito de contribuir para uma bibliografia ainda escassa de trabalhos que envolvem a edição de partituras, este trabalho apresenta uma edição musical crítica e revisada dos últimos nove noturnos para piano do compositor Almeida Prado, a partir de seus manuscritos originais. Uma partitura editada facilita a leitura do intérprete e contribui para a divulgação dessas obras. O trabalho de edição crítica é baseado em sugestões de James Grier, por meio de investigação sobre as fontes essenciais, como fatos históricos relacionados ao compositor e ao estilo da obra, estabelecendo critérios de revisão e edição. O processo de edição das obras pesquisadas teve o acompanhamento do compositor. A bibliografia baseia-se em assuntos inerentes ao material, à análise, à edição musical e história da música do século XIX e XX, além de Teses e Dissertações referentes à obra do compositor Almeida Prado. As partituras editadas, assim como os manuscritos utilizados, aparecem como anexo desta Dissertação. / In order to contribute to a still scarce bibliography of works that involve the edition of scores, this paper presents a critical and revised music edition of the last nine nocturnes for piano composer Almeida Prado, from its original manuscripts. An edited score facilitates the reading of the performer and contributes to the dissemination of those works. The work of the critical edition is based on suggestions by James Grier, through research into key sources, such as historical facts related to the composer and style of work, establishing criteria for reviewing and editing. The editing process was supervised by the composer. The bibliography covers issues related to material, analysis, editing music and music history of the nineteenth and twentieth century, thesis and dissertations concerning the work of the composer Almeida Prado. The edited scores, as well as the original manuscripts, appear as appendix to this dissertation.

O presente trabalho trata da investigação dos procedimentos composicionais utilizados no Concertino para Clarineta, de Francisco Mignone, por meio da identificação e da comparação das diversas fontes da obra em diálogo com a \"tradição oral\". Tem como objetivo elucidar questões técnicas observadas na partitura orquestral manuscrita e suas possíveis resoluções em virtude da performance. Para tanto, desenvolve conteúdo com vistas à produção de uma edição crítica da obra / The present work deals with the investigation of compositional procedures used in the Concertino for Clarinet by Francisco Mignone through the identification and comparison of different sources of the work in dialogue with the \"oral tradition\". Aims to clarify technical issues observed in handwritten orchestral score and their possible resolutions to the performance. For that, develops content in order to produce a critical edition of the work.

This dissertation is divided into two parts. The first is a critical study of the Dravyasamuddeśa, a chapter from the Vākyapadīya of Bhartṛhari, a 5th-century Sanskrit philosopher of language. It also deals with the 10th-century commentary of Helārāja, which was highly influential in shaping the interpretation of the text by later authors. Although the Vākyapadīya is a treatise on Sanskrit grammar, and this particular chapter purports to deal with the grammatical category of dravya, in the Dravyasamuddeśa, Bhartṛhari is mostly concerned with establishing a non-dual theory of reality. Helārāja, five centuries later, defends this theory and attempts to re-interpret other schools of thought, namely Buddhism and Sāṃkhya, in its terms. The second part of the dissertation is a critical edition and annotated translation of the Dravyasamuddeśa and the commentary. It also describes the making of the edition - for this project, an open source software package was developed to automatically collate diplomatic transcriptions of manuscript witnesses in order to generate an apparatus variorum. The resulting apparatus forms part of an interactive, online digital edition of the text, from which the printed edition is generated.

Esta tese tem como objetivo apresentar a edição crítica do romance O Seminarista, de Bernardo Guimarães, preparada com base no original da obra. A edição justifica-se porque o original, embora disponível, foi modificado ao longo de sua tradição, a ponto de comprometer-se fortemente o estilo do autor, no que apresenta de mais característico. As modificações sofridas pelo texto produziram uma árvore genealógica composta por dois ramos principais, aos quais filiam-se todos os testemunhos estudados: um ramo completo e um ramo abreviado. Com o objetivo de estabelecer o texto crítico, discutem-se aspectos do romance a partir de uma perspectiva da análise literária, fixam-se critérios para a escolha do texto de base, apresentam-se as teorias existentes no âmbito da Bibliografia Textual, propõem-se relações genealógicas entre os testemunhos e fixam-se normas adequadas para uma edição crítica de original impresso. Além da apresentação crítica da edição príncipe, esta edição registra, em aparato, todas as variantes do texto ao longo dos primeiros testemunhos da tradição da obra. / This thesis aims to present the scholarly edition of the novel O Seminarista, by Bernardo Guimarães, based on the works original. The edition is justified by the fact that the original, although available, was modified over its tradition, until strongly compromising the authors style on what it presents as most representative. The changes suffered by the text produced a genealogical tree with two main branches, to which are affiliated all the studied witnesses: an unabridged branch and an abridged branch. In order to establish a critical text, aspects of the novel are discussed through a literary analysis perspective, criteria are fixed so that the copytext can be chosen, theories that belong to a Textual Scholarship scope are presented, genealogical relationships between witnesses are proposed and appropriate standards for a scholarly edition of original printed are set. Besides the editio princeps, this edition registers, in its apparatus, all the variants in the text that are registered in the first witnesses of the work\'s tradition.

This book breaks down complex entertainment rigging (theatre and arena) calculations and makes them easy to understand. It also provides hints for remembering many rigging formulas. It is a great resource for anyone studying for either ETCP rigging exam, and includes an explanation of the equations found on the ETCP Certified Rigger - Formula Table. The third edition has a greatly expanded section on arena rigging, as well as more material and appendices for theatrical rigging. Also, this edition has links to even more free downloads of Excel workbooks for arena rigging. Beginning riggers will find this an excellent textbook and experience riggers will find it as a great reference book. / https://dc.etsu.edu/etsu_books/1051/thumbnail.jpg

This book breaks down complex entertainment rigging (theatre and arena) calculations and makes them easy to understand. It also provides hints for remembering many rigging formulas. It is a great resource for anyone studying for either ETCP rigging exam. The second edition has a greatly expanded section on arena rigging, as well as more material and appendices for theatrical rigging. Also, this edition has links to free downloads of Excel workbooks for arena rigging. Beginning riggers will find this an excellent textbook and experience riggers will find it as a great reference book. / https://dc.etsu.edu/etsu_books/1074/thumbnail.jpg

Introduktion: Attention Deficit Hyperactivity Disorder, ADHD, är en vanlig neuropsykiatrisk diagnos hos vuxna i Sverige med en prevalens på 2,5%. Karakteristiska problem är hyperaktivitet, impulsivitet och ouppmärksamhet. Attention Deficit Disorder, ADD, är en form av ADHD som innebär problem med uppmärksamhet och koncentration. Kunskapen om förekomst av motorikstörningar hos vuxna personer med ADHD och ADD är ännu begränsad. Syfte: Undersöka och beskriva motorisk förmåga hos en grupp vuxna med ADHD och ADD samt jämföra eventuella skillnader mellan dessa grupper. Metod: Denna studie är en del av ett större projekt vid Neurorehab Sävar, Västerbotten. Motorisk förmåga bedömdes för 109 personer enligt The Bruininks-Oseretsky Test of Motor Proficiency second edition, som i vuxen ålder fått diagnosen ADHD eller ADD. Testet är uppdelat i fyra motoriska områden; Fine Manual Control, Manual Coordination, Body Coordination, Strength and Agility, och en summering av alla områden: Total Motor Composite. Datamaterialet analyserades med oparade t-test och Mann-Whitney U-test och jämfördes deskriptivt mot normativa data. Resultat: Gruppen med ADD hade signifikant bättre poäng i Fine Manual Control än gruppen med ADHD: 60 (9) respektive 53 (10.75), p=0.027. Enligt beskrivande kategorier för Total Motor Composite hade 36,5% ur gruppen ADHD en individpoäng som var under till väl under genomsnittet jämfört med normativa data och 61.5% lika med genomsnittet. Gruppen ADD var 41.1% under till väl under genomsnittet och 59% lika med genomsnittet. Konklusion: Gruppen med ADD förefaller ha bättre finmotorik än gruppen med ADHD. Resultaten indikerar att motoriken är nedsatt hos vuxna personer med ADHD/ADD för över 30%. Ytterligare forskning om motorikstörning, vuxna och diagnosen behövs.

Mental health conditions, such as internalizing disorders, in children and adolescents have been attributed to higher than expected levels of high school dropouts, juvenile crimes, and suicide. Previous research studies provide limited information on factors influencing treatment success for children and adolescents diagnosed with internalizing disorders. This study utilized a nonequivalent comparison group design gathered from an archived data set from a sample of children and adolescents (N = 215) who participated in an intensive outpatient managed mental health care treatment program. Self-report data were retrieved from previous responses to the Children's Depression Inventory and Revised Children's Manifest Anxiety Scale - Second Edition to explore factors related to treatment effectiveness for children and adolescents with internalizing symptoms. Data were analyzed using a mixed model repeated measures ANOVA to analyze main effects and interactions. This analysis identified if gender, ethnicity, age group, and treatment duration were risk factors related to symptom amelioration or deterioration for children and adolescents diagnosed with internalizing disorders across time. Females with internalizing disorders reported significantly higher levels of depression symptom change than males with internalizing disorders. All other results did not show any statistically significant relationships. Results suggest that therapists should consider gender-related factors when providing treatment to children and adolescents with internalizing disorders. Active clinical research epitomizes the belief of social change by putting research to practice and utilizing available tools to predict predictive risk in the treatment of children and adolescents.

Dans ce document, nous explorons les différentes étapes habituellement requises pour la synthèse d'image. Le principal but de cette exploration est de prendre en compte autant que possible l'utilisateur. La création d'images 3D nécessite en premier lieu la définition d'une collection de modèles 3D et de leur position relative. Pour cet objectif, nous explorons les techniques de modélisation 3D par esquisses pour des maillages 3D, en étendant l'utilisation de courbe de la définition de la silhouette à celle du profil de la forme, et en exposant toutes les différentes étapes du processus de reconstruction ainsi que la représentation interne. Nous explorons aussi l'utilisation de tels outils lorsque l'utilisateur se trouve face à de grands écrans. Une fois la géométrie d'un objet définie, un utilisateur doit définir son apparence résultant de l'interaction de la lumière avec ses propriétés de réflexion et sa géométrie. Nous introduisons un nouveau modèle de BRBF et ses outils de modélisation pour étendre les effets lumineux possibles. Puisque la forme de l'objet influence la perception de son éclairement, nous introduisons aussi un descripteur de forme pour extraire des informations continues de convexité et de courbure. Cette analyse en temps-réel est utilisée pour re-introduire ces information dans différents styles de rendu. Finallement, nous introduisons une nouvelle représentation pour l'éclairement qui offre un grand potentiel en terme d'édition pour l'éclairage global. Cette représentation est basée sur une grille régulière de vecteurs d'irradiance qui encode l'éclairement incident. La combinaison d'une approche volumique et vectorielle rend cette méthode bien adaptée pour tous les algorithmes qui doivent faire face à la complexité géométrique des scènes 3D.